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Text
basic mode.
*
* All's Well That Ends Well * Antony and Cleopatra* As You Like It
* The Comedy of Errors* Coriolanus
* Cymbeline
* Hamlet
* Henry IV Part 1
* Henry IV Part 2
* Henry V
* Henry VI Part 1
* Henry VI Part 2
* Henry VI Part 3
* Henry VIII
* Julius Caesar
* King John
* King Lear
* Love's Labor's Lost* Macbeth
* Measure for Measure * Merchant of Venice * Merry Wives of Windsor * A Midsummer Night's Dream * Much Ado About Nothing* Othello
* Pericles
* Richard II
* Richard III
* Romeo and Juliet
* The Taming of the Shrew* The Tempest
* Timon of Athens
* Titus Andronicus
* Troilus and Cressida* Twelfth Night
* Two Gentlemen of Verona* Two Noble Kinsmen
* The Winter's Tale
*
* Shakespeare's Sonnets* Lucrece
* Venus and Adonis
* The Phoenix and the Turtlex
Folger Digital Texts use the text of Shakespeare's plays and poems from the Folger Shakespeare Library editions. The editions contain the work of Shakespeare on the right-hand pages, and notes, glosses, and illustrations on the left. Folger Digital Texts use the same page numbers as the Folger editions. In the editions, the text of the play appears only on the right-hand, odd-numbered pages, so page numbers here are all odd numbers, too.x
FTLN stands for Folger Through Line Number. To the right of the play, the lines are numbered in the usual way, starting over with each scene. To the left of the play are numbers that follow a simpler system: Folger Through Line Numbers. With Folger Through Line Numbers, all of the lines in a play are numbered sequentially, from the first line of a play to the last. This makes it easier and more convenient to find any line.* Home
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Our free, high-quality digital texts of Shakespeare's plays start with the basics: superb source texts, meticulously edited on the basis of current scholarship. The plays in Folger Digital Texts are taken from the Folger Shakespeare Library editions,
completed in 2010 by editors Barbara Mowat and Paul Werstine and published by Simon & Schuster.
To these texts, we've added sophisticated coding that works behind the scenes to make the plays easy to read, search, and index—and lays the groundwork for new features in the future. We've also used the same page numbers and layouts as in the Folger print editions, so it's simple to use the two together. Our digital texts are also powerful scholarly tools in the fast-growing field of digital Shakespeare research. We encourage researchers and developers to download the coded texts at no cost for noncommercial purposes, including specialized studies and mobile apps. Folger Digital Texts are among many digital resources on the Folger Shakespeare Library website , including an extensive digital image collection;
Teach and Learn K-12 teaching resources; Discover Shakespeare resources; and Folgerpedia
, the collaboratively edited encyclopedia of the library and its collections. You can also connect with the Folger via Twitter, Facebook, Pinterest, Instagram, YouTube, and Flickr. * Michael Poston, Digital Texts Editor and Encoding Architect * Rebecca Niles, Digital Texts Editor and Interface Architect * Eric Johnson, Director of Digital Access * Additional thanks to: * Michael Witmore, Director of the Folger Shakespeare Library * David Schalkwyk, Project Director (2012-2013) * Garland Scott, Head of External Relations * Matt Bogen, Head of Information Services * Tom Stanton, Head of Information Services (2012-2014) * Melody Fetske, Director of Finance and Administration * Peggy O'Brien, Head of Education * Robert Young, Head of Education Emeritus * Esther Ferington, writer * Images of bas-reliefs from Folger Shakespeare Library façade: * Keith Weller Photography Folger Digital Texts include texts of Shakespeare's plays from the Folger Shakespeare Library editions published by Simon and Schuster, which also include extensive illustrations, glosses, notes, and essays not incorporated here. * Editors, Folger Shakespeare Library editions:* Barbara Mowat
* Paul Werstine
Folger Digital Texts and their source code are available at no cost for online reading and download, for noncommercial purposes only, under Creative Commons Attribution-NonCommercial 3.0 Unported License. Folger Digital Texts is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported license. This
means that anyone who wants to read, search, share, remix, transform, and build on Folger Digital Texts is free to do so, under two very important conditions: * Attribution: Any time you create a new version or distribute Folger Digital Texts in a form other than the ones we make available here, you must credit Folger Digital Texts as the original source, provide a link to the Creative Commons license, and state whether any changes were made to the content. * NonCommercial: It’s important to us that the resources we make freely available through Folger Digital Texts remain free. That means that you may not use the material from Folger Digital Texts for commercial purposes. If you have a commercial purpose you would like to discuss, or if you are not sure whether your intended purpose of this material is allowed, you can contact the Folger Digital Texts team at folgertexts@folger.edu. Thanks for your interest in Folger Digital Texts! We always want to know more about who uses our resources and what they think, so we encourage you to provide feedback here.Name:
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* All's Well That Ends Well * Antony and Cleopatra* As You Like It
* The Comedy of Errors* Coriolanus
* Cymbeline
* Hamlet
* Henry IV, Part 1
* Henry IV, Part 2
* Henry V
* Henry VI, Part 1
* Henry VI, Part 2
* Henry VI, Part 3
* Henry VIII
* Julius Caesar
* King John
* King Lear
* Love's Labor's Lost* Macbeth
* Measure for Measure * The Merchant of Venice * The Merry Wives of Windsor * A Midsummer Night's Dream * Much Ado About Nothing* Othello
* Pericles
* Richard II
* Richard III
* Romeo and Juliet
* The Taming of the Shrew* The Tempest
* Timon of Athens
* Titus Andronicus
* Troilus and Cressida* Twelfth Night
* The Two Gentlemen of Verona * The Two Noble Kinsmen* The Winter's Tale
*
*
* Shakespeare's Sonnets* Lucrece
* The Phoenix and Turtle* Venus and Adonis
* All's Well That Ends Well * Antony and Cleopatra* As You Like It
* The Comedy of Errors* Coriolanus
* Cymbeline
* Hamlet
* Henry IV, Part 1
* Henry IV, Part 2
* Henry V
* Henry VI, Part 1
* Henry VI, Part 2
* Henry VI, Part 3
* Henry VIII
* Julius Caesar
* King John
* King Lear
* Love's Labor's Lost* Macbeth
* Measure for Measure * The Merchant of Venice * The Merry Wives of Windsor * A Midsummer Night's Dream * Much Ado About Nothing* Othello
* Pericles
* Richard II
* Richard III
* Romeo and Juliet
* The Taming of the Shrew* The Tempest
* Timon of Athens
* Titus Andronicus
* Troilus and Cressida* Twelfth Night
* The Two Gentlemen of Verona * The Two Noble Kinsmen* The Winter's Tale
*
*
* Shakespeare's Sonnets* Lucrece
* The Phoenix and Turtle* Venus and Adonis
* All's Well That Ends Well * Antony and Cleopatra* As You Like It
* The Comedy of Errors* Coriolanus
* Cymbeline
* Hamlet
* Henry IV, Part 1
* Henry IV, Part 2
* Henry V
* Henry VI, Part 1
* Henry VI, Part 2
* Henry VI, Part 3
* Henry VIII
* Julius Caesar
* King John
* King Lear
* Love's Labor's Lost* Macbeth
* Measure for Measure * The Merchant of Venice * The Merry Wives of Windsor * A Midsummer Night's Dream * Much Ado About Nothing* Othello
* Pericles
* Richard II
* Richard III
* Romeo and Juliet
* The Taming of the Shrew* The Tempest
* Timon of Athens
* Titus Andronicus
* Troilus and Cressida* Twelfth Night
* The Two Gentlemen of Verona * The Two Noble Kinsmen* The Winter's Tale
*
*
* Shakespeare's Sonnets* Lucrece
* The Phoenix and Turtle* Venus and Adonis
Synopsis Characters Contents To search the entire Folger Digital Texts Collection, use the searchbox above.
To read or search a particular play, or for other information about it, choose the play from the list at left. ------------------------- _By Barbara Mowat and Paul Werstine_ Until now, with the release of the Folger Digital Texts, readers in search of a free online text of Shakespeare’s plays and poems had to be content primarily with using the Moby™ Text, which reproduces a late-nineteenth century version of the plays and poems. What is the difference? Many ordinary readers assume that there is a single text for these works: what Shakespeare wrote. But Shakespeare’s plays were not published the way modern novels or plays are published today: as a single, authoritative text. In some cases, the plays have come down to us in multiple published versions, represented by various Quartos (Qq) and by the great collection put together by his colleagues in 1623, called the First Folio (F). There are, for example, three very different versions of _Hamlet_, two of _King Lear_, _Henry V_, _Romeo and Juliet_, and others. Editors choose which version to use as their base text, and then amend that text with words, lines or speech prefixes from the other versions that, in their judgment, make for a better or more accurate text. Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed; decisions about words that made it into Shakespeare’s text by accident through four hundred years of printings and misprinting; and even decisions based on cultural preference and taste. When the Moby™ Text was created, for example, it was deemed “improper” and “indecent” for Miranda to chastise Caliban for having attempted to rape her. (See _The Tempest_, 1.2: “Abhorred slave,/Which any print of goodness wilt not take,/Being capable of all ill! I pitied thee…”).
All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero. The editors of the Moby™ Shakespeare produced their text long before scholars fully understood the proper grounds on which to make the thousands of decisions that Shakespeare editors face. The Folger Library Shakespeare Editions, on which the Folger Digital Texts depend, make this editorial process as nearly transparent as is possible, in contrast to older texts, like the Moby™, which hide editorial interventions. The reader of the Folger Shakespeare knows where the text has been altered because editorial interventions are signaled by square brackets (for example, from _Othello_: “”),
half-square brackets (for example, from _Henry V_: “With ┌blood┐ and sword and fire to win your right,”),
or angle brackets (for example, from _Hamlet_: “O farewell, honest 〈soldier.〉 Who hath relieved/you?”).
At any point in the text, you can hover your cursor over a bracket formore information.
Because the Folger Digital Texts are edited in accord with twenty-first century knowledge about Shakespeare’s texts, the Folger here provides them to readers, scholars, teachers, actors, directors, and students, free of charge, confident of their quality as texts of the plays and pleased to be able to make this contribution to the study and enjoyment of Shakespeare.QUICK JUMP
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