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FILMSOUND.ORG
_ LEARNING SPACE DEDICATED TO _ THE ART OF FILM SOUND DESIGN _ SOUND CARRIES MEANING IN MORE WAYS THAN SIMPLY BY ACCOMPANYING A VISIBLE OBJECT OR PERSON_WHAT'S NEW?
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SOUND EFFECTS LIBRARIES FilmSound.org started as Film Sound Theory 1997 >> Read Site HistoryPlease feel free to
link to FilmSound.orgWHAT PEOPLE SAY
"Consider it the online-bible of sound design theory!" "Great site. I've been reading at least an article a day for the last week and I'm hooked already" "I've been working in sound for many years and found lots of new ideasto try out"
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CURRENT REVIEWS FOR ACADEMIC LIBRARIES: "..an essential learning space dedicated to aspects of film sound." INFORMATION GATEWAY: "Excellent source of information about sound as an element offilmmaking."
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DESIGNINGSOUND.ORG is a great resourse dedicated the art and technique of sound design. Highly recommended! Find FILM SOUND INFO at FilmSound.org and linked sites with "SoundDesign Search"
SOUND DESIGN SEARCH
BEN BURTT DEMONSTRATES HOW HE MADE WALL-E "Ben Burtt demonstrates how he made Wall-E come to life and answers a ton of questions. This was a presentation I attended at Pixar and it’s seriously amazing to watch Ben as he demos how he made all the Wall-E sounds and what he bought on eBay to get new sounds. If you’re a fan of Wall-E and Star Wars, I really recommend watching some of this." -Steve Weintraub >> 4 x 10 min clips SOUND EFFECTS BIBLE: HOW TO CREATE AND RECORD HOLLYWOOD STYLE SOUND EFFECTS by Ric Viers Guide to recording and editing sound effects. The book covers topics such as microphone selection, field recorders, the ABCs of digital audio, understanding Digital Audio Workstations, building your own Foley stage, designing your own editing studio and more >> You can buy this book atAmazon.com
Amazon UK
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SOUND IN THE CINEMA AND BEYOND Special sound edition of the online journal _Offscreen_ with contributions from Randy Thom, Elizabeth Weis, Claudia Gorbman andmany others
BEGINNERS GUIDE:
AN INTRODUCTION TO FILM SOUND Jane Knowles Marshall writes about Dialogue, Synchronous and Asynchronous Sound Effects, and Music SYNC TANKS: THE ART AND TECHNIQUE OF POSTPRODUCTION SOUNDby Elisabeth Weis
DESIGNING A MOVIE FOR SOUND Sound designer Randy Thom's Film Sound Manifesto SOUND DESIGN OF MASTER & COMMANDER SOUND DESIGN OF TRANSFORMERS POSTPRODUCTION SOUND OF KING KON G IN DEFENCE OF VULGARITY: THE PLACE OF SOUND EFFECTS IN THE CINEMA Article by Gianluca Sergi SOUND DESIGN OF HARRY POTTER AND THE ORDER OF PHOENIX Interview with Sound Designer Andy Kennedy, Film Sound Daily Jul 2007 SOUND DESIGN ARTICLES: Movie Sound Articles More than 200 on-line articles sorted by movies THE ANNUAL SOUND WAVE AWARD 2004WENT TO SVEN E
CARLSSON FOR HIS EXTRAORDINARY WORK ON HIS WEBSITE FILMSOUND.ORG. - "Without any kind of financial support, Sven has devoted immense power and a large amount of his time creating the most important forum on this planet for practitioners of sound design, film-school students and the rest of all film sound buffs in the world." - FSFL>> Sound Wave Award
INTERVIEW WITH SOUND EFFECTS EDITOR BRUCE STAMBLERDANE DAVIS ARTICLES
Interviews with Sound Designer and Supervising Sound Editor Dane Davis (The Matrix, Matrix Revisited, Matrix Reloaded, Treasure Planet, 8Mile)
NEXT GENERATION SOUND DESIGNERS WALTER MURCH ARTICLES Sound designer and film editor Walter Murch may be one of the most and diverse below-the-line talents to be working in movies today. (Apocalypse Now, The Godfather, The English Patient, Cold Mountain)RANDY THOM ARTICLES
writings by sound designer Randy Thom (Forrest Gump, Contact, Cast Away, Harry Potter and the Chamber of Secrets) Sound of illusions - Sound of moving images The difference between sound in Real Life and sound in Film/TV ABOUT THE PERCEPTION OF SOUNDby Klas Dykhoff
Sound Effects in Sci-Fi and Horror Filmsby Fiona Kelleghan
SOUND IN TARKOVSKI'S SACRIFICE Interview with Owe Svensson, Swedish Sound MixerMUST
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AN OPEN LETTER FROM YOUR SOUND DEPARTMENT"Production
Sound Manifesto" written by audio professionals to help you understand how good sound can be recorded on the set.POST AUDIO FAQ
Frequently Asked Questions about Film & TV Post-ProductionSOUND BY DESIGN
by Nick Peck _"The sound-design process is no real mystery."_SOUND DESIGN OF
"Tucker:The Man and His Dream" CREATING UNDERSEA SOUND EFFECTS OF "THE HUNT FOR RED OCTOBER" Sound Design of "The Haunting" Interview with Sound Designer Gary Rydstrom THE SONIC PLAYGROUND: HOLLYWOOD CINEMA AND ITS LISTENERSby Gianluca Sergi
THE CULTURESPECIFIC USE OF SOUND IN INDIA CINEMA by Shoma A. Chatterji, Film Critic, IndiaSOUND OF HORROR
A STUDY OF SOUND DESIGN IN MODERN PSYCHOLOGICAL HORROR "Sound of Horror" is a 4-hour study on sound design in modern psychological horror films with clips, interviews, and examples of director / sound designer collaborations. (3 AudioCDs) >> More FREE ASSOCIATION RADIO MOVING PICTURES THAT TALK -The early history offilm sound
ORSON WELLS AND ADR
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postproduction of The Magnificent Ambersons ROBERT BRESSON'S NOTES ON SOUND LANG'S M - EDITING SOUND AS VISUALS BLUE VELVET - a mixed genre film with horror film sound ARCHIVE FOR THIS PAGE Film Sound Bibliography Film Sound Theory and Postproduction Books and Articles. Visit New for more articles, radio programmesetc.
Film Sound History
Sound recording and the ability to photograph and reproduce motion pictures began intersecting at the very beginning, 1895!!!!. - Articles, Timelines, Books, and more SOUND DESIGN OF STAR WARS Articles about how Sound Designer Ben Burtt created the signature sounds for Star Wars.Film Sound Clichés
Film Sound Stereotypes and Common Logic Flaws Film Sound Questions & Answers - "How to learn the art of sound design?", - "How to design a new language?" - "What is the sound of nothing?" ..and moreFOLEY ARTISTRY
Beginners guide, Interviews with Foley Artists, Who was Jack Foley? ..Foley Tips .. and moreAnimation Sound
Introduction to Animation Sound, The Test Screening of Steamboat Willie, Links to Sound and Music articles from 'Animation WorldMagazine'
Game Audio
On-line Articles, and link to the Sound & Music section at Gamasutra TERMINOLOGY & GLOSSARIES Dilettantes Audio Dictionary, Dolby Laboratories' Glossary, Larry Blake's Glossary, Philip Brophy's Adiovisual Concepts, Film Sound Terminologies and moreFILM MUSIC
Articles, How to FAQs, Links to Film Music Resources, Film Music Booksand more
Sound Design of Sci-Fi Films The Fifth Element, Lost in Space, Contact, Men In Black 2 Minority Report, Terminator 2, Star Trek ,Matrix and moreHOME THEATRE SOUND
Beginners Guide, How to Best Design your Room, Glossaries, and FAQsMisc
Acoustic-Ecology, Sound Scape Studies, Architectural Acoustics etcWHAT'S NEW?
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ARCHIVE FOR THIS PAGEGlossaries
ADR
Ambience
Direct sound & Reflected sound Characteristic soundDiegetic sound
Emotional realism
Establishing sound
Foley
Hyper-real Sound
MOS
Non-diegetic sound
Natural sounds
Location sound
Point-of-audition soundPresence
Production Sound
Room Tone
Semi-sync
Sound designer
Sound hermeneutic
Sound motif
Sound loop
Soundscape
Supervising Sound EditorSweeten
THX
Walla
Worldizing
TOMLINSON HOLMAN'S CLASSIFICATIONROLES OF SOUND
MARWIN K KERNER'S CLASSIFICATION OF FILM SOUND EFFECTS THE PURPOSE OF SOUND EFFECTS Robert L Mott's Nine Components of Sound _Musical components__:_ _ _PITCH
Timbre
Harmonics
Loudness
Rhythm
_Sound envelope components:__ __ _ATTACK
Sustain
Decay
_Record and playback component:__ _SPEED
BORDWELL & THOMPSON'S TERMINOLOGY _Acoustic properties:_LOUDNESS
Pitch
Timbre
_Dimensions of Film Sound:_RHYTHM
Fidelity
Space
Time
RICK ALTMAN CRITICIZES MUSICAL TERMINOLOGYMichel Chion´s
Terminology
ACOUSMATIC SOUND
Acousmêtre
Added Value
Audiovisual ContractAnempathetic Sound
Chronography
Empathetic Sound
Extension
External logic
Internal logic
Magnetization
Materializing Sound IndicesRendering
Synchresis
Temporalization
Vococentrism
"CHION IS A POET IN THEORETICIAN'S CLOTHING" BOOK REVIEW: MICHEL CHION, _AUDIO-VISION_MORE GLOSSARIES
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- FILMSOUND.ORG IS a non-profit site created for the sole purpose of promoting and encouraging the art of creative sound design. - ALL MATERIAL ON THIS site are presented here for educational purposes only and are credited to their source when possible. - I DO NOT WISH TO infringe on any party's rights under trademark and/ or copyright law. If anyone who holds the copyright to any of the images, texts and sounds on this site, object to their presence here, please e-mail me and said material will be removed. FILMSOUND.ORG IS CREATED AND MAINTAINED BY SVEN E CARLSSONSIGN MY GUESTBOOK
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