Are you over 18 and want to see adult content?
More Annotations
A complete backup of citizenwarrior.com
Are you over 18 and want to see adult content?
A complete backup of impressum-recht.de
Are you over 18 and want to see adult content?
A complete backup of zealintelligence.com
Are you over 18 and want to see adult content?
A complete backup of startrekguide.com
Are you over 18 and want to see adult content?
A complete backup of webmanagementconsultants.com
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of developereconomics.com
Are you over 18 and want to see adult content?
A complete backup of gesetzliche-betreuung.info
Are you over 18 and want to see adult content?
A complete backup of princeestate.com
Are you over 18 and want to see adult content?
Text
JOHN K STUFF: 2019
9 x 12 marker sketches. Ren and Stimpy show their intense love for each other. Mr. Horse ponders what to give his sheep for Christmas. George admires his idiot nephew's capacity for drool. Stimpy is proud of his turd mountain. It's shedding season for JOHN K STUFF: BG PAINTING 4 / COLOR THEORY- ART LOZZI Animated characters and objects, of course, have to be painted flat, but this is why a textured bg adds depth and interest. Even on a one-color wall we add a shadow or a slight texture. On a flat sky we add a slight white cloud or two. Avoid bland. Use Contrast andVariations on a
JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: A LITTLE ABOUT CANADIAN CULTURE AND UNIQUE THE STUBBY. STUBBIES! Canada is a nation in search of an identity. In fact the government spends tons of our tax dollars trying to invent one for us by keeping American culture away from us - but it doesn't work. It just delays us from discovering US cultural trends. Canada is by nature basically a milder version of American culture. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: A SAD DAY That's how Mike would get into the role. He would play on our reactions. The more we laughed, the more energy he seemed to get. And he always wanted to do it one more time. The guy never quit. As the sessions went on, he would sweat more and more, and gradually remove his clothes until he was practically naked-which would only make uslaugh more.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: BILL PEET SAYS WHAT HE THINKS Bill Peet says what he thinks. I was just reading this really interesting interview with Bill Peet at Hogan's Alley. Peet is generally considered to be one of Walt's top story people. A writer who draws his stories. In the interview, he is very candid and saysthings that if
JOHN K STUFF: MY COMCAST COMMERCIAL IS UP AND MEET THE CREW THE KING OF KOREA. It was a real coup to capture the emperor of Korea and get him to supervise the production on the Comcast Triple Play commercial with free Nintendo DS. Seriously, King Marc took time away from aiming nuclear warheads at all the major cities in North America just because he loves to dabble with cartoons now and then. JOHN K STUFFSMOKEY THE BEARJOHN K. STOREDAWS BUTLERPETER PANPOOBERTY FISTMAINTAINING GUTS After I draw one character on a page I try to make the next one fit into the negative spaces of the other one's silhouette. The more characters I draw on the page the more challenging it becomes to fit a new character between the negative spaces of theJOHN K STUFF: 2019
9 x 12 marker sketches. Ren and Stimpy show their intense love for each other. Mr. Horse ponders what to give his sheep for Christmas. George admires his idiot nephew's capacity for drool. Stimpy is proud of his turd mountain. It's shedding season for JOHN K STUFF: BG PAINTING 4 / COLOR THEORY- ART LOZZI Animated characters and objects, of course, have to be painted flat, but this is why a textured bg adds depth and interest. Even on a one-color wall we add a shadow or a slight texture. On a flat sky we add a slight white cloud or two. Avoid bland. Use Contrast andVariations on a
JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: A LITTLE ABOUT CANADIAN CULTURE AND UNIQUE THE STUBBY. STUBBIES! Canada is a nation in search of an identity. In fact the government spends tons of our tax dollars trying to invent one for us by keeping American culture away from us - but it doesn't work. It just delays us from discovering US cultural trends. Canada is by nature basically a milder version of American culture. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: A SAD DAY That's how Mike would get into the role. He would play on our reactions. The more we laughed, the more energy he seemed to get. And he always wanted to do it one more time. The guy never quit. As the sessions went on, he would sweat more and more, and gradually remove his clothes until he was practically naked-which would only make uslaugh more.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: BILL PEET SAYS WHAT HE THINKS Bill Peet says what he thinks. I was just reading this really interesting interview with Bill Peet at Hogan's Alley. Peet is generally considered to be one of Walt's top story people. A writer who draws his stories. In the interview, he is very candid and saysthings that if
JOHN K STUFF: MY COMCAST COMMERCIAL IS UP AND MEET THE CREW THE KING OF KOREA. It was a real coup to capture the emperor of Korea and get him to supervise the production on the Comcast Triple Play commercial with free Nintendo DS. Seriously, King Marc took time away from aiming nuclear warheads at all the major cities in North America just because he loves to dabble with cartoons now and then. JOHN K STUFF: MORE HANDSOME CARTOON COMPOSITIONS Ger Apeldoorn is a great resource for rare cartoon art. He collects all the stuff that I would love to have. http://allthingsger.blogspot JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: CHRIS RECCARDI REMEMBERED Chris Reccardi Remembered. We've lost a great talent and an old friend and colleague of mine. Chris and I go way back. We first worked together on 1988's Beany and Cecil, although he mostly drew for Eddie Fitzgerald's unit. Once we started the Ren and Stimpy series, he came on as a storyboard artist. He quickly became one of the top artists on JOHN K STUFF: GALLERY SHOW IN LAGUNA OF MY COLLECTION Here's some stuff that won't be there just because I had so much stuff they had to weedle it down to only the most glistening tasty development drawings, storyboards, layouts, animation, cels, backgrounds, toys and more from over 30 years of wackiness! Not just my drawings, but also work from many of the gifted animators, painters and cartoonists I've worked with. JOHN K STUFF: 10 X BEATS. FLIP THE FROG: DOUBLE BOUNCE WALK 10 x beats. Flip the Frog: double bounce walk. 1) What a double-bounce walk is and how to draw one. Different tempos in animation have different feels. A 12x beat is an easy natural feel. An 8x beat has a quick uptempo feel. A 10x beat is inbetween those 2. JOHN K STUFF: ANIMATION SCHOOL 8 The eyes are tiny. The front legs are way bigger than the back legs. CONTRASTS in proportions=exaggeration=cartoony=funny. Got it? *Interestingly, the only contrasts in this design are contrasts of size. The character is completely constructed of ovals. Varying the size contrasts alone makes it an appealing funny design. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: MILT ON CLAMPETT PART 1 Milt On Clampett part 1. Milt Gray is an animator, director and cartoon historian. He has interviewed countless golden age animators and artists and was a personal friend of Bob Clampett. I first met Bob I think at Milt's. Milt has spent thousands of hours studying animation frame by frame from classic cartoons and is quite anarticulate writer
JOHN K STUFF: MILT GRAY ON CLAMPETT'S BLACK AND WHITE CARTOONS Milt Gray On Clampett's Black and White Cartoons. Intro. In case someone wonders what I am referring to as Clampett’s “successes” in his black-and-white cartoons, I thought I might identify some of them here. I was thinking primarily of the use of expressive animation (movement) to express a spirit of cartoon zaniness, and zanycharacters.
JOHN K STUFFSMOKEY THE BEARJOHN K. STOREDAWS BUTLERPETER PANPOOBERTY FISTMAINTAINING GUTS After I draw one character on a page I try to make the next one fit into the negative spaces of the other one's silhouette. The more characters I draw on the page the more challenging it becomes to fit a new character between the negative spaces of theJOHN K STUFF: 2019
9 x 12 marker sketches. Ren and Stimpy show their intense love for each other. Mr. Horse ponders what to give his sheep for Christmas. George admires his idiot nephew's capacity for drool. Stimpy is proud of his turd mountain. It's shedding season for JOHN K STUFF: BG PAINTING 4 / COLOR THEORY- ART LOZZI Animated characters and objects, of course, have to be painted flat, but this is why a textured bg adds depth and interest. Even on a one-color wall we add a shadow or a slight texture. On a flat sky we add a slight white cloud or two. Avoid bland. Use Contrast andVariations on a
JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: A LITTLE ABOUT CANADIAN CULTURE AND UNIQUE THE STUBBY. STUBBIES! Canada is a nation in search of an identity. In fact the government spends tons of our tax dollars trying to invent one for us by keeping American culture away from us - but it doesn't work. It just delays us from discovering US cultural trends. Canada is by nature basically a milder version of American culture. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: A SAD DAY That's how Mike would get into the role. He would play on our reactions. The more we laughed, the more energy he seemed to get. And he always wanted to do it one more time. The guy never quit. As the sessions went on, he would sweat more and more, and gradually remove his clothes until he was practically naked-which would only make uslaugh more.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: BILL PEET SAYS WHAT HE THINKS Bill Peet says what he thinks. I was just reading this really interesting interview with Bill Peet at Hogan's Alley. Peet is generally considered to be one of Walt's top story people. A writer who draws his stories. In the interview, he is very candid and saysthings that if
JOHN K STUFF: MY COMCAST COMMERCIAL IS UP AND MEET THE CREW THE KING OF KOREA. It was a real coup to capture the emperor of Korea and get him to supervise the production on the Comcast Triple Play commercial with free Nintendo DS. Seriously, King Marc took time away from aiming nuclear warheads at all the major cities in North America just because he loves to dabble with cartoons now and then. JOHN K STUFFSMOKEY THE BEARJOHN K. STOREDAWS BUTLERPETER PANPOOBERTY FISTMAINTAINING GUTS After I draw one character on a page I try to make the next one fit into the negative spaces of the other one's silhouette. The more characters I draw on the page the more challenging it becomes to fit a new character between the negative spaces of theJOHN K STUFF: 2019
9 x 12 marker sketches. Ren and Stimpy show their intense love for each other. Mr. Horse ponders what to give his sheep for Christmas. George admires his idiot nephew's capacity for drool. Stimpy is proud of his turd mountain. It's shedding season for JOHN K STUFF: BG PAINTING 4 / COLOR THEORY- ART LOZZI Animated characters and objects, of course, have to be painted flat, but this is why a textured bg adds depth and interest. Even on a one-color wall we add a shadow or a slight texture. On a flat sky we add a slight white cloud or two. Avoid bland. Use Contrast andVariations on a
JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: A LITTLE ABOUT CANADIAN CULTURE AND UNIQUE THE STUBBY. STUBBIES! Canada is a nation in search of an identity. In fact the government spends tons of our tax dollars trying to invent one for us by keeping American culture away from us - but it doesn't work. It just delays us from discovering US cultural trends. Canada is by nature basically a milder version of American culture. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: A SAD DAY That's how Mike would get into the role. He would play on our reactions. The more we laughed, the more energy he seemed to get. And he always wanted to do it one more time. The guy never quit. As the sessions went on, he would sweat more and more, and gradually remove his clothes until he was practically naked-which would only make uslaugh more.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: BILL PEET SAYS WHAT HE THINKS Bill Peet says what he thinks. I was just reading this really interesting interview with Bill Peet at Hogan's Alley. Peet is generally considered to be one of Walt's top story people. A writer who draws his stories. In the interview, he is very candid and saysthings that if
JOHN K STUFF: MY COMCAST COMMERCIAL IS UP AND MEET THE CREW THE KING OF KOREA. It was a real coup to capture the emperor of Korea and get him to supervise the production on the Comcast Triple Play commercial with free Nintendo DS. Seriously, King Marc took time away from aiming nuclear warheads at all the major cities in North America just because he loves to dabble with cartoons now and then. JOHN K STUFF: MORE HANDSOME CARTOON COMPOSITIONS Ger Apeldoorn is a great resource for rare cartoon art. He collects all the stuff that I would love to have. http://allthingsger.blogspot JOHN K STUFF: ANIMATION SCHOOL LESSON 1/ CONSTRUCTION/ THE CONSTRUCTION is the most important concept you need to understand. It's like sculpting your drawings. Step 1- draw the form of your character first - a sphere, or a cranium or whatever the form looks like. Step 2- Draw center lines through the form both vertically and horizontally-. wrap those lines around the form in the right place. JOHN K STUFF: CHRIS RECCARDI REMEMBERED Chris Reccardi Remembered. We've lost a great talent and an old friend and colleague of mine. Chris and I go way back. We first worked together on 1988's Beany and Cecil, although he mostly drew for Eddie Fitzgerald's unit. Once we started the Ren and Stimpy series, he came on as a storyboard artist. He quickly became one of the top artists on JOHN K STUFF: GALLERY SHOW IN LAGUNA OF MY COLLECTION Here's some stuff that won't be there just because I had so much stuff they had to weedle it down to only the most glistening tasty development drawings, storyboards, layouts, animation, cels, backgrounds, toys and more from over 30 years of wackiness! Not just my drawings, but also work from many of the gifted animators, painters and cartoonists I've worked with. JOHN K STUFF: 10 X BEATS. FLIP THE FROG: DOUBLE BOUNCE WALK 10 x beats. Flip the Frog: double bounce walk. 1) What a double-bounce walk is and how to draw one. Different tempos in animation have different feels. A 12x beat is an easy natural feel. An 8x beat has a quick uptempo feel. A 10x beat is inbetween those 2. JOHN K STUFF: ANIMATION SCHOOL 8 The eyes are tiny. The front legs are way bigger than the back legs. CONTRASTS in proportions=exaggeration=cartoony=funny. Got it? *Interestingly, the only contrasts in this design are contrasts of size. The character is completely constructed of ovals. Varying the size contrasts alone makes it an appealing funny design. JOHN K STUFF: MALIBU BEACH PARTY CARICATURE NIGHT Kali got a job doing caricatures at a party in Malibu and asked me to join in on the fun. That's Emma above. The party was in her honor. Here's her kid brother, Ellis who is a budding artist himself. Here are the party organizers and their flattertures. Kali knows hereyebrow biology.
JOHN K STUFF: PRETTY GIRLS BY RASMUSSON Hal Rasmusson is a cartoonist who I only know of from the Walter T. Foster cartoon books. He draws pretty girls like a sonuvabitch. It's nice of him to explain some of how he does it too. JOHN K STUFF: MILT ON CLAMPETT PART 1 Milt On Clampett part 1. Milt Gray is an animator, director and cartoon historian. He has interviewed countless golden age animators and artists and was a personal friend of Bob Clampett. I first met Bob I think at Milt's. Milt has spent thousands of hours studying animation frame by frame from classic cartoons and is quite anarticulate writer
JOHN K STUFF: MILT GRAY ON CLAMPETT'S BLACK AND WHITE CARTOONS Milt Gray On Clampett's Black and White Cartoons. Intro. In case someone wonders what I am referring to as Clampett’s “successes” in his black-and-white cartoons, I thought I might identify some of them here. I was thinking primarily of the use of expressive animation (movement) to express a spirit of cartoon zaniness, and zanycharacters.
SATURDAY, NOVEMBER 10, 2007BIO IN PROGRESS
I just started working with a commercial rep and they asked for abio, so
this is a rough draft. I'm going to add links and then transfer it tomy demo reel blog
John Kricfalusi is the animated cartoon’s modern pioneer.Early Days
Kricfalusi started his career during the dark-ages of cartoons. In the 1980’s he worked on such ‘crap’ as he calls it, as The Smurfs, Laverne and Shirley In The Army and other Saturday Morning Cartoons being churned out by the animation factories. During this depressing period he and other disgruntled cartoonists developed and pitched his own cartoon creations. His frantic and extremely sweaty pitches terrified network executives.The New Jetsons
Hired to train layout artists in Taipei, John took a young crew of inbetweeners and tried out a production experiment. He requested audio tapes of the voice recordings for The Jetsons and played every line for the artists and then customized each pose and expression to match the voice tracks. This was the beginning of a new TV animation production system and characters started to show some life again. John also directed his first TV cartoon episode: High Tech Wreck. Kricfalusi Teams With Bakshi to Develop TV ShowsHarlem
Shuffle- Rolling Stones Video With Bakshi Bakshi’s New Adventures Of Mighty Mouse Ralph Bakshi discovered John in 1987 and hired him to direct CBS’ “Bakshi’s Mighty Mouse”. This was the cartoon that started the so-called ‘Creator-Driven’ revolution. Kricfalusi hired a crew of artists that, like him, were dissatisfied with the formula cartoons they were forced to work on atother studios.
They made a witty, satirical and wildly imaginative show for CBS that delighted critics and kids alike and immediately influenced thecompeting studios.
http://johnkstuff.blogspot.com/2007/09/mighty-mouse-show-episode-2-mightys.html New TV Cartoon Production System John not only revolutionized the style and content of modern cartoons, he created a new production system that allowed it to happen. He first introduced the Director-Unit system for Ralph Bakshi’s Mighty Mouse Show, and then went on to refine it for his own Spumco studio and The Ren and Stimpy Show. Kricfalusi developed a production system based on the classic cartoon system of the 1940’s but adapted it to the realities of TV production. Bakshi’s Mighty Mouse became the foundation of not only the creative revolution that followed, but also gave the industry the mechanism that would allow it to happen. It put the artists back in charge for the first time in 30 years. 2 years later, Ren and Stimpy debuted and the revolution was in full swing. Ren and Stimpy Smash Success Sets Trends For Years To Come With his landmark 1991 TV series "Ren & Stimpy," featuring the demented, wildly anti-social and hilariously inappropriate antics of the two title characters, Canadian-born animator John Kricfalusi (b. 1955) kicked modern cartooning in its underpants, starting a myriad of trends: the gross-out subversive cartoon (Beavis and Butthead, Southpark, Sponge Bob), the thick-lined flat retro cartoon (Dexter’s Lab, Fairly Odd Parents etc.) http://johnkstuff.blogspot.com/2007/06/more-stylized-spumco-199091-and-today.html Every major studio today features styles, looks and humor that are highly influenced by John’s cartoons and ideas. The show also made a fortune for Nickelodeon and enabled them to open their own animation studio. Consultant For Hanna Barbera - Cartoon Network When Fred Seibert took over the Hanna Barbera Studio in the early 90s, he hired John as a consultant. His first question was “Why are old cartoons so great and the new ones suck?” John went on to exlain the history of cartoons and pointed out that the classic cartoons, Bugs Bunny, Mickey Mouse and many others began life as short cartoons. Old cartoon directors constantly experimented with new characters in shorts and when certain characters clicked with the audiences, they would then make many more cartoons with theirnewfound stars.
Fred said, “Then I’m going to make shorts from now on at Hanna Barbera and see what characters click.” This led to Dexter’s Laboratory, Cow and Chicken, PowerPuff Girls, Ed Edd and Eddy and many more popular Cartoon Network series. All the other studios quickly followed with their own shortsdepartments.
Ranger Smith/ Hanna Barbera Parodies John started a caricatured revival of classic cartoon characters: Boo Boo Runs Wild, a Day In The Life Of Ranger Smith and other extreme versions of classic Hanna Barbera characters. Father Of Internet and Flash Cartoons After revolutionizing TV cartoons, Kricfalusi followed up by introducing and popularizing internet cartoons in 1997 with The Goddamn George Liquor Program and developed the techniques for Flash animation that are used at practically every studio today.The Ripping Friends
John’s Spumco studio produced a low-budget kid series that has aired for years on Teletoon. It is a very popular show with Canadian kids.Adult Party Cartoon
Spike TV contacted John in 2002 and urged him to make an extreme version of Ren and Stimpy. Along the way, John suggested to Spike that they should license the Ultimate Fighting Championship and make a reality show based on the fighters. This became Spike’s most popular show and helped to further popularize the UFC.Commercials
John has created characters for popular and award winning commercials for Old Navy, Nike, NBC and many other major brands, both for TV andInternet.
http://www.hoytyboy.com/directors/Director_John_K/Director_Page_John_K.htmMusic Videos
Popular Musicians have asked John to make animated videos for theirsongs.
Bjork, Weird Al and Tenacious D have made popular videos with John.Toys
John produced some high quality toys of his own characters and The Three Stooges. He has also made t shirts, comic books and other merchandise using his characters. http://johnkstuff.blogspot.com/2006/03/john-k-package-design.html Posted by JohnK at 9:45 AMNewer Post
Older Post Home
JOHNK.STORE
Where to buy some fun crap. THANK YOU FOR YOUR DONATION!FM ZONE
MY CARTOON SCHOOL
http://johnkcurriculum.blogspot.com/ JOHN K CARTOON STORIES * John K Cartoon Stories* Cartoonbrew
* Killer Cartoon Images To Copy! * More Classic Cartoon Stuff * Cool Cartoon Related Stuff* Flexitoon
* Pete Emslie
* Mayerson
* Eddie's Killer Theories* Jim Smith
* Vincent Waller
* Kali Fontecchio
* Rex Hackelberg
* Marc Deckter
* Brian Romero
* Nick Cross
* Marlo Meekins
* Kristy Gordon
* Cold Hard Flash
* Will Finn
* Fred Osmond
* Kristen McCabe
* Brianne
* Steffi
* Jose Pou
ARCHIVE
* ► 2021 (3)
* ► Mar 2021 (1) * ► Jan 2021 (2)* ► 2020 (39)
* ► Dec 2020 (1) * ► Oct 2020 (3) * ► Sep 2020 (4) * ► Aug 2020 (4) * ► Jul 2020 (6) * ► Jun 2020 (7) * ► May 2020 (7) * ► Mar 2020 (6) * ► Jan 2020 (1)* ► 2019 (76)
* ► Dec 2019 (2) * ► Nov 2019 (6) * ► Oct 2019 (6) * ► Sep 2019 (9) * ► Aug 2019 (7) * ► Jul 2019 (12) * ► Jun 2019 (15) * ► May 2019 (8) * ► Apr 2019 (4) * ► Mar 2019 (5) * ► Feb 2019 (2)* ► 2016 (1)
* ► Aug 2016 (1)* ► 2015 (21)
* ► Dec 2015 (1) * ► Nov 2015 (8) * ► Oct 2015 (4) * ► Jun 2015 (1) * ► Feb 2015 (1) * ► Jan 2015 (6)* ► 2014 (22)
* ► Oct 2014 (1) * ► Aug 2014 (3) * ► Jul 2014 (7) * ► Jun 2014 (5) * ► May 2014 (2) * ► Apr 2014 (1) * ► Mar 2014 (2) * ► Feb 2014 (1)* ► 2013 (40)
* ► Dec 2013 (1) * ► Nov 2013 (4) * ► Oct 2013 (9) * ► Sep 2013 (2) * ► Aug 2013 (2) * ► Jul 2013 (4) * ► Jun 2013 (2) * ► May 2013 (2) * ► Apr 2013 (5) * ► Mar 2013 (2) * ► Feb 2013 (5) * ► Jan 2013 (2)* ► 2012 (84)
* ► Dec 2012 (2) * ► Nov 2012 (4) * ► Oct 2012 (6) * ► Sep 2012 (20) * ► Aug 2012 (6) * ► Jul 2012 (8) * ► Jun 2012 (9) * ► May 2012 (11) * ► Apr 2012 (2) * ► Mar 2012 (7) * ► Feb 2012 (3) * ► Jan 2012 (6)* ► 2011 (153)
* ► Dec 2011 (8) * ► Nov 2011 (22) * ► Oct 2011 (21) * ► Sep 2011 (1) * ► Aug 2011 (5) * ► Jul 2011 (18) * ► Jun 2011 (7) * ► May 2011 (11) * ► Apr 2011 (13) * ► Mar 2011 (12) * ► Feb 2011 (11) * ► Jan 2011 (24)* ► 2010 (486)
* ► Dec 2010 (33) * ► Nov 2010 (30) * ► Oct 2010 (43) * ► Sep 2010 (41) * ► Aug 2010 (50) * ► Jul 2010 (44) * ► Jun 2010 (47) * ► May 2010 (42) * ► Apr 2010 (30) * ► Mar 2010 (36) * ► Feb 2010 (42) * ► Jan 2010 (48)* ► 2009 (515)
* ► Dec 2009 (39) * ► Nov 2009 (55) * ► Oct 2009 (51) * ► Sep 2009 (31) * ► Aug 2009 (42) * ► Jul 2009 (42) * ► Jun 2009 (21) * ► May 2009 (44) * ► Apr 2009 (40) * ► Mar 2009 (48) * ► Feb 2009 (45) * ► Jan 2009 (57)* ► 2008 (323)
* ► Dec 2008 (36) * ► Nov 2008 (29) * ► Oct 2008 (25) * ► Sep 2008 (28) * ► Aug 2008 (23) * ► Jul 2008 (29) * ► Jun 2008 (23) * ► May 2008 (37) * ► Apr 2008 (18) * ► Mar 2008 (22) * ► Feb 2008 (26) * ► Jan 2008 (27)* ▼ 2007 (364)
* ► Dec 2007 (30) * ▼ Nov 2007 (25) * funny drawings from Flintstone - Carlo Vinci * Go See Some Cool Puppets in CT! * Some good things in the Horton Trailer * Cartoon College Year 3 * Unusual Color Selections and combinations at HB * the BG Style I'd Like To See* This old thing
* Enough Already!
* A+ Flintstone BGs - using neutrals and Grays betwe... * Color Theory 8 - Art Lozzi - Snorkasaurus Hunter -... * Grim in Barnacle Bill * Go See Grim Natwick Art In Person!* Hoytyboy
* Hanna Barbera's Missed Opportunities * Pete Emslie Video Demo* Korea Notes 3
* Kali's Birthday Soiree Pics* Bio In Progress
* My Reel
* HAPPY BIRTHDAY KALI! * Flash VS Traditional VS Asia * Korea notes 2 - combining curves and angles to loo... * My Notes To Korean Animation Studios 1 - Please us... * From the Jetstones To Mighty Mouse * Go Check Out The Pitch Blog * ► Oct 2007 (38) * ► Sep 2007 (33) * ► Aug 2007 (38) * ► Jul 2007 (39) * ► Jun 2007 (23) * ► May 2007 (33) * ► Apr 2007 (34) * ► Mar 2007 (29) * ► Feb 2007 (18) * ► Jan 2007 (24)* ► 2006 (205)
* ► Dec 2006 (23) * ► Nov 2006 (14) * ► Oct 2006 (20) * ► Sep 2006 (17) * ► Aug 2006 (18) * ► Jul 2006 (20) * ► Jun 2006 (19) * ► May 2006 (15) * ► Apr 2006 (20) * ► Mar 2006 (24) * ► Feb 2006 (15)* ► 1994 (1)
* ► Jul 1994 (1)LABELS
* 01 PAYPAL
(15)
* 03 Amazon links
(1)
* 1930 (1)
* 1931 (4)
* 1932 (1)
* 1933 (1)
* 1935 (1)
* 1936 (4)
* 1937 (1)
* 1938 (2)
* 1939 (1)
* 1940 (1)
* 1941 (6)
* 1942 (14)
* 1943 (7)
* 1944 (7)
* 1945 (11)
* 1946 (18)
* 1947 (12)
* 1948 (8)
* 1949 (2)
* 1952 (2)
* 1953 (3)
* 1954 (2)
* 1955 (4)
* 1956 (4)
* 1958 (1)
* 1959 (5)
* 1960 (3)
* 1961 (3)
* 1962 (1)
* 1963 (1)
* 1964 (3)
* 1965 (1)
* 1966 (2)
* 1967 (1)
* 1979 (1)
* 1980 (2)
* 1982 (1)
* 1984 (2)
* 1985 (6)
* 1987 (7)
* 1988 (1)
* 1989 (2)
* 1990 (2)
* 1996 (4)
* 1997 (1)
* 1998 (1)
* 1999 (3)
* 2001 (1)
* 2004 (1)
* 2009 (1)
* 2010 (2)
* 2013 (1)
* 3/4 walks
(1)
* 43 (1)
* 50s style
(20)
* 60s (17)
* 80s cartoons.
(11)
* Aaron Springer
(1)
* accents (8)
* acting (12)
* ad layout
(12)
* Adrian (1)
* adult swim
(8)
* Agrusa (2)
* Al Dempster
(2)
* Alvin and the Chipmunks(3)
* amateur cartooning(1)
* amazon store
(3)
* Amid (1)
* anderson cooper
(1)
* animals (6)
* animated mascots
(1)
* animation
(49)
* animation hair
(5)
* animation lesson
(7)
* anime (5)
* anticipations
(8)
* Aoki Pizza
(1)
* APC (7)
* appeal (44)
* application
(6)
* Archie (2)
* Asymmetry
(7)
* ature (1)
* Augie (4)
* authority
(1)
* Avery (8)
* Bakshi (22)
* Ballantine
(2)
* barack (4)
* Barbary Coast Bunny(3)
* barber (9)
* Barq's (3)
* Batman (2)
* Bauza (1)
* BC (2)
* beany and cecil
(3)
* beatings
(4)
* Beatles (2)
* beats (4)
* Benedict
(11)
* Betty Boop
(9)
* BG color keys
(3)
* BG Design
(10)
* BG Painting
(49)
* BGs Layout Style
(30)
* bickenbach
(5)
* Big House Blues
(9)
* Bill Justice
(1)
* Bill Peet
(5)
* Bill Wray
(1)
* Binto and Blop
(10)
* Bjork (3)
* BLAND (10)
* Blen Kubercheebie
(3)
* Bob Camp
(1)
* Bob Givens
(1)
* Bob Jaques
(6)
* Bobby Bigloaf
(15)
* Bobby Sox
(1)
* Boo Boo
(8)
* Book Revue
(3)
* bouncing
(4)
* Bowsky (2)
* branded entertainment(1)
* Brant Parker
(3)
* Brianne (1)
* Brik Blastoff
(2)
* buckaroo
(5)
* Bud Blake
(2)
* bugs bunny
(21)
* Bugs Pussy
(1)
* building the gag
(3)
* Bullwinkle
(8)
* bumpers (3)
* Cal Arts
(5)
* Cal Arts Bible
(1)
* California water color(1)
* Canadian style
(9)
* candidate toys
(11)
* Cans (1)
* Cans Without Labels(8)
* capitalism
(8)
* Carbunkle
(6)
* cari (1)
* caricature
(109)
* caricature to character design(1)
* Carl Barks
(2)
* Carlo Vinci
(11)
* Carlos Nine
(1)
* Cartoon College
(72)
* Cartoon Logic
(2)
* cartoon skin
(2)
* cartoon traditions(7)
* Cartoony
(60)
* Casper (1)
* Cavin and Hobbes
(1)
* cereal (7)
* CG (2)
* chainsaws
(4)
* character
(6)
* character design
(43)
* Character Painting(30)
* Charlie Dog
(3)
* chicanery
(1)
* chipmunkians
(3)
* chloe (7)
* chris peterson
(4)
* Christmas
(9)
* Cigarettes The Cat(1)
* Cinefamily
(1)
* Clampett
(68)
* clarity (8)
* classic commercials(7)
* Classico
(3)
* Claude Cat
(1)
* cleanup
(12)
* clear staging
(15)
* collaboration
(1)
* color (38)
* coloring books
(5)
* COMCAST (2)
* Comic Ad Copy
(1)
* Comic Book
(2)
* Comic Book Day
(2)
* Comic book signing(1)
* comic books
(25)
* Comic Con
(10)
* comic strips
(11)
* comics (4)
* Comment Rules
(1)
* commissions
(2)
* composition
(58)
* conservatism
(6)
* construction
(69)
* contrasts
(12)
* CORPORATE RIPOFFS
(1)
* costumes
(5)
* couch (1)
* couch gag
(9)
* Cow (1)
* Craig Yoe
(1)
* credit (3)
* credits (7)
* critique
(16)
* crowds (4)
* Crystal (6)
* Ctn (5)
* Cuff (4)
* cycles (1)
* Daffy Duck
(10)
* Dagwood (2)
* Dan De Carlo
(1)
* Dan Gordon
(6)
* Dave Gerard
(1)
* DAWS BUTLER
(3)
* decline (6)
* Deputy Dawg
(2)
* Design (10)
* development artist(1)
* Dialogue
(7)
* Dick Briefer
(2)
* Dick Kelsey
(1)
* digital destruction(2)
* dinosaurs
(1)
* Direct Sponsorship(20)
* directing
(29)
* Disney (23)
* Disney Doodles
(1)
* Disney principles
(37)
* dog noses
(2)
* Don Arr
(1)
* Don Martin
(16)
* Don Messick
(1)
* Donald (3)
* Donald Bastard
(8)
* Dong Kingman
(1)
* doodles
(51)
* Doodles Breakfast
(45)
* drybrush
(2)
* Ed Benedict
(8)
* Ed Hooks Mystery Man(1)
* Ed Love
(4)
* Eddie Fitzgerald
(3)
* Eisenberg
(27)
* electron microscope(2)
* Elinor Blake
(1)
* Elmer (4)
* EMSLIE (6)
* energy sketches
(3)
* evolution
(13)
* exaggeration
(2)
* experimentation
(1)
* Exteriors
(1)
* eye and brain
(1)
* eyes (11)
* Fake Commercials
(3)
* fan art
(5)
* Fan mail
(1)
* FAQ (1)
* Fedor (3)
* Feiss (2)
* filler (4)
* film trickery
(1)
* Filmation
(5)
* FLASH (1)
* Fleischer Close Ups(2)
* Fleischers
(15)
* Flintstone
(46)
* Flip (2)
* Floyd Gottfredson
(1)
* Foghorn
(10)
* fontanelli
(32)
* form (1)
* formula animation acting(4)
* framing (1)
* Frank and Ollie
(3)
* Frank Nastasi's hand(1)
* frazetta
(4)
* Freddie Moore
(1)
* Friz (1)
* fun (5)
* functional drawing(18)
* funny drawings
(3)
* Furpy (1)
* future (1)
* FX (1)
* G.I. Babies
(2)
* Gabe Swarr
(1)
* Gandy Goose
(3)
* Gene Colan
(2)
* General Mills
(5)
* generic (6)
* Gentle (1)
* George Clark
(1)
* George Liquor
(74)
* George Liquor Environment reference(10)
* George Liquor Models(22)
* George Nicholas
(1)
* gestures
(2)
* getting started
(4)
* Gill Fox
(1)
* Golden Books
(17)
* good blogs
(1)
* goofy gremlins
(3)
* graphic design
(4)
* Gribbroek
(3)
* Grillo (1)
* Gross (28)
* gruntspeak
(2)
* Haas (1)
* Harmke (2)
* harmony
(14)
* Harvey comics
(9)
* Hawley Pratt
(1)
* Hazelton
(8)
* HB (96)
* HB commercials
(1)
* HB 1984
(1)
* HB Fashion
(1)
* He Hog (7)
* head bobs
(3)
* head motion
(3)
* Heartaches
(35)
* hierarchy
(58)
* Hillary (5)
* holes (1)
* honeymooners
(10)
* Hook (4)
* Horror (1)
* houses (2)
* How to Make Cartoons Procedure(2)
* Howie Post
(24)
*
http://www.celebritymerch.com/Merchant2/graphics/00000001/men%27sblen.jpg(1)
* Hubley (9)
* Huckleberry Hound
(5)
* Huemer (1)
* Humanity
(28)
* iconic characters
(15)
* ideals (1)
* ideas (7)
* Illustration
(7)
* imagination
(4)
* imitation cartoons(1)
* Inbred (7)
* Influences
(5)
* ingredient #1 impossible made possible(2)
* inking (37)
* Internet
(1)
* Interview
(1)
* Irv Spence
(2)
* itchy (2)
* Izzy Ellis
(2)
* jack black
(6)
* Jack Cole
(1)
* Jay Ward
(4)
* Jetsons
(19)
* Jim Smith
(15)
* jimmy (7)
* jimmy gift
(2)
* Jimmy Hatlo
(2)
* Jinks (1)
* Jinks the Cat
(3)
* Jobs (4)
* Joe Barbera
(2)
* Joel Fajnor
(1)
* John animation
(15)
* John K. Store
(5)
* John Kricfalusi Commercials(3)
* John Wayne
(1)
* John's Network of Fun(2)
* Johnny Hart
(9)
* Johnny Johnson
(1)
* Jones (25)
* JP Miller
(3)
* Kahl (4)
* Kali (20)
* Kartoon Kubism
(4)
* Kaspar (37)
* Kelly Armstrong
(3)
* ketcham
(15)
* Kickstarter Cans
(7)
* Kimball (1)
* Kirby (20)
* Kirk Douglas
(8)
* Kitty Kornered
(4)
* Korea (4)
* Kristen McCabe
(1)
* Kurtzman
(11)
* lan (1)
* Larsen (1)
* Layout (53)
* LCAD Gallery
(1)
* learn from the masters(2)
* LICHTY (3)
* Life (15)
* Life Drawing
(4)
* Life Sucks
(8)
* limited animation
(23)
* line of action
(20)
* Lip synch
(3)
* Little Audrey
(2)
* Little Iodine
(1)
* live action
(4)
* local (1)
* Lollobridgida
(1)
* lost cartoon traditions(4)
* Lost episodes
(6)
* Lozzi (17)
* lummoxes
(1)
* lumpy (4)
* Lundy (2)
* Lynne Naylor
(4)
* magazine cartoons
(1)
* Magilla (1)
* maintaining guts
(19)
* mangle (1)
* Manny Gould
(1)
* Manwaring
(1)
* Marie Severin
(1)
* marker cards
(46)
* Market Research
(8)
* Marvel (1)
* Mary blair
(6)
* Matt Danner
(1)
* McCain (3)
* McKimson
(27)
* Meat (1)
* Mel Blanc
(2)
* Mel Crawford
(19)
* merchandise
(1)
* Messmer (4)
* Mickey Mouse
(5)
* Mighty Mouse
(24)
* Mike Judge
(1)
* Mike Kerr
(1)
* Miley (4)
* Milfs (1)
* Milt Gray
(6)
* milt stein
(2)
* Milton Knight
(1)
* Minton (1)
* MLA (6)
* MMA (2)
* Money vs talent
(1)
* Montealegre
(5)
* moons (2)
* Mort Drucker
(5)
* mouth and cheek construction(6)
* music (10)
* musical sfx
(2)
* My Characters
(1)
* Naked Beach Frenzy(1)
* natwick (6)
* NEAL ADAMS
(1)
* neg (1)
* negative space
(8)
* neutral colors
(17)
* News Heads
(14)
* Nick Cross
(6)
* Nico (2)
* noble (1)
* Norm McGary
(5)
* observation
(6)
* Off-model
(19)
* Olive Oyl
(1)
* on-model
(2)
* opposing poses
(18)
* Oreb (5)
* organic
(19)
* Oswald (10)
* Outlines
(10)
* overlapping action(1)
* OWC (1)
* owen fitzgerald
(19)
* pacing (1)
* package design
(3)
* pataki (3)
* Pathos (1)
* Paul Coker
(3)
* Peed (3)
* Perry Gunite
(1)
* personality
(7)
* Perspective
(2)
* Peter Lorre
(2)
* Peter Pan
(1)
* Phantom (1)
* Phil monroe
(2)
* Piggy Bank
(5)
* pitches
(33)
* pitches.
(1)
* pogo (2)
* Polar Pals
(1)
* Pontiac Vibe
(4)
* pooberty fist
(23)
* Pookie (4)
* poor (2)
* Popeye (26)
* porky (3)
* Porky's Pooch
(2)
* Pose to pose
(10)
* posing (3)
* predictions
(2)
* press (3)
* Preston Blair
(19)
* PRETTY GIRLS
(30)
* principles
(40)
* Private Lessons
(1)
* production system
(17)
* Psychodrama
(1)
* PTM (1)
* punctuation
(1)
* puppets (7)
* quality (1)
* Raketu (7)
* random (1)
* ranger smith
(23)
* realistic
(4)
* Reddit (1)
* regional accents
(1)
* Ren and Stimpy
(50)
* retro (2)
* Retrospective
(24)
* review (1)
* Rex (3)
* Rex' Dad
(1)
* Rich Pursel
(2)
* Richard Daskas
(3)
* Richard Ziehler Martin(1)
* Ripping Friends
(10)
* Rivera (2)
* Robert Grossman
(1)
* Robert Ryan
(3)
* Roger Ramjet
(14)
* Rojankovsky
(3)
* Roland Crandall
(1)
* Ron Ferdinand
(4)
* Rootie Kazootie
(1)
* Rough Draft
(1)
* rubber hose
(23)
* Rubber Hose Aliens(3)
* runs (3)
* SAC-Con (1)
* Sad Sack George Baker(2)
* Scarbo (2)
* School (25)
* sci fi (5)
* Scribner
(30)
* Seacrest
(1)
* Seiden (1)
* setups (13)
* Shane Glines
(4)
* Sharp Brothers
(2)
* Shatner (2)
* shorts program
(11)
* show packaging
(1)
* sidewalks
(1)
* Silent Movie Theater(1)
* silhouettes
(8)
* Simpsons
(15)
* slab n ernie
(43)
* slimy (1)
* smears (1)
* Smokey The Bear
(3)
* Snafu (1)
* SoCal Comic Con
(1)
* Sody (15)
* solid ivory
(4)
* Soupy Sales
(5)
* space (1)
* space and fills
(6)
* Spaz (1)
* specific acting
(41)
* specific design
(12)
* spector (5)
* Sporn (2)
* Spumco Innovations(1)
* Spumco package design(4)
* Spumco Packaging
(6)
* spumco toys
(45)
* staging (8)
* Stereotypes
(1)
* Sterrett
(1)
* Steve Muffatti
(1)
* Stimpy (6)
* stock Disney
(13)
* Stooges (4)
* store (1)
* story (43)
* storyboard
(68)
* straight ahead
(5)
* string holders
(6)
* structure
(7)
* stupid (2)
* Style (20)
* subtle (2)
* Sullivant
(2)
* superheroes
(1)
* Superman
(2)
* surreal (1)
* Swipe File
(3)
* Sylvester
(1)
* t shirts
(15)
* t-shirts
(1)
* Tabloids
(4)
* takes (3)
* TCM (1)
* technology
(1)
* teeth (1)
* Tenacious D
(11)
* Tenggren
(1)
* terrytoons
(19)
* Tex Avery
(3)
* thanksgiving
(1)
* throb (2)
* timing (1)
* timing to beats
(18)
* timing tricks
(1)
* Tinker Bell
(1)
* Tipper (1)
* tom and jerry
(10)
* tommy (2)
* Tony Benedict
(1)
* toonboom
(13)
* toonboom bugs
(1)
* toons (4)
* toth (2)
* toy construction
(22)
* Toys (66)
* training
(1)
* Treehouse Horror
(10)
* trees (5)
* trends (2)
* true executive tales(16)
* Trump (2)
* TUDE (10)
* turkeys (4)
* Twins (1)
* Tyer (13)
* Tytla (6)
* Ub Iwerks
(1)
* UFC (12)
* ugly (4)
* UNCLE REMUS
(2)
* Underture
(6)
* UPA (10)
* Vampire Gals
(2)
* variety (1)
* variety VS formula(4)
* verbal analysis
(5)
* Vincent Waller
(2)
* VIP (3)
* voice (1)
* voice acting
(8)
* vory (1)
* walks (14)
* Wally Man
(11)
* Walt Clinton
(4)
* Walt Disney - the Real One(6)
* Walt Kelly
(6)
* Walt wisdom
(3)
* Walter Lantz
(17)
* warm up exercises
(14)
* Warren Foster
(1)
* Washam (1)
* WB (2)
* wendy (1)
* Will Finn
(1)
* wolverton
(4)
* women (1)
* wonky (3)
* Woody (8)
* wrinkles
(4)
* writer and screen
(4)
* Writing
(32)
* Wyeth (1)
* Yogi (28)
* Yogi's Best
(3)
ABOUT ME
* JohnK
View my complete profileAmazon.com Widgets
Simple theme. Powered by Blogger .COUNTER
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0