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“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels a EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18DOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more. BITKLAVIER – THE PREPARED DIGITAL PIANO bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels a EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18DOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more.BITKLAVIER FAQ
When we released the Nostalgic Synchronic album, Steven Swartz compiled an FAQ about bitKlavier and the album. I’m updating it andincluding it here.
CAMILA STREULY AND THE MIKROETUDES A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction to the instrument. Camila Streuly, a student of Cristina Altamura‘s, has proven an adept and natural performer with BITKLAVIER – THE PREPARED DIGITAL PIANO bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18 IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels aDOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more. BITKLAVIER – THE PREPARED DIGITAL PIANO bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18 IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels aDOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more.BITKLAVIER FAQ
When we released the Nostalgic Synchronic album, Steven Swartz compiled an FAQ about bitKlavier and the album. I’m updating it andincluding it here.
BITKLAVIER – THE PREPARED DIGITAL PIANO bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18 IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels aDOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more. BITKLAVIER – THE PREPARED DIGITAL PIANO bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that“prepares” the
GET – BITKLAVIER
the Hardware Keyboard. An inexpensive 3-octave midi controller like this one will work great for a lot of bitKlavier functions.; For many of the advanced pieces like the Nostalgic Synchronic etudes, a full 88 keys is necessary. M Audio digital pianos work nicely. The ideal situation is a keyboard with fully weighted keys which simulateplaying a piano
MUSIC – BITKLAVIER Music. Currently there are two volumes of music composed for and with bitKlavier: The first, the Mikroetudes, is a collection of short pieces by a diverse set of composers, inspired by Bartók’s Mikrokosmos, and ranging from easy to quite challenging. The composers include: N. Cameron Britt, Gideon Broshy, Caitlin Cawley, Seth Cluett,Quinn
EDUCATION – BITKLAVIER bitKlavier is a useful tool for exploring a range of topics, including: tuning and temperament, instrument design, rhythm and meter, musical scales, and others; these are explored in-depth in Trueman’s online course, Reinventing the Piano, presented by Kadenze. bitKlavier has also been used by piano teachers with students ranging from 8 to adult, including a course in spring of ’18 IN ACTION – BITKLAVIER 0:00. 0:00 / 3:44. Live. •. bitKlavier was created during the composition process of Nostalgic Synchronic, eight etudes for prepared digital piano, by Dan Trueman. This one, Marbles, is inspired by the rubber rubble left behind on automobile racetracks, and it feels aDOC – BITKLAVIER
Read the bitKlavier Manual: pdf / html / google doc; We have two papers new in the Computer Music Journal, and a paper by Adam Sliwinski about the performer’s perspective and bitKlavier.; And check out an ongoing collection of short video tutorials and documentation on how to setup and use bitKlavier: NOTES – BITKLAVIER A few years ago I invited a number of composers to make new pieces for bitKlavier, with the loose model of Bartók’s Mikrokosmos as a starting point; the Mikroetudes turned into a delightful collection of widely varying pieces, and have served as a natural introduction tothe instrument.
CONTACT – BITKLAVIER also, sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc COMPUTER MUSIC JOURNAL PAPERS Tuning Playfully: Composed and Adaptive Tunings in bitKlavier examples:. Figure 1: Moving fundamentals. ———— Figure 2: Micro-voice leading, resulting from moving fundamentals, from Trueman’s Etude #2, “Undertow.” ———— Figure 3: Moving fundamentals to create overtone-tuned melodic lines, approximating the non-ET sound of a traditional Norwegian fiddle tune. JAI RAMAN PLAYS, LEARNS, AND TEACHES BACH WITH BITKLAVIER As a young piano student, Jai was not fond of Bach. His teacher, Kristin Cahill of the New School for Music Study, suggested he experiment with a Bach piece on bitKlavier. He developed a set of preparations that reveal his hearing of the piece: pedal tones and pulses, echoes that sustain particular pitches, and more.BITKLAVIER FAQ
When we released the Nostalgic Synchronic album, Steven Swartz compiled an FAQ about bitKlavier and the album. I’m updating it andincluding it here.
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BITKLAVIER
THE PREPARED DIGITAL PIANO__
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Reinventing the Piano...More
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ABOUT
“who says piano keys have to be just black and white?” — Maggie Malloy, Second Inversion ------------------------- Like the prepared piano , _BITKLAVIER_—the prepared _digital_ piano—feels just like a piano under the hands and often sounds like one, but it is full of surprises; instead of bolts and screws stuck between the piano strings, virtual machines of various sorts adorn the virtual strings of the digital piano, transforming it into an instrument that pushes back, sometimes like a metronome, other times like a recording played backwards. The virtual strings also tighten and loosen on the fly, dynamically tuning in response to what is played. bitKlavier is a new kind of digital musical instrument, a novel assemblage of the familiar MIDI keyboard with bespoke interactive software. Inspired by John Cage’s prepared piano, bitKlavier both leverages and subverts the pianist’s hard-earned embodied training, while also inviting an extended configuration stage that “prepares” the instrument to behave in composition-specific, idiosyncratic ways. Through its flexible though constrained design, bitKlavier aims to inspire a playful approach to instrument building, composition, and performance. An open-source project developed by Dan Trueman, Mike Mulshine, and Matt Wang at Princeton University, bitKlavier has been used by dozens of performers—from young students to renowned professionals—in a range of compositions by Trueman and others. An online course—_Reinventing the Piano_—presented
by Kadenze makes extensive use of bitKlavier to teach about the history and ongoing development of the piano. Check out an early FAQabout
the instrument. Two articles about bitKlavier will be published in the Computer Music Journal in 2020; more soon on those. Development of bitKlavier has been sponsored by the American Council of Learned Societies, the New Jersey State Council on the Arts, and Princeton University’s Center for Digital Humanities, Council on Science and Technology, Council of the Humanities, and Department ofMusic.
------------------------- —_fortune favors the prepared!_ ------------------------- sign up for our mailing list to get periodic announcements (infrequent!) about updates, new features, etc…Email address:
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