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VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted NEWS – FOREST OF DEAN SCULPTURE TRUST News release: Forest of Dean Sculpture Trust can confirm that Cusp, an installation conceived by the artist Elpida Hadzi-Vasileva, has been cancelled. Nick Bury, Chair of the Forest of Dean Sculpture Trustees, says: “The decision to cancel Cusp was not. January 25, 2021. WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not OUR STORY – FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust is a registered charity no.1059078 that raises money to commission new artworks. The charity is governed by a board of voluntary trustees: Nicholas Bury (Chair), Sarah Bowden (Vice-Chair & Acting Treasurer), Denise de Cordova, Glynn Williams, Joanna Greenhill, Jo Volley, Andrew Stonyer and Geoff Morrow. APRIL 2021 – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trust is among more than 2,700 recipients to benefit from the latest round of awards from the £1.57 billion Culture Recovery Fund. This award will assist in improving signage and supporting a new. one-way temporary art trail with 8 new uplifting artworks to provide a. great day out for visitors this summer. HOUSE – FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
OBSERVATORY
Observatory is situated by a pond in an area of thinned trees bounded by thicker plantations. This is the area it influences and in turn is influenced by. Observatory offers two vantage points, a viewing platform at the top of a staircase and a small room under the stairs with a seat. I hope that both places offer the chance of a detachedview
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees. ECHO – FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FAREWELL TO THE GIANT’S CHAIR Farewell to the Giant’s Chair. November 1, 2015. There’s been widespread coverage of our plans to decommission Place on local news sites and on BBC Online. A bat survey is currently being carried out, so there are no specific plans replace the artwork. But we do have an exciting series of new commissions coming soon in 2016 that will be FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
MELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees. FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
MELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees. NEWS – FOREST OF DEAN SCULPTURE TRUST News release: Forest of Dean Sculpture Trust can confirm that Cusp, an installation conceived by the artist Elpida Hadzi-Vasileva, has been cancelled. Nick Bury, Chair of the Forest of Dean Sculpture Trustees, says: “The decision to cancel Cusp was not. January 25, 2021. EVENTS – FOREST OF DEAN SCULPTURE TRUST Forest of Dean born poet Stewart Carswell. Sunday 14 th August – Poetry tour of the Forest of Dean Sculpture Trail:. 11am – 12.45pm Meet at the Sculpture Trail banner at Beechenhurst. Free of charge, to book your place visit Eventbrite. A poetry walk with Stewart Carswell, featuring readings of specially-written poems specially-written poems about sculptures past and present. WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
OUR STORY – FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust is a registered charity no.1059078 that raises money to commission new artworks. The charity is governed by a board of voluntary trustees: Nicholas Bury (Chair), Sarah Bowden (Vice-Chair & Acting Treasurer), Denise de Cordova, Glynn Williams, Joanna Greenhill, Jo Volley, Andrew Stonyer and Geoff Morrow. APRIL 2021 – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trust is among more than 2,700 recipients to benefit from the latest round of awards from the £1.57 billion Culture Recovery Fund. This award will assist in improving signage and supporting a new. one-way temporary art trail with 8 new uplifting artworks to provide a. great day out for visitors this summer. HOUSE – FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
RAINBOW FOREST POP UP DEN-MAKING EVENT A multi-coloured spectacle on the Sculpture Trail. On Wednesday 24th August, we held a one-off pop up art event on the Forest of Dean Sculpture Trail. Rainbow Forest was commissioned as part of the Trail’s 30th anniversary celebrations this year. We used an eco-friendly, natural paint to cover hundreds of branches and sticksin bright colours
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
ARTISTS – FOREST OF DEAN SCULPTURE TRUST Neville Gabie. Neville Gabie was born in Johannesburg, South Africa, 1959. He was the Lead Artist for the Year of the Artist projects, Forest of Dean Sculpture Trail 2000/01. Recent exhibitions and projects include: Solo Exhibition, Civic Gallery Johannesburg 1998; MOMART Artist in Residence. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved itMELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
ARTISTS – FOREST OF DEAN SCULPTURE TRUST Neville Gabie. Neville Gabie was born in Johannesburg, South Africa, 1959. He was the Lead Artist for the Year of the Artist projects, Forest of Dean Sculpture Trail 2000/01. Recent exhibitions and projects include: Solo Exhibition, Civic Gallery Johannesburg 1998; MOMART Artist in Residence. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved itMELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
NEWS - FOREST OF DEAN SCULPTURE TRUST FATHER AND 9-YEAR-OLD DAUGHTER WIN SOUTH WEST SCULPTURE AWARD. The Forest of Dean Sculpture Trust are pleased to announce the winner of our recent South West England open call. Robin Collings and his 9-year-old daughter Isla Collings have been awarded a joint commission to create a metal sculpture engraved. February 22, 2021. ARTISTS – FOREST OF DEAN SCULPTURE TRUST Charcoal Measure, Temporary work installed in 2016. www.onyamccausland.co.uk Onya McCausland was born in Zennor, Cornwall in 1971, she studied for a BA at Falmouth and in 1999 went on to complete an MA at the Slade School of Fine Art where she is currently completing a practice led PhD.McCausland’s work draws upon the relationship between the materiality of painting and perceptions ofthe
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved it HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
HILL33 – FOREST OF DEAN SCULPTURE TRUST Hill33 is the outcome of that research and will be a challenging and intriguing addition to the works on the Trail. We are very grateful for the funding and support of the following organisations, without whom this project could not happen. THE FORESTRY COMMISSION. GLOUCESTERSHIRE ENVIRONMENT TRUST. HESCO. THE ROYAL MONMOUTHSHIREROYAL ENGINEERS.
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
SENTIENT FOREST
Sentient Forest. Sentient Forest, 2016. (Decommissioned). The forest has its own communication system known as mycelium, which enables a network of information and nutrients to pass between fungi and trees. American mycologist Paul Stamets believes that mycelial networks sense any impression upon them, “from footsteps to falling tree branchesJOY SLEEMAN
Memories of Place by Magdalena Jetelova – Joy Sleeman. I began my PhD research, on Landscape and Land Art, at the University of Leeds in the autumn of 1991. Not long after I arrived in Leeds an exhibition of the work of Magdalena Jetelova opened at the Henry Moore Trust studio at Dean Clough in Halifax. Dean Clough is a former carpet mill FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
ARTISTS – FOREST OF DEAN SCULPTURE TRUST Neville Gabie. Neville Gabie was born in Johannesburg, South Africa, 1959. He was the Lead Artist for the Year of the Artist projects, Forest of Dean Sculpture Trail 2000/01. Recent exhibitions and projects include: Solo Exhibition, Civic Gallery Johannesburg 1998; MOMART Artist in Residence. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved itMELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
ARTISTS – FOREST OF DEAN SCULPTURE TRUST Neville Gabie. Neville Gabie was born in Johannesburg, South Africa, 1959. He was the Lead Artist for the Year of the Artist projects, Forest of Dean Sculpture Trail 2000/01. Recent exhibitions and projects include: Solo Exhibition, Civic Gallery Johannesburg 1998; MOMART Artist in Residence. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved itMELISSAS’ SWING
Peter Appleton’s sculpture, Melissa’s Swing was conceived as a kind of Aeolian Harp to be suspended in a tree for the wind to activate into sound. Since the wind is less noticeable in summer when most people would visit the sculptures, he felt that people should be able to make the sound for themselves, by pulling on an attached rope.Since
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
NEWS - FOREST OF DEAN SCULPTURE TRUST FATHER AND 9-YEAR-OLD DAUGHTER WIN SOUTH WEST SCULPTURE AWARD. The Forest of Dean Sculpture Trust are pleased to announce the winner of our recent South West England open call. Robin Collings and his 9-year-old daughter Isla Collings have been awarded a joint commission to create a metal sculpture engraved. February 22, 2021. ARTISTS – FOREST OF DEAN SCULPTURE TRUST Charcoal Measure, Temporary work installed in 2016. www.onyamccausland.co.uk Onya McCausland was born in Zennor, Cornwall in 1971, she studied for a BA at Falmouth and in 1999 went on to complete an MA at the Slade School of Fine Art where she is currently completing a practice led PhD.McCausland’s work draws upon the relationship between the materiality of painting and perceptions ofthe
THE HEART OF THE STONE The Heart Of The Stone. By Tim Lees, located 1988. Tim Lees has sited his sculpture on the top of the Rose in Hand coal mine, a disused drift mine overlooking the wooded Cannop Valley. Inspired by the idea of extracting material from the heart of the forest, he has cut the centre of a six-ton piece of stone from a nearby quarry and carved it HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
HILL33 – FOREST OF DEAN SCULPTURE TRUST Hill33 is the outcome of that research and will be a challenging and intriguing addition to the works on the Trail. We are very grateful for the funding and support of the following organisations, without whom this project could not happen. THE FORESTRY COMMISSION. GLOUCESTERSHIRE ENVIRONMENT TRUST. HESCO. THE ROYAL MONMOUTHSHIREROYAL ENGINEERS.
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
SENTIENT FOREST
Sentient Forest. Sentient Forest, 2016. (Decommissioned). The forest has its own communication system known as mycelium, which enables a network of information and nutrients to pass between fungi and trees. American mycologist Paul Stamets believes that mycelial networks sense any impression upon them, “from footsteps to falling tree branchesJOY SLEEMAN
Memories of Place by Magdalena Jetelova – Joy Sleeman. I began my PhD research, on Landscape and Land Art, at the University of Leeds in the autumn of 1991. Not long after I arrived in Leeds an exhibition of the work of Magdalena Jetelova opened at the Henry Moore Trust studio at Dean Clough in Halifax. Dean Clough is a former carpet mill FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted NEWS – FOREST OF DEAN SCULPTURE TRUST News release: Forest of Dean Sculpture Trust can confirm that Cusp, an installation conceived by the artist Elpida Hadzi-Vasileva, has been cancelled. Nick Bury, Chair of the Forest of Dean Sculpture Trustees, says: “The decision to cancel Cusp was not. January 25, 2021. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not PLACE - FOREST OF DEAN SCULPTURE TRUST Place. By Magdalena Jetelova located 1986 (decommissioned due to safety reasons in 2015) Commanding a magnificent view of the Cannop Valley this structure is placed like a huge throne, or sits like a giant surveying his territory. Recalling the prehistoric structures of Stonehenge, the sculpture appears already to have stood for centuries. APRIL 2021 – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trust is among more than 2,700 recipients to benefit from the latest round of awards from the £1.57 billion Culture Recovery Fund. This award will assist in improving signage and supporting a new. one-way temporary art trail with 8 new uplifting artworks to provide a. great day out for visitors this summer.OBSERVATORY
Observatory is situated by a pond in an area of thinned trees bounded by thicker plantations. This is the area it influences and in turn is influenced by. Observatory offers two vantage points, a viewing platform at the top of a staircase and a small room under the stairs with a seat. I hope that both places offer the chance of a detachedview
RAW - FOREST OF DEAN SCULPTURE TRUST Raw = 1 oak tree: planted 1810, felled 2001. The proposal: A tree’s mass represented as a cube in the forest – working with a tree surgeon I will convert the whole volume of the tree into cubes and install it in the forest as one large cube. Four temporary pieces. 1. a measurement of the total degradable volume of the tree which ismeasured
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.HANGING FIRE
Hanging Fire. By Cornelia Parker, located 1988. “When I visited the forest in December it was raining gently and the place seemed to glow as if it were twilight. There was a feeling of being underwater, the bare trees were rimed with green, covered as they were with various lichen. This green vibrated against the bright orange floor, carpeted NEWS – FOREST OF DEAN SCULPTURE TRUST News release: Forest of Dean Sculpture Trust can confirm that Cusp, an installation conceived by the artist Elpida Hadzi-Vasileva, has been cancelled. Nick Bury, Chair of the Forest of Dean Sculpture Trustees, says: “The decision to cancel Cusp was not. January 25, 2021. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and not PLACE - FOREST OF DEAN SCULPTURE TRUST Place. By Magdalena Jetelova located 1986 (decommissioned due to safety reasons in 2015) Commanding a magnificent view of the Cannop Valley this structure is placed like a huge throne, or sits like a giant surveying his territory. Recalling the prehistoric structures of Stonehenge, the sculpture appears already to have stood for centuries. APRIL 2021 – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trust is among more than 2,700 recipients to benefit from the latest round of awards from the £1.57 billion Culture Recovery Fund. This award will assist in improving signage and supporting a new. one-way temporary art trail with 8 new uplifting artworks to provide a. great day out for visitors this summer.OBSERVATORY
Observatory is situated by a pond in an area of thinned trees bounded by thicker plantations. This is the area it influences and in turn is influenced by. Observatory offers two vantage points, a viewing platform at the top of a staircase and a small room under the stairs with a seat. I hope that both places offer the chance of a detachedview
RAW - FOREST OF DEAN SCULPTURE TRUST Raw = 1 oak tree: planted 1810, felled 2001. The proposal: A tree’s mass represented as a cube in the forest – working with a tree surgeon I will convert the whole volume of the tree into cubes and install it in the forest as one large cube. Four temporary pieces. 1. a measurement of the total degradable volume of the tree which ismeasured
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
CONE AND VESSEL
The colour of the Forest of Dean sandstone quarried nearby varies from pink to green. Peter Randall-Page, stone-carver, took as the basis for his works, Cone and Vessel, the intricate forms of a pine cone and acorn cup. By enlarging the scale so significantly, the object takes on a surreal dimension, suggesting giant forest trees.COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
NEWS - FOREST OF DEAN SCULPTURE TRUST FATHER AND 9-YEAR-OLD DAUGHTER WIN SOUTH WEST SCULPTURE AWARD. The Forest of Dean Sculpture Trust are pleased to announce the winner of our recent South West England open call. Robin Collings and his 9-year-old daughter Isla Collings have been awarded a joint commission to create a metal sculpture engraved. February 22, 2021. SHOP - FOREST OF DEAN SCULPTURE TRUST We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you arehappy with it.
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
FOREST OF DEAN SCULPTURE TRUST The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year. The works are deliberately discrete in the woodland. The idea being that visitorshave to
VISIT – FOREST OF DEAN SCULPTURE TRUST Forest of Dean Sculpture Trail, Beechenhurst, Speech House Road, Coleford, Gloucestershire. The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heart of the Forest. The full Sculpture Trail is about 4.5 miles long. It can also be explored in a series of shorterdistances.
NEWS - FOREST OF DEAN SCULPTURE TRUST FATHER AND 9-YEAR-OLD DAUGHTER WIN SOUTH WEST SCULPTURE AWARD. The Forest of Dean Sculpture Trust are pleased to announce the winner of our recent South West England open call. Robin Collings and his 9-year-old daughter Isla Collings have been awarded a joint commission to create a metal sculpture engraved. February 22, 2021. SHOP - FOREST OF DEAN SCULPTURE TRUST We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you arehappy with it.
THRESHOLD – FOREST OF DEAN SCULPTURE TRUST Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
CATHEDRAL – FOREST OF DEAN SCULPTURE TRUST Cathedral. By Kevin Atherton, located 1986. Statement by the Artist. June 1986: “Although consisting of one large window 15 feet high by 10 feet across, Cathedral is not just about itself as an example of the art of stained glass. The undeniably attractive qualities of stained glass are in this instance secondary to the idea of placingthe
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
GROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
THRESHOLD BY NATASHA ROSLING UNVEILLED Threshold is a new permanent sculpture by artist Natasha Rosling sited by a sheltered woodland pond on the Forest of Dean Sculpture Trail. Inspired by the ancient history of mining beneath the surface of the Forest of Dean, Threshold’s large interlocking walls take a crevice-like form that visitors can walk through and immersethemselves within.
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
EVENTS – FOREST OF DEAN SCULPTURE TRUST Forest of Dean born poet Stewart Carswell. Sunday 14 th August – Poetry tour of the Forest of Dean Sculpture Trail:. 11am – 12.45pm Meet at the Sculpture Trail banner at Beechenhurst. Free of charge, to book your place visit Eventbrite. A poetry walk with Stewart Carswell, featuring readings of specially-written poems specially-written poems about sculptures past and present. HOUSE - FOREST OF DEAN SCULPTURE TRUST House. by Miles Davies, located 1988. “I already knew the Forest of Dean quite well having assisted Magdalena Jetelova with the construction of the `Giant’s Chair’ the previous year. Whilst there I experienced or sensed a feeling not only of calm but also of solitude, which seemed to pervade the area; a different kind ofsolitude to that
SHOP - FOREST OF DEAN SCULPTURE TRUST We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you arehappy with it.
WINDOW TO THE FOREST Window to the Forest. April 25, 2020. Calling all socially isolating families to take part in our Window Forests project! We are inviting you to make your own hanging stain glass window, inspired by Kevin Atherton’s iconic Cathedral sculpture and the beautiful Forest of Dean. We know you are all staying home safe at the moment and notGROVE OF SILENCE
Grove of Silence. By Ian Hamilton Finlay, located 1986. Ian Hamilton Finlay’s tree plaques draw attention to the silence in the forest. In their simplicity of form and statement, they make us pause for thought, and help us become more aware of the need to be still and quiet in the presence of nature. Ian Hamilton Finlay’s Grove ofsilence
OBSERVATORY
Observatory is situated by a pond in an area of thinned trees bounded by thicker plantations. This is the area it influences and in turn is influenced by. Observatory offers two vantage points, a viewing platform at the top of a staircase and a small room under the stairs with a seat. I hope that both places offer the chance of a detachedview
HILL33 – FOREST OF DEAN SCULPTURE TRUST Hill33 is the outcome of that research and will be a challenging and intriguing addition to the works on the Trail. We are very grateful for the funding and support of the following organisations, without whom this project could not happen. THE FORESTRY COMMISSION. GLOUCESTERSHIRE ENVIRONMENT TRUST. HESCO. THE ROYAL MONMOUTHSHIREROYAL ENGINEERS.
ECHO - FOREST OF DEAN SCULPTURE TRUST Echo. When Annie Cattrell was first appointed in January 2007 to create a new sculpture for the Forest of Dean Sculpture Trail, she was given a fairly open brief – to respond to the Forest of Dean. The site was simply the ‘sculpture trail’, although there was a preference to install a new work in an area contained within atriangle of
OPEN CALL OPPORTUNITY FOR SOUTH WEST ARTISTS Open Call Opportunity for South West Artists. January 14, 2021. The Forest of Dean Sculpture Trust is looking for artworks that respond and connect to themes of shelter, sanctuary, recycling and renewal in forest and woodland environments. We are particularly interested in artworks that explore themes of bio-diversity, wildlife and climatechange.
COAL MEASURE GIANTS
Coal Measure Giants 2016. “The sculpture aims to bring to the surface aspects of what lies hidden, to most people below the ground of the Sculpture Trail. The main coal seam, (The Coleford High Delf) lies 300 meters below ground surface. The work invites the public to experience a physical expression of this vertical depth, by walkingthe
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A NEW POEM BY ZAKIYA MCKENZIE AND KHADY GUEYEClick here for more
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COAL MEASURE GIANTS
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A UNIQUE COLLECTION OF WORLD CLASS, CONTEMPORARY SCULPTURE, BOTH PERMANENT AND TEMPORARY, WITHIN THE FOREST OF DEAN.Our Story
The Forest of Dean Sculpture Trust and Forestry England have worked in partnership for the last 30 years to create this vital Sculpture Trail that enjoys visitors of over 300,000 people per year.Read more
Sculptures
The works are deliberately discrete in the woodland. The idea being that visitors have to seek them out or come across them by chance.Read more
Artists
Since the beginning of the trail in 1986, over 25 artists and photographers have been commissioned to create site specific work.Read more
Visit
The Sculpture Trail starts and ends at the rear of the Forestry England, Beechenhurst picnic site, west of Speech House in the heartof the Forest.
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