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Aboriginal art
AMPILATWATJA PAINTINGS ONLINE EXHIBITION 8 of 8. Ampilatwatja is the largest of three communities under the Aherrenge Aboriginal Association in Central Australia. It is located in the Northern Territory about 320 km north-east of Alice Springs. The Aboriginal artists of Ampilatwatja form part of the Alywarr language group. In 1999, a community arts centre was established,under the
DAMIEN & YILPI MARKS PAINTINGS The paintings of Damien Marks and Yilpi Marks cross into new areas of contemporary Aboriginal art. The iconography is inherited from some of the major Aboriginal art figures of the Central Desert movement. Damien Marks was taught by the great artists Billy Stockman, Uta Uta Jangala and Clifford Possum, and the placement of ceremonial artefacts THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards aTHE PILBARA
Jap 007164 | acrylic on canvas | 122 x 76 cm. 38 of 38. Yinjaa-Barni Artists are traditional owners from the Fortescue River region, and their paintings depict the remarkable country of the Pilbara in Western Australia’s north-west. The contrasts of the harsh environment with the hidden gorges of cool water, the seeds and flowers bursting out LILY KARADADA (KAREDADA) PAINTINGS & ARTIST PROFILE 9 of 9. Kalumburu artist Lily Karadada (Karedada) has been a prolific painter of the Wandjina images from her ancestral country around the Prince Regent River area in the north west corner of the Kimberley. Still painting occasionally well into her 80s, Lily Karadada has become closely associated with the Wandjina painting tradition ofKalumburu.
DENNIS NONA PAINTINGS & ARTIST PROFILE Dennis Nona is widely acknowledged as one the most important Indigenous artists from the Torres Strait Islands. Born on Badu Island in 1973, Dennis Nona was taught as a young boy the traditional craft of woodcarving. This skill has been developed and translated into the incredibly intricate and beautiful linocuts, etchings and sculptures THE NUMINA SISTERS AND STORIES FROM CENTRAL AUSTRALIA The exhibition titled "Numina Quartet" features four artists, all sisters from the Numina family. Their traditional country is in Central Australia on Anmatyerre lands, and they now live in Darwin. They are Anmatyerre speakers and grew up on Stirling Station located between Tennant Creek and Alice Springs. They are a tremendouslyskilled group
BELINDA GOLDER KNGWARREYE Belinda Golder Kngwarreye is an Anmatyerre artist from the Utopia Homelands of Central Australia. She was born in 1986 and her clan country is at Mulga Bore. Belinda has strong artistic connections within her family – her grandmother is leading Utopia artist Polly Ngale, and her mother Bessie Purvis Petyarre and sister Janet Golderare also
MARLENE YOUNG NUNGURRAYI Marlene Young Nungurrayi is a Pintupi woman born in 1971 at Papunya. During her childhood the family moved across many of the communities of the Central and Western Desert. They moved from Papunya to Warburton, Patjarr, Wiluna, Leonora and Docker River in Western Australia before moving back to Kintore. JAPINGKA ABORIGINAL ART ONLINE Japingka Aboriginal Art has been associated with Aboriginal art through its Directors for over thirty years. We are committed to fair and ethical trading in all our dealings with Aboriginal art and artists. Japingka Aboriginal Art is a foundation member of both Aboriginal Art Association of Australia the national body forAboriginal art
AMPILATWATJA PAINTINGS ONLINE EXHIBITION 8 of 8. Ampilatwatja is the largest of three communities under the Aherrenge Aboriginal Association in Central Australia. It is located in the Northern Territory about 320 km north-east of Alice Springs. The Aboriginal artists of Ampilatwatja form part of the Alywarr language group. In 1999, a community arts centre was established,under the
DAMIEN & YILPI MARKS PAINTINGS The paintings of Damien Marks and Yilpi Marks cross into new areas of contemporary Aboriginal art. The iconography is inherited from some of the major Aboriginal art figures of the Central Desert movement. Damien Marks was taught by the great artists Billy Stockman, Uta Uta Jangala and Clifford Possum, and the placement of ceremonial artefacts THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards aTHE PILBARA
Jap 007164 | acrylic on canvas | 122 x 76 cm. 38 of 38. Yinjaa-Barni Artists are traditional owners from the Fortescue River region, and their paintings depict the remarkable country of the Pilbara in Western Australia’s north-west. The contrasts of the harsh environment with the hidden gorges of cool water, the seeds and flowers bursting out LILY KARADADA (KAREDADA) PAINTINGS & ARTIST PROFILE 9 of 9. Kalumburu artist Lily Karadada (Karedada) has been a prolific painter of the Wandjina images from her ancestral country around the Prince Regent River area in the north west corner of the Kimberley. Still painting occasionally well into her 80s, Lily Karadada has become closely associated with the Wandjina painting tradition ofKalumburu.
DENNIS NONA PAINTINGS & ARTIST PROFILE Dennis Nona is widely acknowledged as one the most important Indigenous artists from the Torres Strait Islands. Born on Badu Island in 1973, Dennis Nona was taught as a young boy the traditional craft of woodcarving. This skill has been developed and translated into the incredibly intricate and beautiful linocuts, etchings and sculptures THE NUMINA SISTERS AND STORIES FROM CENTRAL AUSTRALIA The exhibition titled "Numina Quartet" features four artists, all sisters from the Numina family. Their traditional country is in Central Australia on Anmatyerre lands, and they now live in Darwin. They are Anmatyerre speakers and grew up on Stirling Station located between Tennant Creek and Alice Springs. They are a tremendouslyskilled group
BELINDA GOLDER KNGWARREYE Belinda Golder Kngwarreye is an Anmatyerre artist from the Utopia Homelands of Central Australia. She was born in 1986 and her clan country is at Mulga Bore. Belinda has strong artistic connections within her family – her grandmother is leading Utopia artist Polly Ngale, and her mother Bessie Purvis Petyarre and sister Janet Golderare also
MARLENE YOUNG NUNGURRAYI Marlene Young Nungurrayi is a Pintupi woman born in 1971 at Papunya. During her childhood the family moved across many of the communities of the Central and Western Desert. They moved from Papunya to Warburton, Patjarr, Wiluna, Leonora and Docker River in Western Australia before moving back to Kintore. ANDREW TJUPURRULA HIGHFOLD ABORIGINAL ARTIST Andrew Tjupurrula Highfold describes his art as ‘contemporary with traditional input.’. He captures the intensity of the Central Australian landscape through his use of colour and his fine detail depicting aspects of the natural world. He says ‘As a contemporary artist I ask my family what I can paint’, meaning that he consultsabout
DOROTHY NAPANGARDI
Dorothy was right at the forefront of the contemporary Australian Aboriginal art movement. Along with Emily Kngwarreye, Dorothy Napangardi is recognised internationally as one of Australia's foremost artists. In April 2020, a major retrospective exhibition of Dorothy's work is opening at Japingka Gallery in Fremantle, WesternAustralia, with
TIWI ISLANDS ART
The signature style for Tiwi artists is deeply embedded in the cultural and ceremonial practices of the islands. Tiwi Design is located at the settlement of Nguiu on the south-eastern corner of Bathurst Island. Nguiu township is home to about 1500 people and the art centre began work in 1968, evolving a fabric printing businessbased on wood
THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards a BELINDA GOLDER KNGWARREYE Belinda Golder Kngwarreye is an Anmatyerre artist from the Utopia Homelands of Central Australia. She was born in 1986 and her clan country is at Mulga Bore. Belinda has strong artistic connections within her family – her grandmother is leading Utopia artist Polly Ngale, and her mother Bessie Purvis Petyarre and sister Janet Golderare also
WIRRIMANU BALGO ARTISTS Balgo artists from Warlayirti exhibited at Japingka Gallery in 1999 to celebrate the opening of the new art centre which was recently completed in the community. Dancers, singers, elders and artists attended the event and performed part of the ceremony for the Luurnpa Kingfisher Dreaming story that crosses through the location of the artcentre.
AMANDA CONWAY-JONES WESTLEY Amanda Westley | Land Lines. Jap 014545 | acrylic on canvas | 89 x 59 cm. 14 of 14. Ngarrindjeri artist Amanda Westley was born at Victor Harbor in South Australia in 1985. She says, “Growing up I experienced the best of both worlds, living the farm life 12 kms out of coastal country town of Victor Harbor. My father was a boat builderso the
BUSH GARDEN
Minute details of plants and geology are recorded and we see how the bush is divided into diverse areas through the types of plants and rocks that dominate these micro climates. Artists include Julieanne Ngwarraye Morton, Jessie Ngwarraye Ross, Rosie Kemarre Morton, Kindy Kemarre Ross, Lilly Kemarre Morton and Sandra Pula Teece. Back. WHAT IS THE CONNECTION BETWEEN THE DREAMTIME AND SONGLINES The Dreaming is the description of a sacred time that saw the creation of the world as Aboriginal people know it and understand it. Dreamtime is the word used in the English language, but there are many words across the Aboriginal languages, including Tjukurrpa andNgarrangkarni.
EXHIBITION SHOWCASES NYOONGAR ARTISTS IN NORTHAM I love being part of that.”. The exhibition of Nyoongar art runs at Artists Revolution Gallery until March 26th at 226 Fitzgerald St, Northam. Children Playing Marbles - Kimberley Spratt. Father of the Land - Tom Garlett. Russell Fitzgerald 1. Sisters Come Together - Kimberly Spratt. Bagala Mission - Tom Garlett. JAPINGKA ABORIGINAL ART ONLINE Japingka Aboriginal Art has been associated with Aboriginal art through its Directors for over thirty years. We are committed to fair and ethical trading in all our dealings with Aboriginal art and artists. Japingka Aboriginal Art is a foundation member of both Aboriginal Art Association of Australia the national body forAboriginal art
ABORIGINAL ART EDUCATION & TEACHER RESOURCES Bush Medicine is a Visual Arts Programme for middle primary school students designed for the Australian and West Australian curriculum. A set of 11 Lesson Plans provides teachers with resources to teach confidently about visual arts reflecting on and drawing UNDERSTANDING ABORIGINAL ART: AN INTRODUCTORY GUIDEAUSTRALIAN ABORIGINAL ARTISTSAUSTRALIAN ABORIGINAL PAINTINGSFAMOUS AUSTRALIAN ABORIGINAL ARTISTSAUSTRALIAN ABORIGINAL ART By: Japingka Gallery, February 2014. Australian Aboriginal art is a unique view into the culture and values of Aboriginal people. Its expansion to reach a much wider audience has allowed a greater awareness of the nature of traditional Aboriginal world.DOROTHY NAPANGARDI
Dorothy was right at the forefront of the contemporary Australian Aboriginal art movement. Along with Emily Kngwarreye, Dorothy Napangardi is recognised internationally as one of Australia's foremost artists. In April 2020, a major retrospective exhibition of Dorothy's work is opening at Japingka Gallery in Fremantle, WesternAustralia, with
DAMIEN & YILPI MARKS PAINTINGS The paintings of Damien Marks and Yilpi Marks cross into new areas of contemporary Aboriginal art. The iconography is inherited from some of the major Aboriginal art figures of the Central Desert movement. Damien Marks was taught by the great artists Billy Stockman, Uta Uta Jangala and Clifford Possum, and the placement of ceremonial artefacts THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards a LILY KARADADA (KAREDADA) PAINTINGS & ARTIST PROFILE 9 of 9. Kalumburu artist Lily Karadada (Karedada) has been a prolific painter of the Wandjina images from her ancestral country around the Prince Regent River area in the north west corner of the Kimberley. Still painting occasionally well into her 80s, Lily Karadada has become closely associated with the Wandjina painting tradition ofKalumburu.
THE NUMINA SISTERS AND STORIES FROM CENTRAL AUSTRALIA The exhibition titled "Numina Quartet" features four artists, all sisters from the Numina family. Their traditional country is in Central Australia on Anmatyerre lands, and they now live in Darwin. They are Anmatyerre speakers and grew up on Stirling Station located between Tennant Creek and Alice Springs. They are a tremendouslyskilled group
WIRRIMANU BALGO ARTISTS Balgo artists from Warlayirti exhibited at Japingka Gallery in 1999 to celebrate the opening of the new art centre which was recently completed in the community. Dancers, singers, elders and artists attended the event and performed part of the ceremony for the Luurnpa Kingfisher Dreaming story that crosses through the location of the artcentre.
MARLENE YOUNG NUNGURRAYI Marlene Young Nungurrayi is a Pintupi woman born in 1971 at Papunya. During her childhood the family moved across many of the communities of the Central and Western Desert. They moved from Papunya to Warburton, Patjarr, Wiluna, Leonora and Docker River in Western Australia before moving back to Kintore. JAPINGKA ABORIGINAL ART ONLINE Japingka Aboriginal Art has been associated with Aboriginal art through its Directors for over thirty years. We are committed to fair and ethical trading in all our dealings with Aboriginal art and artists. Japingka Aboriginal Art is a foundation member of both Aboriginal Art Association of Australia the national body forAboriginal art
ABORIGINAL ART EDUCATION & TEACHER RESOURCES Bush Medicine is a Visual Arts Programme for middle primary school students designed for the Australian and West Australian curriculum. A set of 11 Lesson Plans provides teachers with resources to teach confidently about visual arts reflecting on and drawing UNDERSTANDING ABORIGINAL ART: AN INTRODUCTORY GUIDEAUSTRALIAN ABORIGINAL ARTISTSAUSTRALIAN ABORIGINAL PAINTINGSFAMOUS AUSTRALIAN ABORIGINAL ARTISTSAUSTRALIAN ABORIGINAL ART By: Japingka Gallery, February 2014. Australian Aboriginal art is a unique view into the culture and values of Aboriginal people. Its expansion to reach a much wider audience has allowed a greater awareness of the nature of traditional Aboriginal world.DOROTHY NAPANGARDI
Dorothy was right at the forefront of the contemporary Australian Aboriginal art movement. Along with Emily Kngwarreye, Dorothy Napangardi is recognised internationally as one of Australia's foremost artists. In April 2020, a major retrospective exhibition of Dorothy's work is opening at Japingka Gallery in Fremantle, WesternAustralia, with
DAMIEN & YILPI MARKS PAINTINGS The paintings of Damien Marks and Yilpi Marks cross into new areas of contemporary Aboriginal art. The iconography is inherited from some of the major Aboriginal art figures of the Central Desert movement. Damien Marks was taught by the great artists Billy Stockman, Uta Uta Jangala and Clifford Possum, and the placement of ceremonial artefacts THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards a LILY KARADADA (KAREDADA) PAINTINGS & ARTIST PROFILE 9 of 9. Kalumburu artist Lily Karadada (Karedada) has been a prolific painter of the Wandjina images from her ancestral country around the Prince Regent River area in the north west corner of the Kimberley. Still painting occasionally well into her 80s, Lily Karadada has become closely associated with the Wandjina painting tradition ofKalumburu.
THE NUMINA SISTERS AND STORIES FROM CENTRAL AUSTRALIA The exhibition titled "Numina Quartet" features four artists, all sisters from the Numina family. Their traditional country is in Central Australia on Anmatyerre lands, and they now live in Darwin. They are Anmatyerre speakers and grew up on Stirling Station located between Tennant Creek and Alice Springs. They are a tremendouslyskilled group
WIRRIMANU BALGO ARTISTS Balgo artists from Warlayirti exhibited at Japingka Gallery in 1999 to celebrate the opening of the new art centre which was recently completed in the community. Dancers, singers, elders and artists attended the event and performed part of the ceremony for the Luurnpa Kingfisher Dreaming story that crosses through the location of the artcentre.
MARLENE YOUNG NUNGURRAYI Marlene Young Nungurrayi is a Pintupi woman born in 1971 at Papunya. During her childhood the family moved across many of the communities of the Central and Western Desert. They moved from Papunya to Warburton, Patjarr, Wiluna, Leonora and Docker River in Western Australia before moving back to Kintore. ABORIGINAL ART EDUCATION & TEACHER RESOURCES Bush Medicine is a Visual Arts Programme for middle primary school students designed for the Australian and West Australian curriculum. A set of 11 Lesson Plans provides teachers with resources to teach confidently about visual arts reflecting on and drawing ABORIGINAL ART EXHIBITIONS Aboriginal art exhibitions are on display at Japingka Aboriginal Art Gallery, 47 High Street, Fremantle - Mon-Fri 10am-5.30pm and Sat & Sun 12-5pm. There is no entrance fee to view the exhibitions. All are welcome to join us for the free opening Friday night event at 6.30pm. There is a short talk about the exhibition and the artists may bepresent.
THE SEVEN SISTERS (PLEIADES) STAR DREAMING STORY The Star Dreaming story of the Seven Sisters is one of the most widely distributed ancient stories amongst Aboriginal Australia. The songline for this story covers more than half the width of the continent, from deep in the Central Desert out to the west coast. The songline travels through many different language groups and different sections THINKING OF JIMMY PIKE The ‘Thinking About Jimmy Pike’ Visual Arts program comprises fifteen 50-minute classes. The activities can be taught as separate short projects that each last for one or more lessons, or as a semester-long art program. The lessons are sequential and connect conceptually, and they build skills towards a AMANDA CONWAY-JONES WESTLEY Amanda Westley | Land Lines. Jap 014545 | acrylic on canvas | 89 x 59 cm. 14 of 14. Ngarrindjeri artist Amanda Westley was born at Victor Harbor in South Australia in 1985. She says, “Growing up I experienced the best of both worlds, living the farm life 12 kms out of coastal country town of Victor Harbor. My father was a boat builderso the
AUSTRALIAN ABORIGINAL OCHRE PAINTING Ochre is one of the principal foundations of Australian Indigenous art. Ochres are primarily natural pigments and minerals found in the soil, or even in charcoal. These natural pigments (colours) were originally used to depict Dreamtime stories and maps. They were used either in body painting, rock painting, on artefacts and sometimeseven on sand.
ALISON MUNTI RILEY ABORIGINAL ARTIST Alison Munti Riley is a Pitjantjatjara artist born at Ernabella in 1966. Alison is the daughter of artist Betty Munti and she began her own painting career in 2006. She had been involved in textile batik work at Ernabella since her teenage years. When she was in her 20’s Alison moved with her family to Amata community on the APY lands. JAPINGKA WATERHOLE DREAMING Japingka Waterhole Dreaming. Water sources are sacred places to Aboriginal people of the desert, and each waterhole has a Creation story from the Dreaming attached to it. The Creation story gives the waterhole and the people who are its custodians a common bond and obligation. While traditionally Aboriginal people are nomadic in thesense that
EXHIBITION SHOWCASES NYOONGAR ARTISTS IN NORTHAM I love being part of that.”. The exhibition of Nyoongar art runs at Artists Revolution Gallery until March 26th at 226 Fitzgerald St, Northam. Children Playing Marbles - Kimberley Spratt. Father of the Land - Tom Garlett. Russell Fitzgerald 1. Sisters Come Together - Kimberly Spratt. Bagala Mission - Tom Garlett. THE ART & INFLUENCE OF BELLA KELLY Bella Kelly painted landscape paintings of the Great Southern. The majority of her paintings have in the background the Stirling Ranges. It is a long and high mountain range in the Great Southern. Bluff Knoll is the highest peak in that mountain range. The Stirling Ranges were important to Bella and they feature in the majority of herpaintings.
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ARTISTS
Some artists take your breathe away. After thirty years in the industry we still feel that thrill of discovery. Here are the people we are proud to represent.Learn More
ARTWORKS
Can we help you? View curated collections including price range, style and colour. Purchase with confidence, all artworks purchased online come with a 100% money back guarantee for 21 days.Learn More
SALE ART
It's fun to find a bargain. This is why we enjoy offering you a little extra excitement. For a limited time these works are available at a special sale price.Learn More
JAPINGKA ABORIGINAL ART ONLINE ETHICS & AUTHENTICITY JAPINGKA ABORIGINAL ART HAS BEEN ASSOCIATED WITH ABORIGINAL ART THROUGH ITS DIRECTORS FOR OVER THIRTY YEARS. WE ARE COMMITTED TO FAIR AND ETHICAL TRADING IN ALL OUR DEALINGS WITH ABORIGINAL ART ANDARTISTS.
Japingka Aboriginal Art is a foundation member of both Aboriginal Art Association of Australiathe national body
for Aboriginal art organisations and businesses, and of Indigenous Art Code , the Federal Government initiative to establish best practice for quality and ethical standards in the industry.CURRENT EXHIBITIONS
These exhibitions are open online, so you can view them every day. Our Gallery at 47 High St, Fremantle is currently fully operational with online orders, and open each day with social and health protocolsin place.
ROVER THOMAS & KIMBERLEY OCHRE PAINTERSGALLERY 1
14 MAY - 30 JUNE 2021 Japingka Gallery presents Rover Thomas & Kimberley Ochre Painters, featuring older works by major East Kimberley artists using ochre pigments. Many of these artists helped set benchmarks for a new generation of painters to appreciate and aspire to. Major works by Rover Thomas evoke the raw experience of the Kimberley with the artist’s brush strokes and gestures all recorded in layers of ochre paint that are swept over the surface of the boards as he painted. Other leading artists from the time include Queenie McKenzie, Jack Britten, Henry Wambini, Beerbee Mungnari and Freddie Timms.View Paintings
KURUN WARUN
PAINTINGS 2021
Gallery 2
14 May - 30 June 2021 Kurun Warun creates artworks that are expansive and capture the rhythms of the land and waterways where indigenous people have lived and cultivated and hunted for thousands of years. The structures in his paintings refer to bodypainting and hunting. They also reflect the managed environment of Aboriginal lands in the Western District of Victoria where his family come from. The cultures of Girai Wurrung and Djargurd Wurrung people from the lakes areas have left a rich archaeological history of fish traps, midddens, rock scatters and burial locations. Kurun Warun uses elements of this history in his paintings, often employing strong red colour against the dry earth colours of the background landscape. The artist last held a solo exhibition at Japingka in 2017. The recent paintings are on display from 14 May to 30 June 2021.View Paintings
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MAJOR WORKS
Show stoppers, painted by the most famous artists in our collection.See works
DREAMTIME STORIES
Aboriginal culture relates strongly with Dreamtime Stories.Learn more
ABORIGINAL ART EDUCATION Exciting resources for teachers and educators, including lessonplans.
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LEARNING
ABORIGINAL DOT PAINTING Australian Aboriginal dot paintings are typical of a style of art works from the Central and Western Desert. They are a medium for telling stories and enlivening culture. Aboriginal Dot Painting ABORIGINAL ART CENTRES Aboriginal Art Centres support artists and ensure that their work is sold through ethical channels. Japingka Aboriginal Art is proud to exhibit the work of many Art Centres from around Australia. Aboriginal Art Centres ABORIGINAL ART SYMBOLS Discover the symbols and iconography used in Australian Aboriginal Art. Learn how they can differ from artist to artist and community tocommunity.
Aboriginal Symbols
ARTICLES
Read in-depth educational articles introducing Aboriginal art and culture, including interviews with artists, art centres andcollectors.
Article Library
ABORIGINAL ART IN THE USA There is a rapidly increasing of awareness of Aboriginal Art in theUnited States.
Aboriginal Art in USA ABORIGINAL ARTIST INTERVIEWS Interviews with Aboriginal artists.Artist Interviews
FEATURED ARTISTS
GLORIA PETYARRE
Discover Gloria Petyarre's hypnotic celebration of nature and movement in her work about Bush Medicine Leaves. See why she is one of Australia’s most popular artists.Read More
FEATURED UTOPIA ARTISTS Utopia in Central Australia has produced many of the country’s greatest Aboriginal artists. Here is an overview of works of Utopia artists showing their varied styles and techniques.Read More
SARRITA KING
Layers of delicate dot work create the depth and intricacy in the paintings of Sarrita King, one of the most outstanding young artists in contemporary Indigenous art.Read More
GABRIELLA POSSUM
Stories of the night skies and beautiful colours of ancestral homelands distinguish the art of Gabriella Possum Nungurrayi, daughter of the late and great artist Clifford Possum.Read More
View All Aboriginal Artists ABORIGINAL ART - THE BIG PICTURE Learn more about the context for contemporary Australian Indigenousart.
ART OF AN ANCIENT CULTURE Aboriginal art is part of the culture of Australian Aboriginal people who have lived on the Australian continent for over 50,000 years. They represent the longest continuous culture to be found anywhere on earth. Examples of Aboriginal art are found in caves and rock shelters, and the oldest of these have been dated back at least 18,000years.
Scientists are using new technology to see if even older dates will be confirmed. Some of these rock art sites depict animals that are now extinct on mainland Australia and show a time when the climate and ecology were very different to what we have today. This artwork is part of the historical record of the Australian continent. MODERN MATERIALS TELL CREATION STORIES Today Aboriginal people use modern art materials to make their paintings, but they still rely on the ancient stories and culture to give meaning to what they paint. At the centre of many artworks are the Dreamtime or Creation stories that tell of how the land and all of nature were created by the Ancestors. The Dreaming stories connect people to the land and require that the people act as guardians and continue the traditions and ceremonies laid down by the Ancestors. By painting and singing the ancient stories and songs the people maintain their connection to the land and their ancient heritage. EUROPEAN IMPACT ON CULTURE Aboriginal people experienced a massive change to their culture and lands when European settlers came to Australia in 1788 and spread out across the country. In the past 230 years, as many as half of the 200 plus Aboriginal languages have been lost. Many have survived and are part of the movement today to recognise and preserve Aboriginal languages, knowledge, and culture. From the 1970s onwards there began a change to the way Aboriginal people gained recognition for land rights and cultural respect. CONTEMPORARY ABORIGINAL ART MOVEMENT BEGINS A major step happened in 1971 at Papunya, a desert community in Central Australia, when senior men painted a large mural at the school to show the Dreaming story of the Honey Ant. School teacher Geoffrey Bardon had asked young students to paint stories from their own culture rather than paint images taken from western culture. The elders painted the mural using the symbols familiar in their own culture, possibly intended as a statement of authority and direction marker for the local discussion about art. This action led to a painting group of senior men working at the school. They produced artwork based on their own Dreamings and using the ancient symbols ofdesert culture.
ABORIGINAL FINE ART MOVEMENT SPREADS The decisive action by Papunya artists gave rise to the Desert Art movement as other communities and artists also started painting their stories using modern art materials. The early paintings made at Papunya have become very valuable, and by the 1980s Aboriginal artworks were being exhibited in art museums and galleries in cities across Australia and internationally. ART CENTRES FACILITATE CULTURAL EXPRESSION Many remote Aboriginal communities developed their own art centres to assist artists with materials and marketing. Papunya, Yuendumu, Balgo, Haasts Bluff, Ernabella, Kintore, and Lajamanu were among the communities that established art centre structures. Other communities like Utopia relied on resources in towns like Alice Springs, which acted as service centres for the central desert region. Since the 1990s the availability of Art centres has extended to include hundreds of small remote communities. COLOUR PALETTE EXPANDS The early desert painters at Papunya relied on a range of basic colours, often gouache or water-based paints, using black, white, yellow, red and brown tones. These colours were the ones most like the ochre earth pigments that had been used for ceremonial painting and rock art for thousands of years. As the artists moved towards modern acrylic paints in the 1980s the range of available colours became much broader and brighter colours were introduced. Whereas men were the main artists at Papunya and women assisted within family groups to work on the men’s paintings, by the mid-1980s women began to make their own paintings. As part of this process, as women artists became well known they also opted for a wider range of colours. AERIAL VIEW OF THE LAND Many desert paintings use aerial perspective, where the land is seen from above as if painting a map of the artist’s country. This comes from the need for Aboriginal people to keep deep knowledge of their country in picture form and in a song cycle so that they could carry large amounts of information in their heads. The aerial view paintings often have Dreaming information overlaid on the map of the terrain, giving both a physical and a spiritual accountof the country.
ART BRINGS INCOME & CULTURAL EXPRESSION The spread of contemporary Aboriginal fine art has been an important part of life in remote communities. It has provided financial income to artists and their families, while also strengthening traditional culture and its role in everyday life, in schools and all interactions with the wider community. Art has been able to communicate the values of Aboriginal life to the rest of the world and to overcome language and communication barriers. REGIONS, CUSTODIANSHIP, FAMILY CONNECTION Aboriginal art is regional in style, with each area having its own style and preferences, based on the local Dreamings and the work of influential senior artists of the area. Custodianship of Dreamings is passed down along family lines, and each family only paints those stories that they inherit. Some regions have elected to use only natural ochre pigment paints while others have chosen to use acrylic paints within a certain preferred tonal range. Many of the artists do their painting in shared working areas, so ideas and techniques are readily observed and shared across generations within families. RECOGNISABLE ART STYLES The art of the Central Desert has been the most influential in bringing Aboriginal artworks to a worldwide audience. Its use of repetitive patterns and mesmerising rhythms that are based on the forms of landscape and tied to Creation stories seems to speak to alluniversal values.
Other art-producing regions in Australia have a longer history with collectors. In particular, the bark painters of Arnhem Land along the north coast of Australia, have sold their work to collectors since the end of the nineteenth century. The styles seen in these regions use natural materials, ochre pigment on tree bark, and fine linework made with cut reeds. The subjects often include figures of humans and animals, sometimes using what is called the x-ray view, that shows the insides of the animals. CONTEMPORARY ABORIGINAL ART HAS UNIVERSAL APPEAL While these paintings were admired and collected, they were mostly displayed in ethnographic museums that showed the art of the Indigenous First People. It took the more abstract work of the desert artists to open up to the modern world about the time-honoured values and knowledge contained within Indigenous cultures. Now, these paintings are shown alongside modern western art in contemporary art galleries and homes of art lovers around the world.Artists
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