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THE ONGOING INFLUENCE OF PINA BAUSCH The Emotional Aftershock By Elizabeth Ashley. Wim Wender’s latest documentary Pina is a personal ode to an artist he considers a contemporary visionary. Those expecting the sunny upbeat style of Wender’s Buena Vista Social Club will find Pina a stark and demanding contrast.. After 20 years as an abstract idea it wasn’t until U2 3D was previewed at the 2007 Cannes film festival that IS PAIN A NECESSARY EVIL FOR DANCING EN POINTE? OR IS There’s nothing quite like the feeling of dancing en pointe. For many aspiring young dancers, and even for adults who start dance late, the idea of dancing en pointe is viewed as the pinnacle of being a ballerina. The long-term consequences of pointe work. The only problem is, dancing en pointe can hurt. A lot! WHAT'S CONTEMPORARY DANCE THESE DAYS? BEST OF 2013: A favourite article from the June Edition. By Rebecca Martin of Dance Informa. When I was a young dance student, contemporary dance was weird angular movement that was abstract and uncommon. As I got older, contemporary then became a fusion of the neo-classical style and was very balletic. Since then, the term WHY AREN’T MORE BOYS DANCING? Dance is great for boys and girls for so many reasons – physical activity, strength, flexibility, co-ordination, discipline, teamwork, confidence and creativity (to name a few). Most of these reasons why they should dance are also applicable to playing sport. The athleticism of dancers equals, and often surpasses, sportspeople, but there is little recognition of SHANNON HOLTZAPFFEL IS THE TATTOOED MAN In the feature film The Greatest Showman, Shannon Holtzapffel plays Captain Constentenous, The Tattooed Man. Holtzapffel is a Dutch-born, Australian trained dancer who has made his mark in both Australia and overseas. The Greatest Showman is the story of American Showman P.T. Barnum, the founder of what became arguably the most famous and controversial circus.VERTICAL ROAD
Vertical Road – Akram Khan. Vertical Road opens with the meditative sound of water droplets falling. The tabs part very slowly to reveal a blurrily lit shape behind a plastic cyclorama. The figure taps, hits and draws on the plastic, creating interesting shadow play and THE GIRLS ARE BACK IN TOWN: 'THE IRREPLACEABLES TOUR' The Irreplaceables – Kendall, Chloe and Kalani, as seen on the hit show Dance Moms – are coming to Oz, and the girls (and their mums) are super excited about it.Running 13 – 17 April, and hitting cities Brisbane, Melbourne, Sydney, Adelaide and Auckland, the 75-minute event will feature a tell-all Q&A, a pop-up shop, photo ops, meet-and-greet packages and a special entry dance workshop. AUSTRALIAN BALLET SCHOOL CHAIR JOINS THE ORDER OF AUSTRALIA Leigh Johns, Chairman of The Australian Ballet School, was awarded a Medal of the Order of Australia (OAM) in the Australia Day Awards 2017. Johns, a Fair Work Commissioner since March 2013, received the award for meritorious services to the community through the performing arts, primary health care and to industrial relations. He first joinedthe
AUDITION PREPARATION AND ETIQUETTE Auditions are a part of life for dancers, so we all need to make peace with the process. And it is exactly that — a process! If you are smart, you will grow through the audition process as an individual, as well as a performer, enabling yourself to grow a little more after every audition experience. There are a few DANCE AND TECHNOLOGY A look at how contemporary dance is using technology to support its vision. By Elizabeth Ashley. For many dancers and their audience the only technology of interest is the technology of the dancer’s body. Anything else is of secondary importance – sound, light and other media forms are used only to assist the dancer who DANCE AND MENTAL HEALTH Dance is not just a physically demanding career; it also wreaks havoc on the mind and mental health. Dancers are perfectionists who spend long hours in front of floor-to-ceiling mirrors, criticising every aspect of their body and of their performance. Our training is replete with teachers who yell, ridicule, demand and pressure us to breaking IS PAIN A NECESSARY EVIL FOR DANCING EN POINTE? OR IS There’s nothing quite like the feeling of dancing en pointe. For many aspiring young dancers, and even for adults who start dance late, the idea of dancing en pointe is viewed as the pinnacle of being a ballerina. The long-term consequences of pointe work. The only problem is, dancing en pointe can hurt. A lot! THE IDEAL BALLET BODY By Brian Nolan. GRD DIP, GRD CRT, BA, DIP, RAD TC. In the world of classical ballet, our instrument is our physique, which is infinitely complicated, astonishingly diverse, extraordinarily functional, artistically imposing and at the very least – aesthetically pleasing. If we are lucky, work hard, are conscientious with our training and everything falls into BALLET: THE FOUNDATION FOR ALL DANCE And this answer will always remain the same: ballet. For me, ballet is the single most important key to a strong foundation in dance. Ballet allows a connection between your mind and body to develop from a young age in a vital way; it’s the aural, visual and kinetic stimulus. Ballet teaches you to connect verbal commands and musical cues with THE AUSTRALIAN BALLET’S STUNNING PRINCIPALS By Rain Francis. In the Australian Ballet’s 50th year Dance Informa is celebrating the company by highlighting the Ballet’s Principal Dancers each edition. This edition Dance Informa speaks with two of the company’s leading male dancers, Andrew Killian and Daniel Gaudiello. Click to catch up on last edition’s interviews with Madeleine Eastoe, Adam Bull and AUSTRALIAN BALLET SCHOOL CHAIR JOINS THE ORDER OF AUSTRALIA Leigh Johns, Chairman of The Australian Ballet School, was awarded a Medal of the Order of Australia (OAM) in the Australia Day Awards 2017. Johns, a Fair Work Commissioner since March 2013, received the award for meritorious services to the community through the performing arts, primary health care and to industrial relations. He first joinedthe
CAST ANNOUNCED FOR AUSTRALIAN PRODUCTION OF 'BEAUTIFUL The full cast has been announced for the Australian production of Broadway hit Beautiful: The Carole King Musical, which opens at a newly refurbished Sydney Lyric Theatre on 17 September 2017. The cast will be led by Esther Hannaford, who will play the legendary Carole King. Beautiful: The Carole King Musical charts the true story THE ONGOING INFLUENCE OF PINA BAUSCH The Emotional Aftershock By Elizabeth Ashley. Wim Wender’s latest documentary Pina is a personal ode to an artist he considers a contemporary visionary. Those expecting the sunny upbeat style of Wender’s Buena Vista Social Club will find Pina a stark and demanding contrast.. After 20 years as an abstract idea it wasn’t until U2 3D was previewed at the 2007 Cannes film festival that AUDITION PREPARATION AND ETIQUETTE Auditions are a part of life for dancers, so we all need to make peace with the process. And it is exactly that — a process! If you are smart, you will grow through the audition process as an individual, as well as a performer, enabling yourself to grow a little more after every audition experience. There are a few DANCE AND TECHNOLOGY A look at how contemporary dance is using technology to support its vision. By Elizabeth Ashley. For many dancers and their audience the only technology of interest is the technology of the dancer’s body. Anything else is of secondary importance – sound, light and other media forms are used only to assist the dancer who DANCE AND MENTAL HEALTH Dance is not just a physically demanding career; it also wreaks havoc on the mind and mental health. Dancers are perfectionists who spend long hours in front of floor-to-ceiling mirrors, criticising every aspect of their body and of their performance. Our training is replete with teachers who yell, ridicule, demand and pressure us to breaking IS PAIN A NECESSARY EVIL FOR DANCING EN POINTE? OR IS There’s nothing quite like the feeling of dancing en pointe. For many aspiring young dancers, and even for adults who start dance late, the idea of dancing en pointe is viewed as the pinnacle of being a ballerina. The long-term consequences of pointe work. The only problem is, dancing en pointe can hurt. A lot! THE IDEAL BALLET BODY By Brian Nolan. GRD DIP, GRD CRT, BA, DIP, RAD TC. In the world of classical ballet, our instrument is our physique, which is infinitely complicated, astonishingly diverse, extraordinarily functional, artistically imposing and at the very least – aesthetically pleasing. If we are lucky, work hard, are conscientious with our training and everything falls into BALLET: THE FOUNDATION FOR ALL DANCE And this answer will always remain the same: ballet. For me, ballet is the single most important key to a strong foundation in dance. Ballet allows a connection between your mind and body to develop from a young age in a vital way; it’s the aural, visual and kinetic stimulus. Ballet teaches you to connect verbal commands and musical cues with THE AUSTRALIAN BALLET’S STUNNING PRINCIPALS By Rain Francis. In the Australian Ballet’s 50th year Dance Informa is celebrating the company by highlighting the Ballet’s Principal Dancers each edition. This edition Dance Informa speaks with two of the company’s leading male dancers, Andrew Killian and Daniel Gaudiello. Click to catch up on last edition’s interviews with Madeleine Eastoe, Adam Bull and AUSTRALIAN BALLET SCHOOL CHAIR JOINS THE ORDER OF AUSTRALIA Leigh Johns, Chairman of The Australian Ballet School, was awarded a Medal of the Order of Australia (OAM) in the Australia Day Awards 2017. Johns, a Fair Work Commissioner since March 2013, received the award for meritorious services to the community through the performing arts, primary health care and to industrial relations. He first joinedthe
CAST ANNOUNCED FOR AUSTRALIAN PRODUCTION OF 'BEAUTIFUL The full cast has been announced for the Australian production of Broadway hit Beautiful: The Carole King Musical, which opens at a newly refurbished Sydney Lyric Theatre on 17 September 2017. The cast will be led by Esther Hannaford, who will play the legendary Carole King. Beautiful: The Carole King Musical charts the true story THE ONGOING INFLUENCE OF PINA BAUSCH The Emotional Aftershock By Elizabeth Ashley. Wim Wender’s latest documentary Pina is a personal ode to an artist he considers a contemporary visionary. Those expecting the sunny upbeat style of Wender’s Buena Vista Social Club will find Pina a stark and demanding contrast.. After 20 years as an abstract idea it wasn’t until U2 3D was previewed at the 2007 Cannes film festival that AUSTRALIAN DANCE THEATRE DANIEL RILEY DIRECTOR Australian Dance Theatre (ADT) has announced the appointment of Daniel Riley as its next artistic director, to succeed Garry Stewart, who will leave ADT at the end of 2021. Riley, 35, is one of Australia’s leading dancers and choreographers and is currently a lecturer in contemporary dance at the Victorian College of the Arts, as well as AWARE OF THE JOURNEY: ELLA HAVELKA Ella Havelka — dancer, Wiradjuri artist, choreographer and public speaker — is one of the most remarkable and grounded artists of her generation. Born in Dubbo, NSW, Havelka is a descendant of the Wiradjuri people and in 2013, became the first Indigenous dancer to be invited into The Australian Ballet in its 50 years of history. Each 'THE LITTLE PRINCE': OTHER-WORLDLY JOURNEY Sydney Opera House, Sydney. 27 May 2021. Direct from Paris, The Little Prince has finally made it to Australian Shores after a cancelled 2020 mid-COVID season, and it was certainly worth the wait. Antoine de Saint-Exupéry’s classic 1943 novella has been transformed into a magical stage production of quirky characters, in true French circustheatre style.
GOING ABOVE AND BEYOND: RISING FESTIVAL “I feel that people are more open to those experiences now, considering the pretty epic world events of late,” she says. “They want to have the world reflected back at them. They want to think. Be provocated. More than ever. There’s a certain degree of wanting someentertainment and
2021 PERFORMING ARTS WA AWARDS ARCHIVES Featured Round of applause for the 2021 Performing Arts WA Awards nominees. After holding the ceremony online last year due to the state being in lockdown, WA’s performing arts sector are planning a CHRIS MOURON ARCHIVES Australian Dance Reviews ‘The Little Prince’: A timeless, other-worldly journey. Sydney Opera House, Sydney. 27 May 2021. Direct from Paris, The Little Prince has finally made it to Australian Shores after a cancelled 2020 mid-COVID season, and it FESTIVAL HALL ARCHIVES Featured Going above and beyond: RISING Festival “I feel that people are more open to those experiences now, considering the pretty epic world events of late,” she says.IAN WILKES ARCHIVES
Featured Round of applause for the 2021 Performing Arts WA Awards nominees. After holding the ceremony online last year due to the state being in lockdown, WA’s performing arts sector are planning aSANDSONG ARCHIVES
Events Bangarra shares footage of much-anticipated ‘SandSong’ In anticipation of Bangarra’s return to the Sydney Opera House stage next month, the company is sharing behind-the-scenes footage of itsSandSong: Stories
DELLA RAE MORRISON ARCHIVES Featured Round of applause for the 2021 Performing Arts WA Awards nominees. After holding the ceremony online last year due to the state being in lockdown, WA’s performing arts sector are planning a AUDITION PREPARATION AND ETIQUETTE Auditions are a part of life for dancers, so we all need to make peace with the process. And it is exactly that — a process! If you are smart, you will grow through the audition process as an individual, as well as a performer, enabling yourself to grow a little more after every audition experience. There are a few DANCE AND TECHNOLOGY A look at how contemporary dance is using technology to support its vision. By Elizabeth Ashley. For many dancers and their audience the only technology of interest is the technology of the dancer’s body. Anything else is of secondary importance – sound, light and other media forms are used only to assist the dancer who DANCE AND MENTAL HEALTHDANCE AND COGNITIVE ABILITYDANCE STATISTICS FOR HEALTHDANCERS MENTAL HEALTHMENTAL HEALTH BENEFITS OF DANCINGEMOTIONALBENEFITS OF DANCE
Dance is not just a physically demanding career; it also wreaks havoc on the mind and mental health. Dancers are perfectionists who spend long hours in front of floor-to-ceiling mirrors, criticising every aspect of their body and of their performance. Our training is replete with teachers who yell, ridicule, demand and pressure us to breaking IS PAIN A NECESSARY EVIL FOR DANCING EN POINTE? OR IS There’s nothing quite like the feeling of dancing en pointe. For many aspiring young dancers, and even for adults who start dance late, the idea of dancing en pointe is viewed as the pinnacle of being a ballerina. The long-term consequences of pointe work. The only problem is, dancing en pointe can hurt. A lot! THE IDEAL BALLET BODY By Brian Nolan. GRD DIP, GRD CRT, BA, DIP, RAD TC. In the world of classical ballet, our instrument is our physique, which is infinitely complicated, astonishingly diverse, extraordinarily functional, artistically imposing and at the very least – aesthetically pleasing. If we are lucky, work hard, are conscientious with our training and everything falls into BALLET: THE FOUNDATION FOR ALL DANCETHE HISTORY OF BALLET DANCE I am, and always will be, a dancer who thrives on expanding my dance vocabulary and knowledge of my existing technique by exploring and applying all different styles of dance. I believe it is imperative, even if you are planning to focus on dance styles that feel far removed from ballet, to THE AUSTRALIAN BALLET’S STUNNING PRINCIPALS By Rain Francis. In the Australian Ballet’s 50th year Dance Informa is celebrating the company by highlighting the Ballet’s Principal Dancers each edition. This edition Dance Informa speaks with two of the company’s leading male dancers, Andrew Killian and Daniel Gaudiello. Click to catch up on last edition’s interviews with Madeleine Eastoe, Adam Bull and AUSTRALIAN BALLET SCHOOL CHAIR JOINS THE ORDER OF AUSTRALIA Leigh Johns, Chairman of The Australian Ballet School, was awarded a Medal of the Order of Australia (OAM) in the Australia Day Awards 2017. Johns, a Fair Work Commissioner since March 2013, received the award for meritorious services to the community through the performing arts, primary health care and to industrial relations. He first joinedthe
CAST ANNOUNCED FOR AUSTRALIAN PRODUCTION OF 'BEAUTIFUL The full cast has been announced for the Australian production of Broadway hit Beautiful: The Carole King Musical, which opens at a newly refurbished Sydney Lyric Theatre on 17 September 2017. The cast will be led by Esther Hannaford, who will play the legendary Carole King. Beautiful: The Carole King Musical charts the true story THE ONGOING INFLUENCE OF PINA BAUSCH The Emotional Aftershock By Elizabeth Ashley. Wim Wender’s latest documentary Pina is a personal ode to an artist he considers a contemporary visionary. Those expecting the sunny upbeat style of Wender’s Buena Vista Social Club will find Pina a stark and demanding contrast.. After 20 years as an abstract idea it wasn’t until U2 3D was previewed at the 2007 Cannes film festival that AUDITION PREPARATION AND ETIQUETTE Auditions are a part of life for dancers, so we all need to make peace with the process. And it is exactly that — a process! If you are smart, you will grow through the audition process as an individual, as well as a performer, enabling yourself to grow a little more after every audition experience. There are a few DANCE AND TECHNOLOGY A look at how contemporary dance is using technology to support its vision. By Elizabeth Ashley. For many dancers and their audience the only technology of interest is the technology of the dancer’s body. Anything else is of secondary importance – sound, light and other media forms are used only to assist the dancer who DANCE AND MENTAL HEALTHDANCE AND COGNITIVE ABILITYDANCE STATISTICS FOR HEALTHDANCERS MENTAL HEALTHMENTAL HEALTH BENEFITS OF DANCINGEMOTIONALBENEFITS OF DANCE
Dance is not just a physically demanding career; it also wreaks havoc on the mind and mental health. Dancers are perfectionists who spend long hours in front of floor-to-ceiling mirrors, criticising every aspect of their body and of their performance. Our training is replete with teachers who yell, ridicule, demand and pressure us to breaking IS PAIN A NECESSARY EVIL FOR DANCING EN POINTE? OR IS There’s nothing quite like the feeling of dancing en pointe. For many aspiring young dancers, and even for adults who start dance late, the idea of dancing en pointe is viewed as the pinnacle of being a ballerina. The long-term consequences of pointe work. The only problem is, dancing en pointe can hurt. A lot! THE IDEAL BALLET BODY By Brian Nolan. GRD DIP, GRD CRT, BA, DIP, RAD TC. In the world of classical ballet, our instrument is our physique, which is infinitely complicated, astonishingly diverse, extraordinarily functional, artistically imposing and at the very least – aesthetically pleasing. If we are lucky, work hard, are conscientious with our training and everything falls into BALLET: THE FOUNDATION FOR ALL DANCETHE HISTORY OF BALLET DANCE I am, and always will be, a dancer who thrives on expanding my dance vocabulary and knowledge of my existing technique by exploring and applying all different styles of dance. I believe it is imperative, even if you are planning to focus on dance styles that feel far removed from ballet, to THE AUSTRALIAN BALLET’S STUNNING PRINCIPALS By Rain Francis. In the Australian Ballet’s 50th year Dance Informa is celebrating the company by highlighting the Ballet’s Principal Dancers each edition. This edition Dance Informa speaks with two of the company’s leading male dancers, Andrew Killian and Daniel Gaudiello. Click to catch up on last edition’s interviews with Madeleine Eastoe, Adam Bull and AUSTRALIAN BALLET SCHOOL CHAIR JOINS THE ORDER OF AUSTRALIA Leigh Johns, Chairman of The Australian Ballet School, was awarded a Medal of the Order of Australia (OAM) in the Australia Day Awards 2017. Johns, a Fair Work Commissioner since March 2013, received the award for meritorious services to the community through the performing arts, primary health care and to industrial relations. He first joinedthe
CAST ANNOUNCED FOR AUSTRALIAN PRODUCTION OF 'BEAUTIFUL The full cast has been announced for the Australian production of Broadway hit Beautiful: The Carole King Musical, which opens at a newly refurbished Sydney Lyric Theatre on 17 September 2017. The cast will be led by Esther Hannaford, who will play the legendary Carole King. Beautiful: The Carole King Musical charts the true story THE ONGOING INFLUENCE OF PINA BAUSCH The Emotional Aftershock By Elizabeth Ashley. Wim Wender’s latest documentary Pina is a personal ode to an artist he considers a contemporary visionary. Those expecting the sunny upbeat style of Wender’s Buena Vista Social Club will find Pina a stark and demanding contrast.. After 20 years as an abstract idea it wasn’t until U2 3D was previewed at the 2007 Cannes film festival that AUSTRALIAN DANCE THEATRE DANIEL RILEY DIRECTOR Australian Dance Theatre (ADT) has announced the appointment of Daniel Riley as its next artistic director, to succeed Garry Stewart, who will leave ADT at the end of 2021. Riley, 35, is one of Australia’s leading dancers and choreographers and is currently a lecturer in contemporary dance at the Victorian College of the Arts, as well as CHRISTMAS BALLET TRADITION WEST AUSTRALIAN BALLET Perth’s Christmas ballet tradition continues to grow in 2020 as West Australian Ballet offers its iconic version of The Nutcracker in a dual season alongside multi-work highlight show GALA. “Audiences have loved our biennial tradition of The Nutcracker to ring in the festive season, it’s always such a magical way to end the year,” said Aurélien Scannella, West Australian Ballet AWARE OF THE JOURNEY: ELLA HAVELKA Ella Havelka — dancer, Wiradjuri artist, choreographer and public speaker — is one of the most remarkable and grounded artists of her generation. Born in Dubbo, NSW, Havelka is a descendant of the Wiradjuri people and in 2013, became the first Indigenous dancer to be invited into The Australian Ballet in its 50 years of history. Each 'THE LITTLE PRINCE': OTHER-WORLDLY JOURNEY Sydney Opera House, Sydney. 27 May 2021. Direct from Paris, The Little Prince has finally made it to Australian Shores after a cancelled 2020 mid-COVID season, and it was certainly worth the wait. Antoine de Saint-Exupéry’s classic 1943 novella has been transformed into a magical stage production of quirky characters, in true French circustheatre style.
GOING ABOVE AND BEYOND: RISING FESTIVAL “I feel that people are more open to those experiences now, considering the pretty epic world events of late,” she says. “They want to have the world reflected back at them. They want to think. Be provocated. More than ever. There’s a certain degree of wanting someentertainment and
2021 PERFORMING ARTS WA AWARDS ARCHIVES Featured Round of applause for the 2021 Performing Arts WA Awards nominees. After holding the ceremony online last year due to the state being in lockdown, WA’s performing arts sector are planning a CHRIS MOURON ARCHIVES Australian Dance Reviews ‘The Little Prince’: A timeless, other-worldly journey. Sydney Opera House, Sydney. 27 May 2021. Direct from Paris, The Little Prince has finally made it to Australian Shores after a cancelled 2020 mid-COVID season, and it FESTIVAL HALL ARCHIVES Featured Going above and beyond: RISING Festival “I feel that people are more open to those experiences now, considering the pretty epic world events of late,” she says.SANDSONG ARCHIVES
Events Bangarra shares footage of much-anticipated ‘SandSong’ In anticipation of Bangarra’s return to the Sydney Opera House stage next month, the company is sharing behind-the-scenes footage of itsSandSong: Stories
IAN WILKES ARCHIVES
Featured Round of applause for the 2021 Performing Arts WA Awards nominees. After holding the ceremony online last year due to the state being in lockdown, WA’s performing arts sector are planning a* __
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WIN A GLAM’R GEAR CHANGING STATION FOR YOUR NEXT COMP! Australia’s Dance Marketplace, Dance Forever, is offering one lucky winner the chance to win...*
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BANGARRA SHARES FOOTAGE OF MUCH-ANTICIPATED ‘SANDSONG’ In anticipation of Bangarra’s return to the Sydney Opera House stagenext month, the...
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WEST AUSTRALIAN BALLET EMBARKS ON NEW CONTEMPORARY SEASON West Australian Ballet is embarking on an ambitious new annual season of dynamic contemporary...*
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AUSTRALIAN PREMIERE OF ‘HEAD OVER HEELS’ ANNOUNCED FOR THE HAYES The team that produced the 2019 smash hit musical American Psycho, in association with Hayes Theatre...*
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GOING ABOVE AND BEYOND: RISING FESTIVAL “I feel that people are more open to those experiences now, considering the pretty...*
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AMY CAMPBELL RE-IGNITES ‘A CHORUS LINE’ AT DARLINGHURST THEATRECOMPANY
When A Chorus Line opened on Broadway in 1975, it created a storm,and now it’s...
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THE AUSTRALIAN BALLET ANNOUNCES A MEDLEY OF PROMOTIONS AS THE COMPANY SURGES INTO ITS NEW ERA As the dancers of The Australian Ballet returned to Melbourne following its first Sydney...*
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‘WEST SIDE STORY’ COMING TO QPAC THIS JULY Queensland is renowned for producing incredibly talented performers, and the line-up on stage for...*
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MADEBY: CHOREOGRAPHIC COMPETITION OPENS TO EMERGING AUSTRALIANCHOREOGRAPHERS
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‘JAGGED LITTLE PILL’ TO REOPEN THEATRE ROYAL SYDNEY Producers Vivek J. Tiwary, Arvind Ethan David, Eva Price, Howard Panter for Trafalgar Entertainment...*
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TODD PATRICK: OPENING DOORS AT PATRICK SCHOOL OF THE ARTS Patrick School of the Arts (PSA), a renowned industry performing artsschool based in...
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NEW ZEALAND DANCE NEWS – MAY 2021 Find out what’s happening this month in New Zealand dance news! Pacific Dance New...*
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WIN A YEAR’S SUPPLY OF SILKY DANCE TIGHTS WITH DANCE FOREVER Australia’s dance marketplace, Dance Forever, is offering one lucky winner a year’s supply of...*
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SYLVIE GUILLEM JOINS SYDNEY CHOREOGRAPHIC CENTRE AS INTERNATIONALPATRON
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WEST AUSTRALIAN BALLET’S ‘DRACULA’ REINCARNATED AT CROWN THEATRE With theatres returning to 100 percent audience capacity, West Australian Ballet will return to...*
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RED BULL BC ONE E-BATTLE GIVES BREAKERS A CHANCE TO COMPETE AT WORLDFINALS
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MERYL TANKARD: RESTLESS SEARCH FOR A NEW DANCE VOCABULARY During the COVID lockdown, the dance world faced the challenge of ensuring its survival...*
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MAGNETIC FORCE: ‘MOULIN ROUGE’ DRAWS KAHLIA DAVIS BACK TO THEAUSSIE STAGE
The cast of Moulin Rouge! The Musical has been announced. Enter a world of splendour and...DANCE NEWS
SANDSONG: STORIES FROM THE GREAT SANDY DESERT THE FUTURE OF THE DANCE FILM INDUSTRY AND THE YOUNG PEOPLE WHO WILLMAKE THAT FUTURE.
HALF TIME, A NEW MUSICAL ABOUT NOT ACTING YOUR AGE, MUST CLOSE MAY 2 ONE SPECTACULAR CONVERGENCE AT THE ODEON! NAISDA INVITES APPLICATIONS FOR ITS NEXT INTAKE OF STANDOUT DANCE AND PERFORMING ARTS STUDENTS THE WEDDING SINGER IN MELBOURNE! THRILLING PHYSICAL THEATRE COMPANY DEBUTS IN SYDNEY ANTON'S NARCIFIXION, NEW AUSTRALIAN DANCE WORK REVEALED, THE AUSTRALIAN CAST OF ITS TONY-NOMINATED PRODUCTION, MOULINROUGE! THE MUSICAL!
STAGECENTA LAUNCHES UNIQUE THEATRE APP KICKING CREATIVE GOALS, LOCAL TALENT WINS A SPOT IN THE WORLD MONOLOGUE FILM FESTIVAL SEMI-FINALS. THE ACADEMY OF MUSIC DANCE DRAMA SOARS THROUGH THE PANDEMIC ENGLISH NATIONAL BALLET RELEASE FAMILY FAVOURITE MY FIRST BALLET: SWAN LAKE ON ENB AT HOME PLATFORM REFERENCE MATERIAL, A NEW DANCE WORK FROM CHOREOGRAPHER ALISDAIRMACINDOE
MERRILY WE ROLL ALONG IS COMING BACK! INSPIRED DANCE FILM FESTIVAL CONVERGENCE TICKETS NOW ON SALE RODGERS + HAMMERSTEIN'S CINDERELLA, WILL HAVE ITS AUSTRALIAN PREMIEREIN SYDNEY
ENGLISH NATIONAL BALLET LAUNCH NEW APPS FOR ENB AT HOME CONTENT THE CIRCADIAN CYCLE ON INTERNATIONAL SCREENSRead More
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STUDIO 7 DANCEWEAR HOLDS HUGE WAREHOUSE SALE Studio 7 Dancewear, the Australian-owned dancewear brand, is holding its annual, highly anticipated warehouse...*
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TODD PATRICK: OPENING DOORS AT PATRICK SCHOOL OF THE ARTS Patrick School of the Arts (PSA), a renowned industry performing artsschool based in...
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AUSTINMER DANCE THEATRE PRESENTS 10TH ANNIVERSARY PRODUCTION Presenting its 10th anniversary production, Time Will Tell Re-Imagined, in the theatre that hosted its launchproduction, Too...
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