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SCRIPT
MAGAZINESCREENPLAYSTELEVISIONFILMMAKINGMULTI-MEDIACAREERINTERVIEWS The Eye of ‘The Handmaid’s Tale’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s HOW TO WRITE A SCREENPLAY AND BEYOND: FREE SCREENWRITING If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of PUNCTUATION & GRAMMAR GUIDANCE FOR SCREENWRITERS PUNCTUATION PEARLS. 1. The slash means two things at the same time. For example, pinterest-pin-it. means that camera can be inside (INT.) or outside (EXT.) the car at the director’s whim. That way, you don’t have to bounce back and forth between WRITING ACTION DESCRIPTION: IT'S ALL STORYTELLING Context is the invisible glue that holds your scenes together. It allows leeway in your action description and style, including the usage of expressive language. The overall set of circumstances—the memory of previous descriptions layered throughout the entire script—has a cumulative effect that becomes indispensable to a compact prose style. ASK DR. FORMAT: OFF SCREEN AND VOICE OVER, EVERYTHING YOU FORMAT: Off Screen and Voice Over, Everything You Want to Know - Script Magazine. ASK DR. FORMAT: Off Screen and Voice Over, Everything You Want to Know. Dave Trottier continues his 30 years of giving Script’s readers stellar screenplay formatting advice, sharing tips on formatting texts, instant messages, e-mails, Skype and more. Author MEET THE READER: EIGHT SCREENWRITING SCAMS TO AVOID To help you avoid falling victim to these exploiters, here is a list of eight screenwriting scams to avoid. 1. Working for free. Pros pay – it’s really that simple. Well-funded producers and production companies with solid track records (entities that actually have a chance to get a movie made) pay the people they hire. SCHEDULING AND BUDGETING FILM AND TV FOR BEGINNERS Scheduling and Budgeting resources. Every television episode, movie or video is created from some combination of resources, places, people and equipment, with the purpose of capturing visuals, footage and sounds to be edited to tell a story. Doing this effectively and efficiently requires planning. Production management is that planning. 7 CRUCIAL LOGLINE MISTAKES AND HOW TO FIX THEM Logline Mistake #2: It brings nothing new to the table. When an all-powerful superhero falls in love with his arch-nemesis's daughter, he must decide whether to reveal his true identity to her. This isn't a bad logline by any means. Actually, it's a pretty good first draft. PRIMETIME: PILOT PAGE-LENGTH AND PITCHING TO NEWS SHOWS So if it's an hour-long show, like Sons of Anarchy or Breaking Bad, the pilot is one hour long. This means the script is about 50-60 pages. pinterest-pin-it. Now, occasionally, a creator's vision for a pilot episode stretches beyond the expected time limit. When this happens, the network must decide whether it wants to shorten thescript or
FEARLESS FEATURE FILM WRITERS: CREATING YOUR ONE-PAGER Mar 27, 2018. Paula Landry gives tips on creating a one-pager, often called a "leave behind," allowing you to better share your screenplay pitch with executives. Paula Landry, MBA, is a writer/producer and consultant helping writers create strategies to excel. Landry teaches film business classes at NYU, SVA, Wagner College and MCNY.SCRIPT
MAGAZINESCREENPLAYSTELEVISIONFILMMAKINGMULTI-MEDIACAREERINTERVIEWS The Eye of ‘The Handmaid’s Tale’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s HOW TO WRITE A SCREENPLAY AND BEYOND: FREE SCREENWRITING If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of PUNCTUATION & GRAMMAR GUIDANCE FOR SCREENWRITERS PUNCTUATION PEARLS. 1. The slash means two things at the same time. For example, pinterest-pin-it. means that camera can be inside (INT.) or outside (EXT.) the car at the director’s whim. That way, you don’t have to bounce back and forth between WRITING ACTION DESCRIPTION: IT'S ALL STORYTELLING Context is the invisible glue that holds your scenes together. It allows leeway in your action description and style, including the usage of expressive language. The overall set of circumstances—the memory of previous descriptions layered throughout the entire script—has a cumulative effect that becomes indispensable to a compact prose style. ASK DR. FORMAT: OFF SCREEN AND VOICE OVER, EVERYTHING YOU FORMAT: Off Screen and Voice Over, Everything You Want to Know - Script Magazine. ASK DR. FORMAT: Off Screen and Voice Over, Everything You Want to Know. Dave Trottier continues his 30 years of giving Script’s readers stellar screenplay formatting advice, sharing tips on formatting texts, instant messages, e-mails, Skype and more. Author MEET THE READER: EIGHT SCREENWRITING SCAMS TO AVOID To help you avoid falling victim to these exploiters, here is a list of eight screenwriting scams to avoid. 1. Working for free. Pros pay – it’s really that simple. Well-funded producers and production companies with solid track records (entities that actually have a chance to get a movie made) pay the people they hire. SCHEDULING AND BUDGETING FILM AND TV FOR BEGINNERS Scheduling and Budgeting resources. Every television episode, movie or video is created from some combination of resources, places, people and equipment, with the purpose of capturing visuals, footage and sounds to be edited to tell a story. Doing this effectively and efficiently requires planning. Production management is that planning. 7 CRUCIAL LOGLINE MISTAKES AND HOW TO FIX THEM Logline Mistake #2: It brings nothing new to the table. When an all-powerful superhero falls in love with his arch-nemesis's daughter, he must decide whether to reveal his true identity to her. This isn't a bad logline by any means. Actually, it's a pretty good first draft. PRIMETIME: PILOT PAGE-LENGTH AND PITCHING TO NEWS SHOWS So if it's an hour-long show, like Sons of Anarchy or Breaking Bad, the pilot is one hour long. This means the script is about 50-60 pages. pinterest-pin-it. Now, occasionally, a creator's vision for a pilot episode stretches beyond the expected time limit. When this happens, the network must decide whether it wants to shorten thescript or
FEARLESS FEATURE FILM WRITERS: CREATING YOUR ONE-PAGER Mar 27, 2018. Paula Landry gives tips on creating a one-pager, often called a "leave behind," allowing you to better share your screenplay pitch with executives. Paula Landry, MBA, is a writer/producer and consultant helping writers create strategies to excel. Landry teaches film business classes at NYU, SVA, Wagner College and MCNY.SCRIPT MAGAZINE
The Eye of ‘The Handmaid’s Tale’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s STARTING PROJECTS: GET $H!T DONE 15 MINUTES AT A TIME No one likes staring at a blank page or struggling to find time to write every day. Stop the guilt trip! SCHEDULING AND BUDGETING FILM AND TV FOR BEGINNERS Scheduling and Budgeting resources. Every television episode, movie or video is created from some combination of resources, places, people and equipment, with the purpose of capturing visuals, footage and sounds to be edited to tell a story. Doing this effectively and efficiently requires planning. Production management is that planning. SITCOM SUCCESS: CREATE YOUR SYNOPSIS Marilyn Horowitz is an award-winning New York University professor, author, producer, and Manhattan-based writing consultant, who works with successful novelists, produced screenwriters, and award-winning filmmakers. She has a passion for helping novices get started. Since 1998 she has taught thousands of aspiring screenwriters to complete a feature length screenplay using her method. IT DEPENDS: WHAT IS FILM PACKAGING? Packaging is a sales tool to attract what’s missing, completion, etc. It is also a way of covering up some elements that aren’t strong enough to stand on their own. Sometimes the sum of its parts are greater than the whole. Sometimes its just a jumble of parts. Itdepends.
COMEDY WRITING: EVERY SCRIPT DESERVES A GOOD BEATING Evan Smith has written for NBC, CBS, FOX, USA, and various producers, and has worked as a programming VP responsible for developing network TV movies, specials, and series. Evan is the author of the bestselling book WRITING TELEVISION SITCOMS, he teaches screenwriting at Syracuse University’s Newhouse School, and he serves as a private script consultant for screenwriters and HOW TO GET YOUR SCREENPLAY SOLICITED You say. No problem: "solicited" just basically means "asked for" -- so get your script solicited!!! The One Page Pitch is perfect for this. When it comes to submissions, NO ONE is afraid of just one page. This means a one page pitch can be a GREAT way of selling your idea "off the page" to an agent, producer or other filmmaker. LOOK BOOKS: USING VISUAL SHORTHAND TO SELL YOUR SCRIPT Look Books are becoming more and more popular with screenwriters and filmmakers in Hollywood. Also known as a “pitch deck,” they convey the look and feel of your story’s universe, of your main characters, and the essential details that populate that world. They are a visual shorthand to communicating the impact of your unique, cinematic WRITERS' ROOM 101: TV WRITER JOB TITLES TV writer Eric Haywood breaks down the basic differences between the various job titles for writers. Eric Haywood has spent over a decade writing for network and premium cable television series including ABC’s Private Practice, Showtime’s Soul Food, NBC’s Hawaii, and the Fox drama Empire. Follow Eric on Twitter at @EricHaywood. TOP FIVE TIPS ON WRITING ABOUT FAMILY RELATIONSHIPS Unstable family relationships are portrayed in writer/director Noah Baumbach’s The Squid and the Whale and in writer/director Tamara Jenkins’s The Savages.The Squid and the Whale examines the Berkman family’s transition and redefinition when parents Bernard and Joan decide to divorce. Teenage sons, Walt and Frank, prematurely come of age, struggling with their conflicted and confusedSCRIPT
MAGAZINESCREENPLAYSTELEVISIONFILMMAKINGMULTI-MEDIACAREERINTERVIEWS The Eye of ‘The Handmaid’s Tale’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s HOW TO WRITE A SCREENPLAY AND BEYOND: FREE SCREENWRITING If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of WRITING ACTION DESCRIPTION: IT'S ALL STORYTELLING Context is the invisible glue that holds your scenes together. It allows leeway in your action description and style, including the usage of expressive language. The overall set of circumstances—the memory of previous descriptions layered throughout the entire script—has a cumulative effect that becomes indispensable to a compact prose style. SPEC SCRIPTS 101: 12 SIGNS OF A PROMISING SPEC SCRIPT Here are those 12 elements–those 12 signs of a promising spec: The script is short – between 90 and 110 pages The average length of a feature film is between 100 and 120 minutes (yes, I know that a lot of modern movies run longer than two hours, but those films are usually the result of self-indulgent directors abusing their right to final cut and does not reflect a desire on the part of MEET THE READER: EIGHT SCREENWRITING SCAMS TO AVOID To help you avoid falling victim to these exploiters, here is a list of eight screenwriting scams to avoid. 1. Working for free. Pros pay – it’s really that simple. Well-funded producers and production companies with solid track records (entities that actually have a chance to get a movie made) pay the people they hire. ARTICLES BY LYNN GRANT BECK Lynn Grant Beck. Lynn Grant Beck is a professional screenwriter. She’s had two television movies produced for Hallmark and Lifetime, and was recently hired by Google to write a pilot for YouTube Red. She’s been hired to write both film and television scripts and has had numerous scripts optioned. She began her career in New Yorkwriting and
MAGIC BULLET: HOW TO GET YOUR SCRIPT READ The Voyage to Getting Your Script Read will hopefully have less kraken. There are basically four main ways for an unknown to get their script read, and I'm going to put them in order of effectiveness. The four ways are: Contacts, Coverage services, Competitions, and SITCOM SUCCESS: CREATE YOUR BEAT-BY-BEAT OUTLINE The first is the one that you use throughout the outline, in which each beat refers to a specific scene. The second kind of beat refers to the shifts within a scene. In this case, we’re going to discuss the first kind, in which the beats refer to the scenes themselves. Now that you understand that, take your synopsis and divide it intolocations.
WHAT IS A PITCH DECK AND WHY SHOULD YOU CREATE ONE A Pitch Deck is a visual communication tool that’s been utilized in the corporate world for decades. It’s embraced by the start up culture for pitching ideas and raising capital. It’s a means of shaping a product or idea into a compelling story that you can see, be inspired by, and act upon. INTERVIEW WITH YONA DESHOMMES, PRESIDENT OF RIVERCHILD Yona Deshommes is the President of Riverchild Media, a public relations firm specializing in the promotion of books by and for authors of color.She previously served as an Associate Director of Publicity at Atria Books, an imprint of one of the largest publishers in the world, Simon & Schuster.SCRIPT
MAGAZINESCREENPLAYSTELEVISIONFILMMAKINGMULTI-MEDIACAREERINTERVIEWS The Eye of ‘The Handmaid’s Tale’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s HOW TO WRITE A SCREENPLAY AND BEYOND: FREE SCREENWRITING If you’re looking for FREE screenwriting tips and advice to help kick-start your writing career, then you’ll LOVE our vast selection of free downloads from the experts. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of WRITING ACTION DESCRIPTION: IT'S ALL STORYTELLING Context is the invisible glue that holds your scenes together. It allows leeway in your action description and style, including the usage of expressive language. The overall set of circumstances—the memory of previous descriptions layered throughout the entire script—has a cumulative effect that becomes indispensable to a compact prose style. SPEC SCRIPTS 101: 12 SIGNS OF A PROMISING SPEC SCRIPT Here are those 12 elements–those 12 signs of a promising spec: The script is short – between 90 and 110 pages The average length of a feature film is between 100 and 120 minutes (yes, I know that a lot of modern movies run longer than two hours, but those films are usually the result of self-indulgent directors abusing their right to final cut and does not reflect a desire on the part of MEET THE READER: EIGHT SCREENWRITING SCAMS TO AVOID To help you avoid falling victim to these exploiters, here is a list of eight screenwriting scams to avoid. 1. Working for free. Pros pay – it’s really that simple. Well-funded producers and production companies with solid track records (entities that actually have a chance to get a movie made) pay the people they hire. ARTICLES BY LYNN GRANT BECK Lynn Grant Beck. Lynn Grant Beck is a professional screenwriter. She’s had two television movies produced for Hallmark and Lifetime, and was recently hired by Google to write a pilot for YouTube Red. She’s been hired to write both film and television scripts and has had numerous scripts optioned. She began her career in New Yorkwriting and
MAGIC BULLET: HOW TO GET YOUR SCRIPT READ The Voyage to Getting Your Script Read will hopefully have less kraken. There are basically four main ways for an unknown to get their script read, and I'm going to put them in order of effectiveness. The four ways are: Contacts, Coverage services, Competitions, and SITCOM SUCCESS: CREATE YOUR BEAT-BY-BEAT OUTLINE The first is the one that you use throughout the outline, in which each beat refers to a specific scene. The second kind of beat refers to the shifts within a scene. In this case, we’re going to discuss the first kind, in which the beats refer to the scenes themselves. Now that you understand that, take your synopsis and divide it intolocations.
WHAT IS A PITCH DECK AND WHY SHOULD YOU CREATE ONE A Pitch Deck is a visual communication tool that’s been utilized in the corporate world for decades. It’s embraced by the start up culture for pitching ideas and raising capital. It’s a means of shaping a product or idea into a compelling story that you can see, be inspired by, and act upon. INTERVIEW WITH YONA DESHOMMES, PRESIDENT OF RIVERCHILD Yona Deshommes is the President of Riverchild Media, a public relations firm specializing in the promotion of books by and for authors of color.She previously served as an Associate Director of Publicity at Atria Books, an imprint of one of the largest publishers in the world, Simon & Schuster. ASK DR. FORMAT: OFF SCREEN AND VOICE OVER, EVERYTHING YOU FORMAT: Off Screen and Voice Over, Everything You Want to Know - Script Magazine. ASK DR. FORMAT: Off Screen and Voice Over, Everything You Want to Know. Dave Trottier continues his 30 years of giving Script’s readers stellar screenplay formatting advice, sharing tips on formatting texts, instant messages, e-mails, Skype and more. Author INTERVIEW WITH ‘FLATBUSH MISDEMEANORS’ CO-CREATOR AND STAR Script's Editor Sadie Dean interviews 'Flatbush Misdemeanors' co-creator and star Dan Perlman about creating a zero budget proof of concept that swept film festivals, collaborating with co-writer Kevin Iso and the collective humor that the behind-the-scenes team adds to this off-beat Showtime comedy series. Plus, Dan shares invaluable advice on taking life by the horns and shooting a low LEGALLY SPEAKING, IT DEPENDS: SCRIPT OPTIONS AND SALES A SALE, or more accurately a PURCHASE AGREEMENT, is a contractual exchange of rights and/or property for something of value according to agreed terms. The Sale or Purchase Agreement is the true exchange of real things. It is the lifeblood of all transactions in the industry. This agreement contains the foundational asset, the first tangible COMEDY WRITING: EVERY SCRIPT DESERVES A GOOD BEATING Evan Smith has written for NBC, CBS, FOX, USA, and various producers, and has worked as a programming VP responsible for developing network TV movies, specials, and series. Evan is the author of the bestselling book WRITING TELEVISION SITCOMS, he teaches screenwriting at Syracuse University’s Newhouse School, and he serves as a private script consultant for screenwriters and SCREENWRITING PARTNERSHIPS Screenwriting Partnerships. Filmmaking is a collaborative medium, and screenwriting is no exception. Many produced and successful scripts have been written by writing partners. But finding the right partner is as hard as finding the perfect spouse. Learn the process of finding a partner, creating a workable relationship, and how to protect SELLING YOUR SCREENPLAY: EP 383 WITH DIRECTOR TED CAMPBELL This week Ashley Scott Meyers talks with director Ted Campbell. He talks about how he got his start as an Assistant Director "AD" for many movies, which led to directing features such as 'Killer Profile' (AKA Friend Request) for Marvista Entertainment. BUILDING & REVEALING CHARACTER: SIMPLE BUT POWERFUL TOOLS In addition to opposition, another element must exist. It’s essential in life as well as in drama. To introduce it, let me first ask, does Michael in TheGodfather grow or decline? He ascends to the position of godfather, but he declines morally in the process. SITCOM SUCCESS: CREATE YOUR SYNOPSIS Marilyn Horowitz is an award-winning New York University professor, author, producer, and Manhattan-based writing consultant, who works with successful novelists, produced screenwriters, and award-winning filmmakers. She has a passion for helping novices get started. Since 1998 she has taught thousands of aspiring screenwriters to complete a feature length screenplay using her method.BRUCE MILLER
2021 Active Interest Media All Rights Reserved. SCREENWRITERS: BE THE KING (OR QUEEN) OF YOUR OWN WAKANDA Are screenwriters becoming too business-minded in their creativeprocess?
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SCREENPLAYS
Screenplay Structure and OutliningSTRUCTURE AND YOU
Do three acts guarantee a good movie? Script contributor Peter Markham analyzes structure and our differing attitudes towards it.*
By Peter Markham
Jun 3, 2021
Screenplay Formatting ASK DR. FORMAT: THE CAMERA AS A CHARACTER Dave Trottier, Dr. Format, shares advice on how to format your screenplay to implement a "cameraman" as an actual participant in ascene.
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By Dave Trottier
Apr 27, 2021
TELEVISION
How to Write for Television WRITING SCI-FI FOR BROADCAST Script contributor Tara Bennett speaks with current sci-fi showrunners Jeff Rake (Manifest), Chris Sheridan (Resident Alien), J.H. Wyman (Debris) and Todd Helbing (Superman & Lois) about how they’ve approached making successful, mainstream sci-fi TV today.*
By Tara Bennett
Apr 28, 2021
How to Write for Television THE STRUCTURE OF WANDAVISION Whether it’s the dialogue you want to learn more about, or the structure, or aesthetic, 'WandaVision' will be worthy of study by writers for a long time. Bryan Young examines the storytelling techniques used in the nine-part Disney+ series.*
By Bryan Young
Apr 5, 2021
MEET OUR CONTRIBUTORS Meet our ContributorsCAREER
Screenwriting Career IS DATA NOW MORE IMPORTANT THAN RELATIONSHIPS IN HOLLYWOOD? “It’s who you know.” That’s an apt quote for making it in the entertainment industry. But why? Primarily, because of trust andefficiency.
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By Mitch Lusas
May 14, 2021
Screenwriting Career MEET MEDICAL TV ADVISOR DR. OREN GOTTFRIED Neurosurgeon Dr. Oren Gottfried shares his journey from working as a surgeon to offering his expertise and wealth of knowledge to hit medical TV dramas like 'The Good Doctor' and 'Chicago Med', as well as his path to his first 'story by' credit.*
By Sadie Dean
May 6, 2021
INTERVIEWS
Screenwriter Interviews THE EYE OF ‘THE HANDMAID’S TALE’ Script's Editor Sadie Dean interviews 'The Handmaid's Tale' creator and showrunner Bruce Miller. This interview is a unique opportunity to pull back the curtain on his wizardry and truly witness how passionate he is about the book and respectful of Margaret Atwood’s story, the delicate balance of writing female characters, and how much joy he’s received over the last four seasons of writing this show for adedicated audience.
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By Sadie Dean
Jun 3, 2021
Screenwriter Interviews A NEW PERSPECTIVE WITHIN ‘EUPHORIA’ Script's Editor Sadie Dean speaks with 'Euphoria' star turned writer Hunter Schafer about how this special episode idea came to be, her writing process with show creator Sam Levinson, tapping into vulnerabilities, and what she hopes mainstream viewers take away after watching this episode.*
By Sadie Dean
Jun 2, 2021
WRITING INSPIRATION
Writing Inspiration
WRITER SINGS THE BLUES Writer doldrums are usually transient and can serve as story fodder if you know how to manage them. Terri Coduri Viani shares inspirational tips from her writing tribe on how to overcome your writer blues.*
By Terri Coduri VianiApr 6, 2021
Writing Inspiration
FRESH VOICES IN SCRIPT DEVELOPMENT How can the intimacy of the live theatre experience sustain during the pandemic? The connection forged between audience and production is unique to each performance. Theatres are finding unique ways to develop plays within these strictures and unknowns.*
By Devon Ellington
Mar 12, 2021
RECENT STORIES
Screenwriter Interviews 'ENDANGERED SPECIES' LITTLE MOVIE WITH A BIG MESSAGE ... Script's Editor Sadie Dean interviews 'Endangered Species' director/co-writer MJ Basset, about MJ's writing collaboration with daughter Isabel Bassett, and why making eco-action films is a lifepassion.
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By Sadie Dean
May 27, 2021
Screenwriter Interviews INDIE SPOTLIGHT: ‘PORT AUTHORITY’ WRITER/DIRECTOR DANIELLELESSOVITZ
... In this interview with 'Port Authority' writer/director Danielle Lessovitz, we peel back the layers of her personal lived experience and combining it with other shared lived experiences for the movie, the collaborative process with her cast, plus Danielle offers wonderful advice in trusting your voice as a storyteller.*
By Sadie Dean
May 26, 2021
Screenwriter Interviews INDIE SPOTLIGHT: ‘GOLDEN ARM’ SCREENWRITERS JENNA MILLY AND ANNMARIE ALLISON
... 'Golden Arm' screenwriting partners Jenna Milly and Ann Marie Allison share their journey in making their film, how the idea was sparked, becoming writing partners, their process, and their goal to continue writing and making female-centric comedies.*
By Sadie Dean
May 24, 2021
Screenwriting Podcasts RECKLESS CREATIVES PODCAST - EPISODE 2 "SPIKE SCARBERRY: DRUNK HISTORY MEETS SCREENWRITING" ... Reckless Creatives Podcast co-hosts Sadie Dean and Jeanne Veillette Bowerman chat with Spike Scarberry about what it takes to succeed in screenwriting. Spike is a veteran of the Hollywood development landscape, having worked for an agency, a prod company,and a TV network.
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By Script Magazine
May 24, 2021
Selling Your Screenplay Podcast by Ashley Scott Meyers SELLING YOUR SCREENPLAY: EP 381 WITH FILMMAKER NATHANIEL NUON ... This week Ashley Scott Meyers talks with filmmaker Nathaniel Nuon. Nathaniel is the director/co-writer of a horror-thriller feature 'The Voices' (2020) starring Jordan Ladd.*
By Ashley Scott MeyersMay 24, 2021
Screenwriter Interviews INDIE SPOTLIGHT: ‘DEMENTIA: PART II’ FILMMAKERS MATT MERCER ANDMIKE TESTIN
... Script's Editor Sadie Dean interviews 'Dementia: Part II' filmmakers Matt Mercer and Mike Testin. The filmmakers share their collaboration process and how they made their low-budget indie horror movie in five weeks.*
By Sadie Dean
May 20, 2021
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