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AC GALLERY: TITANIC EFFECTS Researching in the AC Archives while prepping for our recent Titanic: 20th Anniversary podcast with Russell Carpenter, ASC, we rediscovered a nice selection of images submitted to us by director James Cameron’s own effects house, Digital Domain.A portion of these photos were published with a complete visual effects story on the film in our Dec. 1997 issue, penned by Ron Magid. ROE VISUAL ILLUMINATES NEW NANTSTUDIOS STAGE Featuring an in-camera VFX soundstage that integrates Roe Visual LEDs, the facility is hosting Epic Games' newest Los Angeles Lab. NantStudios has opened a virtual-production campus in El Segundo, Calif., that features a 24,000-square-foot in-camera VFX soundstage designed in collaboration with Lux Machina. Located at 202 Nash St., the new facility also provides 25,000 square feet of set THE DISCIPLE: CHASING A DREAM The Disciple was directed by Chaitanya Tamhane and executive-produced by renowned filmmaker Alfonso Cuaroń.The acclaim Tamhane received for his first feature, Court, led to his selection for a Rolex-sponsored protégé program, which in turn allowed him to shadow Cuaron throughout prep, production and post of the latter’s autobiographical feature Roma. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fiSTAR TREK 50 PART I
Star Trek. 50 Part I — Original Series Effects. At the eyepiece, Linwood G. Dunn, ASC sets a shot while at work on with the Enterprise and Botnay Bay models at Film Effects of Hollywood while shooting the episode "Space Seed" in 1966. The first entry in our 12-part retrospective series documenting 50 years of production and post onthe Star
A GHOST STORY: HAUNTED HOUSE With a small cast — centered around the man, C (Casey Affleck), and the woman, M (Rooney Mara) — A Ghost Story was written, directed and edited by David Lowery (interview here).Prior to making audiences believe in A Ghost Story’s quiet specter, the director had crafted a tale of mythical Americana with Ain’t Them Bodies Saints (shot by Bradford Young, ASC; AC Sept. 2013) and convinced CREATING THE NIGHT OF THE HUNTER “For this picture, a group got together every night over a couple of drinks at a restaurant down on La Cienega, the Frascatti Inn. It consisted of Charles, Hilly Brown , Milt Carter , Bob Golden , and sometimes RubyRosenberg [the
THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other BAIN, BARDAS PROPOSE STUDIO IN HOLLYWOOD Echelon Studios would occupy a 5-acre site on Santa Monica Boulevard and include four 19,000-square-foot soundstages. Bain Capital Real Estate and Bardas Investment Group have submitted plans to the city of Los Angeles to invest $450 million to develop Echelon Studios on a five-acre site at 5601 Santa Monica Blvd.. The proposed campus will feature four 19,000-square-foot soundstages, a THE FILMING OF ALIEN This article originally appeared in AC August 1979. When, as a director, you are offered a project like Alien — or any science-fiction film, really — it is an offer to start with and becomes a confrontation afterwards. The problems gradually emerge, and on Alien there were many, many, many of them. People ask me, “Whatis the single
AC GALLERY: TITANIC EFFECTS Researching in the AC Archives while prepping for our recent Titanic: 20th Anniversary podcast with Russell Carpenter, ASC, we rediscovered a nice selection of images submitted to us by director James Cameron’s own effects house, Digital Domain.A portion of these photos were published with a complete visual effects story on the film in our Dec. 1997 issue, penned by Ron Magid. ROE VISUAL ILLUMINATES NEW NANTSTUDIOS STAGE Featuring an in-camera VFX soundstage that integrates Roe Visual LEDs, the facility is hosting Epic Games' newest Los Angeles Lab. NantStudios has opened a virtual-production campus in El Segundo, Calif., that features a 24,000-square-foot in-camera VFX soundstage designed in collaboration with Lux Machina. Located at 202 Nash St., the new facility also provides 25,000 square feet of set THE DISCIPLE: CHASING A DREAM The Disciple was directed by Chaitanya Tamhane and executive-produced by renowned filmmaker Alfonso Cuaroń.The acclaim Tamhane received for his first feature, Court, led to his selection for a Rolex-sponsored protégé program, which in turn allowed him to shadow Cuaron throughout prep, production and post of the latter’s autobiographical feature Roma. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fiSTAR TREK 50 PART I
Star Trek. 50 Part I — Original Series Effects. At the eyepiece, Linwood G. Dunn, ASC sets a shot while at work on with the Enterprise and Botnay Bay models at Film Effects of Hollywood while shooting the episode "Space Seed" in 1966. The first entry in our 12-part retrospective series documenting 50 years of production and post onthe Star
A GHOST STORY: HAUNTED HOUSE With a small cast — centered around the man, C (Casey Affleck), and the woman, M (Rooney Mara) — A Ghost Story was written, directed and edited by David Lowery (interview here).Prior to making audiences believe in A Ghost Story’s quiet specter, the director had crafted a tale of mythical Americana with Ain’t Them Bodies Saints (shot by Bradford Young, ASC; AC Sept. 2013) and convinced CREATING THE NIGHT OF THE HUNTER “For this picture, a group got together every night over a couple of drinks at a restaurant down on La Cienega, the Frascatti Inn. It consisted of Charles, Hilly Brown , Milt Carter , Bob Golden , and sometimes RubyRosenberg [the
JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILL At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a ACCELERATED EVOLUTION Mat Beck, ASC. Mat Beck, ASC started out shooting personal films and documentary footage, then began designing digital tools for the VFX industry, including likely the first microcomputer motion-control system. Simultaneously, he worked as a camera operator, progressing to cinematographer and VFX supervisor. He founded Entity FX (Los Angeles,Vancouver) in 2002.
FLYING HIGH WITH TOP GUN Director Tony Scott, cinematographer Jeffrey L. Kimball and other key collaborators capture dramatic aerial action. At top, LT Pete "Maverick" Mitchell (Tom Cruise) at home in the cockpit. ALL QUIET ON THE WESTERN FRONT: THE GREATEST HUMAN A look back to 1930, and the reception of the film based on the 1929 novel by Erich Maria Remarque. At top, one of the film's classic battle scenes, as soldiers prepare for a gas attack. TICKET TO RIDE: STEPHEN GOLDBLATT, ASC, BSC The veteran cinematographer recalls his adventures as a still photographer. At top, Goldblatt’s most famous image of the Beatles, from 1968 — John, Ringo, Paul and George. SPECIFIED LENS TESTS Looking at more specified testing techniques that examine particular characteristics of a given lens. At top, the isolated flare from a Leitz Summilux-C 50mm prime lens test reveals slight onion ring in the pink flare orb, a light ring flare, and gentle diffraction spikes. LETTER FROM THE PRESIDENT: THE DECISIVE MOMENT Photography remains the root technology of cinematography, and one of the best tools for teaching cinematography. (Photo by Michael M.Pessah, ASC)
WRAP SHOT: SCANDAL FOR SALE Cinematographer Karl Freund, ASC frames up his stills camera on actor Charles Bickford during the production of the newspaper drama Scandal for Sale (1932).. Examining this archival image almost 90 years later, ASC Photo Gallery Committee chair and Society member Charlie Lieberman determined that Freund is shooting with a Leica I camera fitted with an Elmar 135mm f/4.5 lens — a DISCUSSING THE SET DESIGN OF BLADE RUNNER This story was originally published in AC, July 1982. Some images may be additional or alternate. Syd Mead, an industrial designer who was the “visual futurist” for Blade Runner, describes the sociological assumptions behind the production design: “The consumer delivery system has sort of broken down.The available capital is all going to research and development and the consumer base is CLUBHOUSE CONVERSATIONS Interviewer Larry Sher, ASC is joined by cinematographer Adriano Goldman, ASC, ABC, BSC for this 75-minute discussion about his camerawork in Season Four of the award-winning Netflix period drama, which brings its insider story of the British monarchy into the modern age.. Seeking a distinct look for this season of the show, largely set in the difficult years of the 1980s, Goldman (picturedAn International
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THE CINEMATOGRAPHER’S REEL If you are a cinematographer seeking work who doesn’t have a reel, you are significantly hindering your chances of obtaining gainfulemployment.
PRESIDENT’S DESK: VIA DELLA LUCE In Rome, I was guided through the Via Della Luce — the “Street of Light” — and I was smiling. WORKING THROUGH THE CORONAVIRUS An update on the situation from ASC President Kees van Oostrum and Society CEO Terry McCarthy.SMART LENSES
It’s not the future of technology anymore. It’s here now, and it can help your production in many ways! _THE MANDALORIAN_: THIS IS THE WAY Cinematographers Greig Fraser, ASC, ACS and Barry “Baz” Idoine and showrunner Jon Favreau employ new technologies to frame the Disney Plus Star Wars series. CHARLANDO DE CINEMATOGRAFÍA: JULIO MACAT, ASC Y NATASHA BRAIER, ASC,ADF
Los cineastas detallan sus carreras, ofreciendo una visión a losaspirantes.
2019 CAMERA COMPARISON CHART - UPDATED The latest edition of this informative tool, created by ASC associate member Tom Fletcher and Gary Adcock, has arrived. SOCIETY, LEICA COLLABORATE ON M10-P “ASC 100 EDITION” ASC members and associates discuss their contributions to creating this limited-edition tribute to the Society's centennial. — NOW AVAILABLE FROM OUR STORE LIVES UNDER SIEGE: _THE GOLDFINCH_ AND _1917_ Taking on contemporary drama and the depths of war, Roger Deakins, ASC, BSC shoots The Goldfinch and 1917. THE CINEMATOGRAPHER’S REEL If you are a cinematographer seeking work who doesn’t have a reel, you are significantly hindering your chances of obtaining gainfulemployment.
PRESIDENT’S DESK: VIA DELLA LUCE In Rome, I was guided through the Via Della Luce — the “Street of Light” — and I was smiling. WORKING THROUGH THE CORONAVIRUS An update on the situation from ASC President Kees van Oostrum and Society CEO Terry McCarthy.SMART LENSES
It’s not the future of technology anymore. It’s here now, and it can help your production in many ways!❮
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