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done by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE …AUTHOR: PABLO LEONDE LA BARRA
Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS …AUTHOR: PABLOLEON DE LA BARRA
VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'MICROCLIMAS' AT BIBLIOTECA AMAZONICA is inspired by Mantilla and Chaves’ research into the amazonic libraries of Iquitos in Peru (“In the jungle there is a city, in this city there is a library, and in that library is the jungle”) and in Dominique Gonzalez –Foerster’s investigation on the future of books (“is it possible to expand this library, and if so, how can it be done in a completely CENTRE FOR THE AESTHETIC REVOLUTION: HUDINILSON JR. A … sunday, 25 august 2013. hudinilson jr. a home studio visit by marina reyes franco and phosphorus CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: ALEXANDER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'TROPICAL … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARCELO … Marcelo Krasilcic's 1990s photobook of Marcelo's friends, family, places and lovers during the 1990s Friends at Shrimpy's for Marce 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: AUGUST 2013 CENTRE FOR THE AESTHETIC REVOLUTION Sunday, 25 August 2013 CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE …AUTHOR: PABLO LEONDE LA BARRA
Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE …AUTHOR: PABLO LEONDE LA BARRA
Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'MICROCLIMAS' AT BIBLIOTECA AMAZONICA is inspired by Mantilla and Chaves’ research into the amazonic libraries of Iquitos in Peru (“In the jungle there is a city, in this city there is a library, and in that library is the jungle”) and in Dominique Gonzalez –Foerster’s investigation on the future of books (“is it possible to expand this library, and if so, how can it be done in a completely CENTRE FOR THE AESTHETIC REVOLUTION: HUDINILSON JR. A … sunday, 25 august 2013. hudinilson jr. a home studio visit by marina reyes franco and phosphorus CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: ALEXANDER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'TROPICAL … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARCELO … Marcelo Krasilcic's 1990s photobook of Marcelo's friends, family, places and lovers during the 1990s Friends at Shrimpy's for Marce 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: AUGUST 2013 CENTRE FOR THE AESTHETIC REVOLUTION Sunday, 25 August 2013 CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE …AUTHOR: PABLO LEONDE LA BARRA
Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE …AUTHOR: PABLO LEONDE LA BARRA
Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'IL Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: 12/12/12 LETTER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'MICROCLIMAS' AT BIBLIOTECA AMAZONICA is inspired by Mantilla and Chaves’ research into the amazonic libraries of Iquitos in Peru (“In the jungle there is a city, in this city there is a library, and in that library is the jungle”) and in Dominique Gonzalez –Foerster’s investigation on the future of books (“is it possible to expand this library, and if so, how can it be done in a completely CENTRE FOR THE AESTHETIC REVOLUTION: HUDINILSON JR. A … sunday, 25 august 2013. hudinilson jr. a home studio visit by marina reyes franco and phosphorus CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: ALEXANDER … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'TROPICAL … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARCELO … Marcelo Krasilcic's 1990s photobook of Marcelo's friends, family, places and lovers during the 1990s Friends at Shrimpy's for Marce 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: AUGUST 2013 CENTRE FOR THE AESTHETIC REVOLUTION Sunday, 25 August 2013 CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: MEXICAN GALLERY … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: MEXICAN GALLERY … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life works done by Dominique Gonzalez-Foersterbetween 1985 and 1991, during and soon after her art school years; CENTRE FOR THE AESTHETIC REVOLUTION: 'ESQUEMAS PARA … Indirectly, it also seems to illustrate Vasconcelos text: “The conquest of the Tropics will transform all aspects of life. Architecture will abandon the Gothic arch, the vault, and, in general, the roof, which answers to the need for shelter. CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: 'THIS IS NOT … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JOAO MODE 'FOR … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'TROPICAL … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2013 The Museum of Art of Rio (MAR) is a space dedicated to art and visual culture. Launched on March 1st, 2013, the Museum holds temporary exhibitions which allow the study of the city’s history from different perspectives which cut across its social fabric, its CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: OCTOBER 2012 Parque do Flamengo By Sophie Nys 7 September – 3 November 2012 Drawn by her interest in history and architecture and by the ambiguity emerging from modernist utopias, Belgian artist Sophie Nys travelled to Rio de Janeiro in January 2012 to shoot the film Parque do Flamengo, a semi-documentary whose protagonist is the park of the title, and particularly the work of Brazilian landscape CENTRE FOR THE AESTHETIC REVOLUTION Paulo Herkenhoff Nucleo Historico, Antropofagia Histories of Canibalism 24th Bienal de Sao Paulo, 1998 Diagram developed by Paulo Herkenhoff for the 1998 CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MEXICAN GALLERY … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION Paulo Herkenhoff Nucleo Historico, Antropofagia Histories of Canibalism 24th Bienal de Sao Paulo, 1998 Diagram developed by Paulo Herkenhoff for the 1998 CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MEXICAN GALLERY … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION Paulo Herkenhoff Nucleo Historico, Antropofagia Histories of Canibalism 24th Bienal de Sao Paulo, 1998 Diagram developed by Paulo Herkenhoff for the 1998 24th Sao Paulo Biennale to explain his challenging of Euro-NorthAmerican-centric art CENTRE FOR THE AESTHETIC REVOLUTION: 'ESQUEMAS PARA … Indirectly, it also seems to illustrate Vasconcelos text: “The conquest of the Tropics will transform all aspects of life. Architecture will abandon the Gothic arch, the vault, and, in general, the roof, which answers to the need for shelter. CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: 'THIS IS NOT … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JOAO MODE 'FOR … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'TROPICAL … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2013 A intersection B intersection C is the title of the project Amalia Pica presented at Museo Tamayo, which responds to the museum’s space. The artist reads the gallery as a kind of arena where the steps link one gallery to the next functions as a tribune where people can observe what takes place in this part of the museum. CENTRE FOR THE AESTHETIC REVOLUTION: MARTA 'CHE' … Marta Traba, History of Modern Art told from Bogota on National TV in 20 chapters, 1983 Traba, who denunciated conceptual and pop art in latinamerica as vehicles of imperial domination, does without being aware a very pop and conceptual work! CENTRE FOR THE AESTHETIC REVOLUTION: OCTOBER 2012 Parque do Flamengo By Sophie Nys 7 September – 3 November 2012 Drawn by her interest in history and architecture and by the ambiguity emerging from modernist utopias, Belgian artist Sophie Nys travelled to Rio de Janeiro in January 2012 to shoot the film Parque do Flamengo, a semi-documentary whose protagonist is the park of the title, and particularly the work of Brazilian landscape 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 15th June - 2nd November 2003. This exhibition explores a constellation of themes related to the effects of political, economic and social crises in the developing world. The show does not attempt to fully document this situation, but to explore the ways in which artists and architects have reacted and react to these set ofconditions.
'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION 20 de Junho a 09 de Agosto de 2015. Temporama is a chronotropic portrait of the artist as a young woman and brings back to life worksdone by Dominique
CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … VANGELIS VLAHOS AT THE 11TH ISTANBUL BIENNIAL. The project consists of two sets of photographs, which have reference to two cases of Greek initiatives of utilization of the Aegean Sea in the 1970s. The first set of images involves the “Wodeco” ship, an American drill-ship that was used for the exploitation of Greece’s oil fields in the CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). CENTRE FOR THE AESTHETIC REVOLUTION: NOVO MUSEO … CASAS OU MUSEUS? Lina Bo Bardi, 1958 Primeiro as Casas ou Museus? Tudo de uma só vez: as casas, as escolas, os museus, as bibliotecas. Uma planificação urbanística não pode prescindir dos problemas culturais se a construção de novos bairros, de novas casas, é a base do projeto de uma cidade (nas casas queremos incluir mercados, escolas, serviços coletivos, como saúde, correios, etc CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 15th June - 2nd November 2003. This exhibition explores a constellation of themes related to the effects of political, economic and social crises in the developing world. The show does not attempt to fully document this situation, but to explore the ways in which artists and architects have reacted and react to these set ofconditions.
'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: 'ESQUEMAS PARA … Indirectly, it also seems to illustrate Vasconcelos text: “The conquest of the Tropics will transform all aspects of life. Architecture will abandon the Gothic arch, the vault, and, in general, the roof, which answers to the need for shelter. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 15th June - 2nd November 2003. This exhibition explores a constellation of themes related to the effects of political, economic and social crises in the developing world. The show does not attempt to fully document this situation, but to explore the ways in which artists and architects have reacted and react to these set ofconditions.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2013 The Museum of Art of Rio (MAR) is a space dedicated to art and visual culture. Launched on March 1st, 2013, the Museum holds temporary exhibitions which allow the study of the city’s history from different perspectives which cut across its social fabric, its CENTRE FOR THE AESTHETIC REVOLUTION: MARCELO … Marcelo Krasilcic's 1990s photobook of Marcelo's friends, family, places and lovers during the 1990s Friends at Shrimpy's for Marce CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2007 a project by Matthieu Laurette in which Isabella gave a guided fashion tour of the fair, Saturday 22 October 2005. Isabella Blow, fashion icon, muse, talent discoverer and true star was born on November 19, 1958. She died on May 7, 2007, aged 48. Long live queen Isabella. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2011 CENTRE FOR THE AESTHETIC REVOLUTION Tuesday, 21 June 2011 CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2004 centre for the aesthetic revolution monday, 28 june 2004 CENTRE FOR THE AESTHETIC REVOLUTION Paulo Herkenhoff Nucleo Historico, Antropofagia Histories of Canibalism 24th Bienal de Sao Paulo, 1998 Diagram developed by Paulo Herkenhoff for the 1998 CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION Paulo Herkenhoff Nucleo Historico, Antropofagia Histories of Canibalism 24th Bienal de Sao Paulo, 1998 Diagram developed by Paulo Herkenhoff for the 1998 CENTRE FOR THE AESTHETIC REVOLUTION: GIACOMO BALLA, 'ILAUTHOR: PABLOLEON DE LA BARRA
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'CONCRETE … Concrete Invention: Colección Patricia Phelps de Cisneros is a comprehensive and innovative reading of the development of geometricabstraction
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: VANGELIS VLAHOS … Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2008 Patti Smith, b. 1946, playing at Philips de Pury London on Sunday. On the background Damien Hirst, b. 1965, The Importance of Elsewhere-The Kindgdom of Heaven, 2006, butterflies and household gloss paint on canvas, 292 x 243.9 cm. (115x96 in). 'INCIDENTS OF MIRROR TRAVEL IN YUCATAN AND ELSEWHERE Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MARIANA CASTILLO Chisenhale Gallery presents a solo exhibition by Mariana Castillo Deball: What we caught we threw away, what we didn’t catch we kept. A co-commission by Chisenhale Gallery, Cove Park, Scotland – where the artist undertook a residency in 2012-13 – and CCA Glasgow, who presented the exhibition from 6 April to 18 May 2013. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: 'THE CAMINO REAL Camino Real Shopping Mall in Lima, Peru AMIL Room 1: Reynaldo Luza's almost abstract Landscapes Reynaldo Luz (Perú, 1893-1978) Pinturas de Paisaje / Landscape Paintings, 1950-1975 CENTRE FOR THE AESTHETIC REVOLUTION: 'FROM THE GOOD … 'The Suicide of Carlos Rangel: Only Sofia knows the truth' and 'Yo La Intransigente' a collection of Sofia Imber's writings. Sofia Imber, apart of being Rangel's wife and hosting with him a morning tv-programme, was the founder in 1973 of the Museo de Arte Contemporáneo de Caracas Sofía Imber (MACCSI), which she directed until she was fired on national TV by Hugo Chavez in 2001 CENTRE FOR THE AESTHETIC REVOLUTION: 'ESQUEMAS PARA … Indirectly, it also seems to illustrate Vasconcelos text: “The conquest of the Tropics will transform all aspects of life. Architecture will abandon the Gothic arch, the vault, and, in general, the roof, which answers to the need for shelter. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2003 Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association,London.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2013 A intersection B intersection C is the title of the project Amalia Pica presented at Museo Tamayo, which responds to the museum’s space. The artist reads the gallery as a kind of arena where the steps link one gallery to the next functions as a tribune where people can observe what takes place in this part of the museum. CENTRE FOR THE AESTHETIC REVOLUTION: MARCELO … Marcelo Krasilcic's 1990s photobook of Marcelo's friends, family, places and lovers during the 1990s Friends at Shrimpy's for Marce CENTRE FOR THE AESTHETIC REVOLUTION: 'HIWAR, … HIWAR | Conversations in Amman An exhibition, residencies, and talks program Curated by Adriano Pedrosa Opening: 9 November 2013 HIWAR | Conversations in Amman is an exhibition, residencies, and talks program organized by Darat al Funun to celebrate 25 years of supportfor the arts.
CENTRE FOR THE AESTHETIC REVOLUTION: MAY 2007 Cloud is a House from the series Neen Homes. The shape of the cloud is derived from whywashesad.com, while the form is based on a model of house that I grew up surrounded by: The domino frame on pilotis, in its mediterranean, post-modernist decadence of anarchic construction and casual, haphazard habitation. CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2011 CENTRE FOR THE AESTHETIC REVOLUTION Tuesday, 21 June 2011 CENTRE FOR THE AESTHETIC REVOLUTION: JUNE 2004 centre for the aesthetic revolution monday, 28 june 2004 skip to main | skip to sidebar CENTRE FOR THE AESTHETIC REVOLUTION SUNDAY, 27 DECEMBER 2015 'TEMPORAMA' DOMINIQUE GONZALEZ-FOERSTER AT MAM RIO DE JANEIRO, CURATED BY PABLO LEON DE LA BARRA MAM Rio de Janeiro, designed by Affonso Eduardo Reidy in 1953 andinaugurated in 1967
DGF as Fitzcarraldo at the entrance of the exhibition Temporama, exhibition views DGF as Marlyn Monroe inside the swimming pool of Temporama the city of Rio as seen from the blue filter of Temporama The Parque do Flamengo and the Pão de Açucar as seen from the redfilter of Temporama
a rock from the Burle Marx garden below inside the exhibition roomuntitled 1985/2015
vase and lily flower on radioclockuntitled 1985/2015
books, bricks and wood the red desert 1991/2015red carpets
untitled 1987/2015
plastic buckets and architect lampsuntitled 1987/2015
tennis balls and glass screenuntitled 1985/2015
two telephones
plage parallele 1999/2015two towels
untitled 1987/2015 aluminium objects and survival blanket untitled 1985/2015 wood structure (AE=eternal love (amor eterno)) abstract handkerchief 1986/2015untitled 1986/2015
carpet on wall and carpet column vitrine with original documents and photographs of when the works werefirst shown
visitors to the exhibition DGF giving an interview Dominique Gonzalez-Foerster and Pablo Leon de la Barra night inside Temporama, game of reflections Double Happiness neon 1999/2015 installed at Bar do Mineiro in Santa Teresa in Rio Bar do Mineiro's Diogenes Paixão and Dominique Gonzalez-FoersterTEMPORAMA
DOMINIQUE GONZALEZ-FOERSTER 20 de Junho a 09 de Agosto de 2015 Temporama is a chronotropic portrait of the artist as a young woman and brings back to life works done by Dominique Gonzalez-Foersterbetween 1985 and 1991, during and soon after her art school years; many of these works are being recreated for the very first time for this exhibition. The early works are full of incipient intuitions and immature desires, exploring ideas and materials that would with time become essential to the artist’s practice: the experience of time and space, the presence of horizontality and color, and the use of carpets, books, and domestic objects as constitutive and recurring elements within the work. Temporama creates a time zone where the different works coexist, where the past is rethought and the future reimagined. More than an exhibition,Temporama is a time machine,but also an interior park and a garden, a swimming pool and a landscape. As part of a new work created specially for MAM Rio, Gonzalez-Foerster appears as Marilyn Monroe in the famous skinny dip scene from her unfinished last movie,Something’s Got to Give (1962), with this connecting us back to the early modern days of the museum and the mid-sixties when Gonzalez-Foerster was born. MAM’s glass facades covered with red and blue filters become like 3-D glasses that activate the space, allowing the landscape outside to merge with the exhibition space and the art works inside, which in Temporama all become transformed through cultural, artistic, architectural, and emotional metabolization. Operating in the space between art, cinema, architecture, and literature, most of Gonzalez-Foerster’s work in the past three decades has been concerned with the possibility of physical and mental travel through space and time as a strategy for revealing an emotional understanding of space, memory, reality, and fiction. In a similar way to how she has inhabited rooms, moments, and places, Gonzalez-Foerster has recently embodied many different characters, including Lola Montez, King Ludwig II, Edgar Allan Poe, Bob Dylan, Vera Nabokov, andFitzcarraldo.
Dominique Gonzalez-Foerster has exhibited all around the world since 1985. She lives between Paris and Rio de Janeiro, and her artistic thinking and practice have been deeply influenced by her experience of Rio. Since 1998 she has developed an extensive body of work related to Brazil, including four films and participations in the 2006 São Paulo Biennale and the 2013 Panorama da Arte Brasileira, both curated by Lisette Lagnado. Her site-specific installation, Desert Park (2010), is located in Inhotim, in Minas Gerais. Through her long-time conversation with Brazilian modern architecture and by showing very early works, Gonzalez-Foerster offers the opportunity to see MAM with different eyes as a setting for twentieth century experiencesand a place of origins and endless beginnings. Pablo León de la BarraCurator
The Swimming Pool soundtrack includes songs by Arto Lindsay, Cibelle, Miss Kittin, and Tetine. Temporama is a prelude to Gonzalez-Foerster’s retrospective taking place at Centre George Pompidou in Paris this September. special acknowledgements tristan bera, jens hoffmann, lisette lagnado, emma lavigne, denise milfont, esther schipper, jochen volz, david waddington, MAM team http://mamrio.org.br/exposicoes/temporama/ http://www.dgf5.com/ Posted by Pablo Leon de la Barraat 20:00
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Labels: Dominique Gonzalez-Foerster,
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TUESDAY, 30 DECEMBER 2014 TANIA BRUGUERA, #YOTAMBIENEXIJO, A CALL FOR FREEDOM OF SPEECH AT REVOLUTION SQUARE IN LA HABANA, THIS TUESDAY DECEMBER 30 AT 3:00 PM TANIA BRUGUERA, #YOTAMBIENEXIJO, A CALL FOR FREEDOM OF SPEECH AT REVOLUTION SQUARE IN LA HABANA, TUESDAY DECEMBER 30 AT 3:00 PM ---------------------------------------------------------------------------Open Letter
17.12.2014
Vatican City, Italy.Download PDF
Dear Raúl, querido Obama, dear Pope Francis, First let me offer congratulations, because politicians are expected to make history and today, December 17th, 2014, has been a historicday.
You have made history by proposing that the embargo/blockade become empty words. With the restoration of diplomatic relations, you have transformed the meaning of fifty-three years of policies defined by one side (the United States) and used by the other (Cuba) to ideologically guide the daily lives of Cubans everywhere. I wonder if this gesture is not also a proposal to kill ideology itself? Cuba is finally seeing itself, not from the perspective of death, but of life. But, I wonder, what will that life be and who will have the right tothat new life?
Very well then, Raúl: As a Cuban, today I call for the right to know what is being planned with our lives and, as part of this new phase, for the establishment of a politically transparent process in which we will all be able to participate, and to have the right to hold different opinions without punishment. When it comes time to reconsider what has defined who we are, that it not include the same intolerance and indifference which has so far accompanied changes in Cuba-a process in which acquiescenceis the only option.
As a Cuban, today I demand there be no more privileges or social inequalities. The Cuban Revolution distributed privileges to those in government or deemed trustworthy (read: loyal) by the government. This has not changed. Privilege created the social inequalities under which we have always lived, inequalities which were then rationalized as a revolutionary meritocracy and are now being transformed into a reliable entrepreneurial class. I demand that the emotional and tangible rights of those who cannot participate in this new phase-those at the bottom-be protected. As a Cuban, today I demand that we not be defined by the financial markets nor by how useful we can be to government. I call for equality for the Cuban who, due to the blockade/embargo, spent his life working in a factory only to come home a proud worker's hero but now has no place in a world of foreign investments and can only hope to receive a pension defined by the standards of socialist times, not by today's market economy. What is the plan, Raul, to avoid the same mistakes made by the countries from the former socialist camp? To avoid returning to the Cuba of 1958? How do we repair the emotional abuse the Cuban people have endured through the politics of recent years? How do we ensure there is social and material justice? How do we guarantee we will not become a colony, that we won't have to accept our new providers without question-as happened first with the Soviet Union and then with Venezuela? As a Cuban, today I call for the right of peaceful protest in the streets to support or denounce any government decision without fear of reprisal. I call for the legal right to establish associations and political parties with platforms that differ from that of the ruling party. I call for the decriminalization of civic activism, civil society, and of those with different points of view. I demand that the legitimacy of political parties born of the popular will be recognized. I call for direct elections in which all political parties are allowed to participate, and for ideological discrepancies to be resolved with debate and not via acts of repudiation. As a Cuban, today I demand the right to be a political being-not merely an economic entities or symbolic exchange to make history. As a Cuban, Raúl, today I want to know the vision for the nation weare building.
As an artist, Raul, I propose you today to exhibit "Tatlin's Whisper #6" at the Plaza de la Revolución (Revolution Square). Let's open the microphones and let all voices be heard. Let's not offer just the clatter of coins to fulfill our lives. Let's turn on the microphones. Let's learn together to make something of our dreams. Today I'd like to I propose that Cubans take to the streets wherever they may be on December 30th to celebrate, not the end of a blockade/embargo, but the beginning of our civil rights. Let's make sure it's the Cuban people who will benefit from this new historic moment. Our homeland is what hurts us.Tania Bruguera
Vatican City, December 17, 2014 ---------------------------------------------------------------------------Communique #1
20.12.2014
WHO ARE WE?
Following the Open Letter sent by the artist Tania Bruguera to Cuban President Raúl Castro on December 17th, a volunteer civic platform sprung up from its key phrase, "I demand," with the purpose of gathering on December 30th at La Plaza de la Revolución in Havana to call for the political, economic, cultural and civil rights of Cuban citizens. #YOTAMBIENEXIJO is a public and inclusive platform. The answer to the question "Who are we?" is none other than "Who am I?" If you are Cuban and you believe in the restitution of your rights, then this platform is you.WHAT DO WE WANT?
A call to Cubans to come peacefully to La Plaza de la Revolución in Havana on December 30th in order to use an open microphone to make a personal gesture in a public space. Speaking for ourselves is the first step toward the reclamation of our rights. Everyone has the floor. Make La Plaza de la Revolución the place for discussion and debate. LA PLAZA ES TU PLAZA.HOW DO WE WANT IT?
Next December 30th at 3 P.M. EST, #YOTAMBIENEXIJO will gather, without violence and without fear, at La Plaza de la Revolución to transform it into a space of respect for diversity of opinions about what kind of country we want to build. True freedom means tolerance. ---------------------------------------------------------------------------Press Release #1
21.12.2014
Cubans call for a peaceful gathering in La Plaza de Revolución. After the joint announcement from Cuba and the U.S. about the reestablishment of diplomatic relations, Cuban citizens, based on the demands articulated in #YoTambienExijo, call for a peaceful gathering in Havana's historic Plaza de la Revolución on December 30th at 3 p.m. (local time) in order to discuss, via an open microphone, what kind of nation they want for themselves. "It would be a personal gesture in a public space. Speaking for ourselves is the first step toward the reclamation of our rights. Everyone will have the floor. Make the La Plaza de la Revolución a space for discussion and debate", said the organizers of #YoTambienExijo. The group's Facebook FanPage added more than 1,000 likes in the first 24 hours after the historic news. Following the Open Letter sent by Cuban artist Tania Bruguera to Cuban President Raúl Castro, the U.S. President Barack Obama and Pope Francis on December 17th, a civic, volunteer and non-partisan movementsprung up.
Based on the key phrase from the letter, "I demand," Cubans will reclaim their civil, political, economic and cultural rights. "#YOTAMBIENEXIJO is a public and inclusive platform. The answer to the question "Who are we?" is no other than "Who am I?" If you are Cuban and you do believe in the restitution of your rights, then this platform is you", states the call."Today, as a Cuban, I demand to be informed about the plans being made with our lives, and that, as part of this new stage, a process of political transparency be established; where we all can have a space of participation and the right to have a different opinion that won't be punished (...) "Today, as a Cuban, I want to know which is the idea of Nation that we are building", asserts Tania Bruguera in her Open Letter to the three Chiefs ofState.
---------------------------------------------------------------------------Communique #2
#YoTeInvito (I invite you) to our Plaza22.12.2014
Dear Cub@ns,
Following the news of December 17th that stirred our Nation, I sent a letter to the Cuban newspaper Granma (which, of course, was not published). After its publication by other press media, a group of Cuban citizens with no party affiliation reacted to a phrase in this letter that calls all Cubans to gather next December 30th at La Plaza to speak out at an open microphone. They have created the platform #YoTambienExijo (http://www.facebook.com/YoTambienExijo) to which they have invited me, and so far, it has added more than 1000 persons with the common purpose of making real what was kind of a metaphor in my letter or maybe an unconscious desire that slipped out of my mind due to thatday's commotion.
The idea is to get together at La Plaza on December the 30th at 15:00 in order to speak and discuss peacefully about what concerns us in these days, to be there and let others know of what we think and our reasons for it, in an atmosphere of tolerance and respect. Let there be diversity of opinions and topics so we can discuss and talk among us all. We do not have any kind of agenda nor follow any particular ideology; we just want people to come, those that have not found a space to share their doubts or experiences, and those that felt they were not represented by the alternative spaces already open. Let's all come: housewives, self-employed persons, movie makers, mechanics, taxi drivers, managers, sex workers, students, marginalized persons, teachers, retired persons, farmers, blue collar workers, in fact all; let's get together and think about what is the concept of nation that we want to build and put into practice. We are not going to celebrate the potential ending of the embargo; we want to celebrate the birth of our rights. On this day we are not going to claim our rights, instead we are going to exercise our rights. It would be great to interact with you on that day at La Plaza, as a direct reference to a work I did at the 2009 Bienal de la Habana, where I set a microphone that was used by those who stood for the Revolution, those who criticized it, those who couldn't understand our reality, those who were afraid, and those who tried to vocalize their right to express their ideas. It would be an honor to have you there. See you on December 30th at La Plaza. A different Plaza, our Plaza.Hugs,
Tania Bruguera
Yo También Exijo
--------------------------------------------------------------------------- Declaration of Principles for Artistic Action Ten instructions to activate "Tatlin's Whisper# 6"25.12.2014
Given the fact that art leads to multiple interpretations. Given the diversity of views that are summoned there and the passion with which Cubans defend their ideas. Given the fact that we have received proposals from Cubans around the world who also want to speak from their Plaza. Given the peaceful nature of the #YoTambienExijo platform that promotes the meeting of the 30th of December. We want to provide access to instructions, so that this work may be performed with us in Havana, or elsewhere. Ten instructions to activate the work "Tatlin's Whisper# 6" (Note: Before starting the work a person explains the rules to allpresent).
1. The microphone is open for anyone who wants to use it. 2. Each person has a minute to speak whereupon should leave the microphone to those who follow and respect the right of others to express themselves on equal terms. 3. Each group to perform this piece can choose in what way they will indicate that the intervention time is over. We suggest: clapping, finger snaps, a buzzer alarm sound, a musical instrument. 4. The main rule of this work is that ALL reviews are welcome and the audience may NOT stop the intervention. If someone disagrees he/she can use its minute at the microphone to offer a different opinion. 5. Each person involved in the performance will speak from his/her point of view. No spokespersons or alternative institutions or government groups will be accepted. It is a public but individualaction.
6. Vulgarity, swearword, curse, calls to violence, discrimination or affronts to the integrity of individuals, shall not be accepted. 7. Illegal acts or violent actions against public order are notaccepted.
8. The length of the work is up to the public. In the event the work spans for several hours and recurrent ideas are detected, the audience can resolve to establish a new 'open mic' to talk about a specific topic. Whenever a new group starts, the rules will be explained again. 9. The order of speakers will be determined by the order in which the word is requested. The order of speakers should be respected. 10. The work is an Art Space where we all can design our desires and our human imaginaries.#YoTambienExijo
--------------------------------------------------------------------------Press Release #2
Cuban artist will perform on Havana Square29.12.2012
The aim of the artistic performance "Tatlin's Whisper # 6" that Cuban artist Tania Bruguera will perform at La Plaza de la Revolución of the city of Havana, Cuba, on December 30th at 15:00 (local time), is that Cubans peacefully express the ideas they have about their nation and its future, after the re-establishment of relations between Cuba and the United States. "The work is an artistic event that will allow Cubans to speak with their own voice on issues that concern them on the verge of a new year," said Bruguera, who is widely recognized throughout Cuba and abroad for her work and reflections on the social role of art. For a full minute, any Cuban attending the performance may claim his/her rights and talk about his/her dreams and everyday problems. Similar to the performance "Tatlin's Whisper # 6", held on the Havana Biennial 2009 at an ‘open microphone'. This will render all attendees have their turn to speak. The initiative is an example of political art and the role of art in society. "It's what I call ‘Art Made for a political specific timing', which can be translated as a work done for a particular context and political situation," says the artist. "Performances and initiatives such as that to be held in La Plaza are usual in other countries. The social and artistic movements have always been connected, one of the soundest cases in Latin America was that of ‘Tucumán Arde', for example," says Bruguera, who has her home-studio in Cuba and lives among the United States, France and in any country where her work develops. In Letter to Pope Francis this December 26th before leaving to Cuba, Bruguera said: "Dear Pope, our freedom is also in your protection. We need your blessing at a time when we have clearly in mind the words of John Paul II, who in that same Plaza asked Cubans not to be afraid, to open to the world, so that the world could open to us." The artistic action will be a peaceful event where calls to violence, discrimination, affronts to the integrity of individuals, illegal acts or violent actions against public order, will not be tolerated or accepted, the artist clarified in the letter addressed to the Pope. At a meeting on Saturday December 27th with Bruguera, the President of the National Council of Arts, Ruben del Valle, made clear that the state agency does not support the organization, disclosure, or legal procedures necessary for carrying out the work. Bruguera then confirmed: "The work will be performed. This is a contribution of Art to the necessary discussion of ideas in Cuban society. " Useful Art for a better society Civil Platform #YoTambienExijo emerged as a result of the Open Letter Bruguera forwarded on December 17th to Pope Francis, President Barack Obama, and Cuban President Raul Castro in response to the announcement of the re-establishment of diplomatic relations between Cuba and the United States. The Platform brings together dozens of Cubans inside and outside of Cuba on behalf of human rights. "Processes like this expand the borders of the world, and as Cuba is part of the world, we see this as a very positive deed for Cuban society, to be involved in global art and human rights movements, promoting and rescuing the faith for a better world" defended the Cuban artist. Bruguera, spokesperson for the Platform, said the action is based on the need for Cubans to publicly share their expectations on the surprising political shift between the island and the United States. "Cubans have the right to ask questions and to receive answers," justified the artist. As for the Platform #YoTambienExijo, she said that it "was born as an inclusive project with no political affiliation or belief, from concerns among friends, acquaintances of acquaintances, but without any experience in activism and leadership within Cuban civil society." FURTHER INFORMATION: . See FanPage #YoTambienExijo: www.facebook.com/YoTambienExijo . See Facebook Event: www.facebook.com/events/1515487705372907 . See Open Letter at Blog www.taniabruguera.com . Twitter: @yotambienexijo . Press Contact: Email: exige@yotambienexijo.org "Neither slaves, nor consumers. Let's be Citizens." #YoTambienExijo Posted by Pablo Leon de la Barraat 00:07
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* Pablo Leon de la Barra "At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the still more difficult art of living’. We could reformulate this thought as follows: there exists a specific sensory experience—the aesthetic—that holds the promise of both a new world of Art and a new life for individuals and the community. There are different ways of coming to terms with this statement and this promise. You can say that they virtually define the ‘aesthetic illusion’ as a device which merely serves to mask the reality that aesthetic judgement is structured by class domination. In my view that is not the most productive approach..." from Jacques Rancier, 'The Aesthetic Revolution and its Outcomes', New Left Review 14, April-March 2002 View my complete profileSHORT BIO
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association, London. He has curated among other exhibitions ‘To Be Political it Has to Look Nice’ (2003) at apexart and Art in General in New York; ‘PR04 Biennale’ (2004, co-curator) in Puerto Rico; ‘George and Dragon at ICA’ (2005) at the ICA-London; ‘Glory Hole’ (2006) at the Architecture Foundation-London; ‘Sueño de Casa Propia’(2007-2008, in collaboration with Maria Ines Rodriguez) at Centre de Art Contemporaine-Geneve, Casa Encendida-Madrid, Casa del Lago-Mexico City, and Cordoba, Spain; ‘This Is Not America’ at Beta Local in San Juan, Puerto Rico (2009); ‘Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere’, at the CCE in Guatemala (2010); ‘To Know Him Is To Love Him’, Cerith Wyn Evans at Casa Barragan, Mexico City (2010); ‘Incidents of Mirror Travel in Yucatan and Elsewhere’, at Museo Tamayo, Mexico City (2011); 'Bananas is my Business: the Southamerican Way' at Museu Carmen Miranda, Rio de Janeiro (co-curated with Julieta Gonzalez, 2011); 'MicroclimaS' at Kunsthalle Zurich (2012); 'Esquemas para una Oda Tropical', Rio de Janeiro, 2012; 'Marta 'Che' Traba' at Museo La Ene, Buenos Aires (2012); Novo Museo Tropical at Teoretica, San Jose, Costa Rica (2012); Museu Labirinto / Museum of Unlimited Growth, ArtRio, Rio de Janeiro (2012); The Camino Real Arcades, Lima, Peru (2012). PLB has acted as advisor and/or art curator for the following art fairs: Pinta/London (2010-12), Maco/Mexico (2009-1012), Circa/Puerto Rico (2010), La Otra/Bogota (2009), ArteBA/ Buenos Aires (2012), ArtRio/Rio de Janeiro (2011-2013). León de la Barra has written amongst other publications for: Frog/Paris, PinUp/New York, Purple/Paris, Spike/Austria, Tar/Italy, Wallpaper/London, Celeste/Mexico, Tomo/Mexico, Rufino/Mexico, Ramona/Buenos Aires, Metropolis M/Amsterdam, Numero Cero/Puerto Rico. PLB has also written texts for many artists and exhibition catalogues, lectured internationally and participated in many international symposiums where relevant topics to arts, culture and society have been discussed. PLB was co-director of ‘24-7’ an artists-curatorial collective in London from 2002-2005 and artistic director of ‘Blow de la Barra’ in London from 2005-2008. From 2005 to 2012 he was curator of the White Cubicle Gallery in London, a community art space which he also founded. He is also founder of the Novo Museo Tropical, a museum yet to physically exist somewhere in the tropics and curated the First Bienal Tropical in San Juan Puerto Rico (2011). He is also the publisher of Pablo Internacional Editions and editor of his own blog the Centre for the Aesthetic Revolution. He lives and works between London, Mexico City, Los Angeles, Rio de Janeiro, Sao Paulo, San Juan, Bogota, Lima,Athens, Beirut...
SOME RECENT PROJECTS, SOME NOT SO RECENT 2015: Temporama/Dominique Gonzalez-Foerster at MAM, Rio de Janeiro 2012: Museu Labirinto / Museum of Unlimited Growth, Rio de Janeiro 2012: Letter from Oscar Niemeyer's unfinished 'International Fairground' in Tripoli, Lebanon 2012: Novo Museo Tropical presents Museo Banana and Cinema Tropical at Teoretica in Costa Rica 2012: Marta 'Che' Traba, an exhibition on two latinamerican ideological idols, at Museo la ENE, Buenos Aires 2012: Esquemas para una Oda Tropical, Rio de Janeiro 2012: MicroclimaS at Kunsthalle Zurich 2011: Gran Bienal Tropical, curated by Pablo Leon de la Barra at La Comai in San Juan, Puerto Rico 2011: 'Savage Lava Jungles' my contribution to the Serpentine Gallery's Garden Marathon 2011: 'Bananas is my Business: The South American Way' at Museu Carmen Miranda, Rio de Janeiro 2011: '23 de Janeiro': Ideal Demonstration Apartment, ArtRio, Rio deJaneiro
2011: 'Incidents of Mirror Travel in Yucatan and Elsewhere' an exhibition by PLB at Museo Tamayo 2011: Novo Museo Tropical Architecture 2010: 'Diagrama Tropical' an attempt to construct a tropical history 2010: 'Paisaje Inutil: A Notebook on Cities and Places', a special edition of Pablo Magazine 2010: Mies Cruising Pavilion Montjuic, an unauthorised exhibition in the Barcelona Pavilion 2010: Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere... at CCE, Guatemala 2010: Cerith Wyn Evans at Casa Barragan, Mexico City 2009/10: The Next Documenta Should be in Brasilia 2010: Tristes Tropiques at The Barber Shop in Lisboa 2010: Somewhere Over the Rainbow, CircaLabs, San Juan, Puerto Rico 2009: Abstract Reality, Cooperativa Internacional Tropical in Bogota 2009: Novo Museo Tropical Manifesto 2009: This Is Not America, San Juan, Puerto Rico 2009: El Noa Noa, Bogota, Colombia 2009: Dominique Gonzalez-Foerster and Pablo Leon de la Barra, conversation at Tate Modern 2009: Rotterdam Dialogues: The Curators at Witte de With 2008: Lessons on Psicotronica Tropical, Rio de Janeiro 2008: Case Study Houses: Pablo Magazine Special Issue 2008: Sueño de Casa Propia, Mexico City 2008: Sueño de Casa Propia, Cordoba, Spain 2007: Sueño de Casa Propia, Madrid 2007: Sueño de Casa Propia, Geneva 2006: Glory Hole, an exhibition 2006: Guia do Copan/CopaCopan Day, Sao Paulo 2005: George and Dragon at ICA 2004: Jogging Tour, Mexico City 2004: Olympic Village, Puerto Rico Biennale 2004 2003: To Be Political It Has To Look Nice, apexart, New York 2003/to today: Selfportraits at Airports 2002: The Artist as Ethnographer, Museo del Cerro, Puerto RicoLINKS
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