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York and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Wire, costumes, charcoal on paper, garden. Based on the classic studio portrait where one is placed in an imagined landscape, C-K expose the surrounding area, placing the imagined landscape within the ‘real’ colonial garden in India while dressing as nineteenth C. westerners, Meditations On Structures of Thought is visual play between sculpture, costume MARCO CHIANDETTI & MELORA KUHN Meditations on Structures of Thought Delhi, India, 2008. In 2008, chiandetti-kuhn embarked on a careful investigation of the postcolonial landscape of India, looking MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Performance. Based on an actual event held in New York City, by the painter Frederic Church in 1859. The performance begins with the slow unraveling of a stitched image on giant curtains made from painters’ canvas. MARCO CHIANDETTI & MELORA KUHN The Things that Disappear in the Distance Germantown, NY, 2009. Using the work of the Hudson River School as a starting point, chiandetti-kuhn have reflected on themes of discovery and exploration in a variety of media to research and pay homage to this group of 19th Century American painters. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
MARCO CHIANDETTI & MELORA KUHN What We Carry With Us Cardboard boxes, brown paper, twine, cart. Moved by the tremendous amounts of goods transported on the backs of bicycles and carts, what we carry with us, is a reflection on a passage through mysterious landscapes. MARCO CHIANDETTI & MELORA KUHN Blackboard Chalk, easel, field. A visual conversation created by alternately working on a blackboard erected in a field. Concession was given to enhance or completely erase MARCO CHIANDETTI & MELORA KUHN Stage Charcoal, paper, costumes, wire. Composite drawing of the nearby landscape reflecting on the Hudson River schools work a century prior. Some sheets of paper where removed to represent gaps in knowledge, history, memory and place. MARCO CHIANDETTI & MELORA KUHN Field Study Desk, sketchbooks. Drawing from nature, ‘Field study’ became a way to examine and reflect directly on the natural environment, to collect reference material for larger works. MARCO CHIANDETTI & MELORA KUHN Collaborations between Artists Marco Chiandetti and Melora Kuhn in NewYork and Delhi
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