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Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TTARTISAN 11MM 2.8 FISHEYE vignetting. not good. filter stack induced field curvature. color cast in the corners. The TTArtisan 11mm 2.8 Fisheye is actually a well balanced lens: good sharpness, solid build quality, compact size, decently priced. The main problem here is, that it isn’t optimized for the Sony filter stack, which leads to a bit of field curvature. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: TOKINA FIRIN 100MM F2.8 FE MACROPHILLIPREEVE.NET
Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TTARTISAN 11MM 2.8 FISHEYE vignetting. not good. filter stack induced field curvature. color cast in the corners. The TTArtisan 11mm 2.8 Fisheye is actually a well balanced lens: good sharpness, solid build quality, compact size, decently priced. The main problem here is, that it isn’t optimized for the Sony filter stack, which leads to a bit of field curvature. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus OM REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!SONY FE LIST
But that has changed. The Loxia 21mmf2.8 and 35mmf2 that started new in 2015 for 1450 and 1150EUR, now used 600-700 and 400-500EUR. But also, if lenses have good/bad reviews the prices can plummet over the years. One example is the Sony 24-70f4 ZA that started new at 1200EUR in 2014 now used 300-400EUR. Reply. REVIEW: LAOWA 11MM 4.5 FF-RL Introduction Laowa 11mm 4.5 on Sony A7rII. Laowa introduced 3 ultra wide angle lenses at roughly the same time in Summer 2020. This 11mm 4.5 FF-RL is in the one in the middle in terms of focal length and maximum aperture, but is it the goldilock’s lens in this set or should you rather stick to the record breaking 9mm lens or the low distortion 14mm lens? REVIEW: MS-OPTICS 24MM 2.0 APORIA Whenever some lens is advertised as “the smallest lens ever made” we usually get to deal with some junky fixed focus and fixed aperture pinhole lens. The MS-Optics 24mm 2.0 Aporia is a very different story though, only 45g and less than 6mm in length but with a maximum aperture of f/2.0, a real diaphragm and rangefinder coupled focusmechanism.
135MM LEGACY SHOOT OUT: SMC PENTAX-M F/3.5 VS CANON NFD F The Canon newFD 135mm f/3.5 is the clear winner. Wide open across the frame sharpness is very good already and stopped down to f/5.6 sharpness across the frame is simply excellent. The SMC-Pentax-M 135mm f/3.5 performs quite similar in the center but is quite a bit weaker in the corners. Stopped down both lenses are excellent performers. REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATING The Pentacon auto 50 mm f/1.8 MC is a very small vintage 50 mm lens. It is the direct descendant of the Meyer-Optik Görlitz Oreston 50 mm f/1.8. There are a lot of different versions of this lens in m42 and Practica B mount. The oldest version has silver stripes on the aperture ring and is branded “electric” or “auto”. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8 The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album. Specifications REVIEW: 7ARTISANS 28MM 1.4 FE-PLUS Introduction. 7artisans 28mm 1.4 FEplus via Hawk’s Factory adapter on Sony A7rII. So far the only native 28mm prime lens is the Sony FE 28mm 2.0. Now 7artisans is offering a version of its 28mm 1.4 M-mount lens with an optical design adjusted to the thick filter stack of the Sony cameras. This is the first 7artisans lens reviewed here, so let LAOWA 100MM F2.8 CA-DREAMER MACRO 2X: A REVIEW Laowa 100mm f2.8 CA-Dreamer Macro 2x: A review. July 21, 2019 David Braddon-Mitchell 27 Comments. This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims tobe apochromatic.
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Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TTARTISAN 11MM 2.8 FISHEYE vignetting. not good. filter stack induced field curvature. color cast in the corners. The TTArtisan 11mm 2.8 Fisheye is actually a well balanced lens: good sharpness, solid build quality, compact size, decently priced. The main problem here is, that it isn’t optimized for the Sony filter stack, which leads to a bit of field curvature. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: TOKINA FIRIN 100MM F2.8 FE MACROPHILLIPREEVE.NET
Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TTARTISAN 11MM 2.8 FISHEYE vignetting. not good. filter stack induced field curvature. color cast in the corners. The TTArtisan 11mm 2.8 Fisheye is actually a well balanced lens: good sharpness, solid build quality, compact size, decently priced. The main problem here is, that it isn’t optimized for the Sony filter stack, which leads to a bit of field curvature. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus OM REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!SONY FE LIST
But that has changed. The Loxia 21mmf2.8 and 35mmf2 that started new in 2015 for 1450 and 1150EUR, now used 600-700 and 400-500EUR. But also, if lenses have good/bad reviews the prices can plummet over the years. One example is the Sony 24-70f4 ZA that started new at 1200EUR in 2014 now used 300-400EUR. Reply. REVIEW: LAOWA 11MM 4.5 FF-RL Introduction Laowa 11mm 4.5 on Sony A7rII. Laowa introduced 3 ultra wide angle lenses at roughly the same time in Summer 2020. This 11mm 4.5 FF-RL is in the one in the middle in terms of focal length and maximum aperture, but is it the goldilock’s lens in this set or should you rather stick to the record breaking 9mm lens or the low distortion 14mm lens? REVIEW: MS-OPTICS 24MM 2.0 APORIA Whenever some lens is advertised as “the smallest lens ever made” we usually get to deal with some junky fixed focus and fixed aperture pinhole lens. The MS-Optics 24mm 2.0 Aporia is a very different story though, only 45g and less than 6mm in length but with a maximum aperture of f/2.0, a real diaphragm and rangefinder coupled focusmechanism.
135MM LEGACY SHOOT OUT: SMC PENTAX-M F/3.5 VS CANON NFD F The Canon newFD 135mm f/3.5 is the clear winner. Wide open across the frame sharpness is very good already and stopped down to f/5.6 sharpness across the frame is simply excellent. The SMC-Pentax-M 135mm f/3.5 performs quite similar in the center but is quite a bit weaker in the corners. Stopped down both lenses are excellent performers. REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATING The Pentacon auto 50 mm f/1.8 MC is a very small vintage 50 mm lens. It is the direct descendant of the Meyer-Optik Görlitz Oreston 50 mm f/1.8. There are a lot of different versions of this lens in m42 and Practica B mount. The oldest version has silver stripes on the aperture ring and is branded “electric” or “auto”. NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8 The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album. Specifications REVIEW: 7ARTISANS 28MM 1.4 FE-PLUS Introduction. 7artisans 28mm 1.4 FEplus via Hawk’s Factory adapter on Sony A7rII. So far the only native 28mm prime lens is the Sony FE 28mm 2.0. Now 7artisans is offering a version of its 28mm 1.4 M-mount lens with an optical design adjusted to the thick filter stack of the Sony cameras. This is the first 7artisans lens reviewed here, so let LAOWA 100MM F2.8 CA-DREAMER MACRO 2X: A REVIEW Laowa 100mm f2.8 CA-Dreamer Macro 2x: A review. July 21, 2019 David Braddon-Mitchell 27 Comments. This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims tobe apochromatic.
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Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATINGSEE MORE ONPHILLIPREEVE.NET
PHILLIPREEVE.NET
Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8. The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most LEICA R MOUNT LENSES Leitz Tele-Elmarit-M 1:2.8/90. This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft. At f/4 the center improves to excellent levels, the other regions don#t see much improvement. By f/11 the corners have reached a good level. REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATINGSEE MORE ONPHILLIPREEVE.NET
GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus OMSONY FE LIST
But that has changed. The Loxia 21mmf2.8 and 35mmf2 that started new in 2015 for 1450 and 1150EUR, now used 600-700 and 400-500EUR. But also, if lenses have good/bad reviews the prices can plummet over the years. One example is the Sony 24-70f4 ZA that started new at 1200EUR in 2014 now used 300-400EUR. Reply. REVIEW: LAOWA 11MM 4.5 FF-RL Introduction Laowa 11mm 4.5 on Sony A7rII. Laowa introduced 3 ultra wide angle lenses at roughly the same time in Summer 2020. This 11mm 4.5 FF-RL is in the one in the middle in terms of focal length and maximum aperture, but is it the goldilock’s lens in this set or should you rather stick to the record breaking 9mm lens or the low distortion 14mm lens? 135MM LEGACY SHOOT OUT: SMC PENTAX-M F/3.5 VS CANON NFD F The Canon newFD 135mm f/3.5 is the clear winner. Wide open across the frame sharpness is very good already and stopped down to f/5.6 sharpness across the frame is simply excellent. The SMC-Pentax-M 135mm f/3.5 performs quite similar in the center but is quite a bit weaker in the corners. Stopped down both lenses are excellent performers. REVIEW: TTARTISAN 11MM 2.8 FISHEYE Introduction TTArtisan 11mm 2.8 Fisheye on Sony A7rII. Fisheye lenses are not exactly hugely popular and the fact that we haven’t seen a fullframe fisheye lens designed for mirrorless yet – in more than 60 years of the Leica-M system we haven’t seen a single one – onlysupports this.
REVIEW: MS-OPTICS 24MM 2.0 APORIA Whenever some lens is advertised as “the smallest lens ever made” we usually get to deal with some junky fixed focus and fixed aperture pinhole lens. The MS-Optics 24mm 2.0 Aporia is a very different story though, only 45g and less than 6mm in length but with a maximum aperture of f/2.0, a real diaphragm and rangefinder coupled focusmechanism.
NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8 The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album. Specifications LAOWA 100MM F2.8 CA-DREAMER MACRO 2X: A REVIEW Laowa 100mm f2.8 CA-Dreamer Macro 2x: A review. July 21, 2019 David Braddon-Mitchell 27 Comments. This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims tobe apochromatic.
SHORT REVIEW: OLYMPUS OM ZUIKO MC 100MM 1:2.8 The Olympus OM 2.8/100 is a tiny lens with a generally good performance and few limitations. I think it is a great choice for those occasions when you don’t want to carry a heavy bag. Despite these positive characteristics, the lens is quite affordable and I think it offers great value. The Olympus OM 2.8/100 usually sells foraround $90 used
REVIEW: OLYMPUS F.ZUIKO AUTO-S 1.8/50 Sharpness near infinity. The Olympus F.Zuiko 1.8/50 is an interesting little lens. Depending on your taste regarding bokeh this one can be the ideal walk around lens. It combines a “classic” bokeh rendering with nice contrast and very good sharpness in thePHILLIPREEVE.NET
Introduction Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus REVIEW: LAOWA 11MM 4.5 FF-RL GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES Recommendation: Optically this is one of the very best lenses you can buy today.It is a manual lens which some (like the authors of this blog) see as a bonus but many will see an issue in this. Since it only focuses down to 1:2 we would recommend it more as a general purpose lens which can also work well as a macro lens for some applications than as a dedicated macro lens. REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING Found it! I shouldn’t jump in before trying everything first ;o) (Please delete my last two posts!) DRO +5 (in RAW) really DOES do what I’ve searched for,PHILLIPREEVE.NET
Introduction Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus REVIEW: LAOWA 11MM 4.5 FF-RL GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES Recommendation: Optically this is one of the very best lenses you can buy today.It is a manual lens which some (like the authors of this blog) see as a bonus but many will see an issue in this. Since it only focuses down to 1:2 we would recommend it more as a general purpose lens which can also work well as a macro lens for some applications than as a dedicated macro lens. REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING Found it! I shouldn’t jump in before trying everything first ;o) (Please delete my last two posts!) DRO +5 (in RAW) really DOES do what I’ve searched for, GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic OlympusSONY FE LIST
I just wanted to let you know that I just updated used prices on the FE list. It was interesting to see that over 11 months many lenses became a lot cheaper (especially Zeiss branded lenses but also most Sigma Arts) while many others stayed very stable. The following two tabs change content below.BioLatest Posts Continue reading Sony FEList →
LEICA R MOUNT LENSES Some time ago I had the chance to put several older Leica lenses to the test, here are the results. I have never actually used any of these lenses, I just had them for a couple of minutes to shoot a test series. I only had one copy per lens so my results might not Continue reading Leica R mount lenses REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATING The Pentacon auto 50 mm f/1.8 shows quite some vignetting wide open, though stopping down helps a lot.At f/2.8 vignetting is already reduced to 1.2 stops. From f/4 vignetting is negligible and not visible in real world shots.. Flare resistance. Flare resistance is among the worst I have ever encountered. Ghosting and veiling flare are very visible even in less challenging situations. LAOWA 100MM F2.8 CA-DREAMER MACRO 2X: A REVIEW This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims to be apochromatic. How good can it be? Is it, as some suspected when they first heard about it, good for macro but only Continue reading Laowa 100mm f2.8 CA-Dreamer Macro 2x:A review →
REVIEW: TTARTISAN 11MM 2.8 FISHEYE Introduction TTArtisan 11mm 2.8 Fisheye on Sony A7rII. Fisheye lenses are not exactly hugely popular and the fact that we haven’t seen a fullframe fisheye lens designed for mirrorless yet – in more than 60 years of the Leica-M system we haven’t seen a single one – onlysupports this.
NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8 The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album. Specifications REVIEW: OLYMPUS F.ZUIKO AUTO-S 1.8/50 The Olympus F.Zuiko 1.8/50 is an interesting little lens. Depending on your taste regarding bokeh this one can be the ideal walk around lens. It combines a “classic” bokeh rendering with nice contrast and very good sharpness in the central part of the image over most of thefocus range.
SHORT REVIEW: OLYMPUS OM ZUIKO MC 100MM 1:2.8 The Olympus OM 100 mm 1:2.8 is one of the smallest 100 mm lenses available and yet a good performer. Review on the Sony a7 with many full resolution images 135MM LEGACY SHOOT OUT: SMC PENTAX-M F/3.5 VS CANON NFD F Shoot out: SMC Pentax-M 135mm f/3.5 vs. Canon nFD 135mm f/3.5 vs. Panagor PMC auto tele 135mm f/2.8. In my search for a compact but good budget telelens I came across the SMC Pentax-M 135mm f3.5 and the Canon newFD 135mm f/3.5.PHILLIPREEVE.NET
Introduction Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus REVIEW: LAOWA 11MM 4.5 FF-RL GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES Recommendation: Optically this is one of the very best lenses you can buy today.It is a manual lens which some (like the authors of this blog) see as a bonus but many will see an issue in this. Since it only focuses down to 1:2 we would recommend it more as a general purpose lens which can also work well as a macro lens for some applications than as a dedicated macro lens. REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING Found it! I shouldn’t jump in before trying everything first ;o) (Please delete my last two posts!) DRO +5 (in RAW) really DOES do what I’ve searched for,PHILLIPREEVE.NET
Introduction Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus REVIEW: LAOWA 11MM 4.5 FF-RL GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES Recommendation: Optically this is one of the very best lenses you can buy today.It is a manual lens which some (like the authors of this blog) see as a bonus but many will see an issue in this. Since it only focuses down to 1:2 we would recommend it more as a general purpose lens which can also work well as a macro lens for some applications than as a dedicated macro lens. REVIEW: TTARTISAN 21MM 1.5 Specifications / Version History. The TTArtisan 21mm 1.5 is the first of its kind, actually I don’t know of another 21mm 1.5 lens. It first came out for M-mount, but I wouldn’t rule out the possibility of a version optimized for the Sony filter stack in the near future. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out! REVIEW: 7ARTISANS 75MM 1.25 Introduction 7Artisans 75mm 1.25 via Metabones adapter on Sony A7rII. The 7Artisans 28mm 1.4 FE+ is a surprisingly well rounded prime for a very reasonable price. Now 7Artisans released an even faster 75mm f/1.25 lens. But is it as good as the 28mm lens? REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: TOKINA FIRIN 100MM F2.8 FE MACRO 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTING Found it! I shouldn’t jump in before trying everything first ;o) (Please delete my last two posts!) DRO +5 (in RAW) really DOES do what I’ve searched for, GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic OlympusSONY FE LIST
I just wanted to let you know that I just updated used prices on the FE list. It was interesting to see that over 11 months many lenses became a lot cheaper (especially Zeiss branded lenses but also most Sigma Arts) while many others stayed very stable. The following two tabs change content below.BioLatest Posts Continue reading Sony FEList →
LEICA R MOUNT LENSES Some time ago I had the chance to put several older Leica lenses to the test, here are the results. I have never actually used any of these lenses, I just had them for a couple of minutes to shoot a test series. I only had one copy per lens so my results might not Continue reading Leica R mount lenses REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATING The Pentacon auto 50 mm f/1.8 shows quite some vignetting wide open, though stopping down helps a lot.At f/2.8 vignetting is already reduced to 1.2 stops. From f/4 vignetting is negligible and not visible in real world shots.. Flare resistance. Flare resistance is among the worst I have ever encountered. Ghosting and veiling flare are very visible even in less challenging situations. LAOWA 100MM F2.8 CA-DREAMER MACRO 2X: A REVIEW This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims to be apochromatic. How good can it be? Is it, as some suspected when they first heard about it, good for macro but only Continue reading Laowa 100mm f2.8 CA-Dreamer Macro 2x:A review →
REVIEW: TTARTISAN 11MM 2.8 FISHEYE Introduction TTArtisan 11mm 2.8 Fisheye on Sony A7rII. Fisheye lenses are not exactly hugely popular and the fact that we haven’t seen a fullframe fisheye lens designed for mirrorless yet – in more than 60 years of the Leica-M system we haven’t seen a single one – onlysupports this.
NIKON NIKKOR 35MM F/2.8 Nikon Nikkor 35mm f/2.8 The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. I n this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album. Specifications REVIEW: OLYMPUS F.ZUIKO AUTO-S 1.8/50 The Olympus F.Zuiko 1.8/50 is an interesting little lens. Depending on your taste regarding bokeh this one can be the ideal walk around lens. It combines a “classic” bokeh rendering with nice contrast and very good sharpness in the central part of the image over most of thefocus range.
SHORT REVIEW: OLYMPUS OM ZUIKO MC 100MM 1:2.8 The Olympus OM 100 mm 1:2.8 is one of the smallest 100 mm lenses available and yet a good performer. Review on the Sony a7 with many full resolution images 135MM LEGACY SHOOT OUT: SMC PENTAX-M F/3.5 VS CANON NFD F Shoot out: SMC Pentax-M 135mm f/3.5 vs. Canon nFD 135mm f/3.5 vs. Panagor PMC auto tele 135mm f/2.8. In my search for a compact but good budget telelens I came across the SMC Pentax-M 135mm f3.5 and the Canon newFD 135mm f/3.5.PHILLIPREEVE.NET
Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES 1. Reproduction Ratio. The typical measure for how small the subects you can capture will be is the reproduction ratio. A macro-lens with a maximal reproduction ratio of 1:1 used on a Sony a7 series camera will allow you to fill the frame of an object which has the same size as the sensor which is about 36x24mm.BUILDING A LENS KIT
Introduction Loxia 21mm 2.8 – Loxia 35mm 2.0 – Loxia 85mm 2.4. When you start getting more involved with photography – and especially when you prefer using prime lenses – at some point it makes sense to spend some thoughts on building a lens kit. REVIEW: LAOWA 11MM 4.5 FF-RL 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTINGSONY ALPHA A7SONY ALPHA A7 IISONY ALPHA A7 II BODYSONY ALPHA A7 II REFURBISHEDSONY ALPHA A7 II REVIEWSSONY ALPHA A7 II USED 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATINGSEE MORE ON PHILLIPREEVE.NETPENTACON 28 2 8PENTACON 28 2 8PENTACON 29 2 8 REVIEW: LAOWA 15MM 2.0 ZERO-D FOR SONY FE AFFORDABLE MANUAL LENSES FOR THE SONY ALPHA 7,7R,7II,7RIIBEST SONY ALPHA LENSSONY ALPHA 68 REVIEWSONY ALPHA LENS LINEUPSONY LENS SALES This is a collection of good manual lenses which are available for less than $100, it is meant as a resource for photographers who own a Sony a7/ a7r/ a7ii/ a7rII and want to discover the world of manual lenses without breaking the bank.PHILLIPREEVE.NET
Introduction. Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E close focus adapter (Helicoid) The Leica Summicron-M 90mm 2.0 has been Leica’s top of the line M-mount portrait lens from 1980 to 1998. It is also one of the first lenses I reviewed for this blog, but I had to sell it to fund the Zeiss Loxia 85mm 2.4 back in the day. GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus GUIDE TO MACRO LENSES FOR THE SONY A7 SERIES 1. Reproduction Ratio. The typical measure for how small the subects you can capture will be is the reproduction ratio. A macro-lens with a maximal reproduction ratio of 1:1 used on a Sony a7 series camera will allow you to fill the frame of an object which has the same size as the sensor which is about 36x24mm.BUILDING A LENS KIT
Introduction Loxia 21mm 2.8 – Loxia 35mm 2.0 – Loxia 85mm 2.4. When you start getting more involved with photography – and especially when you prefer using prime lenses – at some point it makes sense to spend some thoughts on building a lens kit. REVIEW: LAOWA 11MM 4.5 FF-RL 5 HACKS FOR THE SONY A7 SERIES TO MAKE YOUR SHOOTINGSONY ALPHA A7SONY ALPHA A7 IISONY ALPHA A7 II BODYSONY ALPHA A7 II REFURBISHEDSONY ALPHA A7 II REVIEWSSONY ALPHA A7 II USED 5 hacks for the Sony a7 series to make your shooting easier. This is just a short selection of tricks which make it easier to use your Sony a7 series camera. 1. Use DRO to see into the shadows. To save the highlights I had to underexpose this image a lot. Thanks to the DROfunction I
REVIEW: MINOLTA M-ROKKOR 90MM 4.0 REVIEW: PENTACON AUTO 50 MM F/1.8 MULTI COATINGSEE MORE ON PHILLIPREEVE.NETPENTACON 28 2 8PENTACON 28 2 8PENTACON 29 2 8 REVIEW: LAOWA 15MM 2.0 ZERO-D FOR SONY FE AFFORDABLE MANUAL LENSES FOR THE SONY ALPHA 7,7R,7II,7RIIBEST SONY ALPHA LENSSONY ALPHA 68 REVIEWSONY ALPHA LENS LINEUPSONY LENS SALES This is a collection of good manual lenses which are available for less than $100, it is meant as a resource for photographers who own a Sony a7/ a7r/ a7ii/ a7rII and want to discover the world of manual lenses without breaking the bank. GUIDE TO CLASSIC OLYMPUS OM ZUIKO LENSES ON FILM AND SONY Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full Continue reading Guide to Classic Olympus OMBUILDING A LENS KIT
Introduction Loxia 21mm 2.8 – Loxia 35mm 2.0 – Loxia 85mm 2.4. When you start getting more involved with photography – and especially when you prefer using prime lenses – at some point it makes sense to spend some thoughts on building a lens kit. REVIEW: LAOWA 9MM 5.6 FF-RL Introduction Laowa 9mm 5.6 on Sony A7rII. The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!MANUAL LENSES
If you are new to manual lenses we recommend that you read our beginner’s guide to manual lenses on the Sony a7 series first.. Manual Lenses on a Budget. If you are on a budget you might want to check out our list of manualDetails
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