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IN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 5 – JULYAMSH POWWOW AND CULTURAL WORKSHOPS We were tasked with the project of helping campaign and make content for the Coeur D’Alene casino’s culture workshops and Julaymsh Powwow. We were asked to make a new brochure for the culture workshops, a promotion video for Julaymsh and a new logo. These products are meant to attracted a bigger audience and update thecasinos branding.
WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
GROUP 1 – CHINOOK RESTAURANT Our main goal was to promote and advertise the Chinook Lounge at the Coeur d’Alene Casino. Since the Chinook Lounge will be having a new chief and new entrees added to the menu, they want fast paced and exciting videos to share with potential customers through social media or showcase throughout the casino televisions. WHY ARE THE DIGITAL HUMANITIES SO WHITE? OR THINKING THE Why Are the Digital Humanities So White? [ 141 timesharing operating system, was in use, with joint development by MIT, GE, and Bell Labs, a subsidiary of AT&T. TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 5 – JULYAMSH POWWOW AND CULTURAL WORKSHOPS We were tasked with the project of helping campaign and make content for the Coeur D’Alene casino’s culture workshops and Julaymsh Powwow. We were asked to make a new brochure for the culture workshops, a promotion video for Julaymsh and a new logo. These products are meant to attracted a bigger audience and update thecasinos branding.
WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
GROUP 1 – CHINOOK RESTAURANT Our main goal was to promote and advertise the Chinook Lounge at the Coeur d’Alene Casino. Since the Chinook Lounge will be having a new chief and new entrees added to the menu, they want fast paced and exciting videos to share with potential customers through social media or showcase throughout the casino televisions. WHY ARE THE DIGITAL HUMANITIES SO WHITE? OR THINKING THE Why Are the Digital Humanities So White? [ 141 timesharing operating system, was in use, with joint development by MIT, GE, and Bell Labs, a subsidiary of AT&T. TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 DTC 560 – CRITICAL THEORIES, METHODS, AND PRACTICE IN about. This class examines the history, theory, and practice of digital humanities, paying special attention to the ways in which digital humanities are transforming research, disciplines, and access to knowledge across disciplines. GROUP 1 – CHINOOK RESTAURANT Our main goal was to promote and advertise the Chinook Lounge at the Coeur d’Alene Casino. Since the Chinook Lounge will be having a new chief and new entrees added to the menu, they want fast paced and exciting videos to share with potential customers through social media or showcase throughout the casino televisions. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, NETWORKING PERIPHERIES Nazua, I agree that there is a lot of overlap between Risam’s article and Networking Peripheries. Risam writes: “The challenge is not to let hegemonic local forms—such as practices or debates taken for granted in the United States—overdetermine the definition ofCOLLECTIONS
O KIMBERLY CHRISTEN WITHEY 117 tion is a celt with the registration number Am 1863, 1104.1. In the museum’s inter-nally accessible collection database the description reads: IMAGE TO PDF CONVERSION TOOLS Title: Image To PDF Conversion Tools Author: Softinterface, Inc. Subject: Image To PDF Conversion Created Date: 1/5/2012 2:28:58 PM “CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
IN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 5 – JULYAMSH POWWOW AND CULTURAL WORKSHOPS We were tasked with the project of helping campaign and make content for the Coeur D’Alene casino’s culture workshops and Julaymsh Powwow. We were asked to make a new brochure for the culture workshops, a promotion video for Julaymsh and a new logo. These products are meant to attracted a bigger audience and update thecasinos branding.
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
IN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 5 – JULYAMSH POWWOW AND CULTURAL WORKSHOPS We were tasked with the project of helping campaign and make content for the Coeur D’Alene casino’s culture workshops and Julaymsh Powwow. We were asked to make a new brochure for the culture workshops, a promotion video for Julaymsh and a new logo. These products are meant to attracted a bigger audience and update thecasinos branding.
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
PUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015COLLECTIONS
O KIMBERLY CHRISTEN WITHEY 117 tion is a celt with the registration number Am 1863, 1104.1. In the museum’s inter-nally accessible collection database the description reads: GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, ADMIN | IN TRANSITION Networking: Peripheries and Sovereignty. by admin | Feb 21, 2018 | DTC 560 – Spring 2018. Networking Peripheries and Network Sovereignty Both Chan and Duarte emphasize new possibilities / futures that can be imagined by understanding cultural, social and political aspects of networks: how they function and work to create, manage and definesystems of power
DTC 560 – CRITICAL THEORIES, METHODS, AND PRACTICE IN catalog description. Critical Theories, Methods, and Practice in Digital Humanities examines the history, theory, and practice of digital humanities, while interrogating how digital humanities transforms knowledge across the humanities.. course description. Critical Theories, Methods, and Practice in Digital Humanities is an interdisciplinary examination of the history, theory, and practice of “CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory of ABORIGINAL BUSINESS 1 COPYRIGHTED MATERIAL 888-390-6070 1 Alliance-Making An Introduction The second Australian Tribal-class destroyer warship, the HMAS Warramunga, was commissioned in 1942 and almost immediately saw duty supporting American troops in the New Guinea campaign. 1 With the Japanese at Australia’s doorstep, there was no time to generate an official badge for theIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofPUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WE HAVE NEVER BEEN NEUTRAL: SEARCH, DISCOVERY, AND THE We Have Never Been Neutral: Search, Discovery, and the Politics of Access. Jul 13, 2017 | PresentationsCOLLECTIONS
O KIMBERLY CHRISTEN WITHEY 117 tion is a celt with the registration number Am 1863, 1104.1. In the museum’s inter-nally accessible collection database the description reads: DTC 560 – CRITICAL THEORIES, METHODS, AND PRACTICE IN catalog description. Critical Theories, Methods, and Practice in Digital Humanities examines the history, theory, and practice of digital humanities, while interrogating how digital humanities transforms knowledge across the humanities.. course description. Critical Theories, Methods, and Practice in Digital Humanities is an interdisciplinary examination of the history, theory, and practice of “CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
ABORIGINAL BUSINESS 1 COPYRIGHTED MATERIAL 888-390-6070 1 Alliance-Making An Introduction The second Australian Tribal-class destroyer warship, the HMAS Warramunga, was commissioned in 1942 and almost immediately saw duty supporting American troops in the New Guinea campaign. 1 With the Japanese at Australia’s doorstep, there was no time to generate an official badge for the TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory of FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
IN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofPUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WE HAVE NEVER BEEN NEUTRAL: SEARCH, DISCOVERY, AND THE We Have Never Been Neutral: Search, Discovery, and the Politics of Access. Jul 13, 2017 | PresentationsCOLLECTIONS
O KIMBERLY CHRISTEN WITHEY 117 tion is a celt with the registration number Am 1863, 1104.1. In the museum’s inter-nally accessible collection database the description reads: DTC 560 – CRITICAL THEORIES, METHODS, AND PRACTICE IN catalog description. Critical Theories, Methods, and Practice in Digital Humanities examines the history, theory, and practice of digital humanities, while interrogating how digital humanities transforms knowledge across the humanities.. course description. Critical Theories, Methods, and Practice in Digital Humanities is an interdisciplinary examination of the history, theory, and practice of “CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
ABORIGINAL BUSINESS 1 COPYRIGHTED MATERIAL 888-390-6070 1 Alliance-Making An Introduction The second Australian Tribal-class destroyer warship, the HMAS Warramunga, was commissioned in 1942 and almost immediately saw duty supporting American troops in the New Guinea campaign. 1 With the Japanese at Australia’s doorstep, there was no time to generate an official badge for the TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory of FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
IN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofIN TRANSITION
This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PROJECTS | IN TRANSITION The SHN is one answer to the need for workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. A collaborative project, the SHN complements the work of indigenous peoples globally to preserve, share, and manage cultural ABOUT | IN TRANSITION I am a Professor in and the Director of the Digital Technology and Culture program and the Director of the Center for Digital Scholarship and Curation at Washington State University. My work explores the intersections of cultural heritage, traditional knowledge, information ethics, and the use of digital technologies in and by Indigenous communities globally.PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 SOCIAL NETWORK SITES AS NETWORKED PUBLICS: AFFORDANCES Draft Version. Citation: danah boyd. (2010). "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In SocialNetwork Sites
GROUP 4 – CDA CASINO APP The campaign is intended for use by the CDA Casino marketing group. The month-long campaign is designed to meet their stated goals. The campaign would run on multiple social media platforms simultaneously to allow for maximum coverage. Each week of the campaign has a specific focus, incentives for use, and has prizes associated with it. GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WEB SQUARED: WEB 2.0 FIVE YEARS ON 1 Web Squared: Web 2.0 Five Years On web2summit.com F ive years ago, we launched a conference based on a simple idea, and that idea grewinto a
“CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory ofPUBLICATIONS
Volume 74, Spring/Summer 2011, 185-210. Access and Accountability: The Ecology of Information Sharing in the Digital Age. Anthropology News, “Visual Ethics.”. April 2009, 4-5. Archival Challenges and Digital Solutions in Aboriginal Australia. SAA Archaeological Record. August2008, Vol 8,
PRESENTATIONS
Keynote - Institute for Digital Research in the Humanities Conference: University of Kansas IDHR, Lawrence, KS, 2015 GROUP 3 – SYMETRA GOLF TOUR Our goal is to produce two promotional videos for the Circling Raven website: showcasing two different aspects about the Circling Raven Golf Course and Symetra Tour, WE HAVE NEVER BEEN NEUTRAL: SEARCH, DISCOVERY, AND THE We Have Never Been Neutral: Search, Discovery, and the Politics of Access. Jul 13, 2017 | PresentationsCOLLECTIONS
O KIMBERLY CHRISTEN WITHEY 117 tion is a celt with the registration number Am 1863, 1104.1. In the museum’s inter-nally accessible collection database the description reads: DTC 560 – CRITICAL THEORIES, METHODS, AND PRACTICE IN catalog description. Critical Theories, Methods, and Practice in Digital Humanities examines the history, theory, and practice of digital humanities, while interrogating how digital humanities transforms knowledge across the humanities.. course description. Critical Theories, Methods, and Practice in Digital Humanities is an interdisciplinary examination of the history, theory, and practice of “CHUCK A COPYRIGHT ON IT”: DILEMMAS OF DIGITAL RETURN AND Variations on “Making it Right” Intellectual property law is one of the most powerful bodies of law in contemporary society because it is the current mechanism for identifying specific kinds of knowledge,creating a value
ABORIGINAL BUSINESS 1 COPYRIGHTED MATERIAL 888-390-6070 1 Alliance-Making An Introduction The second Australian Tribal-class destroyer warship, the HMAS Warramunga, was commissioned in 1942 and almost immediately saw duty supporting American troops in the New Guinea campaign. 1 With the Japanese at Australia’s doorstep, there was no time to generate an official badge for the TRACKING PROPERNESS: REPACKAGING CULTURE IN A REMOTE Tracking Properness: Repackaging Culture in a Remote Australian Town Kimberly Christen Washington State University On March 25, 2002, Claire Martin, the Chief Minister for the Northern Territory of FOLLOWING THE NYINKKA: RELATIONS OF RESPECT AND W h ile J oh n M cD ou a ll S tu a rt a n d h is expedition party attempted to ÒopenÓ the in terior of A u stra lia to w h ite settlers b etw een 1 8 5 8 a n d 1 8 6 2 , h e ch a rted th e seem ing ly
* About
* Presentations
* Projects
* Publications
* Pedagogy
* DTC 497 – Senior Seminar – Spring 2020 * DTC 560 – Critical Theories, Methods, and Practice in Digital Humanities – Spring 2018 * DTC/ENGL 595/560 Spring 2015 * DTC/ENGL 356 Spring 2014 * AMST 507 Spring 2013 * AMST 497 Spring 2011 * AMST 522 Fall 2010Select Page
* About
* Presentations
* Projects
* Publications
* Pedagogy
* DTC 497 – Senior Seminar – Spring 2020 * DTC 560 – Critical Theories, Methods, and Practice in Digital Humanities – Spring 2018 * DTC/ENGL 595/560 Spring 2015 * DTC/ENGL 356 Spring 2014 * AMST 507 Spring 2013 * AMST 497 Spring 2011 * AMST 522 Fall 2010IN TRANSITION
Kim Christen
opening business: explore. create. acknowledge. OPENNESS RELIES ON RECIPROCITY. FINDING BALANCE IN TENSION.Find out more
PROJECTS: THE WORK THAT KEEPS ME GOING.
PRESENTATIONS: TALKS, EVENTS, WORKSHOPS.i
PUBLICATIONS: BOOKS, LINKS TO PDFS, AND MORE. This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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