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DEJA VIEW: HORNED KING PENCIL TEST Yay! Your Beginnings, thanks for posting. Looks scary, sharp punch with the claws to the ease and last overlap of the eye bulge, love it. I've been reading Tim Burton's Autobiography "Burton on Burton" quite epic, he mentions you in it " He would sit on one side of the room andI
DEJA VIEW: MEDUSA ORIGINAL ROUGHAUTHOR: ANDREAS DEJA I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: KATHRYN BEAUMONT Critics may criticize to their hearts' content, but Alice in Wonderland has always been, and likely will remain, my favorite animated Disney film, alongside The Sword in the Stone. DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: CRUELLA DE VIL Hi Andreas, I always wondered what kind of relationship existed between Marc Davis and the new generation of animators during the '80s. I know Milt Khal was somewhat skeptical toward them, Eric Larson, the best teacher a student could have, Frank Thomas and Ollie Johnston taught you how to draw out the emotions of the animatedcharacters.
DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: DALMATIANSAUTHOR: ANDREAS DEJA Thanks so much for posting. Those are, in my opinion, without a doubt the best Ollie drawings I've ever seen--of any kind. I also love how milt re-did the drawing of the dog with the ball in his mouth in blue--moving the front arm out from under his head -- DEJA VIEW: CRUELLA'S CARAUTHOR: ANDREAS DEJA In order to save costs the 101 Dalmatians production team thought up an inventive way to animate Cruella De Vil's automobile. Instead of drawing the vehicle frame by frame the conventional way, a cardboard model was filmed, as effects animators moved it around in front of thecamera.
DEJA VIEW: HORNED KING PENCIL TEST Yay! Your Beginnings, thanks for posting. Looks scary, sharp punch with the claws to the ease and last overlap of the eye bulge, love it. I've been reading Tim Burton's Autobiography "Burton on Burton" quite epic, he mentions you in it " He would sit on one side of the room andI
DEJA VIEW: MEDUSA ORIGINAL ROUGHAUTHOR: ANDREAS DEJA I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: KATHRYN BEAUMONT Critics may criticize to their hearts' content, but Alice in Wonderland has always been, and likely will remain, my favorite animated Disney film, alongside The Sword in the Stone. DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: CRUELLA DE VIL Hi Andreas, I always wondered what kind of relationship existed between Marc Davis and the new generation of animators during the '80s. I know Milt Khal was somewhat skeptical toward them, Eric Larson, the best teacher a student could have, Frank Thomas and Ollie Johnston taught you how to draw out the emotions of the animatedcharacters.
DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: 2020
Before King Triton, Gaston and Hercules there was another bodybuilder type I animated. If I remember correctly, toward the end of production of The Black Cauldron I discovered certain storyboards in the basement of Disney's original animation building. (We hadn't moved outDEJA VIEW: 2016
Many of you know that yesterday, December 15, marked the 50th anniversary of Walt Disney's death. Recently the W. Disney Companywent through great
DEJA VIEW: 2019
Ollie had just received the National Medal of Arts at a White House ceremony. Other recipients that year included actor Robert Duvall and singer Dolly Parton. DEJA VIEW: GASTON MODEL SHEETS A whole body turn-around. Not easy to do after having animated less than five scenes. But production management always needs these sorts of things right away, even though you are still in the process of discovering aspects about the character's appearance. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE I remember flipping and rolling that scene when I was a trainee under Eric Larsen. I was in awe of the draftmanship! It was the first time I ever held actual production animation drawings in my hands and it was hard to believe that graphite on paper could evoke such lifelike movement and emotion! DEJA VIEW: 101 DALMATIANS BACKGROUND STYLING If you think that creating backgrounds for Disney's 101 Dalmatians was a piece of cake compared to the preceding film Sleeping Beauty, think again.Sure, Eyvind Earl's renaissance styling is rich with sharp detail, but look at this layout from 101. DEJA VIEW: KATHRYN BEAUMONT Critics may criticize to their hearts' content, but Alice in Wonderland has always been, and likely will remain, my favorite animated Disney film, alongside The Sword in the Stone. DEJA VIEW: MISSING PUPPIES It is interesting to study some of the newspaper's text, as it reflects topics from the the late 1950 and early 60s. The write up about the stolen puppies is on the left of the image. DEJA VIEW: CRUELLA DE VIL Hi Andreas, I always wondered what kind of relationship existed between Marc Davis and the new generation of animators during the '80s. I know Milt Khal was somewhat skeptical toward them, Eric Larson, the best teacher a student could have, Frank Thomas and Ollie Johnston taught you how to draw out the emotions of the animatedcharacters.
DEJA VIEW: MARY POPPINS' FOX Great! Dear Mr. Deja, I was wondering: have you ever consider tutoring? I would love to be your student, like most of us! Actually, I'm learning a lot from your posts, but I would love to learn more, and someday be as excellent as you.DEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition. DEJA VIEW: MEDUSA ORIGINAL ROUGH I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: MUSHKA AND SARAH MAQUETTE 19 comments: Oh wow, that looks gorgeous. Props to Craig for the good work. It's not often that I see these in colour, but the effect on this one is really nice. I hope everything is going well on production. Amazing how beautifully the rough drawing style translatedto
DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: CRUELLA'S CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn oDEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition. DEJA VIEW: MEDUSA ORIGINAL ROUGH I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: MUSHKA AND SARAH MAQUETTE 19 comments: Oh wow, that looks gorgeous. Props to Craig for the good work. It's not often that I see these in colour, but the effect on this one is really nice. I hope everything is going well on production. Amazing how beautifully the rough drawing style translatedto
DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: CRUELLA'S CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn oDEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition.DEJA VIEW: MAY 2021
The crazy thing is that when Tate was a young aspiring actor, way before Hercules, we lived next door to each other for some time in a neighborhood near Lake Hollywood. DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: BAMBI VIS DEV ART that layout sketch with bambi coming closer to the foreground completely blew me away. nobody could draw something so atmospheric today anymore. btw andreas, I just want to mention - they were not drawn on paper, it was vellum. that's why you see the texture. and for bigger smooth grey areas they used graphite powder and spread it with a piece of cotton soaked with cigarettelighter gas DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: DISNEY STAGING Disney Staging. The best of Disney's animators knew how to stage their characters in a way that made them easy to read on the screen. That way their personality statements were uncluttered and to the point. Every line put on paper supports a main thought, and the rhythm of the drawing leads your eyes toward the area you are supposed to look at. DEJA VIEW: DALMATIANS Thanks so much for posting. Those are, in my opinion, without a doubt the best Ollie drawings I've ever seen--of any kind. I also love how milt re-did the drawing of the dog with the ball in his mouth in blue--moving the front arm out from under his head -- DEJA VIEW: MARY POPPINS' FOX Great! Dear Mr. Deja, I was wondering: have you ever consider tutoring? I would love to be your student, like most of us! Actually, I'm learning a lot from your posts, but I would love to learn more, and someday be as excellent as you. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: KATHRYN BEAUMONT Her full name is Kathryn Beaumont Levine, and her friends call her Kathy. I am very proud to be one of them. We recently got together toDEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition. DEJA VIEW: MEDUSA ORIGINAL ROUGH I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: MUSHKA AND SARAH MAQUETTE 19 comments: Oh wow, that looks gorgeous. Props to Craig for the good work. It's not often that I see these in colour, but the effect on this one is really nice. I hope everything is going well on production. Amazing how beautifully the rough drawing style translatedto
DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: CRUELLA'S CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn oDEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition. DEJA VIEW: MEDUSA ORIGINAL ROUGH I love this. What I always liked about her, amongst other things, is the fact that there are several tiny details in her design that indicate her age and add to her character, but it never feels like it's too much, too cluttered during the motion. DEJA VIEW: MUSHKA AND SARAH MAQUETTE 19 comments: Oh wow, that looks gorgeous. Props to Craig for the good work. It's not often that I see these in colour, but the effect on this one is really nice. I hope everything is going well on production. Amazing how beautifully the rough drawing style translatedto
DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: CRUELLA'S CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn oDEJA VIEW: 2021
Milt Kahl was born on this day in 1909 in San Francisco. He was eight years younger than Walt Disney. Most of you have seen this photo of him when he worked for the Fox West Coast Theatre chain. He drew print ads featuring titles and scenes from current movies. Each ad had a tiny "K" hidden within the composition.DEJA VIEW: MAY 2021
The crazy thing is that when Tate was a young aspiring actor, way before Hercules, we lived next door to each other for some time in a neighborhood near Lake Hollywood. DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: BAMBI VIS DEV ART that layout sketch with bambi coming closer to the foreground completely blew me away. nobody could draw something so atmospheric today anymore. btw andreas, I just want to mention - they were not drawn on paper, it was vellum. that's why you see the texture. and for bigger smooth grey areas they used graphite powder and spread it with a piece of cotton soaked with cigarettelighter gas DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: DISNEY STAGING Disney Staging. The best of Disney's animators knew how to stage their characters in a way that made them easy to read on the screen. That way their personality statements were uncluttered and to the point. Every line put on paper supports a main thought, and the rhythm of the drawing leads your eyes toward the area you are supposed to look at. DEJA VIEW: DALMATIANS Thanks so much for posting. Those are, in my opinion, without a doubt the best Ollie drawings I've ever seen--of any kind. I also love how milt re-did the drawing of the dog with the ball in his mouth in blue--moving the front arm out from under his head -- DEJA VIEW: MARY POPPINS' FOX Great! Dear Mr. Deja, I was wondering: have you ever consider tutoring? I would love to be your student, like most of us! Actually, I'm learning a lot from your posts, but I would love to learn more, and someday be as excellent as you. DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: KATHRYN BEAUMONT Her full name is Kathryn Beaumont Levine, and her friends call her Kathy. I am very proud to be one of them. We recently got together to DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: JUNGLE BOOK PRE-PRODUCTIONAUTHOR: ANDREAS DEJA This beautiful concept painting from The Jungle Book was virtually unchanged for the final production painting below. Even the placement of the wolfs remained the same. A very atmospheric scene helped by the slightest clouds movement. DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE Medusa's Pivotal Sequence. By many moviegoers and critics Disney Animation during the 1970s wasn’t hailed as the pioneering medium it once was. But there were still groundbreaking achievements in character animation being made, and this sequence is on one of them. DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: CRUELLA'S CARCRUELLA DEVILLE CARTOON CARYOUTUBE CRUELLA S CAR101 DALMATIANS CRUELLA CAR101 DALMATIANS CARCRUELLA DE VIL S CARWHAT IS CRUELLA DEVILLE CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: JUNGLE BOOK PRE-PRODUCTIONAUTHOR: ANDREAS DEJA This beautiful concept painting from The Jungle Book was virtually unchanged for the final production painting below. Even the placement of the wolfs remained the same. A very atmospheric scene helped by the slightest clouds movement. DEJA VIEW: JUNGLE BOOK MIX One of Ken Anderson's many inspirational doodles, showing Mowgli in relation to a vast, wild jungle. A couple of Ollie Johnston's sketches, as he explores Baloo's pleasure of scratching. A couple of rough layouts. Outside of the wolves' den, and high in the trees, a path for Bagheera to travel on. Frank Thomas almost animated 1/4 ofJungle Book
DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE Medusa's Pivotal Sequence. By many moviegoers and critics Disney Animation during the 1970s wasn’t hailed as the pioneering medium it once was. But there were still groundbreaking achievements in character animation being made, and this sequence is on one of them. DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: CRUELLA DE VIL Cruella de Vil is a creation for the ages. Color stylist Walt Peregoy said: "There. will never be a character like Cruella!" I say, let's admire and look at her as a challenge to match. All we need is top story material like Bill Peet's, a way out character design DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: CRUELLA'S CARCRUELLA DEVILLE CARTOON CARYOUTUBE CRUELLA S CAR101 DALMATIANS CRUELLA CAR101 DALMATIANS CARCRUELLA DE VIL S CARWHAT IS CRUELLA DEVILLE CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: GOONS
Sleeping Beauty’s Goons have their roots in paintings by Dutch painter Hieronymus Bosch (1450-1516). When I was a kid there wasnothing scarier
DEJA VIEW: SHERRY SANDER I love great animal sculptures. Especially when there is movement involved, or when the pose reveals the animal's character. Sherry Sander is an American sculptor who has high standards and emerges through the often uninspired scene of midwestern wildlife art. DEJA VIEW: GOLDEN POSES When I study Frank's animation, most of the time I can't find that golden pose. It is usually a series of drawings that stand in for the ONE all important pose. Look at these two key drawings from Pecos Bill by Milt. They are practically illustrations that give DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE Medusa's Pivotal Sequence. By many moviegoers and critics Disney Animation during the 1970s wasn’t hailed as the pioneering medium it once was. But there were still groundbreaking achievements in character animation being made, and this sequence is on one of them. DEJA VIEW: DALMATIANS Thanks so much for posting. Those are, in my opinion, without a doubt the best Ollie drawings I've ever seen--of any kind. I also love how milt re-did the drawing of the dog with the ball in his mouth in blue--moving the front arm out from under his head -- DEJA VIEW: CRUELLA'S CAR Art director and production designer Ken Anderson, story artist Bill Peet, and co directors Woolie Reitherman and Ham Luske play with a couple of toy car models. Here the scene is being filmed in which Cruella tries to run the Baduns off the road. Effects animator Dick Lukas is manipulating the models. Woolie Reitherman moves Cruella'scar up a
DEJA VIEW: THE BEAR THAT NEVER WAS This bear bring a lot of memories back! First of all he made me think of Bongo, then of the Country Bear Jamboree. There are a lot of characters simiar to earlier ones (after all the first version was Cruella with a crocodile skin): the milkman is Edgard from the Aristocats and the guy with the moustaches has something of Sir Kay from the Sword in the Stone. DEJA VIEW: CAPTAIN HOOK This animation is so elegant, a sort of a male alter ego of Madame Tremaine, so polite, so refined! I always loved the way this rapresentation of the character and the way is opposed to the way Woolie Reitherman animated Hook fighting Mr. Crocodile, so over thetop.
DEJA VIEW: PETER PAN June of course is known for her legendary voice acting in Warner Brothers cartoons, and Margaret's main role in "Peter Pan" was to act out scenes for Tinker Bell. These drawings again are all by Milt Kahl, even the Captain Hook ones as well as Smee. Perhaps you can see why Walt assigned the more realistic characters like Peter and Wendy toMilt.
DEJA VIEW: KATHRYN BEAUMONT Her full name is Kathryn Beaumont Levine, and her friends call her Kathy. I am very proud to be one of them. We recently got together to DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: JUNGLE BOOK PRE-PRODUCTIONAUTHOR: ANDREAS DEJA This beautiful concept painting from The Jungle Book was virtually unchanged for the final production painting below. Even the placement of the wolfs remained the same. A very atmospheric scene helped by the slightest clouds movement. DEJA VIEW: JUNGLE BOOK MIX The honest trailer for this came out, and they called it boring and plotless. I don't see how either of those things are true. It's just a character piece, and isn't focused on telling a particularly complicated narrative. DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE I remember flipping and rolling that scene when I was a trainee under Eric Larsen. I was in awe of the draftmanship! It was the first time I ever held actual production animation drawings in my hands and it was hard to believe that graphite on paper could evoke such lifelike movement and emotion! DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: CRUELLA DE VIL Hi Andreas, I always wondered what kind of relationship existed between Marc Davis and the new generation of animators during the '80s. I know Milt Khal was somewhat skeptical toward them, Eric Larson, the best teacher a student could have, Frank Thomas and Ollie Johnston taught you how to draw out the emotions of the animatedcharacters.
DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: CRUELLA'S CARCRUELLA DEVILLE CARTOON CARYOUTUBE CRUELLA S CAR101 DALMATIANS CRUELLA CAR101 DALMATIANS CARCRUELLA DE VIL S CARWHAT IS CRUELLA DEVILLE CAR In order to save costs the 101 Dalmatians production team thought up an inventive way to animate Cruella De Vil's automobile. Instead of drawing the vehicle frame by frame the conventional way, a cardboard model was filmed, as effects animators moved it around in front of thecamera.
DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: WALT PEREGOY'S JUNGLE BOOK Here is another gorgeous visual development piece by the cranky, but enormously talented Walt Peregoy. As I said before, this type of jungle would have worked for The Jungle Book as well, but the other Walt (Disney) envisioned lighter, more airy backdrops for thecharacters.
DEJA VIEW: JUNGLE BOOK PRE-PRODUCTIONAUTHOR: ANDREAS DEJA This beautiful concept painting from The Jungle Book was virtually unchanged for the final production painting below. Even the placement of the wolfs remained the same. A very atmospheric scene helped by the slightest clouds movement. DEJA VIEW: JUNGLE BOOK MIX The honest trailer for this came out, and they called it boring and plotless. I don't see how either of those things are true. It's just a character piece, and isn't focused on telling a particularly complicated narrative. DEJA VIEW: BAMBI VIS DEV ART The use of light gives the settings a magical, dreamlike quality. There is subtle shading on the characters, even though the final appearance of Bambi, Thumper and all the others would mostly consists of thin ink lines and flat cel paint. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE I remember flipping and rolling that scene when I was a trainee under Eric Larsen. I was in awe of the draftmanship! It was the first time I ever held actual production animation drawings in my hands and it was hard to believe that graphite on paper could evoke such lifelike movement and emotion! DEJA VIEW: SLEEPING BEAUTY AT 60 EFFECTIVE AND POWERFUL LOVE SPELL CASTER AND LOTTERY SPELL 2019 GBOJIESPIRITUALTEMPLE@GMAIL.COM OR WHATSAPP HIM :+2349066410185 I Want to use this great time to thank DR gbojie for helping me reunite my broken relationship, i never believed on spell or magic till a friend of mine introduce DR gbojie website and i check the website and readall his service and
DEJA VIEW: CRUELLA DE VIL Hi Andreas, I always wondered what kind of relationship existed between Marc Davis and the new generation of animators during the '80s. I know Milt Khal was somewhat skeptical toward them, Eric Larson, the best teacher a student could have, Frank Thomas and Ollie Johnston taught you how to draw out the emotions of the animatedcharacters.
DEJA VIEW: MUSHKA UPDATE We are at it full time! More and more final color is pouring in. I am so excited! Honestly, I didn't expect the final footage to turn o DEJA VIEW: CRUELLA'S CARCRUELLA DEVILLE CARTOON CARYOUTUBE CRUELLA S CAR101 DALMATIANS CRUELLA CAR101 DALMATIANS CARCRUELLA DE VIL S CARWHAT IS CRUELLA DEVILLE CAR In order to save costs the 101 Dalmatians production team thought up an inventive way to animate Cruella De Vil's automobile. Instead of drawing the vehicle frame by frame the conventional way, a cardboard model was filmed, as effects animators moved it around in front of thecamera.
DEJA VIEW: MARY POPPINS' FOX I have always liked the fox in "Mary Poppins". The design is so appealing and his shapes and forms are very contrasting. Big ears andeyes,
DEJA VIEW: ROTOSCOPING Here is an early example of live action use for animation at Disney. All human characters in Snow White and the Seven Dwarfs relied on rotoscoping, except for the dwarfs.The more realistic a character concept, the more live action footage was used to help the animators get a nuanced performance on to the screen.DEJA VIEW: GOONS
Sleeping Beauty’s Goons have their roots in paintings by Dutch painter Hieronymus Bosch (1450-1516). When I was a kid there wasnothing scarier
DEJA VIEW: SHERRY SANDER I love great animal sculptures. Especially when there is movement involved, or when the pose reveals the animal's character. Sherry Sander is an American sculptor who has high standards and emerges through the often uninspired scene of midwestern wildlife art. DEJA VIEW: MEDUSA'S PIVOTAL SEQUENCE I remember flipping and rolling that scene when I was a trainee under Eric Larsen. I was in awe of the draftmanship! It was the first time I ever held actual production animation drawings in my hands and it was hard to believe that graphite on paper could evoke such lifelike movement and emotion! DEJA VIEW: CRUELLA'S CAR In order to save costs the 101 Dalmatians production team thought up an inventive way to animate Cruella De Vil's automobile. Instead of drawing the vehicle frame by frame the conventional way, a cardboard model was filmed, as effects animators moved it around in front of thecamera.
DEJA VIEW: DALMATIANS Thanks so much for posting. Those are, in my opinion, without a doubt the best Ollie drawings I've ever seen--of any kind. I also love how milt re-did the drawing of the dog with the ball in his mouth in blue--moving the front arm out from under his head -- DEJA VIEW: THE BEAR THAT NEVER WAS This bear bring a lot of memories back! First of all he made me think of Bongo, then of the Country Bear Jamboree. There are a lot of characters simiar to earlier ones (after all the first version was Cruella with a crocodile skin): the milkman is Edgard from the Aristocats and the guy with the moustaches has something of Sir Kay from the Sword in the Stone. DEJA VIEW: PETER PAN I love those drawings of Mr. Smee, who is just about my favorite character of all time. Amazing to see Milt's take on him. Don't know if it's true, but I've always suspected Milt did draw-overs in Woolie's AWESOME Capt. Hook scene, in the climax where he's climbing the rigging and taunting Peter Pan ("Fly, fly!"etc). DEJA VIEW: CAPTAIN HOOK This animation is so elegant, a sort of a male alter ego of Madame Tremaine, so polite, so refined! I always loved the way this rapresentation of the character and the way is opposed to the way Woolie Reitherman animated Hook fighting Mr. Crocodile, so over thetop.
DEJA VIEW: KATHRYN BEAUMONT Her full name is Kathryn Beaumont Levine, and her friends call her Kathy. I am very proud to be one of them. We recently got together to WEDNESDAY, MARCH 25, 2020 ALBERT UDERZO R.I.P. A giant in the world of comics has died. Albert Uderzo drew the legendary Asterix comic albums that became a part of millions of childhoods as well as adulthoods. I was -and still am- in love with his work on Asterix and other characters. Genius! I did one post on Uderzo a while ago, but since then have found more pics from our lunch in Paris, around 1995. I was working on the Mickey short _Runaway Brain _at the French Disney studio in Montreuil, justeast of Paris.
On the left is Didier Ghez, who arranged this get together. On the far right is his daughter Sylvie. Uderzo stops by the French Disney studio. That's animator Catherine Poulain in the middle, and animator Sylvain Deboissy on the right. A few of us had lunch with Uderzo after the studio visit. Animator Yoshi Tamura is in the back. On the left are Paul and Gaëtan Brizzi, who would later direct the Firebird sequence in Fantasia 2000. Here is the link to my 2014 post on Uderzo: https://andreasdeja.blogspot.com/2014/09/albert-uderzo.html Posted by Andreas Dejaat 12:35 AM
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SATURDAY, MARCH 21, 2020SAMSON
This is a scene by Milt Kahl with Prince Phillip's horse Samson. At first I thought the drawings correspond with the film frame above, but they don't. In the color image Samson reacts to the forest animals stealing the prince's cape, hat and boots. It turns out that the actual scene in the film shows broader animation than what you see below. I believe this scene was cut from the movie. It might have been Mitl's original version, before being asked to re-animate it with a much stronger reaction. It is interesting to see Milt applying multiple images to the horse's muzzle when he shakes his head. He did this off and on when his characters moved very fast. (Pongo jumping on Roger's lap, Kaa uncoiling before falling down a tree). Occasionally these motion blur type lines were ignored by the inkers and painters and eliminated, other times they made it on to the finalcels.
You can imagine Milt finding out that his animation was altered....lots of colorful language. Posted by Andreas Dejaat 12:09 AM
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MONDAY, MARCH 16, 2020HONEST JOHN
That's Norm Ferguson animating the fox Honest John in _Pinocchio_. (I feel like telling Ferguson: Don't touch your face, and wash yourhands...!)
I am literally mad about this character, and I think not enough people are talking about him in terms of outstanding acting and personality development. Every single scene he is in just shines. Not ONE missed opportunity to present ultimate entertaining moments. Any of the key poses he strikes are inventive and full of character. Other animators who did fantastic work on Honest John are John Lounsbery, Hugh Fraser, Preston Blair and Shamus Culhane.Quite the crew!!
Posted by Andreas Dejaat 1:39 AM
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WEDNESDAY, MARCH 4, 2020PRINCE OUTTAKE
There is delicate perfection in this Milt Kahl key drawing from a scene that was cut from _Sleeping Beauty._ Prince Phillip is leaning against a tree in the forest, probably talking to his horse Samson about that beautiful voice he just heard. That scene was eventually re-staged with Phillip sitting down as he takes off his boots. What is also interesting to note is that the drawing represents Milt's earlier design of the character. The tip of the nose comes to a point, which was a design feature Walt Disney disliked. Milt altered the nose slightly for the final version. This is actually a small drawing, the guy is about 5 inches tall onpaper.
More on Prince Phillip's design development here: https://andreasdeja.blogspot.com/2013/10/prince-phillip.html Posted by Andreas Dejaat 10:55 PM
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SATURDAY, FEBRUARY 29, 2020 ANIMATORS' FOOTAGE ON JUNGLE BOOK This is a beautiful scene by Frank Thomas. Milt Kahl offered some help with drawing the characters on model. And here is an interesting, rare document I received a while ago from the W. Reitherman estate. It looks all too familiar to me, because we received these weekly footage updates as well at Disney. Management needed to keep track of how animation production wasprogressing.
Here you can see what the animators' average footage was between May of 1966 (when animation officially began) and the end of December of that year (which was the time of Walt's death.) Not surprisingly Ollie Johnston was the fastest, followed by Hal Kingand Frank Thomas.
Milt Kahl comes in fourth with almost nine feet per week. That's about SIX seconds of film. Milt of course would argue that he could have been a lot faster if other animators didn't bug him constantly for drawing help on their scenes. In any case, these numbers are incredibly impressive, considering the top notch quality of Jungle Book's character animation. Posted by Andreas Dejaat 1:20 AM
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FRIDAY, FEBRUARY 21, 2020MILT KAHL OUTTAKES
These are a couple of rough animation drawings by Milt Kahl from a scene featuring the character of Frou Frou from _The Aristocats_. This scene was not included in the final film, perhaps the action was re-staged. There is a similar shot in the film depicting the mare as she reacts strongly to Edgar slapping a newspaper on her rear. I am not entirely sure if the two are connected. In any case, any rough animation drawing by Milt Kahl is a revelation, as it shows the master's mind at work. I remember him talking about this character and that he had a hard time with the design and herpersonality.
Nevertheless the work he did on Frou Frou is just beautiful! A little more about this character here: https://andreasdeja.blogspot.com/2016/06/milts-aristocats-drawings.html Posted by Andreas Dejaat 11:55 PM
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SATURDAY, FEBRUARY 15, 2020 CINDERELLA IN PENCIL You've got to see this...several times! At Disney Animation Twitter. Animation by Marc Davis, effects by George Rowley. Sure, it is based on life action, but man.... https://twitter.com/i/status/1228752296692965376 Posted by Andreas Dejaat 6:29 PM
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Subscribe to: Posts (Atom) _____I like this__Unlike_________ Like29_____I dislike this__Undislike_________ 12 All Disney Images are ©DISNEY and are shown here for educational and inspirational purposes only. THE NINE OLD MEN BY ANDREAS DEJA MICKEY MOUSE: FROM WALT TO THE WORLDABOUT ME
* Andreas Deja
I spent 30
years at Disney. Right now I am focusing on my own animated short films, sculpting with wire and this Blog. I might be back at Disney some time.....who knows. View my complete profileFOLLOWERS
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