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AMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its STEPHEN GILL’S SUBLIME DECAY PLEASE NOTIFY THE SUN Stephen Gill’s Sublime Decay Please Notify the Sun. “Our human power of observations rests between these worlds and it cannot acknowledge either of them fully by sight. We must remain content with our dull labor and horizons and accept that without the invention of superior optics, we are blind to these worlds”. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
AN INTERVIEW WITH EDWARD HOPPER, JUNE 17, 1959 The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is aAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its STEPHEN GILL’S SUBLIME DECAY PLEASE NOTIFY THE SUN Stephen Gill’s Sublime Decay Please Notify the Sun. “Our human power of observations rests between these worlds and it cannot acknowledge either of them fully by sight. We must remain content with our dull labor and horizons and accept that without the invention of superior optics, we are blind to these worlds”. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
AN INTERVIEW WITH EDWARD HOPPER, JUNE 17, 1959 The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a STEPHEN SHORE STEEL TOWN Glancing at Steel Town by Stephen Shore (MACK, 2021) gives the reader the impression that what they are looking at has a point of fixity in the past. The images, produced in 1977 for Fortune Magazine, and have a quality that suggests a bygone era. Whether it is the kitsch interior of Eddie’s Wagon Wheel, or the townspeople and their button-up clothing, or the large and fuel-unfriendly GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SÉBASTIEN CUVELIER PARADISE CITY Sébastien Cuvelier’s Paradise City (GOST, 2020) combines several rich storytelling elements into one photobook that considers Iran as a historic place pitted against the tumultuous change of the past fifty years as a backdrop for interrogation. Using his own photographs and images shot by his uncle in 1971 on his own odyssey, Cuvelier addresses Iran by looking at what has occurred between LOGO 3 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. KOSUKE OKAHARA BLUE AFFAIR I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flightor
JÖRG COLBERG VATERLAND AS THEN, NOW Jörg Colberg’s Vaterland is a study of condition. It is a book that points to the historical while also raises the mast of concern for our present moment in which we seem to be back pedalling towards defensiveness, xenophobia and strong arm politics. Colberg points all of this out through an examination of his native Germany, whose ownAfD
FACEBOOK SQUARE (CUSTOM) Since 2008, an epicenter for photography, art and culture. BYBERRY INSANE ASYLUM Excerpt from With the Best of Intentions: Byberry Asylum, Dolores D. Zollo, Fall 2009. Philadelphia’s State Hospital for Mental Diseases, also known as Byberry Insane Asylum, was built at the end of Roosevelt Boulevard in the Somerton section of Northeast Philadelphia.For nearly 200 years, Northeastern Philadelphia had treated its surrounding mentally ill citizens “to keep them off the JEFFREY SILVERTHORNE: THE SUTURE THAT BINDS US Jeffrey Silverthorne: The Suture That Binds Us. “The images are works of art. They exist in art historical categories and they evade an inherent use of death as either a procedural epistemology or body shock tactic.”. Carbon Monoxide poisoning, fatal accident, young lovers entwined beneath two separate folded white shrouds, the tableson
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) In Summer Nights Walking, Robert Adams taps fiercely into our feelings and memories and he does it with his deft and recognizable, delicate touch. The book layout is a visual tour from the streets of the Longmont, Colorado suburbs to the top of the surrounding mountains, the views looking into windows and down into the weeds, into car headlights and far above the glowing lights of a newAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its STEPHEN GILL’S SUBLIME DECAY PLEASE NOTIFY THE SUN Stephen Gill’s Sublime Decay Please Notify the Sun. “Our human power of observations rests between these worlds and it cannot acknowledge either of them fully by sight. We must remain content with our dull labor and horizons and accept that without the invention of superior optics, we are blind to these worlds”. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
AN INTERVIEW WITH EDWARD HOPPER, JUNE 17, 1959 The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is aAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its STEPHEN GILL’S SUBLIME DECAY PLEASE NOTIFY THE SUN Stephen Gill’s Sublime Decay Please Notify the Sun. “Our human power of observations rests between these worlds and it cannot acknowledge either of them fully by sight. We must remain content with our dull labor and horizons and accept that without the invention of superior optics, we are blind to these worlds”. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
AN INTERVIEW WITH EDWARD HOPPER, JUNE 17, 1959 The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a STEPHEN SHORE STEEL TOWN Glancing at Steel Town by Stephen Shore (MACK, 2021) gives the reader the impression that what they are looking at has a point of fixity in the past. The images, produced in 1977 for Fortune Magazine, and have a quality that suggests a bygone era. Whether it is the kitsch interior of Eddie’s Wagon Wheel, or the townspeople and their button-up clothing, or the large and fuel-unfriendly GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
SÉBASTIEN CUVELIER PARADISE CITY Sébastien Cuvelier’s Paradise City (GOST, 2020) combines several rich storytelling elements into one photobook that considers Iran as a historic place pitted against the tumultuous change of the past fifty years as a backdrop for interrogation. Using his own photographs and images shot by his uncle in 1971 on his own odyssey, Cuvelier addresses Iran by looking at what has occurred between LOGO 3 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. FACEBOOK SQUARE (CUSTOM) Since 2008, an epicenter for photography, art and culture. KOSUKE OKAHARA BLUE AFFAIR I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flightor
JÖRG COLBERG VATERLAND AS THEN, NOW Jörg Colberg’s Vaterland is a study of condition. It is a book that points to the historical while also raises the mast of concern for our present moment in which we seem to be back pedalling towards defensiveness, xenophobia and strong arm politics. Colberg points all of this out through an examination of his native Germany, whose ownAfD
BYBERRY INSANE ASYLUM Excerpt from With the Best of Intentions: Byberry Asylum, Dolores D. Zollo, Fall 2009. Philadelphia’s State Hospital for Mental Diseases, also known as Byberry Insane Asylum, was built at the end of Roosevelt Boulevard in the Somerton section of Northeast Philadelphia.For nearly 200 years, Northeastern Philadelphia had treated its surrounding mentally ill citizens “to keep them off the JEFFREY SILVERTHORNE: THE SUTURE THAT BINDS US Jeffrey Silverthorne: The Suture That Binds Us. “The images are works of art. They exist in art historical categories and they evade an inherent use of death as either a procedural epistemology or body shock tactic.”. Carbon Monoxide poisoning, fatal accident, young lovers entwined beneath two separate folded white shrouds, the tableson
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) In Summer Nights Walking, Robert Adams taps fiercely into our feelings and memories and he does it with his deft and recognizable, delicate touch. The book layout is a visual tour from the streets of the Longmont, Colorado suburbs to the top of the surrounding mountains, the views looking into windows and down into the weeds, into car headlights and far above the glowing lights of a newAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. ALEXANDER ARNILD PETERSEN’S FROM NOW ON Alexander Arnild Petersen’s From Now On. “Not a terrible thing and an atmosphere pervades that favours this compunction towards dead ends-thus life living in the best and worst of times simultaneously. Living our sort of dreaded best life as it were”. As I leaf through this book’s accompanying ephemera, press release etc., SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provide ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you buttonAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. ALEXANDER ARNILD PETERSEN’S FROM NOW ON Alexander Arnild Petersen’s From Now On. “Not a terrible thing and an atmosphere pervades that favours this compunction towards dead ends-thus life living in the best and worst of times simultaneously. Living our sort of dreaded best life as it were”. As I leaf through this book’s accompanying ephemera, press release etc., SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provide ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you buttonPHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
STEPHEN SHORE STEEL TOWN Glancing at Steel Town by Stephen Shore (MACK, 2021) gives the reader the impression that what they are looking at has a point of fixity in the past. The images, produced in 1977 for Fortune Magazine, and have a quality that suggests a bygone era. Whether it is the kitsch interior of Eddie’s Wagon Wheel, or the townspeople and their button-up clothing, or the large and fuel-unfriendly CONTEMPORARY PHOTOGRAPHY Explore Contemporary Photography. An Open Letter to Felicity Hammond From Art Rotterdam/The New Unseen. Gaechter & Clahsen: Fünf Finger Föhn Frisur. Roger Ballen – “Selfportrait” (2011) Alec Soth – Photographer (2019) Anton Roland Laub Last Christmas (of Ceaușescu) Monsanto’s Corporate Horror: An Interview with Mathieu Asselin. KOSUKE OKAHARA BLUE AFFAIR I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flightor
ORANGE 1 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. A STATEMENT BY ROBERT FRANK (1958) A Statement by Robert Frank (1958) With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my medium over a protracted period. LOGO 3 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. FACEBOOK SQUARE (CUSTOM) Since 2008, an epicenter for photography, art and culture. PINK 2 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture.AMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. ALEXANDER ARNILD PETERSEN’S FROM NOW ON Alexander Arnild Petersen’s From Now On. “Not a terrible thing and an atmosphere pervades that favours this compunction towards dead ends-thus life living in the best and worst of times simultaneously. Living our sort of dreaded best life as it were”. As I leaf through this book’s accompanying ephemera, press release etc., SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provide ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you buttonAMERICAN SUBURB X
Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. The Modesty of Fundamental Signs: Recent Books by Pablo López Luz. Massimiliano Tommaso Rezza PSALM. Eiko Grimberg RÜCKSCHAUFEHLER. Gerry Johansson Esker. ALEXANDER ARNILD PETERSEN’S FROM NOW ON Alexander Arnild Petersen’s From Now On. “Not a terrible thing and an atmosphere pervades that favours this compunction towards dead ends-thus life living in the best and worst of times simultaneously. Living our sort of dreaded best life as it were”. As I leaf through this book’s accompanying ephemera, press release etc., SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provide ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you buttonPHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
STEPHEN SHORE STEEL TOWN Glancing at Steel Town by Stephen Shore (MACK, 2021) gives the reader the impression that what they are looking at has a point of fixity in the past. The images, produced in 1977 for Fortune Magazine, and have a quality that suggests a bygone era. Whether it is the kitsch interior of Eddie’s Wagon Wheel, or the townspeople and their button-up clothing, or the large and fuel-unfriendly CONTEMPORARY PHOTOGRAPHY Explore Contemporary Photography. An Open Letter to Felicity Hammond From Art Rotterdam/The New Unseen. Gaechter & Clahsen: Fünf Finger Föhn Frisur. Roger Ballen – “Selfportrait” (2011) Alec Soth – Photographer (2019) Anton Roland Laub Last Christmas (of Ceaușescu) Monsanto’s Corporate Horror: An Interview with Mathieu Asselin. KOSUKE OKAHARA BLUE AFFAIR I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flightor
ORANGE 1 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. A STATEMENT BY ROBERT FRANK (1958) A Statement by Robert Frank (1958) With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my medium over a protracted period. LOGO 3 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. FACEBOOK SQUARE (CUSTOM) Since 2008, an epicenter for photography, art and culture. PINK 2 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture.AMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
PHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button CHAOS IN THE LANDSCAPE: NICO KRIJNO’S HOW TO LEAVE YOUR Chaos in the Landscape: Nico Krijno’s How to Leave Your Body Behind. One of the strangest books in my collection is Francis Bruguière and Lance Sieveking’s 1929 image/text collaboration Beyond this Point. Written in the first person, Sieveking’s short, anecdotal texts explore possible responses to three kinds of psychological trauma RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a RICHARD AVEDON’S ‘IN THE AMERICAN WEST’ Richard Avedon’s ‘In the American West’. For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work.AMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
PHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button CHAOS IN THE LANDSCAPE: NICO KRIJNO’S HOW TO LEAVE YOUR Chaos in the Landscape: Nico Krijno’s How to Leave Your Body Behind. One of the strangest books in my collection is Francis Bruguière and Lance Sieveking’s 1929 image/text collaboration Beyond this Point. Written in the first person, Sieveking’s short, anecdotal texts explore possible responses to three kinds of psychological trauma RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a RICHARD AVEDON’S ‘IN THE AMERICAN WEST’ Richard Avedon’s ‘In the American West’. For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work. THE FLAME’S VIRTUES: LESLIE SEARLES’ ¿QUIÉN INICIA ESTE "Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world."CHARLIE ENGMAN: MOM
The book thrives on this energy. Throughout, Kathleen seems inexhaustible, and demonstrates an extraordinary lack of vanity. She throws her body around gracefully or awkwardly, gamely dons wigs and makeup and prosthetics. Engman’s background and enduring interest in dance and in theatre is clear in the ways that he depicts Kathleen’sform
PINK 2 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. A STATEMENT BY ROBERT FRANK (1958) A Statement by Robert Frank (1958) With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my medium over a protracted period. FIRE – AMERICAN SUBURB X “Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world.”ROY LICHTENSTEIN
Oh, Jeff I Love You, Too But, 1964 © Estate of Roy Lichtenstein Originally recorded in January 1966 by David Sylvester in New York City for broadcast by BBC0903_001 B (CUSTOM)
Since 2008, an epicenter for photography, art and culture. THE SOCIAL MOSAIC ATTEMPTED: THE PHOTOGRAPHS OF AUGUST Social class stands before us in all its detail and specificity. By Clare Hurley, December, 2004 “People of the Twentieth Century”: August Sander’s Photographic Portrait of Germany, Metropolitan Museum of Art, New York, May 25—September 19, 2004 A selection of 150 photographs from Augus 099304-FACEBOOK-LOGO 16 Since 2008, an epicenter for photography, art and culture. BIOGRAPHY AND EARLY CAREER OF EUGENE ATGET (2006 Text Excerpt from The early photographic work of Eugene Atget: 1892 - 1902 By Eun Young Jeong, Michigan State University Very little is known about Atget's early life. He kept no diary or other personal records. The information that has been published has become somewhat mythological due to aAMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
PHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button CHAOS IN THE LANDSCAPE: NICO KRIJNO’S HOW TO LEAVE YOUR Chaos in the Landscape: Nico Krijno’s How to Leave Your Body Behind. One of the strangest books in my collection is Francis Bruguière and Lance Sieveking’s 1929 image/text collaboration Beyond this Point. Written in the first person, Sieveking’s short, anecdotal texts explore possible responses to three kinds of psychological trauma RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011RALPH EUGENE MEATYARD PHOTOSRALPH MEATYARD PHOTOSRALPH EUGENE RICHMEATYARDPHOTOS
Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a RICHARD AVEDON’S ‘IN THE AMERICAN WEST’ Richard Avedon’s ‘In the American West’. For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work.AMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
PHOTOGRAPHY
Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button CHAOS IN THE LANDSCAPE: NICO KRIJNO’S HOW TO LEAVE YOUR Chaos in the Landscape: Nico Krijno’s How to Leave Your Body Behind. One of the strangest books in my collection is Francis Bruguière and Lance Sieveking’s 1929 image/text collaboration Beyond this Point. Written in the first person, Sieveking’s short, anecdotal texts explore possible responses to three kinds of psychological trauma RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011RALPH EUGENE MEATYARD PHOTOSRALPH MEATYARD PHOTOSRALPH EUGENE RICHMEATYARDPHOTOS
Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
FRANCIS BACON ON VIOLENCE, SUFFERING AND PAINTING FOR Francis Bacon on Violence, Suffering and Painting for Himself. “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a RICHARD AVEDON’S ‘IN THE AMERICAN WEST’ Richard Avedon’s ‘In the American West’. For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work. THE FLAME’S VIRTUES: LESLIE SEARLES’ ¿QUIÉN INICIA ESTE "Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world."CHARLIE ENGMAN: MOM
The book thrives on this energy. Throughout, Kathleen seems inexhaustible, and demonstrates an extraordinary lack of vanity. She throws her body around gracefully or awkwardly, gamely dons wigs and makeup and prosthetics. Engman’s background and enduring interest in dance and in theatre is clear in the ways that he depicts Kathleen’sform
PINK 2 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. A STATEMENT BY ROBERT FRANK (1958) A Statement by Robert Frank (1958) With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my medium over a protracted period. FIRE – AMERICAN SUBURB X “Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world.”ROY LICHTENSTEIN
Oh, Jeff I Love You, Too But, 1964 © Estate of Roy Lichtenstein Originally recorded in January 1966 by David Sylvester in New York City for broadcast by BBC0903_001 B (CUSTOM)
Since 2008, an epicenter for photography, art and culture. THE SOCIAL MOSAIC ATTEMPTED: THE PHOTOGRAPHS OF AUGUST Social class stands before us in all its detail and specificity. By Clare Hurley, December, 2004 “People of the Twentieth Century”: August Sander’s Photographic Portrait of Germany, Metropolitan Museum of Art, New York, May 25—September 19, 2004 A selection of 150 photographs from Augus 099304-FACEBOOK-LOGO 16 Since 2008, an epicenter for photography, art and culture. BIOGRAPHY AND EARLY CAREER OF EUGENE ATGET (2006 Text Excerpt from The early photographic work of Eugene Atget: 1892 - 1902 By Eun Young Jeong, Michigan State University Very little is known about Atget's early life. He kept no diary or other personal records. The information that has been published has become somewhat mythological due to aSkip to content
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THE LATEST ART & CULTURE FROM ASX. Gareth McConnell: The Dream Meadow No Picture Needed. An Open Letter to Unseen from Felicity Hammond Sam Contis Dorothea Lange: Day Sleeper Then as Now and. Chris Shaw: The Hunter and A Proximity To Prey Massao Mascaro: Jardin, a Rumination of Plots Thomas Sauvin: Great Leaps Forward Cars and Guns and Tattooed Dudes: Gregory Halpern’s Omaha Sketchbook Brad Rimmer: Nature Boy, Dispossession and the Art of Fire Ursula Schulz-Dornburg: Yerevan 1996/1997 Mike Osborne: Deep State. Journalist, Spy, Conspiracy Theorist Hausthor & Guilmoth: Sleep Creek, Gauze-Eyed Gothic Mark Mahaney: Polar Night Gareth McConnell: The Dream Meadow No Picture Needed. An Open Letter to Unseen from Felicity Hammond Sam Contis Dorothea Lange: Day Sleeper Then as Now and. Chris Shaw: The Hunter and A Proximity To Prey Massao Mascaro: Jardin, a Rumination of Plots Thomas Sauvin: Great Leaps Forward_ALL ARTICLES _
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Harry Callahan Loved Eleanor, Barbara and Chicago Walker Evans’s ‘Counter-Aesthetic’ (2003) An Interview with Emmet Gowin (1998) Interview of Lise Sarfati by François Adragna (2012) William Eggleston: ‘Draft of a Presentation’ (2003) An Interview with Walker Evans Pt. 1 (1971) Modern Sublime: The World of Josef Koudelka (2003) INTERNET GOTHIC in Doug Rickard’s ‘N.A.’ The Political Image as Embodiment of Cyclical Failure A Conversation with Alec Soth (2009) Jacob Holdt: American Pictures – A Foreigner’s Perspective on Social Injustice in the United States Dennis Hopper with Tony Shafrazi (Excerpts) (1999) INTERVIEW HIGHLIGHTS. Star Mangled: Interview with Harlan Levey Barbara Kruger Interview on Race, Stereotypes, Public Art andInterviews (1991)
Gritty 1980’s NYC and the Glorious Intuition of Richard Sandler A Short Interview with Saul Leiter (2013) Dennis Hopper with Tony Shafrazi (Excerpts) (1999) Gregory Halpern On Documentary Ethics – Preoccupations, Subjectivityand Untruths (2013)
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William Eggleston – “Sit-In at the Fotomat” (2010) Frank Horvat with Helmut Newton (1986) Daido Moriyama: Investigations of a Dog (1999) Henri Cartier Bresson: Decisive Photographs” (1953) Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and theCrop of the Head
Lee Friedlander: Photography and the Aesthetics of Abstract Painting(2012)
Daido Moriyama – “Reaching Out the Senses” (2012) An Interview with Nobuyoshi Araki: Intimate Photography – Tokyo, Nostalgia and Sex (2006) An Interview with Bruce Gilden – Spontaneity, Elegance and BeingYourself
Tony Ray-Jones Interviews Brassai” Pt. I (1970) PAUL GRAHAM: “Photography is Easy, Photography is Difficult”(2009)
LUIGI GHIRRI: “KODACHROME” INTERVIEW HIGHLIGHTS. Gritty 1980’s NYC and the Glorious Intuition of Richard Sandler Gregory Halpern On Documentary Ethics – Preoccupations, Subjectivityand Untruths (2013)
Francis Bacon – Photographs, Painting, Destructive Criticism andMore
Ed Ruscha on Route 66, Making Books and “Choppy Movement” Dennis Hopper with Tony Shafrazi (Excerpts) (1999) An Interview with Eugene Richards: ‘Cocaine True, Cocaine Blue’(1995)
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