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MODERNIST JOURNALS
Blast. 1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915.MODERNIST JOURNALS
With the help of another NEH grant during the 2008-2009 academic year, the MJP added a run of Poetry Magazine, from 1912 through 1922, and The English Review for the period when Ford Madox Hueffer (Ford) edited it, from 1908 to 1910. In the following year, the MJP completed a digital edition of Scribner’s Magazine, from 1910 through 1922.A third NEH grant, during the 2010-2011 academic yearMODERNIST JOURNALS
Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous today for its many bold gestures on behalf of the avant-garde—like its September 1916 issue, which protested the lack ofMODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s GreenwichVillage.
MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings.MODERNIST JOURNALS
Blast. 1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915.MODERNIST JOURNALS
With the help of another NEH grant during the 2008-2009 academic year, the MJP added a run of Poetry Magazine, from 1912 through 1922, and The English Review for the period when Ford Madox Hueffer (Ford) edited it, from 1908 to 1910. In the following year, the MJP completed a digital edition of Scribner’s Magazine, from 1910 through 1922.A third NEH grant, during the 2010-2011 academic yearMODERNIST JOURNALS
Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous today for its many bold gestures on behalf of the avant-garde—like its September 1916 issue, which protested the lack ofMODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s GreenwichVillage.
MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings.MODERNIST JOURNALS
The Modernist Journals Project would like to thank Indiana University Library, which provided us with the hard copies of most of the issues of The Crisis (vols. 1-23) that are digitally reproduced here. We would also like to thank the University of Illinois for scanning for us their original hard copies of Crisis vols. 24 & 25, as well as a handful of other issues that were missing from theMODERNIST JOURNALS
General Introduction to The New Age, 1907-1922, by Robert Scholes; New Art in The New Age: What Was Modern? (PDF), by Dawn Blizard; The New Age was a weekly magazine, printed in double columns, folio sized, and mostly in type sizes that varied from small to miniscule. A rather different journal had been appearing under that name when a group led by G. B. Shaw decided to provide some fundingMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
The Modernist Journals Project would like to thank Princeton University library for allowing us to scan its hard copies of Camera Work. Unfortunately, our digital edition not does include the following six images, which were torn out of the Princeton volumes and not available to us in reprint form: Gertrude Käsebier’s “Portrait (Miss N)” and “Red Man” (CW 1: 11, 13), A. RadclyffeMODERNIST JOURNALS
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Now almost forgotten, Distributism was a composite of several social and moral theories first articulated by Gilbert Keith Chesterton (1874-1936) and Hilaire Belloc (1870-1953) in the pages of volume 2 of The New Age.The initial concepts arose from the four-way (and more) argument among H.G.Wells, George Bernard Shaw, Belloc and Chesterton over modernity that began with Belloc’s “ThoughtsMODERNIST JOURNALS
1910 — 1922 Vol. 71, No. 6 Bridges, Robert (editor) New York: Charles Scribner's Sons, 1922-06-01 242 p.; 24.1 x 16.5 cmMODERNIST JOURNALS
John Daniel Revel (1884 – 1967) The following information comes from the Gateway to the Archives of Scottish Higher Education: He was born in Dundee and studied atMODERNIST JOURNALS
“The woman question”—the problem specifically of women’s suffrage, and more broadly of changing political, economic, and professional roles for women and of social and sexual liberation—gained increasing urgency in the late nineteenth and early twentieth century as activists grew more militant and the government responded with ever more oppressive measures.MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismLITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
SEVEN ARTS 1916
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.MODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
Bodenheim, Maxwell (1892-1954) by Gilbert, Lindsey. Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s Greenwich Village. Between 1912 and 1946, he produced ten volumes of poetry andMODERNIST JOURNALS
1910 — 1922 Vol. 71, No. 6 Bridges, Robert (editor) New York: Charles Scribner's Sons, 1922-06-01 242 p.; 24.1 x 16.5 cmMODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismLITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
SEVEN ARTS 1916
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.MODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
Bodenheim, Maxwell (1892-1954) by Gilbert, Lindsey. Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s Greenwich Village. Between 1912 and 1946, he produced ten volumes of poetry andMODERNIST JOURNALS
1910 — 1922 Vol. 71, No. 6 Bridges, Robert (editor) New York: Charles Scribner's Sons, 1922-06-01 242 p.; 24.1 x 16.5 cmMODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
Founded in 1900 as a magazine for and about New York’s social elite, The Smart Set evolved into something much more important—an expression of popular modernism that both competed and overlapped with the elite modernism of little magazines such as The Egoist and The Little Review.Like these journals, The Smart Set published some of the best authors of the day (including Joyce andMODERNIST JOURNALS
1900 — 1910. At the start of the 20th century, McClure’s pioneered “muckraking” journalism and became for a while the most influential magazine in America. Mother Earth. 1911. Mother Earth was a magazine of literature and social science founded by Emma Goldman in 1906. It ran until 1917, when the U.S. government used The EspionageAct
MODERNIST JOURNALS
Modernist Journals Project. Founded by Dora Marsden, with her friend Mary Gawthorpe as reluctant co-editor for the first few months, The Freewoman was a “Weekly Feminist Review” that moved beyond the vote to address issues such as prostitution, homosexuality, and other matters relating to class and gender. With the second volume, theMODERNIST JOURNALS
The Modernist Journals Project would like to thank Princeton University library for allowing us to scan its hard copies of Camera Work. Unfortunately, our digital edition not does include the following six images, which were torn out of the Princeton volumes and not available to us in reprint form: Gertrude Käsebier’s “Portrait (Miss N)” and “Red Man” (CW 1: 11, 13), A. RadclyffeSEVEN ARTS 1916
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
Modernist Journals | Weekly Tale-Teller. Weekly Tale-Teller 1911. Weekly Tale-Teller was a fiction magazine in London between 1909-1916. This single issue is presented as part of the 1910 Collection, a group of 24 magazines (links below) published in or around the year 1910, which has important implications for literary modernism. VirginiaMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismMODERNIST JOURNALS
Modernist Journals Project. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it ran for just two issues, published in 1914 and 1915. The First World War killed it—along with some of its key contributors. Blast ‘s purpose was to promote a new movement in literature andvisual
LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
Bodenheim, Maxwell (1892-1954) by Gilbert, Lindsey. Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s Greenwich Village. Between 1912 and 1946, he produced ten volumes of poetry andMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 71, No. 6 Bridges, Robert (editor) New York: Charles Scribner's Sons, 1922-06-01 242 p.; 24.1 x 16.5 cmMODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismMODERNIST JOURNALS
Modernist Journals Project. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it ran for just two issues, published in 1914 and 1915. The First World War killed it—along with some of its key contributors. Blast ‘s purpose was to promote a new movement in literature andvisual
LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
Bodenheim, Maxwell (1892-1954) by Gilbert, Lindsey. Maxwell Bodenheim A Jazz-Age bohemian, frequented the literary circles, and later the street corners, of New York City’s Greenwich Village. Between 1912 and 1946, he produced ten volumes of poetry andMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 71, No. 6 Bridges, Robert (editor) New York: Charles Scribner's Sons, 1922-06-01 242 p.; 24.1 x 16.5 cmMODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
The Periodical Database is intended to provide basic information about all the English-language magazines of literary and artistic interest operating during the period from 1890 to 1922. The Cover-to-Cover Initiative is an effort to by collecting information about which libraries have complete, cover-to-cover runs of original issues ofMODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1900 — 1910. At the start of the 20th century, McClure’s pioneered “muckraking” journalism and became for a while the most influential magazine in America. Mother Earth. 1911. Mother Earth was a magazine of literature and social science founded by Emma Goldman in 1906. It ran until 1917, when the U.S. government used The EspionageAct
MODERNIST JOURNALS
General Introduction to The New Age, 1907-1922, by Robert Scholes; New Art in The New Age: What Was Modern? (PDF), by Dawn Blizard; The New Age was a weekly magazine, printed in double columns, folio sized, and mostly in type sizes that varied from small to miniscule. A rather different journal had been appearing under that name when a group led by G. B. Shaw decided to provide some fundingMODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
1911 Vol. 6, No. 2 Goldman, Emma (editor) New York: Emma Goldman, 1911-04-01 36 p.; 21 cm.SEVEN ARTS 1916
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1914 — 1922 Vol. 1, No. 1 Anderson, Margaret C. (editor) Chicago: Margaret C. Anderson, 1914-03-01 68 p.; 25.4 x 17.1 cmMODERNIST JOURNALS
John Daniel Revel (1884 – 1967) The following information comes from the Gateway to the Archives of Scottish Higher Education: He was born in Dundee and studied atMODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
The Boer War by DeBoer-Langworth, Carol. The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902. Depending on one’s point of view and point in time, this war is also known as the Boer Insurrection, SecondMODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
The Boer War by DeBoer-Langworth, Carol. The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902. Depending on one’s point of view and point in time, this war is also known as the Boer Insurrection, SecondMODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismMODERNIST JOURNALS
Modernism and Cultural Conflict, 1880-1922 (PDF) Ardis, Ann Cambridge University Press 2002. Paradoxy of Modernism, Ch. 2: Old and New inModernist Art (PDF)
MODERNIST JOURNALS
The Periodical Database is intended to provide basic information about all the English-language magazines of literary and artistic interest operating during the period from 1890 to 1922. The Cover-to-Cover Initiative is an effort to by collecting information about which libraries have complete, cover-to-cover runs of original issues ofMODERNIST JOURNALS
selected='selected' Journal Name American Magazine Atlantic Monthly Blast Blue Review Bookman Camera Work Catholic Anthology 1914-1915 Century Magazine Chapbook Collier's Magazine Cosmopolitan Coterie Crisis Dana Des Imagistes Dilettante Dome Egoist English Review Everybody's Magazine Forum Freewoman Glebe Good Housekeeping Harper'sMagazine
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
The Forum was a highly respected magazine based in New York City, running from 1885-1950 and publishing authors such as G.K. Chesterton. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” andmodernity
MODERNIST JOURNALS
1900 — 1910. At the start of the 20th century, McClure’s pioneered “muckraking” journalism and became for a while the most influential magazine in America. Mother Earth. 1911. Mother Earth was a magazine of literature and social science founded by Emma Goldman in 1906. It ran until 1917, when the U.S. government used The EspionageAct
MODERNIST JOURNALS
Modernist Journals | Seven Arts. Seven Arts 1916 — 1917. Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of youngCAMERA WORK 1903
When Alfred Stieglitz began publishing Camera Work in 1903, he already had five years of experience editing Camera Notes, the house journal of the Camera Club of New York.Desiring even greater control over the publication than the club members would give him, Stieglitz started his own journal to advance his vision of photography as a fine art and “medium of individual expression” (CW 1: 15).MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
The Boer War by DeBoer-Langworth, Carol. The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902. Depending on one’s point of view and point in time, this war is also known as the Boer Insurrection, SecondMODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915. The First World War killed it—along with some of its key contributors.LITTLE REVIEW
Modernist Journals Project. Little Review 1914 — 1922. Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous todayfor its
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
1907 — 1928 Volume 1, Number 6 London: The New Age Press, Ltd.,1907-06-06
MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings. We will include a list of those she used in near the end of this biographical note. She came from Port Elizabeth in the Cape Colony of South Africa, claiming that Hastingswas
MODERNIST JOURNALS
The Boer War by DeBoer-Langworth, Carol. The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902. Depending on one’s point of view and point in time, this war is also known as the Boer Insurrection, SecondMODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
The Modernist Journals Project digitizes English-language literary magazines from the 1890s to the 1920s. We also offer essays and other supporting materials from the period. TIMELINE. We end at 1922 for two reasons: first, that year has until recently been the public domain cutoff in the United States; second, most scholars consider modernismMODERNIST JOURNALS
Modernism and Cultural Conflict, 1880-1922 (PDF) Ardis, Ann Cambridge University Press 2002. Paradoxy of Modernism, Ch. 2: Old and New inModernist Art (PDF)
MODERNIST JOURNALS
The Periodical Database is intended to provide basic information about all the English-language magazines of literary and artistic interest operating during the period from 1890 to 1922. The Cover-to-Cover Initiative is an effort to by collecting information about which libraries have complete, cover-to-cover runs of original issues ofMODERNIST JOURNALS
selected='selected' Journal Name American Magazine Atlantic Monthly Blast Blue Review Bookman Camera Work Catholic Anthology 1914-1915 Century Magazine Chapbook Collier's Magazine Cosmopolitan Coterie Crisis Dana Des Imagistes Dilettante Dome Egoist English Review Everybody's Magazine Forum Freewoman Glebe Good Housekeeping Harper'sMagazine
MODERNIST JOURNALS
Modernist Journals | Crisis. Crisis 1910 — 1922. When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazinereached a
MODERNIST JOURNALS
The Forum was a highly respected magazine based in New York City, running from 1885-1950 and publishing authors such as G.K. Chesterton. This single issue is presented as part of the 1910 Collection, a group of 24 magazines published “on or about December 1910,” when, according to Virginia Woolf, “human character changed” andmodernity
MODERNIST JOURNALS
1900 — 1910. At the start of the 20th century, McClure’s pioneered “muckraking” journalism and became for a while the most influential magazine in America. Mother Earth. 1911. Mother Earth was a magazine of literature and social science founded by Emma Goldman in 1906. It ran until 1917, when the U.S. government used The EspionageAct
MODERNIST JOURNALS
Modernist Journals | Seven Arts. Seven Arts 1916 — 1917. Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of youngCAMERA WORK 1903
When Alfred Stieglitz began publishing Camera Work in 1903, he already had five years of experience editing Camera Notes, the house journal of the Camera Club of New York.Desiring even greater control over the publication than the club members would give him, Stieglitz started his own journal to advance his vision of photography as a fine art and “medium of individual expression” (CW 1: 15).MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
Blast. 1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915.MODERNIST JOURNALS
With the help of another NEH grant during the 2008-2009 academic year, the MJP added a run of Poetry Magazine, from 1912 through 1922, and The English Review for the period when Ford Madox Hueffer (Ford) edited it, from 1908 to 1910. In the following year, the MJP completed a digital edition of Scribner’s Magazine, from 1910 through 1922.A third NEH grant, during the 2010-2011 academic yearLITTLE REVIEW
Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous today for its many bold gestures on behalf of the avant-garde—like its September 1916 issue, which protested the lack ofMODERNIST JOURNALS
The Modernist Journals Project would like to thank Indiana University Library, which provided us with the hard copies of most of the issues of The Crisis (vols. 1-23) that are digitally reproduced here. We would also like to thank the University of Illinois for scanning for us their original hard copies of Crisis vols. 24 & 25, as well as a handful of other issues that were missing from theMODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings.MODERNIST JOURNALS
The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902.MODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
Blast. 1914 — 1915. Blast is the quintessential modernist little magazine. Founded by Wyndham Lewis with the assistance of Ezra Pound, it was the organ for the Vorticist movement in London, running for just two issues in 1914 and 1915.MODERNIST JOURNALS
With the help of another NEH grant during the 2008-2009 academic year, the MJP added a run of Poetry Magazine, from 1912 through 1922, and The English Review for the period when Ford Madox Hueffer (Ford) edited it, from 1908 to 1910. In the following year, the MJP completed a digital edition of Scribner’s Magazine, from 1910 through 1922.A third NEH grant, during the 2010-2011 academic yearLITTLE REVIEW
Founded by Margaret Anderson in March 1914, The Little Review became, over the course of its 15-year existence, one of the chief periodicals in the English-speaking world for publishing experimental writing and publicizing international art. The American magazine is famous today for its many bold gestures on behalf of the avant-garde—like its September 1916 issue, which protested the lack ofMODERNIST JOURNALS
The Modernist Journals Project would like to thank Indiana University Library, which provided us with the hard copies of most of the issues of The Crisis (vols. 1-23) that are digitally reproduced here. We would also like to thank the University of Illinois for scanning for us their original hard copies of Crisis vols. 24 & 25, as well as a handful of other issues that were missing from theMODERNIST JOURNALS
1912 — 1922 Vol. 6, No. 3 Monroe, Harriet (editor) Chicago: Harriet Monroe, 1915-06-01 68 p.; 20 x 14.7 cm.MODERNIST JOURNALS
Beatrice Hastings 1879-1943. It was not her real name, which was Emily Alice Haigh, nor was it her only name. No one had more pen names or aliases than Beatrice Hastings.MODERNIST JOURNALS
The armed conflict between Britain and the two Boer republics of Transvaal and Orange Free State in South Africa, often called the Boer War, began on 11 October 1899 and ceased on 31 May 1902.MODERNIST JOURNALS
1914 — 1922 Vol. 9, No. 1 Anderson, Margaret C. (editor) New York: Margaret C. Anderson, 1922-09-01 112 p.; 24.1 x 18.4 cmMODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm.MODERNIST JOURNALS
1910 — 1922 Vol. 21, No. 2 Du Bois, W. E. Burghardt (editor) New York: National Association for the Advancement of Colored People, 1920-12-01 52 p.; 22.9 x 15.2 cm.MODERNIST JOURNALS
With the help of another NEH grant during the 2008-2009 academic year, the MJP added a run of Poetry Magazine, from 1912 through 1922, and The English Review for the period when Ford Madox Hueffer (Ford) edited it, from 1908 to 1910. In the following year, the MJP completed a digital edition of Scribner’s Magazine, from 1910 through 1922.A third NEH grant, during the 2010-2011 academic yearMODERNIST JOURNALS
The Modernist Journals Project present Books that explore and expand on themes present in the journals.MODERNIST JOURNALS
PERIODICAL DATABASE. The Periodical Database is intended to provide basic information about all the English-language magazines of literary and artistic interest operating during theMODERNIST JOURNALS
Egoist. 1914 — 1919. The Egoist was a direct continuation of The New Freewoman (itself a continuation of The Freewoman) and continued the policies of its predecessor, with Dora Marsden ultimately shifting to “Contributing Editor” and Harriet Weaver becoming editor.It made a large contribution to modernist literature while continuing to discuss social and philosophical questions and issues.MODERNIST JOURNALS
Citation. If you would like to cite the MJP, we recommend that you use the following notation: The Modernist Journals Project (searchabledatabase).
MODERNIST JOURNALS
The Modernist Journals Project would like to thank Indiana University Library, which provided us with the hard copies of most of the issues of The Crisis (vols. 1-23) that are digitally reproduced here. We would also like to thank the University of Illinois for scanning for us their original hard copies of Crisis vols. 24 & 25, as well as a handful of other issues that were missing from theMODERNIST JOURNALS
Mother Earth. 1911. Mother Earth was a magazine of literature and social science founded by Emma Goldman in 1906. It ran until 1917, when the U.S. government used The Espionage Act during World War I to close the magazine and revoke Goldman’s citizenship, deporting her to the Soviet Union in 1919.MODERNIST JOURNALS
Published in New York and edited by James Oppenheim with substantial assistance from Waldo Frank and Van Wyck Brooks, The Seven Arts had the ambitious goal of transforming American life through the arts. Like other little magazines of the period, it attracted a new generation of young writers who were interested in putting America’s genteel tradition behind them.CAMERA WORK 1903
When Alfred Stieglitz began publishing Camera Work in 1903, he already had five years of experience editing Camera Notes, the house journal of the Camera Club of New York.Desiring even greater control over the publication than the club members would give him, Stieglitz started his own journal to advance his vision of photography as a fine art and “medium of individual expression” (CW 1: 15).MODERNIST JOURNALS
1914 — 1915 Number 1 Lewis, Wyndham (editor) London: John Lane, the Bodley Head, 1914-06-20 212 p.; 30.5 x 24.8 cm. Javascript must be enabled for the correct page display Skip toContent
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Resources for the study of modernism in the English-speaking world. We present high-quality digital scans and metadata of periodicals published from 1890 to 1922. Free to the public.ABOUT THE MJP
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Crisis 1910 — 1922 Founded in 1910 as the house magazine of the NAACP and edited by W. E. B. Du Bois, _The Crisis_ quickly became the most important voice of the African-American struggle for cultural identity and civic justicein the U.S.
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Chicago Modernism
Focusing on Poetry and The Little Review, the two journals in the MJP’s collection that began in Chicago, Chicago Modernism is a new MJP resource that identifies where contributors to these magazines lived while relating their residence information to the rest of the MJP’s data on the journals. Featuring downloadable datasets and maps visualizing residence data, the site will help usdiscover how…
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MJP journals now available at the BDR The Brown Digital Repository (BDR) has now ingested all of the MJP’s journals, giving users a new way to access these magazines. Click here to access the MJP’s collection page at theBDR.
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If you would like to cite the MJP, we recommend that you use thefollowing notation:
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