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featuring book
NO REALLY, THAT'S HOW I DO IT On the side: Use full point on side to produce washes, especially in large areas. Functional oval: Knock off a bit of the point by taking a stroke or two on scrap paper. Then, hold the pencil in a comfortable writing position, using gentle pressure. On point: Loose grip, almost vertical for use of fine tip. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Painting on Vellum By Kate Nessler Originally appeared in The Botanical Artist – Volume 15, Issue 2 . Working on vellum is not just a technique, it is understanding what vellum is, what it does and developing a partnership with it.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/SilverASUKA HISHIKI
Asuka Hishiki 2018 ASBA Diane Bouchier Artist Award for Excellence in Botanical Art by Scott O. Stapleton . When she was asked to send images of her work for the cover of this issue of The Botanical Artist, Asuka Hishiki sent none of her acknowledged masterpieces, not her large—28 ¼ x 36 ½ in—breathtaking Black Pine Half-cascade Style Bonsai painting for which she won a gold medal at Out ALEXANDER VIAZMENSKY Alexander Viazmensky. Alexander (Sasha) Viazmensky was born in Leningrad (now St. Petersburg) Russia. He has an Electrical Engineering degree from Leningrad Technical College and graduated from the Graphic Design School, Leningrad (1984) and from Leningrad Academy of Arts (1991). Sasha has artwork in museums and private collectionsaround the
ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
SHARON FIELD
Sharon Field. I began to paint full time in 2008 following careers in teaching and public service in Australia, the Pacific and Africa. I have held three successful solo exhibitions, three joint exhibitions and have participated in many group exhibitions in Australia and overseas. In 2017 one of my works will be represented at the ASBA "Outof
KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview. HOME | AMERICAN SOCIETY OF BOTANICAL ARTISTSABOUTMEMBERSHIPEXHIBITIONSEDUCATIONOUTREACHGALLERY Botanical Art Techniques. On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube,featuring book
NO REALLY, THAT'S HOW I DO IT On the side: Use full point on side to produce washes, especially in large areas. Functional oval: Knock off a bit of the point by taking a stroke or two on scrap paper. Then, hold the pencil in a comfortable writing position, using gentle pressure. On point: Loose grip, almost vertical for use of fine tip. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Painting on Vellum By Kate Nessler Originally appeared in The Botanical Artist – Volume 15, Issue 2 . Working on vellum is not just a technique, it is understanding what vellum is, what it does and developing a partnership with it.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/SilverASUKA HISHIKI
Asuka Hishiki 2018 ASBA Diane Bouchier Artist Award for Excellence in Botanical Art by Scott O. Stapleton . When she was asked to send images of her work for the cover of this issue of The Botanical Artist, Asuka Hishiki sent none of her acknowledged masterpieces, not her large—28 ¼ x 36 ½ in—breathtaking Black Pine Half-cascade Style Bonsai painting for which she won a gold medal at Out ALEXANDER VIAZMENSKY Alexander Viazmensky. Alexander (Sasha) Viazmensky was born in Leningrad (now St. Petersburg) Russia. He has an Electrical Engineering degree from Leningrad Technical College and graduated from the Graphic Design School, Leningrad (1984) and from Leningrad Academy of Arts (1991). Sasha has artwork in museums and private collectionsaround the
ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
SHARON FIELD
Sharon Field. I began to paint full time in 2008 following careers in teaching and public service in Australia, the Pacific and Africa. I have held three successful solo exhibitions, three joint exhibitions and have participated in many group exhibitions in Australia and overseas. In 2017 one of my works will be represented at the ASBA "Outof
KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview.CLASS LISTINGS
Prerequisite: Beginning drawing experience is required. Note: This class involves homework assignments. The amount of time students need to spend on homework varies and usually ranges from five to 15 hours per week. View Supply List Here (PDF) Register Here. Meets Thursdays, May 13, 20, 27 and June 3; 1:30 PM-4:30 PM.MEMBER GALLERY
Olivia Marie Braida-Chiusano. Victoria Braithwaite. Nels Broste. Rebecca Brown-Thompson. Helen Byers. Cynthia Byrne-Margetts. Jane Levy Campbell. Melanie Campbell-Carter, MD. Julie Carley. CHAPTER 4 - THE RENAISSANCE The Renaissance by Jutta Buck. with Cynthia Rice. The art of botanical illustration saw a dramatic change during the Renaissance when both scientific precision and artistic sensibility were introduced by Leonardo da Vinci (1452-1519) and Albrecht Dürer (1471-1528).DEBORAH SHAW
2020 ASBA James White Service Award for Dedication to Botanical Art. by Lugene Bruno. A conversation with Deborah Shaw always reveals her wit, determination, and resourcefulness. She spoke from her daughter and son-in-law ’ s home in Northern California where, since May, she and her husband have been assisting with the childcare of their BROOKSIDE GARDENS SCHOOL OF BOTANICAL ART & ILLUSTRATION Brookside Gardens School of Botanical Art & Illustration By Margaret Saul Originally appeared in The Botanical Artist, Volume 18 - Issue 3 (NOTE: since this article was published, the program has been discontinued.)BGSBAI started in 2004 with 26 students, six enrolled as Certificate Registrants.BOTANICA COLLECTED
Botanica Collected Demystifying Descubes at Lewis Ginter Botanical Garden By Maggie Southwick Originally appeared in The Botanical Artist – Volume 16, Issue 2. The Lewis Ginter Botanical Garden(LGBG) holds some 2500 original watercolor botanical drawings byJUDITH UTTER
Judith's love of nature and the desire to record it are inspired by her close proximity to the Adirondack Mountains, and the rural setting of her home amongst gardens, waterfalls, and wildlife. Judith Utter. Canton, New York 13617. Judithutter@gmail.com. NO REALLY, THAT'S HOW I DO IT Stage 2 and 3. Filling in the softest of tones in petals with tender washes, and creating areas which touch the edges of the white flower. Stage 4. Creating form with careful attention to edges where tonal values fade out. Stage 5. Creating detail in depth.KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
SHERRY MITCHELL, SFCA Sherry lives in Qualicum Beach on the southern part of Vancouver Island in British Columbia. She is a self-taught watercolour artist and has painted plants and flowers in a photorealist style for over 30years.
HOME | AMERICAN SOCIETY OF BOTANICAL ARTISTSABOUTMEMBERSHIPEXHIBITIONSEDUCATIONOUTREACHGALLERY Botanical Art Techniques. On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube,featuring book
NO REALLY, THAT'S HOW I DO IT On the side: Use full point on side to produce washes, especially in large areas. Functional oval: Knock off a bit of the point by taking a stroke or two on scrap paper. Then, hold the pencil in a comfortable writing position, using gentle pressure. On point: Loose grip, almost vertical for use of fine tip. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Painting on Vellum By Kate Nessler Originally appeared in The Botanical Artist – Volume 15, Issue 2 . Working on vellum is not just a technique, it is understanding what vellum is, what it does and developing a partnership with it.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/SilverASUKA HISHIKI
Asuka Hishiki 2018 ASBA Diane Bouchier Artist Award for Excellence in Botanical Art by Scott O. Stapleton . When she was asked to send images of her work for the cover of this issue of The Botanical Artist, Asuka Hishiki sent none of her acknowledged masterpieces, not her large—28 ¼ x 36 ½ in—breathtaking Black Pine Half-cascade Style Bonsai painting for which she won a gold medal at Out ALEXANDER VIAZMENSKY Alexander Viazmensky. Alexander (Sasha) Viazmensky was born in Leningrad (now St. Petersburg) Russia. He has an Electrical Engineering degree from Leningrad Technical College and graduated from the Graphic Design School, Leningrad (1984) and from Leningrad Academy of Arts (1991). Sasha has artwork in museums and private collectionsaround the
ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
SHARON FIELD
Sharon Field. I began to paint full time in 2008 following careers in teaching and public service in Australia, the Pacific and Africa. I have held three successful solo exhibitions, three joint exhibitions and have participated in many group exhibitions in Australia and overseas. In 2017 one of my works will be represented at the ASBA "Outof
KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview. HOME | AMERICAN SOCIETY OF BOTANICAL ARTISTSABOUTMEMBERSHIPEXHIBITIONSEDUCATIONOUTREACHGALLERY Botanical Art Techniques. On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube,featuring book
NO REALLY, THAT'S HOW I DO IT On the side: Use full point on side to produce washes, especially in large areas. Functional oval: Knock off a bit of the point by taking a stroke or two on scrap paper. Then, hold the pencil in a comfortable writing position, using gentle pressure. On point: Loose grip, almost vertical for use of fine tip. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Painting on Vellum By Kate Nessler Originally appeared in The Botanical Artist – Volume 15, Issue 2 . Working on vellum is not just a technique, it is understanding what vellum is, what it does and developing a partnership with it.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/SilverASUKA HISHIKI
Asuka Hishiki 2018 ASBA Diane Bouchier Artist Award for Excellence in Botanical Art by Scott O. Stapleton . When she was asked to send images of her work for the cover of this issue of The Botanical Artist, Asuka Hishiki sent none of her acknowledged masterpieces, not her large—28 ¼ x 36 ½ in—breathtaking Black Pine Half-cascade Style Bonsai painting for which she won a gold medal at Out ALEXANDER VIAZMENSKY Alexander Viazmensky. Alexander (Sasha) Viazmensky was born in Leningrad (now St. Petersburg) Russia. He has an Electrical Engineering degree from Leningrad Technical College and graduated from the Graphic Design School, Leningrad (1984) and from Leningrad Academy of Arts (1991). Sasha has artwork in museums and private collectionsaround the
ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
SHARON FIELD
Sharon Field. I began to paint full time in 2008 following careers in teaching and public service in Australia, the Pacific and Africa. I have held three successful solo exhibitions, three joint exhibitions and have participated in many group exhibitions in Australia and overseas. In 2017 one of my works will be represented at the ASBA "Outof
KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview.CLASS LISTINGS
Prerequisite: Beginning drawing experience is required. Note: This class involves homework assignments. The amount of time students need to spend on homework varies and usually ranges from five to 15 hours per week. View Supply List Here (PDF) Register Here. Meets Thursdays, May 13, 20, 27 and June 3; 1:30 PM-4:30 PM.2021 - VIRTUAL
She is Director of Exhibitions for the American Society of Botanical Artists, and organizes exhibitions of contemporary work for a national and international audience. Registration Deadline: 10/06/2021. How to Register: Registration Opens at noon (EDT) on July 15. Registration Ends at 11pm (EDT) on October 6.MEMBER GALLERY
Olivia Marie Braida-Chiusano. Victoria Braithwaite. Nels Broste. Rebecca Brown-Thompson. Helen Byers. Cynthia Byrne-Margetts. Jane Levy Campbell. Melanie Campbell-Carter, MD. Julie Carley.DEBORAH SHAW
2020 ASBA James White Service Award for Dedication to Botanical Art. by Lugene Bruno. A conversation with Deborah Shaw always reveals her wit, determination, and resourcefulness. She spoke from her daughter and son-in-law ’ s home in Northern California where, since May, she and her husband have been assisting with the childcare of their CHAPTER 4 - THE RENAISSANCE The Renaissance by Jutta Buck. with Cynthia Rice. The art of botanical illustration saw a dramatic change during the Renaissance when both scientific precision and artistic sensibility were introduced by Leonardo da Vinci (1452-1519) and Albrecht Dürer (1471-1528). BROOKSIDE GARDENS SCHOOL OF BOTANICAL ART & ILLUSTRATION Brookside Gardens School of Botanical Art & Illustration By Margaret Saul Originally appeared in The Botanical Artist, Volume 18 - Issue 3 (NOTE: since this article was published, the program has been discontinued.)BGSBAI started in 2004 with 26 students, six enrolled as Certificate Registrants.BOTANICA COLLECTED
Botanica Collected Demystifying Descubes at Lewis Ginter Botanical Garden By Maggie Southwick Originally appeared in The Botanical Artist – Volume 16, Issue 2. The Lewis Ginter Botanical Garden(LGBG) holds some 2500 original watercolor botanical drawings byJUDITH UTTER
Judith's love of nature and the desire to record it are inspired by her close proximity to the Adirondack Mountains, and the rural setting of her home amongst gardens, waterfalls, and wildlife. Judith Utter. Canton, New York 13617. Judithutter@gmail.com.KATHERINE TYRRELL
Katherine Tyrrell. I've been a massive fan of botanical art and illustration for very many years. As a child, I used to love the arrival of my mother's RHS Annual Desk Diary each year because it was always filled with reproductions of artwork by famous botanicalartists. I used
SHERRY MITCHELL, SFCA Sherry lives in Qualicum Beach on the southern part of Vancouver Island in British Columbia. She is a self-taught watercolour artist and has painted plants and flowers in a photorealist style for over 30years.
HOME | AMERICAN SOCIETY OF BOTANICAL ARTISTSABOUTMEMBERSHIPEXHIBITIONSEDUCATIONOUTREACHGALLERY Botanical Art Techniques. On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube,featuring book
TEACHING BOTANICAL ART Tools for Teachers. Providing teachers with tools to assist them in improving their skills and those of their students. Invite your students to join ASBA - download the reproducible ASBA Membership Flyer below to distribute in your classroom.. Read more about Teaching Botanical Art: articles from past issues of The Botanical Artist.BOTANICA COLLECTED
Botanica Collected Demystifying Descubes at Lewis Ginter Botanical Garden By Maggie Southwick Originally appeared in The Botanical Artist – Volume 16, Issue 2. The Lewis Ginter Botanical Garden(LGBG) holds some 2500 original watercolor botanical drawings by BROOKSIDE GARDENS SCHOOL OF BOTANICAL ART & ILLUSTRATION Brookside Gardens School of Botanical Art & Illustration By Margaret Saul Originally appeared in The Botanical Artist, Volume 18 - Issue 3 (NOTE: since this article was published, the program has been discontinued.)BGSBAI started in 2004 with 26 students, six enrolled as Certificate Registrants.JUDITH UTTER
Judith's love of nature and the desire to record it are inspired by her close proximity to the Adirondack Mountains, and the rural setting of her home amongst gardens, waterfalls, and wildlife. Judith Utter. Canton, New York 13617. Judithutter@gmail.com.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/Silver CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview.ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
GILLIAN HARRIS
Gillian Harris. I began taking adult education classes in art after leaving graduate school, where I majored in English. When I took one in natural science illustration, it all came together for me. I had long been interested in birding and amateur botanizing, and combining my love of natural history with illustration was an excitingundertaking.
SHERRY MITCHELL, SFCA Sherry lives in Qualicum Beach on the southern part of Vancouver Island in British Columbia. She is a self-taught watercolour artist and has painted plants and flowers in a photorealist style for over 30years.
HOME | AMERICAN SOCIETY OF BOTANICAL ARTISTSABOUTMEMBERSHIPEXHIBITIONSEDUCATIONOUTREACHGALLERY Botanical Art Techniques. On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube,featuring book
TEACHING BOTANICAL ART Tools for Teachers. Providing teachers with tools to assist them in improving their skills and those of their students. Invite your students to join ASBA - download the reproducible ASBA Membership Flyer below to distribute in your classroom.. Read more about Teaching Botanical Art: articles from past issues of The Botanical Artist.BOTANICA COLLECTED
Botanica Collected Demystifying Descubes at Lewis Ginter Botanical Garden By Maggie Southwick Originally appeared in The Botanical Artist – Volume 16, Issue 2. The Lewis Ginter Botanical Garden(LGBG) holds some 2500 original watercolor botanical drawings by BROOKSIDE GARDENS SCHOOL OF BOTANICAL ART & ILLUSTRATION Brookside Gardens School of Botanical Art & Illustration By Margaret Saul Originally appeared in The Botanical Artist, Volume 18 - Issue 3 (NOTE: since this article was published, the program has been discontinued.)BGSBAI started in 2004 with 26 students, six enrolled as Certificate Registrants.JUDITH UTTER
Judith's love of nature and the desire to record it are inspired by her close proximity to the Adirondack Mountains, and the rural setting of her home amongst gardens, waterfalls, and wildlife. Judith Utter. Canton, New York 13617. Judithutter@gmail.com.ASUKA HISHIKI
Asuka Hishiki holds a Master of Fine Arts from Kyoto City University of Arts in Japan where she studied oil painting. Her work has been shown in exhibitions including the 14th International Exhibition at Hunt Institute(2013), the 12th-18th ASBA exhibition at HSNY(2009-2015), Focus on Nature at The New York State Museum, Albany (2010/2012-Jury award winner), and Green currency (2011/Silver CONVERSATION WITH KATE NESSLER A Conversation with Kate Nessler. “We needa new way to define botanical art.”. Even in Arkansas, the temperature can plummet; Kate Nessler had her tea at hand when she talked with TBA on a 6- degree January day from her home in the Ozark Mountains. Kate’s thoughts on the complexity of the creation process shaped the interview.ALICE TANGERINI
Alice Tangerini. Alice Tangerini has held the position of Staff Illustrator for the Botany Department, National Museum of Natural History (NMNH) at the Smithsonian Institution since 1972 after graduating with a BFA from Virginia Commonwealth University. In this position she has illustrated over 1000 species of plants mostly in penand brush
GILLIAN HARRIS
Gillian Harris. I began taking adult education classes in art after leaving graduate school, where I majored in English. When I took one in natural science illustration, it all came together for me. I had long been interested in birding and amateur botanizing, and combining my love of natural history with illustration was an excitingundertaking.
SHERRY MITCHELL, SFCA Sherry lives in Qualicum Beach on the southern part of Vancouver Island in British Columbia. She is a self-taught watercolour artist and has painted plants and flowers in a photorealist style for over 30years.
CLASS LISTINGS
Join Kate to study and paint shadows in watercolor. The subject and drawing will be provided, students have the option of using their own subject matter. The class will consist of presentations, demonstrations, handouts, and student work time. Note: Supplies are not included. A supply list is listed below. TECHNIQUE | AMERICAN SOCIETY OF BOTANICAL ARTISTS Beautiful Lettering with a Brush. Botanical Paintings Using Egg Tempera from a Tube. Colored Pencil Painting. Divine Detail. Geometric Composition and Painting Acorns. Painting on Vellum (Walser-Kolar) Painting Whites on White. Painting on Vellum (Nesler) Watercolour Painting Using a Dry Brush Technique. TEACHING BOTANICAL ART Tools for Teachers. Providing teachers with tools to assist them in improving their skills and those of their students. Invite your students to join ASBA - download the reproducible ASBA Membership Flyer below to distribute in your classroom.. Read more about Teaching Botanical Art: articles from past issues of The Botanical Artist.ASUKA HISHIKI
Asuka Hishiki 2018 ASBA Diane Bouchier Artist Award for Excellence in Botanical Art by Scott O. Stapleton . When she was asked to send images of her work for the cover of this issue of The Botanical Artist, Asuka Hishiki sent none of her acknowledged masterpieces, not her large—28 ¼ x 36 ½ in—breathtaking Black Pine Half-cascade Style Bonsai painting for which she won a gold medal at OutGAIL SELFRIDGE
Gail Selfridge, professional writer and illustrator, is a member of the American Society of Botanical Artists, the Guild of Natural Science Illustrators, and recipient of the ASBA 2015 Anne Ophelia Dowden Award to fund the publication of Colorful Leaves.. In 2012 she was an Artist-in-Residence at the Huyck Nature Preserve and Biological Research Station, Rensselaerville, NY. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Painting on Vellum By Kate Nessler Originally appeared in The Botanical Artist – Volume 15, Issue 2 . Working on vellum is not just a technique, it is understanding what vellum is, what it does and developing a partnership with it. ALEXANDER VIAZMENSKY Alexander Viazmensky. Alexander (Sasha) Viazmensky was born in Leningrad (now St. Petersburg) Russia. He has an Electrical Engineering degree from Leningrad Technical College and graduated from the Graphic Design School, Leningrad (1984) and from Leningrad Academy of Arts (1991). Sasha has artwork in museums and private collectionsaround the
HEIDRUN ANNELIE SNYDER I believe in the interconnectedness of all organisms and attempt to bring this message to the viewer through “drawn stories” which often feature hidden elements or messages and usually are based on extensive research. Heidi Snyder. 1223. S. Johnson Way. Lakewood, Co 80232. preciselynature@comcast.net. (303) 989-7577. NO REALLY, THAT'S HOW I DO IT No Really, That's How I Do It Watercolour Painting Using a Dry Brush Technique By Lizzie Sanders Originally appeared in The Botanical Artist – Volume 15, Issue 1. I use a full dry brush technique to create my watercolour paintings. LIBBY KYER | AMERICAN SOCIETY OF BOTANICAL ARTISTS Libby Kyer. Clematis columbiana (Nutt.) Torr. & A. Gray var. tenuilobam. Libby works in colored pencil, graphite, carbon, water media, ink, and computer, creating botanical art and illustrating botanical specimens for publication. As a professed control freak, she finds the demands of this art form satisfy her love of science andintricate detail.
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Information, education, and inspiration for all who appreciate contemporary botanical artMEMBERSHIP
JOIN OR RENEW YOUR ASBA MEMBERSHIP ENROLL NOW on line or by mail for CALENDAR YEAR 2021 to take advantage of member-only benefits.More ▶
EXHIBITIONS
23RD ANNUAL INTERNATIONAL © Cristine Piane Wave Hill, a spectacular public garden and cultural center overlooking the Hudson River and Palisades, will be ASBA’s partner in producing and hosting the 23rd Annual International. September 5 – December 6, 2020More ▶
EXHIBITIONS
23RD ANNUAL INTERNATIONAL - STORIES BEHIND THE ART © Lucy Martin Read the Artist's Stories Behind the Art HERE or click MORE below to visit the exhibition site, then click on "TheArtists" tab.
More ▶
EDUCATION
BOTANICAL ART TECHNIQUES On September 22, 2020, Timber Press released a book that has been in progress at ASBA for several years. Botanical Art Techniques is a beautifully illustrated, one-of-a-kind practical guide to a variety of techniques used in botanical art and illustration. Watch the virtual book launch video on Youtube, featuring book editors and four participating artist/tutors: https://www.youtube.com/watch?v=o6wfBXJCwQ0 For more information click HEREMore ▶
NEWS
NOTICE: MARCH 17, 2020 - COVID-19 In support of New York City's effort to contain the spread of the corona virus, the New York Botanical Garden has announced they are temporarily closed until May 31 and possibly beyond. As our offices are at NYBG, there will be no ASBA staff in the office during that time. Therefore, we cannot respond to mail, but will continue to check telephone messages and email, and our website will remain fully operational. Thank you for your patience during these uncertaintimes.
More ▶
CALLS FOR ENTRIES
2020 ASBA EXHIBITIONS Four exciting exhibition Calls for Entries for member artists open in2020:
- _23rd Annual International_ -_ A Banner Year _(website virtual gallery) - _Abundant Future_ (NYBG 4th Triennial) - _Wildly Exquisite_ (Florida's Native Plants) See the C alls for Entries page for detailsMore ▶
SUPPORT ASBA
DONATE NOW
By supporting ASBA, you are helping to expand public awareness of contemporary botanical art through exhibitions, catalogs, public relations activities - and this website! Make your donation online or by mail (Artwork shown ©Wendy Hollender)More ▶
EXHIBITIONS
AMERICA'S FLORA
Announcing a WORLDWIDE EXHIBITION _linking people with plants through botanical art_ Artwork shown © Joan McGannMore ▶
HISTORY
A BRIEF HISTORY OF BOTANICAL ART Read Jutta Buck's "Brief History of Botanical Art" - a series of 16 informative articles originally published in _The Botanical Artist, _rewritten and posted here along with newillustrations.
_(Cucurbit_, Cocombre de Turquie from Fuchs New Kreuterbuch, Michael Isingrin, Basel 1543, woodcut)More ▶
CATALOGS
CATALOGS
Complete your collection and purchase beautiful catalogs featuring ASBA exhibition artwork.More ▶
ANNUAL REPORT
2019 ANNUAL ACTIVITIES REPORT Learn about ASBA's 2018/2019 initiatives and strategic plan.More ▶
SUPPORT ASBA
WHEN YOU SHOP AT
Shop online with Blick Art Materials. ASBA receives a portion of your purchase price at dickblick.com when you link to their website from our ours. So shop Blick & support ASBA!More ▶
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FEATURED ABOVE
DEBRA PINCIOTTI
_Canna indica_ 'Phasion'Phasion Canna
Watercolor, colored pencil on paper, 13 x 19.5 inches2018
LYNNE RAILSBACK
_Napaea dioica_
Glade Mallow
Watercolor on paper, 13 x 18 inches2019
CONNIE SCANLON
_Iris germanica_
Dark Purple German Iris Watercolor on vellum, 10 x 8 inches2019
HEIDI SNYDER
_Opuntia engelmanii_Engelman cactus
Pencil on drafting film, 11 x 20 inches2017
LEDA TURNER
_Papaver nudicaule_
"Unfurling"
Watercolor on paper, 15 3/4 x 15 3/4 inches2017
MARIA ALICE DE REZENDE_Bonnetia sessilis_
Bonnetia sessilis
Watercolor on paper, 22 x 15 inches2017
INGRID FINNAN
_Tulipa_ cv.
Red Parrot Tulip
Oil on paper, 10 x 13 inches2016
JANE FISHER
_Lunaria annua_
Money plant seedpods Graphite on paper, 5.25 x 9.5 inches2018
WYLIE GREIG
_Pyrus communis_ 'Williams', _Pyrus communis_ D'Anjou (red), _Pyrus communis_ 'Bosc', _Pyrus communis_ 'Doyenne du Comice', _Pyrus communis_ 'Bosc', _Pyrus communis_ 'D'Anjou' (green)Market Pears
Watercolor on paper, 10 x 8 inches2020
ANDREAS HENTRICH
_Hosta sieboldiana_ 'Frances Williams' Hosta sieboldiana (Leaves 9) Oil on canvas, 23.5 x 63 inches2011
WENDY HOLLENDER
_Nelumbo nucifera_
Sacred Lotus
Colored Pencil and watercolor on paper, 30 x 22 inches2011
LUCY MARTIN
_Umbilicus rupestris_, (Lichen IDs pending) Triptych: Lichens of Brittany Gouache on paper, 5 1/4 x 13 5/8 inches2020
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