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THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts,THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts,THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justAERIAL VIEWS
Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. ForHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and just COLONIAL WILLIAMSBURG FOUNDATION Colonial Williamsburg's Nation Builders portray real historical figures associated with 18th century Williamsburg who made significant contributions to the American story. A junior interpreter stands at a fence at the Benjamin Powell House. Junior interpreters in the James Geddy House gardens. WORKS – ARCHITECTURAL FRAGMENTS AND MODELS – THE eMuseum is a powerful web publishing toolkit that integrates seamlessly with TMS to bring dynamic collection content and images to your website, intranet, and kiosks. PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
PORTRAIT OF PATRICK HENRY (1736-1799) Portrait of Patrick Henry (1736-1799) DimensionsUnframed: 24 1/8" x 20 3/16". (The painting is currently unframed). A bust-length rendering of a man turned slightly to the right. He has blue eyes. His reddish wig is curled up at the sides and brushed back at the top. He wears a white neckcloth and dark reddish-brown outerware (waistcoat, coat NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.QUILTED PETTICOAT
Object number2005-299. Description. Woman's petticoat of blue silk satin quilted to worsted backing using silk thread. Thin wool batting. Design consists of large-scale floral and scroll pattern emanating from a fat two-handled vase, with wide border that turns at sides of garment. The silk satin is 27 1/2" wide, as quilted, indicatingChinese
HISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612.PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts,HISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612.PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts,THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justAERIAL VIEWS
Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. ForHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and just PORTRAIT OF PATRICK HENRY (1736-1799) Portrait of Patrick Henry (1736-1799) DimensionsUnframed: 24 1/8" x 20 3/16". (The painting is currently unframed). A bust-length rendering of a man turned slightly to the right. He has blue eyes. His reddish wig is curled up at the sides and brushed back at the top. He wears a white neckcloth and dark reddish-brown outerware (waistcoat, coat PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.TALL CASE CLOCK
Movement description: Eight-day brass time, strike, calendar, and alarm with endless chain weight-driven movement measuring 6 3/16” H x 4 3/4” W. Plate thickness is 0.090” and clearance between front and back plates is 2.25”. Clock has an anchor-recoil escapement regulated by a seconds beat pendulum. A rack-and-snail strike soundsthe
QUILTED PETTICOAT
Object number2005-299. Description. Woman's petticoat of blue silk satin quilted to worsted backing using silk thread. Thin wool batting. Design consists of large-scale floral and scroll pattern emanating from a fat two-handled vase, with wide border that turns at sides of garment. The silk satin is 27 1/2" wide, as quilted, indicatingChinese
SWEETMEAT STAND
Description Glass sweetmeat stand composed of pole, top glass, canopy, eight arms, four dishes, and four baskets. Pole: Domed circular foot cut with diamonds and panels supports a solid, tapered shaft with angular knop at lower third of shaft, the whole with facet-cut hollowdiamonds.
THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject. TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TREND & TRADITION MAGAZINE A 'new year's' baby wearing a tricorn hat attempts to play a drum in a photo shoot for the cover of the first issue of the new "Trend & Tradition Magazine" in 2015.TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts,THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject. TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TREND & TRADITION MAGAZINE A 'new year's' baby wearing a tricorn hat attempts to play a drum in a photo shoot for the cover of the first issue of the new "Trend & Tradition Magazine" in 2015.TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, COLONIAL WILLIAMSBURG DIGITAL LIBRARY Restoring Williamsburg. The new book "Restoring Wiliamsburg" expands upon the classic, "WIlliamsburg: Before and After" providing over 350 photographs, watercolors, sketches, maps, and other illustrations detailing the original Restoration of Colonial Williamsburg as as the restorative work still being done in the Historic Area today.HISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
AERIAL VIEWS
Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. ForTHE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and just RESTORING WILLIAMSBURG Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. ForTHE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries PORTRAIT OF THE SMITH FAMILY Portrait of the Smith Family. DimensionsUnframed: 38 1/8 x 29in. (96.8 x 73.7cm) and Framed: 37 5/8 x 28 1/2in. On the opposite, corresponding side of the canvas, three more figures are shown, their faces also in profile. At the top, an adult male looks toward the central woman; only part of his face is visible. SPRING 2021 GUEST EXPERIENCE Spring 2021 Guest Experience Updated: May 28, 2021 African American Religion exhibit – Daily African American Religion American Indian Encampment - Sun-Thu: 1:30–3:30 p.m.PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab. Skip to main content HISTORY.ORG: THE COLONIAL WILLIAMSBURG FOUNDATION'S OFFICIAL HISTORY AND CITIZENSHIP WEBSITE Williamsburg, VirginiaQUICK LINKS
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Read archived issues of Colonial Williamsburg, the Journal of the Colonial Williamsburg Foundation. What is Colonial Williamsburg? Close In Colonial Williamsburg's 301-acre Historic Area stand hundreds of restored, reconstructed, and historically furnished buildings. Costumed interpreters tell the stories of the men and women of the 18th-century city—black, white, and native American, slave, indentured, and free—and the challenges they faced. In this historic place, we help the future learn from the past. MORE ABOUT CW: About CW · The RestorationCW History
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