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THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612. NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612. NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and just GARDENS - COLONIAL WILLIAMSBURG Gardens. The 85 gardens of Colonial Williamsburg encompass more than 300 acres in and around the Historic Area. From fresh herbs and vegetables to beautiful flowers and shrubs, the native and exotic flora that were grown by the colonists require extensive care and ongoing research. Thank you!MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject. WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
THE RESIDENCE OF DAVID TWINING The Residence of David Twining. DimensionsUnframed: 26 1/2 x 31 9/16in. (67.3 x 80.2cm) and Framed: 32 x 37 x 1 1/2in. A farmscape showing a mixed group of animals at lower left within a fenced enclosure and, beyond them, outside the enclosure, a man plowing with a two-horse team. Beyond the plowing vignette, a man stands at a ciderpress, with
PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
ELIZABETH THOMPSON: LADY SPY Harmony Hunter: Hey!Welcome to the podcast, I’m Harmony Hunter. Every war has its spies, and the Revolution is not without its secret agents. My guest Darcy Tucker is here today to share the story of a spy for the wrong side: a British operative called Elizabeth Thompson. PORTRAIT OF FÉLICIE AIME (1829-1859) Description Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. Label Text This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of the family home, a sixteen-room GreekQUILTED PETTICOAT
Object number2005-299. Description. Woman's petticoat of blue silk satin quilted to worsted backing using silk thread. Thin wool batting. Design consists of large-scale floral and scroll pattern emanating from a fat two-handled vase, with wide border that turns at sides of garment. The silk satin is 27 1/2" wide, as quilted, indicatingChinese
THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612. NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justHISTORIC TRADES
Historic Trades. For nearly a century, Colonial Williamsburg has preserved and revitalized trades that are increasingly at risk of being lost, such as shoemaking, wheelwrighting, gunsmithing and cabinetmaking. Our tradesmen and women initially serve as apprentices, working side by side with a master to learn their craft, then move onto become
WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
PORTRAIT OF GEORGE BOOTH (D. 1777) Portrait of George Booth (d. 1777) Date1748-1750. Attributed to William Dering (active 1734/1735-1755) OriginVirginia, Williamsburg or Gloucester County. Made inPossibly Williamsburg. MediumOil on canvas. DimensionsUnframed: 50 1/4" x 39 1/2" and Framed: 56 1/2" x 46 1/2". Credit LineMuseum Purchase. Object number1975-242,A&B. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PUNCHED TIN LANTERN
Punched Tin Lantern. Tinned sheet iron lantern of unusually small size. A flat circular base supports a cylindrical body with conical top and a hinged door with a scrolled hasp. A crimped circular rain hood is set above the vented top of the cone by a pair of wire struts, PORTRAIT OF FÉLICIE AIME (1829-1859) Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of thefamily
INFANTRY HANGER
Infantry Hanger. Dateca.1740-1760. Issued by Board of Ordnance. Marked by Samuel Harvey. OriginEngland, Birmingham. MediumSteel, iron, brass and wood. DimensionsOverall: 32 3/8" Blade: 26 1/2" x 1 1/8" Hilt: 6 1/8". Credit LineMuseum Purchase. Object number1951-612. NECK STOCK – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Object number1993-166,A. Description. White neck stock of fine plain-woven linen. Long narrow shape with fine white fabric pleated lengthwise (to go around neck) and applied to unpleated backing fabric. The ends are designed to be worn with a stock buckle: on one end is a tab with three buttonholes; the other end has tapering tab.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and just GARDENS - COLONIAL WILLIAMSBURG Gardens. The 85 gardens of Colonial Williamsburg encompass more than 300 acres in and around the Historic Area. From fresh herbs and vegetables to beautiful flowers and shrubs, the native and exotic flora that were grown by the colonists require extensive care and ongoing research. Thank you!MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject. WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
THE RESIDENCE OF DAVID TWINING The Residence of David Twining. DimensionsUnframed: 26 1/2 x 31 9/16in. (67.3 x 80.2cm) and Framed: 32 x 37 x 1 1/2in. A farmscape showing a mixed group of animals at lower left within a fenced enclosure and, beyond them, outside the enclosure, a man plowing with a two-horse team. Beyond the plowing vignette, a man stands at a ciderpress, with
PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
ELIZABETH THOMPSON: LADY SPY Harmony Hunter: Hey!Welcome to the podcast, I’m Harmony Hunter. Every war has its spies, and the Revolution is not without its secret agents. My guest Darcy Tucker is here today to share the story of a spy for the wrong side: a British operative called Elizabeth Thompson. PORTRAIT OF FÉLICIE AIME (1829-1859) Description Portrait of a young girl in a white dress with crossed arms against a landscape and blue sky. Label Text This charming likeness of Félicie Aime was probably painted in conjunction with at least seven other family portraits by this artist. They portray Félicie’s parents and four siblings. All were likely rendered around 1839 at completion of the family home, a sixteen-room GreekQUILTED PETTICOAT
Object number2005-299. Description. Woman's petticoat of blue silk satin quilted to worsted backing using silk thread. Thin wool batting. Design consists of large-scale floral and scroll pattern emanating from a fat two-handled vase, with wide border that turns at sides of garment. The silk satin is 27 1/2" wide, as quilted, indicatingChinese
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices.THE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
FURNITURE – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Furniture. The Colonial Williamsburg furniture collection encompasses a broad range of goods produced in Great Britain and America from the middle of the 17th century through the 1830s. This evolving collection was assembled over many decades with an eye toward furnishing dozens of historic structures in the restored town of Williamsburg. QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices.THE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
FURNITURE – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Furniture. The Colonial Williamsburg furniture collection encompasses a broad range of goods produced in Great Britain and America from the middle of the 17th century through the 1830s. This evolving collection was assembled over many decades with an eye toward furnishing dozens of historic structures in the restored town of Williamsburg. QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.INTERPRETATION
Interpretation. In the Historic Area guests meet Virginians, free and enslaved African Americans, travelers from nearby colonies and the Native peoples who preceded the English in America. The talented interpreters who bring these characters to life each day are historians, actors, and teachers who immerse guests in a world wheremen and women
GARDENS - COLONIAL WILLIAMSBURG Gardens. The 85 gardens of Colonial Williamsburg encompass more than 300 acres in and around the Historic Area. From fresh herbs and vegetables to beautiful flowers and shrubs, the native and exotic flora that were grown by the colonists require extensive care and ongoing research. Thank you!ARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices. TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
RESTORING WILLIAMSBURG Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. For PORTRAIT OF PATRICK HENRY (1736-1799) Portrait of Patrick Henry (1736-1799) DimensionsUnframed: 24 1/8" x 20 3/16". (The painting is currently unframed). A bust-length rendering of a man turned slightly to the right. He has blue eyes. His reddish wig is curled up at the sides and brushed back at the top. He wears a white neckcloth and dark reddish-brown outerware (waistcoat, coatTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
ELIZABETH THOMPSON: LADY SPY Harmony Hunter: Hey!Welcome to the podcast, I’m Harmony Hunter. Every war has its spies, and the Revolution is not without its secret agents. My guest Darcy Tucker is here today to share the story of a spy for the wrong side: a British operative called Elizabeth Thompson. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices.THE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
FURNITURE – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Furniture. The Colonial Williamsburg furniture collection encompasses a broad range of goods produced in Great Britain and America from the middle of the 17th century through the 1830s. This evolving collection was assembled over many decades with an eye toward furnishing dozens of historic structures in the restored town of Williamsburg. QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices.THE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg include TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
FURNITURE – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Furniture. The Colonial Williamsburg furniture collection encompasses a broad range of goods produced in Great Britain and America from the middle of the 17th century through the 1830s. This evolving collection was assembled over many decades with an eye toward furnishing dozens of historic structures in the restored town of Williamsburg. QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner PORTRAIT OF QUEEN CHARLOTTE (1744-1818) Portrait of Queen Charlotte (1744-1818) A full-length portrait showing Queen Charlotte in robes of state, turned slightly to the viewer's right, and standing beside a classical column, her proper left hand resting on her crown which, in turn, rests on a cushion on a draped table. She stands on a slight dais covered in an elaborately figuredcarpet.
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.INTERPRETATION
Interpretation. In the Historic Area guests meet Virginians, free and enslaved African Americans, travelers from nearby colonies and the Native peoples who preceded the English in America. The talented interpreters who bring these characters to life each day are historians, actors, and teachers who immerse guests in a world wheremen and women
GARDENS - COLONIAL WILLIAMSBURG Gardens. The 85 gardens of Colonial Williamsburg encompass more than 300 acres in and around the Historic Area. From fresh herbs and vegetables to beautiful flowers and shrubs, the native and exotic flora that were grown by the colonists require extensive care and ongoing research. Thank you!ARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices. TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
RESTORING WILLIAMSBURG Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. For PORTRAIT OF PATRICK HENRY (1736-1799) Portrait of Patrick Henry (1736-1799) DimensionsUnframed: 24 1/8" x 20 3/16". (The painting is currently unframed). A bust-length rendering of a man turned slightly to the right. He has blue eyes. His reddish wig is curled up at the sides and brushed back at the top. He wears a white neckcloth and dark reddish-brown outerware (waistcoat, coatTOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
ELIZABETH THOMPSON: LADY SPY Harmony Hunter: Hey!Welcome to the podcast, I’m Harmony Hunter. Every war has its spies, and the Revolution is not without its secret agents. My guest Darcy Tucker is here today to share the story of a spy for the wrong side: a British operative called Elizabeth Thompson. FACE JUG – WORKS – THE COLONIAL WILLIAMSBURG FOUNDATION Face Jug. Dimensions9 1/4" x 6 3/4" x 7 1/2" (23.5 cm. x 17.2 cm. x19.1 cm.) On a circular base, the form swells slightly outward as it rises, forming an ovoid shape with rounded top that is closed except for two canted spouts in front and back. A stirrup handle originally across the top has been broken off. Small, applied, C-shaped earsappear
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices. WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTHE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner THE RECONCILIATION BETWEEN BRITANIA AND HER DAUGHTER Description The lower margin reads: "The RECONCILIATION between BRITANIA and her daughter AMERICA/ Pub.d by W. Humphrey N.o 227 Strand./ 1/ A curse upon all Artifice/ May Britons never thrive/ 2/ While Roguish Minis--rs they keep/ to Eat them up alive/ 3/ By Lots they seel oh Dam-em Well/ Each place we put our trust in./ 4/ Cut them of short twill make good sport/ Whilst honest men are thrust in." PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.THE RESTORATION
The Restoration. In 1926, the Reverend Dr. W.A.R.Goodwin, rector of Bruton Parish Church, shared his dream of restoring Williamsburg to its colonial-era appearance with philanthropist John D.Rockefeller Jr. Soon after, the Restoration of the city began. The black and white photographs included here show Williamsburg before, during, and justARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices. WORKS – TEXTILES – THE COLLECTIONS – THE COLONIAL Textiles. Info. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeTHE COLLECTIONS
The Colonial Williamsburg Foundation's vast collections comprise more than 70,000 examples of fine, decorative, mechanical and folk art. Included are exceptional examples of American and British ceramics, glass, furniture, textiles, costumes, tools, firearms, numismatics, metals, toys, prints, maps, paintings, drawings and architectural fragments from the 17th, 18th and early 19th centuries TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
TOOLS AND EQUIPMENT
Tools and Equipment. Colonial Williamsburg's collection of early mechanical arts contains a diverse array of materials, including tools, machinery, kitchen equipment, arms, military accouterments, scientific and medical instruments, and clocks and watches. The Foundation maintains a large study collection of the tool forms usedby eighteenth
QUILTS AND COVERLETS Quilts and Coverlets. Spanning four centuries, a particular strength of the textile collection lies in quilts that women and some men constructed and decorated by piecing small bits of cloth together into geometric patterns or appliquéing cutout shapes onto a ground fabric. The hand stitches that held the finished quilt top to the warm inner THE RECONCILIATION BETWEEN BRITANIA AND HER DAUGHTER Description The lower margin reads: "The RECONCILIATION between BRITANIA and her daughter AMERICA/ Pub.d by W. Humphrey N.o 227 Strand./ 1/ A curse upon all Artifice/ May Britons never thrive/ 2/ While Roguish Minis--rs they keep/ to Eat them up alive/ 3/ By Lots they seel oh Dam-em Well/ Each place we put our trust in./ 4/ Cut them of short twill make good sport/ Whilst honest men are thrust in." PORTRAIT OF PIETER WALDRON (1675-1725) Pieter Waldron was the son of William and Engelita Stoutenburgh Waldron of New York City and was baptized there in June 1675. He married Tryntie Cornelia Danburgh on September 6, 1698, and in 1700 they moved to Albany, where he died May 3, 1725. Like CWF acc. nos. 1964.100.2 and 1964.100.3, this portrait is attributed to the SchuylerLimner on
PAST & PRESENT PODCASTS : COLONIAL WILLIAMSBURG OFFICIAL SITE Colonial Williamsburg: Past and Present brings you new perspectives from the Revolutionary War era. American history is explored in interviews with historic interpreters, tradesmen, musicians, historians, curators, authors, archaeologists, and more.INTERPRETATION
Interpretation. In the Historic Area guests meet Virginians, free and enslaved African Americans, travelers from nearby colonies and the Native peoples who preceded the English in America. The talented interpreters who bring these characters to life each day are historians, actors, and teachers who immerse guests in a world wheremen and women
MY RESOURCES
My Resources | Colonial Williamsburg Education Resource Library. My Resources. Colonial Williamsburg’s Teacher Community has combined with the HERO media library to help you teach American history with video, classroom lessons and interactive web activities and includes great features like search and browsing by era, theme, and subject.ARCHITECTURE
Architecture. The Historic Area of Colonial Williamsburg stretches over 301 acres, and includes 88 original 18th-century structures. Hundreds of houses, shops and public outbuildings are reconstructed on their original foundations. Some buildings are open to the public, while others are private residences and administrative offices. RESTORING WILLIAMSBURG Sketch of "Restored House of Burgesses with its Surroundings", Williamsburg, Virginia by the architects Perry Shaw & Hepburn, c. 1927. This architectural firm from Boston, Massachusetts, was responsible for the restoration and reconstruction of Colonial Williamsburg from 1928-1934. For TEXTILES – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Textiles. Textiles touched every aspect of life from birth to death and every level of society, including the enslaved, the middling sort, and the aristocrat. Expensive and elaborate textiles were more than functional: they proclaimed wealth and status. Spanning four centuries, the textile collections at Colonial Williamsburg includeclothing
FURNITURE – THE COLLECTIONS – THE COLONIAL WILLIAMSBURG Furniture. The Colonial Williamsburg furniture collection encompasses a broad range of goods produced in Great Britain and America from the middle of the 17th century through the 1830s. This evolving collection was assembled over many decades with an eye toward furnishing dozens of historic structures in the restored town of Williamsburg. ELIZABETH THOMPSON: LADY SPY Harmony Hunter: Hey!Welcome to the podcast, I’m Harmony Hunter. Every war has its spies, and the Revolution is not without its secret agents. My guest Darcy Tucker is here today to share the story of a spy for the wrong side: a British operative called Elizabeth Thompson. MODEL 1766 MUSKET WITH "US" MARKINGS Description Regulation iron-mounted musket of the "1766" type, with a rounded barrel secured by three bands, the upper two of which are retained in place by springs. Regulation hardware, a top mounted bayonet lug and a flat faced-lock with double-throated cock. Label Text Unlike the British, who made trifling improvements to their martial firearms, France constantly revamped theirs in order toSTORAGE JAR
Storage Jar. DimensionsOverall: 12in., 12.5cm (30.5cm, 4 15/16in.) Two-gallon, vertical-handled, ovoid stoneware jar with tooled bands filled with cobalt at the base and rim. Decorated on the front and back with an exuberant, brushed cobalt "watch spring" motif. Additional "watch spring" decorations extend from the base of eachhandle.
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Read archived issues of Colonial Williamsburg, the Journal of the Colonial Williamsburg Foundation. What is Colonial Williamsburg? Close In Colonial Williamsburg's 301-acre Historic Area stand hundreds of restored, reconstructed, and historically furnished buildings. Costumed interpreters tell the stories of the men and women of the 18th-century city—black, white, and native American, slave, indentured, and free—and the challenges they faced. In this historic place, we help the future learn from the past. MORE ABOUT CW: About CW · The Restoration· CW History
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