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THE ELIZNIK PAGES
Vălenii de Munte was the customs post and county town of Săcuieni (or Saac in the Slavic form) which is one of the ancient counties of Țara Românesc and generally attributed to Mircea cel Bătrân (1386–1418). The ancient route from Transylvania to the Danube crossed the mountains from the customs point at Varma Buzăului, overthe
ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Village dance. A rich variety of traditional dances still exist in Romania due to the continuation of the feudal system until the mid 19th century and subsequently the isolation imposed by Ceaușescu during the communist period, which resulted in the continuance of a peasant rural life style. Romania is a unique European country as itsfolklore
TRADITIONAL BULGARIAN DANCING Bulgaria has a strong tradition in vocal repertoire, predominantly in women’s “open throat” singing, this is mainly in the southern and western regions. For all the other dance types an instrumental accompaniment is the norm. In the past this might have been a single musician playing a bagpipe ( gajda) or rebec ( gadulka ), or a small WOMEN’S APRONS (AND SKIRTS) Women’s aprons (and skirts) There are five basic variations: 1) The straight apron ( catrință or zadie) which are usually worn in pairs, one at the front and one at the back. A variation on this type is the fringed apron found in mainly in Banat called opreg. 2) A pleated orgathered apron (
KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. FLUIER – THE ROMANIAN 6 HOLE PIPE Fluier – the Romanian 6 hole pipe. The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras ortrisca.
THE ELIZNIK PAGES
Vălenii de Munte was the customs post and county town of Săcuieni (or Saac in the Slavic form) which is one of the ancient counties of Țara Românesc and generally attributed to Mircea cel Bătrân (1386–1418). The ancient route from Transylvania to the Danube crossed the mountains from the customs point at Varma Buzăului, overthe
ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Village dance. A rich variety of traditional dances still exist in Romania due to the continuation of the feudal system until the mid 19th century and subsequently the isolation imposed by Ceaușescu during the communist period, which resulted in the continuance of a peasant rural life style. Romania is a unique European country as itsfolklore
TRADITIONAL BULGARIAN DANCING Bulgaria has a strong tradition in vocal repertoire, predominantly in women’s “open throat” singing, this is mainly in the southern and western regions. For all the other dance types an instrumental accompaniment is the norm. In the past this might have been a single musician playing a bagpipe ( gajda) or rebec ( gadulka ), or a small WOMEN’S APRONS (AND SKIRTS) Women’s aprons (and skirts) There are five basic variations: 1) The straight apron ( catrință or zadie) which are usually worn in pairs, one at the front and one at the back. A variation on this type is the fringed apron found in mainly in Banat called opreg. 2) A pleated orgathered apron (
SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. FLUIER – THE ROMANIAN 6 HOLE PIPE Fluier – the Romanian 6 hole pipe. The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras ortrisca.
PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. ETHNOGRAPHY (INFORMATION) Hora is danced at community occasions in the three ethnographic zones of Banat – the Banat plain, Banat hills and mountains. In southern Banat the older dance cycle is typically Brâul followed by either, or both, Hora and Sârba. On the Timiș plain the dance cycles are loosely constructed of Sorocul, întroarsa, Pre loc (De doi), and Hora.
THE CĂLUȘ RITUAL
The Căluș ritual takes place during the period of Rusalii (Pentecost) which occurs fifty days after Orthodox Easter, and lasts for seven to nine days. This transitional period from spring to summer is when, according to Romanian and Slav folklore, malevolent fairies, known as iele are at their most active. During Rusalii the villagers were subject to certain work interdictions. TRADITIONS IN ROMANIA Traditional clothing in Romania (traditional costume, ethnic dress, portul popular) The structure of Romanian traditional clothing has remained unchanged throughout history and can be traced back to the earliest times. The basic garment for both men and women is a shirt or chemise, which is made from hemp, linen or woollen fabric. HISTORY OF CLOTHING ELEMENTS History of clothing elements. The traditional clothing that exists today, and is recorded on photographs and film, dates mainly from 19th and 20th centuries. There is very little evidence, except for a few paintings, showing clothing worn outside towns before the 19th century. In most countries the wearing of traditional clothing diedout by
ROMANIAN HORA
Hora (pl. Hore) dance form. The term Hora is used for;. Hora is the name for the large circle dance and is the most widespread dance in Romania, partly because any number of participants, of any ability or age both men and women can join in. Hora is customarily performed at rituals such as weddings and funerals. In southern Romania and Moldavia Hora is the introductory dance to the dance cycle DISCOGRAPHY: PIPE MUSICIANS This page lists the majority of the professional multi-instrumentalist pipe musicians recorded by the Romanian state company Electrecord. Some the Electrecord recordings are now available on CD.MEN’S HATS
Căciulă are worn all over Romania and in most of the surrounding Balkan countries in winter. Fur hats are made by furriers and are most often black, although white căciulă are worn in parts of Banat and grey in central and north Moldavia.. There are four types of căciulă found in Romania.. High conical cap căciulă țuguiată, moțată. This is made of four pieces joined together EARLY REFERENCES TO BANAT CĂLUȘERI The most quoted reference for căluș in Banat is a description by Sofronie Luiba dated 1898, which does not explicitly list the location for his description. He came from Maidan (now called Bradișor, just north of Oravița), where he was the local the local teacher, and according to newspaper reports was active in promoting cultural activities in his village. ROMANIAN SÂRBA DANCE Sârba (pl. Sârbe) dance form. Musically the term Sârba is usually applied to a lively 2/4 melody with a compound time (triplet grouping) melody giving a 6/8 feel. This is a common dance rhythm across the Balkans in dances such as the Serbian Čačak and the Bulgarian fastPravo Horo.
THE ELIZNIK PAGES
Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5 ETHNOGRAPHY (INFORMATION) Bufeni is a nickname used for a group of Oltenians that moved to the Banat mountain region in the 18th century to work for the mining industry that was reinvigorated by the Austrians following their acquisition of the Banat region from the Ottoman empire. WOMEN’S APRONS (AND SKIRTS) There are five basic variations: 1) The straight apron (catrință or zadie) which are usually worn in pairs, one at the front and one at the back.A variation on this type is the fringed apron found in mainly in Banat called opreg.. 2) A pleated or gathered apron (șorț or șurt) worn as a front apron.3) The wrap round skirt (fotă) which is a single straight piece of cloth wrapped round theTHE CĂLUȘ RITUAL
TRADITIONAL BULGARIAN DANCING Bulgarian dances are mostly chain dances predominantly in an open circle with a leader at the right hand end and a second place of importance at the tail on the left hand end. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team.THE ELIZNIK PAGES
Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5 ETHNOGRAPHY (INFORMATION) Bufeni is a nickname used for a group of Oltenians that moved to the Banat mountain region in the 18th century to work for the mining industry that was reinvigorated by the Austrians following their acquisition of the Banat region from the Ottoman empire. WOMEN’S APRONS (AND SKIRTS) There are five basic variations: 1) The straight apron (catrință or zadie) which are usually worn in pairs, one at the front and one at the back.A variation on this type is the fringed apron found in mainly in Banat called opreg.. 2) A pleated or gathered apron (șorț or șurt) worn as a front apron.3) The wrap round skirt (fotă) which is a single straight piece of cloth wrapped round theTHE CĂLUȘ RITUAL
TRADITIONAL BULGARIAN DANCING Bulgarian dances are mostly chain dances predominantly in an open circle with a leader at the right hand end and a second place of importance at the tail on the left hand end. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. WEBSITE ORGANISATION Our website is in two organisationally different parts; the “Website” which is hierarchically arranged information based on our old website, and the “Blog” which is articles and topics in chronological order that we will publish looking forwards. ETHNOGRAPHY (INFORMATION) Bufeni is a nickname used for a group of Oltenians that moved to the Banat mountain region in the 18th century to work for the mining industry that was reinvigorated by the Austrians following their acquisition of the Banat region from the Ottoman empire. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification.THE CĂLUȘ RITUAL
The Căluș ritual takes place during the period of Rusalii (Pentecost) which occurs fifty days after Orthodox Easter, and lasts for seven to nine days. This transitional period from spring to summer is when, according to Romanian and Slav folklore, malevolent fairies, known as iele are at their most active. During Rusalii the villagers were subject to certain work interdictions.TRADITIONAL DANCE
Romanian dance types. The dance section of this website is organised according to the ‘classic’ Romanian ethnologist and choreographerclassification.
TRANSYLVANIAN LAD’S DANCES Feciorește dance form. There are a range of men’s dances from Transylvania that are most often bundled together into a single family of Feciorește (lads’) dances, but this can hide the fusion of various dancing traditions and influences that have resulted in this range of developed dances.. Many Romanian Feciorește lads’ dances have the same form as the men’s Carpathian group dancesMEN’S HATS
Căciulă are worn all over Romania and in most of the surrounding Balkan countries in winter. Fur hats are made by furriers and are most often black, although white căciulă are worn in parts of Banat and grey in central and north Moldavia.. There are four types of căciulă found in Romania.. High conical cap căciulă țuguiată, moțată. This is made of four pieces joined together CÂMPIA ARADULUI MAP Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. The sub-zones listed by Viorel Nistor suggest that the northern limit of Câmpia Aradului is west from Șiria, thus excludingVALEA LOPATNA MAP
References. Cruceru, Alexandru Ionuț (2015). O vatră de moşneni din judeţul saac: Valea Lopatnei. Muzeului de Istorie și Arheologie Prahova, VI, 351-364.VLAȘCA REGION MAP
Vlașca region is between the Argeș and Teleorman rivers extending to the Danube centred on the city of Giurgiu. The ethnographic zone takes its location and name from the county formed in 1864.THE ELIZNIK PAGES
Vălenii de Munte was the customs post and county town of Săcuieni (or Saac in the Slavic form) which is one of the ancient counties of Țara Românesc and generally attributed to Mircea cel Bătrân (1386–1418). The ancient route from Transylvania to the Danube crossed the mountains from the customs point at Varma Buzăului, overthe
ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Village dance. A rich variety of traditional dances still exist in Romania due to the continuation of the feudal system until the mid 19th century and subsequently the isolation imposed by Ceaușescu during the communist period, which resulted in the continuance of a peasant rural life style. Romania is a unique European country as itsfolklore
TRADITIONAL BULGARIAN DANCING Bulgaria has a strong tradition in vocal repertoire, predominantly in women’s “open throat” singing, this is mainly in the southern and western regions. For all the other dance types an instrumental accompaniment is the norm. In the past this might have been a single musician playing a bagpipe ( gajda) or rebec ( gadulka ), or a small WOMEN’S APRONS (AND SKIRTS) Women’s aprons (and skirts) There are five basic variations: 1) The straight apron ( catrință or zadie) which are usually worn in pairs, one at the front and one at the back. A variation on this type is the fringed apron found in mainly in Banat called opreg. 2) A pleated orgathered apron (
KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. FLUIER – THE ROMANIAN 6 HOLE PIPE Fluier – the Romanian 6 hole pipe. The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras ortrisca.
THE ELIZNIK PAGES
Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Romanian dance types. The dance section of this website is organised according to the ‘classic’ Romanian ethnologist and choreographerclassification.
WOMEN’S APRONS (AND SKIRTS) There are five basic variations: 1) The straight apron (catrință or zadie) which are usually worn in pairs, one at the front and one at the back.A variation on this type is the fringed apron found in mainly in Banat called opreg.. 2) A pleated or gathered apron (șorț or șurt) worn as a front apron.3) The wrap round skirt (fotă) which is a single straight piece of cloth wrapped round the TRADITIONAL BULGARIAN DANCING Bulgarian dances are mostly chain dances predominantly in an open circle with a leader at the right hand end and a second place of importance at the tail on the left hand end. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. FLUIER – THE ROMANIAN 6 HOLE PIPE The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras or trisca.In Transylvania it is known as trisca.The larger version is known as the fluieroi. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. ETHNOGRAPHY (INFORMATION) Hora is danced at community occasions in the three ethnographic zones of Banat – the Banat plain, Banat hills and mountains. In southern Banat the older dance cycle is typically Brâul followed by either, or both, Hora and Sârba. On the Timiș plain the dance cycles are loosely constructed of Sorocul, întroarsa, Pre loc (De doi), and Hora.
TRADITIONS IN ROMANIA Traditional clothing in Romania (traditional costume, ethnic dress, portul popular) The structure of Romanian traditional clothing has remained unchanged throughout history and can be traced back to the earliest times. The basic garment for both men and women is a shirt or chemise, which is made from hemp, linen or woollen fabric.THE CĂLUȘ RITUAL
The Căluș ritual takes place during the period of Rusalii (Pentecost) which occurs fifty days after Orthodox Easter, and lasts for seven to nine days. This transitional period from spring to summer is when, according to Romanian and Slav folklore, malevolent fairies, known as iele are at their most active. During Rusalii the villagers were subject to certain work interdictions. HISTORY OF CLOTHING ELEMENTS History of clothing elements. The traditional clothing that exists today, and is recorded on photographs and film, dates mainly from 19th and 20th centuries. There is very little evidence, except for a few paintings, showing clothing worn outside towns before the 19th century. In most countries the wearing of traditional clothing diedout by
ROMANIAN HORA
Hora (pl. Hore) dance form. The term Hora is used for;. Hora is the name for the large circle dance and is the most widespread dance in Romania, partly because any number of participants, of any ability or age both men and women can join in. Hora is customarily performed at rituals such as weddings and funerals. In southern Romania and Moldavia Hora is the introductory dance to the dance cycle EARLY REFERENCES TO BANAT CĂLUȘERI The most quoted reference for căluș in Banat is a description by Sofronie Luiba dated 1898, which does not explicitly list the location for his description. He came from Maidan (now called Bradișor, just north of Oravița), where he was the local the local teacher, and according to newspaper reports was active in promoting cultural activities in his village.MEN’S HATS
Căciulă are worn all over Romania and in most of the surrounding Balkan countries in winter. Fur hats are made by furriers and are most often black, although white căciulă are worn in parts of Banat and grey in central and north Moldavia.. There are four types of căciulă found in Romania.. High conical cap căciulă țuguiată, moțată. This is made of four pieces joined together DISCOGRAPHY: PIPE MUSICIANS This page lists the majority of the professional multi-instrumentalist pipe musicians recorded by the Romanian state company Electrecord. Some the Electrecord recordings are now available on CD. ROMANIAN SÂRBA DANCE Sârba (pl. Sârbe) dance form. Musically the term Sârba is usually applied to a lively 2/4 melody with a compound time (triplet grouping) melody giving a 6/8 feel. This is a common dance rhythm across the Balkans in dances such as the Serbian Čačak and the Bulgarian fastPravo Horo.
THE ELIZNIK PAGES
Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Romanian dance types. The dance section of this website is organised according to the ‘classic’ Romanian ethnologist and choreographerclassification.
WOMEN’S APRONS (AND SKIRTS) There are five basic variations: 1) The straight apron (catrință or zadie) which are usually worn in pairs, one at the front and one at the back.A variation on this type is the fringed apron found in mainly in Banat called opreg.. 2) A pleated or gathered apron (șorț or șurt) worn as a front apron.3) The wrap round skirt (fotă) which is a single straight piece of cloth wrapped round the TRADITIONAL BULGARIAN DANCING Bulgarian dances are mostly chain dances predominantly in an open circle with a leader at the right hand end and a second place of importance at the tail on the left hand end. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. FLUIER – THE ROMANIAN 6 HOLE PIPE The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras or trisca.In Transylvania it is known as trisca.The larger version is known as the fluieroi.THE ELIZNIK PAGES
Câmpia Aradului is the plain around the city of Arad. In geographic terms this area is bounded to the south by the Mureș river, to the east by the mountains and to the north along a line of the villages, Pâncota, Caporal Alexa, Olari, Șimand and Sânmartin. ABOUT US | THE ELIZNIK PAGES We first became interested in dances from southeastern Europe in the 1980s and this led us make numerous trips to southeastern Europe travelling throughout Romania and Bulgaria, and more recently Greece, Macedonia, Serbia, Croatia and Bosnia, attending many dance workshops and undertaking ethnographical research into dance, music, costume and customs in the area. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. CONTACT US | THE ELIZNIK PAGES Please fell free to message us Name: * Email: * Message: * Human Verification: * + 3 = 5TRADITIONAL DANCE
Romanian dance types. The dance section of this website is organised according to the ‘classic’ Romanian ethnologist and choreographerclassification.
WOMEN’S APRONS (AND SKIRTS) There are five basic variations: 1) The straight apron (catrință or zadie) which are usually worn in pairs, one at the front and one at the back.A variation on this type is the fringed apron found in mainly in Banat called opreg.. 2) A pleated or gathered apron (șorț or șurt) worn as a front apron.3) The wrap round skirt (fotă) which is a single straight piece of cloth wrapped round the TRADITIONAL BULGARIAN DANCING Bulgarian dances are mostly chain dances predominantly in an open circle with a leader at the right hand end and a second place of importance at the tail on the left hand end. SHEEPSKIN JACKETS, COATS AND CLOAKS Cojoc is a sleeved sheepskin coat and pieptar is a sleeveless waistcoat. These are worn throughout Romania by men and women. Sheepskin is readily available and larger cojoci are made of fleecy sheepskin. They are usually worn with fur on inside and are decorated according to local fashions with embroidery, appliquéd leather strips, tassels, buttons or small pieces of metal or mirrors. KALUSH TEAMS IN BULGARIA The custom of Kalush existed in the village from at least the 1870s and continued until around 1945-6. After the Second World War there was a small folklore dance group of Kalushari that performed during the 1950s. From 1964 to 1994 an amateur Kalushari dance group based at the village culture house was guided by memories of an informer from the old Kalushari team. FLUIER – THE ROMANIAN 6 HOLE PIPE The common fluier is the equivalent to the Irish tin whistle, but made out of wood with the lower aperture of reduced diameter. These are found all over the Balkans. The fluier come in various sizes with the largest known as the fluier mare or caval and the smallest known as the fluieras or trisca.In Transylvania it is known as trisca.The larger version is known as the fluieroi. PHOTOS | THE ELIZNIK PAGES The Stroh violin uses a mica resonator and a horn to amplify the sound and was used in the recording industry from the late 19th century until the introduction of electronic amplification. ETHNOGRAPHY (INFORMATION) Bufeni is a nickname used for a group of Oltenians that moved to the Banat mountain region in the 18th century to work for the mining industry that was reinvigorated by the Austrians following their acquisition of the Banat region from the Ottoman empire. TRADITIONS IN ROMANIA Romanian traditional dance. A rich variety of traditional dances still exists in Romania due to the continuation of the feudal system until the mid 19th century and subsequently the isolation imposed by Ceausescu, which resulted in the continuance of a peasant life style.THE CĂLUȘ RITUAL
The Căluș ritual takes place during the period of Rusalii (Pentecost) which occurs fifty days after Orthodox Easter, and lasts for seven to nine days. This transitional period from spring to summer is when, according to Romanian and Slav folklore, malevolent fairies, known as iele are at their most active. During Rusalii the villagers were subject to certain work interdictions. HISTORY OF CLOTHING ELEMENTS The traditional clothing that exists today, and is recorded on photographs and film, dates mainly from 19th and 20th centuries. There is very little evidence, except for a few paintings, showing clothing worn outside towns before the 19th century.ROMANIAN HORA
Hora (pl. Hore) dance form. The term Hora is used for;. Hora is the name for the large circle dance and is the most widespread dance in Romania, partly because any number of participants, of any ability or age both men and women can join in. Hora is customarily performed at rituals such as weddings and funerals. In southern Romania and Moldavia Hora is the introductory dance to the dance cycle EARLY REFERENCES TO BANAT CĂLUȘERI The most quoted reference for căluș in Banat is a description by Sofronie Luiba dated 1898, which does not explicitly list the location for his description. He came from Maidan (now called Bradișor, just north of Oravița), where he was the local the local teacher, and according to newspaper reports was active in promoting cultural activities in his village. DISCOGRAPHY: PIPE MUSICIANS This page lists the majority of the professional multi-instrumentalist pipe musicians recorded by the Romanian state company Electrecord. Some the Electrecord recordings are now available on CD.MEN’S HATS
Căciulă are worn all over Romania and in most of the surrounding Balkan countries in winter. Fur hats are made by furriers and are most often black, although white căciulă are worn in parts of Banat and grey in central and north Moldavia.. There are four types of căciulă found in Romania.. High conical cap căciulă țuguiată, moțată. This is made of four pieces joined together ROMANIAN SÂRBA DANCE Sârba (pl. Sârbe) dance form. Musically the term Sârba is usually applied to a lively 2/4 melody with a compound time (triplet grouping) melody giving a 6/8 feel. This is a common dance rhythm across the Balkans in dances such as the Serbian Čačak and the Bulgarian fastPravo Horo.
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