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Text
textiles
WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
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GALLERY - WEEBLY
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CITATIONS - CAROLINEBARTLETT.WEEBLY.COM Citation (2001) Discharge and direct printed, stitched and pleated linen, silk 150cm x 73cmWIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm'FULL CIRCLE'
Each unit 31cms x 31cms Pleated, stitched linen, porcelain. Backwards, Forwards. Powered by Create your own unique website with customizable templates. Get StartedPULSE - WEEBLY
'Pulse' Pleated, stitched linen, porcelain Length 280 cms. Full Circle. Powered by Create your own unique website with customizable templates. Get Started LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tape TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICESITE SPECIFICGALLERYCOMMISSIONSABOUTWORKSHOPSNEWS The historical, social and cultural associations of textiles, their significance in relation to touch and their ability to trigger memory become components of the work. Imprinting, stitching, erasing and reworking, folding and unfolding become defining characteristics, whilst explorations have also resulted in works which integratetextiles
WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
Powered by Create your own unique website with customizable templates.Get Started
GALLERY - WEEBLY
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CITATIONS - CAROLINEBARTLETT.WEEBLY.COM Citation (2001) Discharge and direct printed, stitched and pleated linen, silk 150cm x 73cmWIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm'FULL CIRCLE'
Each unit 31cms x 31cms Pleated, stitched linen, porcelain. Backwards, Forwards. Powered by Create your own unique website with customizable templates. Get StartedPULSE - WEEBLY
'Pulse' Pleated, stitched linen, porcelain Length 280 cms. Full Circle. Powered by Create your own unique website with customizable templates. Get Started LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tape NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.PUBLICATIONS
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BODIES OF KNOWLEDGE
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WIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cmEXTERNAL WEB LINKS
Ragged Beauty. Absolute Arts review. August 2004. 27/7/2014. The 62 Group of Textile Artists 27/7/2014. CAA Exhibition 27/7/2014NEWARK PARK
Newark Park, National Trust 'Stitches in the fabric of time', (2014) Materials; Porcelain, cotton, fake fur, feathers. 300cm x 63cm S.I.T. Select 2014 Winner of the Hartlebury prizePATHWAYS OF DESIRE
Pathways of Desire 1 and II, (2014) Heat set. manipulated polyester, printed, stitched Each pair 0.98cm x 1.58 cm SALTS MILL, SALTAIRE Salts Mill is embedded in the community through architectural, cultural and social structures. Ideas of skin, bone, membrane; a layered dermis, came to mind in her explorations together with ideas of networks of social, industrial, public and private relations, processes and materiality connecting the building itself with the ideaof cloth as
V&A SEARCH THE COLLECTIONS Textile installation - Bodies of Knowledge Vol 5 Arbiters of Taste Object: Textile installation Place of origin: London, England (made)Date: 2002 (made)
TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICESITE SPECIFICGALLERYCOMMISSIONSABOUTWORKSHOPSNEWS The historical, social and cultural associations of textiles, their significance in relation to touch and their ability to trigger memory become components of the work. Imprinting, stitching, erasing and reworking, folding and unfolding become defining characteristics, whilst explorations have also resulted in works which integratetextiles
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
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GALLERY - WEEBLY
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BODIES OF KNOWLEDGE
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WIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tapeBACKWARDS, FORWARDS
John Berger talks about life’s experience folding backwards and forwards on itself. Here, previous works which employed techniques such as pleating, creasing and folding, and shibori, have been reconfigured to make new work through digital scanning and redrawing. These ‘mappings’ respond to the original and reinterpret them as aresidue
TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICESITE SPECIFICGALLERYCOMMISSIONSABOUTWORKSHOPSNEWS The historical, social and cultural associations of textiles, their significance in relation to touch and their ability to trigger memory become components of the work. Imprinting, stitching, erasing and reworking, folding and unfolding become defining characteristics, whilst explorations have also resulted in works which integratetextiles
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
Powered by Create your own unique website with customizable templates.Get Started
GALLERY - WEEBLY
Powered by Create your own unique website with customizable templates.Get Started
BODIES OF KNOWLEDGE
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WIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tapeBACKWARDS, FORWARDS
John Berger talks about life’s experience folding backwards and forwards on itself. Here, previous works which employed techniques such as pleating, creasing and folding, and shibori, have been reconfigured to make new work through digital scanning and redrawing. These ‘mappings’ respond to the original and reinterpret them as aresidue
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.PUBLICATIONS
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COMMISSIONS
Commissions 2017 Standfast and Barracks, Lancaster.Mirador Arts 2014 Newark Park, Gloucestershire. Select festival 2014 2007 Commission for private residency, London. Contemporary Applied Arts 2008 Privatecommission, Bath
NEWARK PARK
Newark Park, National Trust 'Stitches in the fabric of time', (2014) Materials; Porcelain, cotton, fake fur, feathers. 300cm x 63cm S.I.T. Select 2014 Winner of the Hartlebury prize'FULL CIRCLE'
Each unit 31cms x 31cms Pleated, stitched linen, porcelain. Backwards, Forwards. Powered by Create your own unique website with customizable templates. Get StartedEXTERNAL WEB LINKS
Ragged Beauty. Absolute Arts review. August 2004. 27/7/2014. The 62 Group of Textile Artists 27/7/2014. CAA Exhibition 27/7/2014PULSE - WEEBLY
'Pulse' Pleated, stitched linen, porcelain Length 280 cms. Full Circle. Powered by Create your own unique website with customizable templates. Get Started STANDFAST AND BARRACKS In 'Unravellings' images of swatches, samples, patterns, folds, fragments and surfaces drawn from the Standfast and Barracks archive, are layered and juxtaposed. References are made to the complex processes of manufacturing printed textiles and to innovations in dye chemistry; to textile design practice with repeat systems, grids, andmodular
PATHWAYS OF DESIRE
Pathways of Desire 1 and II, (2014) Heat set. manipulated polyester, printed, stitched Each pair 0.98cm x 1.58 cm V&A SEARCH THE COLLECTIONS Textile installation - Bodies of Knowledge Vol 5 Arbiters of Taste Object: Textile installation Place of origin: London, England (made)Date: 2002 (made)
TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICE The historical, social and cultural associations of textiles, their significance in relation to touch and their ability to trigger memory become components of the work. Imprinting, stitching, erasing and reworking, folding and unfolding become defining characteristics, whilst explorations have also resulted in works which integratetextiles
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
Powered by Create your own unique website with customizable templates.Get Started
GALLERY - WEEBLY
Powered by Create your own unique website with customizable templates.Get Started
BODIES OF KNOWLEDGE
Powered by Create your own unique website with customizable templates.Get Started
WIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tapeBACKWARDS, FORWARDS
John Berger talks about life’s experience folding backwards and forwards on itself. Here, previous works which employed techniques such as pleating, creasing and folding, and shibori, have been reconfigured to make new work through digital scanning and redrawing. These ‘mappings’ respond to the original and reinterpret them as aresidue
TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICESITE SPECIFICGALLERYCOMMISSIONSABOUTWORKSHOPSNEWS The historical, social and cultural associations of textiles, their significance in relation to touch and their ability to trigger memory become components of the work. Imprinting, stitching, erasing and reworking, folding and unfolding become defining characteristics, whilst explorations have also resulted in works which integratetextiles
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.WORKSHOPS - WEEBLY
Explore structure, surface and form through manipulating both paper (as maquette and as a mould) and fabric. Transform, shape and structure cloth through pleating and folding, stitching and binding drawing on shibori, smocking and origami techniques, giving cloth a memory through heat setting.SITE SPECIFIC
Powered by Create your own unique website with customizable templates.Get Started
GALLERY - WEEBLY
Powered by Create your own unique website with customizable templates.Get Started
BODIES OF KNOWLEDGE
Powered by Create your own unique website with customizable templates.Get Started
WIENER LIBRARY
Wiener Library 'Storeys of Memory I' (2001) Discharge, stitch resist on linen, pleated and stitched 33cm x 101cm x 3cm The Wiener Library is the world's oldest Holocaust archive and Britain's largest collection on the Nazi era. This work resulted from an invitation to respond to the collection together with poets, survivors, writers and other interested parties to commemorate HolocaustSHADOWS - WEEBLY
'Shadows', (2005) Dyed, discharged, stitched, pleated linen, cotton thread 0.68cm x 1.69 cm LISTENING IN', (200 4) 'Listening in' alludes to conservation and museum practices. Text relating to damage to the artefact (such as signs of foxing) and attentions to repair and care (such as washed by H.W ) are taken from a textile archive. Triptych Wooden embroidery hoops, printed silk crepeline, archival tapeBACKWARDS, FORWARDS
John Berger talks about life’s experience folding backwards and forwards on itself. Here, previous works which employed techniques such as pleating, creasing and folding, and shibori, have been reconfigured to make new work through digital scanning and redrawing. These ‘mappings’ respond to the original and reinterpret them as aresidue
NEWS - CAROLINEBARTLETT.WEEBLY.COM Recent Exhibitions Volume 50: Chronicling Fiber Art for Three Decades showing at browngrotta arts - a retrospective celebration of 50 print catalogs on fiber and modern craft published by browngrotta arts and an exhibition of works by 60+ important artists whose lives and careers in fiber, ceramics and mixed media have helped define the modern craft movement since the 1960s.PUBLICATIONS
Powered by Create your own unique website with customizable templates.Get Started
COMMISSIONS
Commissions 2017 Standfast and Barracks, Lancaster.Mirador Arts 2014 Newark Park, Gloucestershire. Select festival 2014 2007 Commission for private residency, London. Contemporary Applied Arts 2008 Privatecommission, Bath
NEWARK PARK
Newark Park, National Trust 'Stitches in the fabric of time', (2014) Materials; Porcelain, cotton, fake fur, feathers. 300cm x 63cm S.I.T. Select 2014 Winner of the Hartlebury prize'FULL CIRCLE'
Each unit 31cms x 31cms Pleated, stitched linen, porcelain. Backwards, Forwards. Powered by Create your own unique website with customizable templates. Get StartedEXTERNAL WEB LINKS
Ragged Beauty. Absolute Arts review. August 2004. 27/7/2014. The 62 Group of Textile Artists 27/7/2014. CAA Exhibition 27/7/2014PULSE - WEEBLY
'Pulse' Pleated, stitched linen, porcelain Length 280 cms. Full Circle. Powered by Create your own unique website with customizable templates. Get Started STANDFAST AND BARRACKS In 'Unravellings' images of swatches, samples, patterns, folds, fragments and surfaces drawn from the Standfast and Barracks archive, are layered and juxtaposed. References are made to the complex processes of manufacturing printed textiles and to innovations in dye chemistry; to textile design practice with repeat systems, grids, andmodular
PATHWAYS OF DESIRE
Pathways of Desire 1 and II, (2014) Heat set. manipulated polyester, printed, stitched Each pair 0.98cm x 1.58 cm V&A SEARCH THE COLLECTIONS Textile installation - Bodies of Knowledge Vol 5 Arbiters of Taste Object: Textile installation Place of origin: London, England (made)Date: 2002 (made)
Caroline Bartlett - Textile Artist* Home
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Caroline Bartlett TEXTILES FORM THE CORE OF CAROLINE BARTLETT'S PRACTICE, PROVIDING NOT ONLY THE MEANS AND MATERIALS TO PROCESS AND ARTICULATE IDEAS, BUT ALSO OFTEN THROUGH ACTING AS A REFERENCE POINT IN RELATION TO CONTENT. THE HISTORICAL, SOCIAL AND CULTURAL ASSOCIATIONS OF TEXTILES, THEIR SIGNIFICANCE IN RELATION TO TOUCH AND THEIR ABILITY TO TRIGGER MEMORY BECOME COMPONENTS OF THE WORK. IMPRINTING, STITCHING, ERASING AND REWORKING, FOLDING AND UNFOLDING BECOME DEFINING CHARACTERISTICS, WHILST EXPLORATIONS HAVE ALSO RESULTED IN WORKS WHICH INTEGRATE TEXTILES WITH OTHER MEDIA SUCH AS PORCELAIN. EXAMPLES OF WORK CAN BE SEEN IN VARIOUS PUBLIC, CORPORATE AND PRIVATE COLLECTIONS INCLUDING THOSE OF THE VICTORIA AND ALBERT MUSEUM AND THE CRAFTS COUNCIL. CAROLINE'S WORK HAS INCLUDED SITE SPECIFIC COMMISSIONS AND RESPONSES TO HISTORIC LOCATIONS, MUSEUM COLLECTIONS, (SUCH AS THE TEXTILE COLLECTION AT THE WHITWORTH ART GALLERY) ARCHIVES AND ENCYCLOPAEDIAS. CENTRAL TO THESE RESPONSES IS AN INTEREST IN THE ROLE PLAYED BY SUCH SITES OF CULTURAL PRODUCTION IN SHAPING INDIVIDUAL AND COLLECTIVE IDENTITIES, MEMORIES AND VALUE SYSTEMS: IN DETERMINING WHAT WE CHOOSE TO PRESERVE, WHICH STORIES WE TELL AND HOW WE TELL THEM. SHE IS BASED IN THE UK. * Standfast and Barracks* Salts Mill
* Newark Park
* Whitworth Art Gallery * Victoria and Albert Museum* Wiener Library
* Abbey Gardens, Bury St Edmunds* Leighton House
* Pulse
* Full Circle
* Backwards, Forwards* Surrogates
* Listening in
* Bodies of Knowledge* Annotations
* Shadows
* Citations
* Pathways of Desire * External web links* Publications
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