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International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas, Green and yellow lovers, 1964. Panel, PVC, objects, 55 1/2 x 81 x 11 1/2 inches (141 x 205.7 x 29.2 cm). Courtesy Andrea Rosen Gallery. In mazes of organs and perplexing collections of skin, Cárdenas constructs a sexuality that is multiple precisely because gender is unfixed. In Green and Yellow Lovers (1964), a shared ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas, Green and yellow lovers, 1964. Panel, PVC, objects, 55 1/2 x 81 x 11 1/2 inches (141 x 205.7 x 29.2 cm). Courtesy Andrea Rosen Gallery. In mazes of organs and perplexing collections of skin, Cárdenas constructs a sexuality that is multiple precisely because gender is unfixed. In Green and Yellow Lovers (1964), a shared ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 NowSFAQ EVENTS
International Art and Culture. Defying the Narrative: Contemporary Art from West and Southern Africa at Ever Gold , San Francisco WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology LITERAL AMERICAN GOLD MINE Literal American Gold Mine. A gold-plated motorcycle designed by Paul Jr. Designs for Newmont Mining. “Everything here is built to scale,” I’m told, standing before a haul truck approximately the size of a two-story house. The person telling me this drives one of these haul trucks atPETRA COLLINS
Petra Collins is an artist and curator living in New York. Artsy, 30 Emerging Artists To Watch This Spring. At 23 years old, rising star Collins has amassed a tremendous and loyal following (she’s been taking photographs since age 15) for her dreamy, pastel-hued explorations of female identity. An artist as well as a curator,actor, filmmaker
JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. WHERE IS THE RISK IN DIGITAL ART? When it comes to the creation of digital art or media, risk can be talked about in two different ways. One way is to discuss it through the lens of the danger of the content. A work or product that is confronting something contentious in society or culture can often be considered a risky endeavor for an artist at any level of theircareer.
SFAQ | SFAQ / NYAQ / LXAQ | PAGE 14 International Art and Culture. Opening Saturday, January 11th at LVL3, Chicago is “Codification,” a two-person exhibition by Chicago-based Alex Chitty and Denver-based Zach Reini. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture.MICHAEL JOO
Michael Joo. SFAQ — May 25, 2012. Michael Joo is a rare artist who’s practice intersects multiple disciplines from both the core and periphery of art history’s framework. His body of work is often difficult to sum up due to its vastness. For the past two years, Michael has been a mentor to me, and has opened the door to artisticdiscourse
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International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER International Art and Culture. Who is Ana Mendieta? Mendieta was born in Cuba but was sent to Miami at age 12 in 1961 as part of Operation Peter Pan, an initiative that brought 14,000 Cuban children to this country between 1960 and 1962 under the guardianship of the Catholic Church.She and her sister grew up in Iowa, where she was later sent to reform school and both sisters lived in a series ON THE DESPISED ART OF THOMAS KINKADE There is a history of vices and so too of what counts as monstrous. A central vice in modernist painting was “the decorative.” A painting might be condemned as decorative either by failing to generate a sufficient rich meaningfulness (a constant worry of Kandinsky’s with his abstract painting), or by ‘merely’ illustrating some text, and gaining its meaning only via relationsexternal
IN CONVERSATION WITH CHRIS BURDEN Andrew McClintock: One of your first noted pieces created during your undergrad at Pomona College was a large outdoor sculpture that because of its physical nature ended up becoming interactive—can you please talk about this and if that helped point you towards starting more performative based works. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Makoto Aida, “Ash Color Mountains,” 2009-11. Acrylic on canvas, 300 x 700cm. Taguchi Art Collection of Cooperation: Watanabe Atsushi.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER International Art and Culture. Who is Ana Mendieta? Mendieta was born in Cuba but was sent to Miami at age 12 in 1961 as part of Operation Peter Pan, an initiative that brought 14,000 Cuban children to this country between 1960 and 1962 under the guardianship of the Catholic Church.She and her sister grew up in Iowa, where she was later sent to reform school and both sisters lived in a series ON THE DESPISED ART OF THOMAS KINKADE There is a history of vices and so too of what counts as monstrous. A central vice in modernist painting was “the decorative.” A painting might be condemned as decorative either by failing to generate a sufficient rich meaningfulness (a constant worry of Kandinsky’s with his abstract painting), or by ‘merely’ illustrating some text, and gaining its meaning only via relationsexternal
IN CONVERSATION WITH CHRIS BURDEN Andrew McClintock: One of your first noted pieces created during your undergrad at Pomona College was a large outdoor sculpture that because of its physical nature ended up becoming interactive—can you please talk about this and if that helped point you towards starting more performative based works. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Makoto Aida, “Ash Color Mountains,” 2009-11. Acrylic on canvas, 300 x 700cm. Taguchi Art Collection of Cooperation: Watanabe Atsushi.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANGELA DAVIS: THE MEANING OF FREEDOM Angela Davis is the author of eight books and has lectured throughout the United States as well as in Europe, Africa, Asia, Australia, andSouth America.
CONSIDERING THE ETHICS OF ABSTRACTION, PART ONE This piece is the first in an ongoing exploration. By Peter Cochrane . I recently saw the James Turrell retrospective at the Los Angeles County Museum of Art (LACMA), which opened concurrently with sweeping exhibitions at the Museum of Fine Arts, Houston, and SFAQ PICK: “PROBLEM IN CHAIR NOT IN COMPUTER” SOLO Next post SFAQ Pick: "A Conversation with Philip Gefter and Mike Mandel" at the California College of the Arts, San Francisco. March 14. Previous post SFAQ Pick: "We play at Paste" group exhibition at Lisa Cooley, New York. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ | SFAQ / NYAQ / LXAQ | PAGE 14 International Art and Culture. Opening Saturday, January 11th at LVL3, Chicago is “Codification,” a two-person exhibition by Chicago-based Alex Chitty and Denver-based Zach Reini.NOV 5, 2016
and along with Rudolf Frieling (see p. 8), one of the originating curators of Bruce Conner: It’s All True.Although Conner was a protean producer across a number of media—notably film,JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas, Green and yellow lovers, 1964. Panel, PVC, objects, 55 1/2 x 81 x 11 1/2 inches (141 x 205.7 x 29.2 cm). Courtesy Andrea Rosen Gallery. In mazes of organs and perplexing collections of skin, Cárdenas constructs a sexuality that is multiple precisely because gender is unfixed. In Green and Yellow Lovers (1964), a shared WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology THREE PERSPECTIVES ON THE GLOBALIZATION OF THE ART MARKET The term “globalization” is ubiquitous and imprecise. Nonetheless, it is high time to think about what it means for the art market and the broader sphere of artistic production. I will venture not just one, but three possible responses to this question: the Good, the Bad, and the Ineffable. The Good: Globalization equals cross-border ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas, Green and yellow lovers, 1964. Panel, PVC, objects, 55 1/2 x 81 x 11 1/2 inches (141 x 205.7 x 29.2 cm). Courtesy Andrea Rosen Gallery. In mazes of organs and perplexing collections of skin, Cárdenas constructs a sexuality that is multiple precisely because gender is unfixed. In Green and Yellow Lovers (1964), a shared WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology THREE PERSPECTIVES ON THE GLOBALIZATION OF THE ART MARKET The term “globalization” is ubiquitous and imprecise. Nonetheless, it is high time to think about what it means for the art market and the broader sphere of artistic production. I will venture not just one, but three possible responses to this question: the Good, the Bad, and the Ineffable. The Good: Globalization equals cross-border ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. MAGAZINES | SFAQ / NYAQ / LXAQ International Art and Culture. SFAQ (San Francisco Art Quarterly) was founded in March 2010. The first few issues were half editorial content and half event listings for WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technologyJOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. NOTES ON THE ASSEMBLAGE Notes on the Assemblage. —42 estudiantes de la Escuela Normal de Ayotzinapa desaparecieron después de que la policía de la ciudad de Iguala, Guerrero, México abrió fuego contra los autobuses en que viajaban y secuestró un grupo de 43. —42 students from the Ayotzinapa Normal School went missing after police in the city ofIguala
A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. ISSUE 6 // FREE LEONARDO DREW have resolved it by now, but it has been perplexing and ongo-ing. This is an interesting segue into a number of issues I would to address. Because honestly, by route, you can create work, SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER International Art and Culture. Who is Ana Mendieta? Mendieta was born in Cuba but was sent to Miami at age 12 in 1961 as part of Operation Peter Pan, an initiative that brought 14,000 Cuban children to this country between 1960 and 1962 under the guardianship of the Catholic Church.She and her sister grew up in Iowa, where she was later sent to reform school and both sisters lived in a series MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas & Without a Body: Ivana Bašić, FlucT, Sable Elyse Smith Andrea Rosen Gallery and Gallery 2 curated by SIGNAL January 6 – February 4, 2017. For every separation, there is a coming together. Warmth rushes over my face and neck.JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Makoto Aida, “Ash Color Mountains,” 2009-11. Acrylic on canvas, 300 x 700cm. Taguchi Art Collection of Cooperation: Watanabe Atsushi. NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the IN CONVERSATION WITH CHRIS BURDEN Andrew McClintock: One of your first noted pieces created during your undergrad at Pomona College was a large outdoor sculpture that because of its physical nature ended up becoming interactive—can you please talk about this and if that helped point you towards starting more performative based works. JENNIFER & KEVIN MCCOY: BROKER Jennifer & Kevin McCoy: Broker Postmasters 54 Franklin Street New York, NY 10013 October 22 – November 26, 2016. Apartment 56A, a 1,477 square foot two-bedroom residence at 721 Fifth Avenue, recently sold for $4,000,000. The views from its floor-to-ceiling windows are panoramic; interested buyers may find floor plans and related images on the Douglas Elliman website or receive a personalSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER International Art and Culture. Who is Ana Mendieta? Mendieta was born in Cuba but was sent to Miami at age 12 in 1961 as part of Operation Peter Pan, an initiative that brought 14,000 Cuban children to this country between 1960 and 1962 under the guardianship of the Catholic Church.She and her sister grew up in Iowa, where she was later sent to reform school and both sisters lived in a series MIGUEL ÁNGEL CÁRDENAS AND WITHOUT A BODY AT ANDREA ROSEN Miguel Ángel Cárdenas & Without a Body: Ivana Bašić, FlucT, Sable Elyse Smith Andrea Rosen Gallery and Gallery 2 curated by SIGNAL January 6 – February 4, 2017. For every separation, there is a coming together. Warmth rushes over my face and neck.JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Makoto Aida, “Ash Color Mountains,” 2009-11. Acrylic on canvas, 300 x 700cm. Taguchi Art Collection of Cooperation: Watanabe Atsushi. NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the IN CONVERSATION WITH CHRIS BURDEN Andrew McClintock: One of your first noted pieces created during your undergrad at Pomona College was a large outdoor sculpture that because of its physical nature ended up becoming interactive—can you please talk about this and if that helped point you towards starting more performative based works. JENNIFER & KEVIN MCCOY: BROKER Jennifer & Kevin McCoy: Broker Postmasters 54 Franklin Street New York, NY 10013 October 22 – November 26, 2016. Apartment 56A, a 1,477 square foot two-bedroom residence at 721 Fifth Avenue, recently sold for $4,000,000. The views from its floor-to-ceiling windows are panoramic; interested buyers may find floor plans and related images on the Douglas Elliman website or receive a personalSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technologyJOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the ANGELA DAVIS: THE MEANING OF FREEDOM Angela Davis is the author of eight books and has lectured throughout the United States as well as in Europe, Africa, Asia, Australia, andSouth America.
CONSIDERING THE ETHICS OF ABSTRACTION, PART ONE This piece is the first in an ongoing exploration. By Peter Cochrane . I recently saw the James Turrell retrospective at the Los Angeles County Museum of Art (LACMA), which opened concurrently with sweeping exhibitions at the Museum of Fine Arts, Houston, and JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now MAGAZINES | SFAQ / NYAQ / LXAQ International Art and Culture. SFAQ (San Francisco Art Quarterly) was founded in March 2010. The first few issues were half editorial content and half event listings for ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology THREE PERSPECTIVES ON THE GLOBALIZATION OF THE ART MARKET The term “globalization” is ubiquitous and imprecise. Nonetheless, it is high time to think about what it means for the art market and the broader sphere of artistic production. I will venture not just one, but three possible responses to this question: the Good, the Bad, and the Ineffable. The Good: Globalization equals cross-border ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now MAGAZINES | SFAQ / NYAQ / LXAQ International Art and Culture. SFAQ (San Francisco Art Quarterly) was founded in March 2010. The first few issues were half editorial content and half event listings for ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology THREE PERSPECTIVES ON THE GLOBALIZATION OF THE ART MARKET The term “globalization” is ubiquitous and imprecise. Nonetheless, it is high time to think about what it means for the art market and the broader sphere of artistic production. I will venture not just one, but three possible responses to this question: the Good, the Bad, and the Ineffable. The Good: Globalization equals cross-border ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most NICOLAS LOBO: IN CONVERSATION WITH COURTNEY MALICK When I was making the Bad Soda / Soft Drunk show I was seeing the elements as temporary states, agglomerations of products designed for the skin, tools for tactile contemplation, extreme physical violence, and sensual awareness.When combined they inform each other but also call attention to the idea that they are made of other products, which are in turn made from other products. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. MAGAZINES | SFAQ / NYAQ / LXAQ International Art and Culture. SFAQ (San Francisco Art Quarterly) was founded in March 2010. The first few issues were half editorial content and half event listings for WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technologyJOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. NOTES ON THE ASSEMBLAGE Notes on the Assemblage. —42 estudiantes de la Escuela Normal de Ayotzinapa desaparecieron después de que la policía de la ciudad de Iguala, Guerrero, México abrió fuego contra los autobuses en que viajaban y secuestró un grupo de 43. —42 students from the Ayotzinapa Normal School went missing after police in the city ofIguala
ISSUE 6 // FREE LEONARDO DREW have resolved it by now, but it has been perplexing and ongo-ing. This is an interesting segue into a number of issues I would to address. Because honestly, by route, you can create work, THAT DOMINO EFFECT: THE HIDDEN STORY IN THE U.S Though these waves of violence have simultaneously been referred to as hate crimes, race riots, and anti-immigrant violence/counter-violence, uprisings, etc., the conflation, confusion, and failure of terms to correctly describe what is going on is in direct relationship with the inability of an evermore interlocking globalized world to contend with the very domino effects of its own creation. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JENNIFER & KEVIN MCCOY: BROKER Jennifer & Kevin McCoy: Broker Postmasters 54 Franklin Street New York, NY 10013 October 22 – November 26, 2016. Apartment 56A, a 1,477 square foot two-bedroom residence at 721 Fifth Avenue, recently sold for $4,000,000. The views from its floor-to-ceiling windows are panoramic; interested buyers may find floor plans and related images on the Douglas Elliman website or receive a personalSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
JOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, most BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him. ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JENNIFER & KEVIN MCCOY: BROKER Jennifer & Kevin McCoy: Broker Postmasters 54 Franklin Street New York, NY 10013 October 22 – November 26, 2016. Apartment 56A, a 1,477 square foot two-bedroom residence at 721 Fifth Avenue, recently sold for $4,000,000. The views from its floor-to-ceiling windows are panoramic; interested buyers may find floor plans and related images on the Douglas Elliman website or receive a personalSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANGELA DAVIS: THE MEANING OF FREEDOM Metropolitan State College, Denver February 15, 2008. Since the theme of this conference acknowledges the two hundreth anniversary of the abolition of the slave trade in 1808, I decided to talk about themeaning of freedom.
LXAQ | SFAQ / NYAQ / LXAQ Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019Now
CONSIDERING THE ETHICS OF ABSTRACTION, PART ONE This piece is the first in an ongoing exploration. By Peter Cochrane . I recently saw the James Turrell retrospective at the Los Angeles County Museum of Art (LACMA), which opened concurrently with sweeping exhibitions at the Museum of Fine Arts, Houston, and LONDON | SFAQ / NYAQ / LXAQ Frieze Art Fair 2015 October 14 – 17, 2015 Regent’s Park, London UK As London makes its gentle autumnal transition from rich green todark gold,
JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ REVIEW: CARRIE MAE WEEMS: “SUBJECT & WITNESS” AT Carrie Mae Weems: “Subject & Witness” Gallery Paule Anglim. 14 Geary Street, San Francisco, CA 94108. Marc 19—April 19, 2014 . Carrie Mae Weems consistently challenges the narratives of SFAQ PICK: “PROBLEM IN CHAIR NOT IN COMPUTER” SOLO Next post SFAQ Pick: "A Conversation with Philip Gefter and Mike Mandel" at the California College of the Arts, San Francisco. March 14. Previous post SFAQ Pick: "We play at Paste" group exhibition at Lisa Cooley, New York. GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him.SFAQ
International Art and Culture. Defying the Narrative: Contemporary Art from West and Southern Africa at Ever Gold , San FranciscoJOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. JOHN RAPKO | SFAQ / NYAQ / LXAQ John Rapko is a Bay Area-based philosopher whose work is primarily in the fields of art philosophy, art history, and ethics. He has taught and lectured in several art schools, colleges, and universities in the Bay Area, including UC Berkeley and Stanford, as well as in SouthAmerica and Europe.
IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, mostMICHAEL JOO
Michael Joo. SFAQ — May 25, 2012. Michael Joo is a rare artist who’s practice intersects multiple disciplines from both the core and periphery of art history’s framework. His body of work is often difficult to sum up due to its vastness. For the past two years, Michael has been a mentor to me, and has opened the door to artisticdiscourse
CONSIDERING THE ETHICS OF ABSTRACTION, PART ONE This piece is the first in an ongoing exploration. By Peter Cochrane . I recently saw the James Turrell retrospective at the Los Angeles County Museum of Art (LACMA), which opened concurrently with sweeping exhibitions at the Museum of Fine Arts, Houston, and SFAQ REVIEW: CARRIE MAE WEEMS: “SUBJECT & WITNESS” AT Carrie Mae Weems: “Subject & Witness” Gallery Paule Anglim. 14 Geary Street, San Francisco, CA 94108. Marc 19—April 19, 2014 . Carrie Mae Weems consistently challenges the narratives ofMATERIAL ART FLAIR
Material Art Fair 2016 Expo Reforma, Mexico City February 4-7, 2016. The art market in Mexico has long been a one-gun town on the art-fair front. That is, until three years ago when the Material Art Fair opened its doors and shook things up. GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the mostSFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him.SFAQ / NYAQ / LXAQ
International Art and Culture. Mieke Marple God is an Audiobook 1301PE Annex on Wilshire 6150 Wilshire Boulevard, Los Angeles, CA 90048 April 10 – May 10, 2019 Now WHAT IS “ART AND TECHNOLOGY?” What is “Art and Technology?” By Peter Dobey . This piece is selected from SFAQ Print Issue 16. SFAQ 16 focuses on “art and technology,” an indeterminate yet salient phrase that has become the catchphrase du jour for the Bay Area visual art community.. However, similar to the start-up culture that has necessitated these exchanges, the significance or meaning of art and technology ANA MENDIETA’S EARTH-BODY: FLOWERS AND GUNPOWDER 2155 Center Street, Berkeley CA. November 9–February 12, 2017. Covered in Time and History: The Films of Ana Mendieta at BAMPFA showcases 21 recently preserved and little-seen films, in addition to a selection of related photographs. The show is the largest grouping of the artist’s films ever presented in an exhibition in the UnitedStates.
ON THE DESPISED ART OF THOMAS KINKADE On The Despised Art Of Thomas Kinkade. John Rapko — March 30, 2015. Thomas Kinkade, Cobblestone Village, 1998. Courtesy of the Internet. The painting shows a cottage, every window brightly lit from an otherwise undepicted interior. Smoke curls from the chimney. A ANGELA DAVIS: THE MEANING OF FREEDOM As a matter of fact, the neoliberal conception of economic freedom requires the government to withdraw from virtually all social services. The market is supposed to determine everything. Freedom emerges because the market will determine the distribution of education, the distribution of health care. A TIMELINE OF IMPORTANT EVENTS IN THE ART WORLD OF THE International Art and Culture. In a word, Contemporary Art is so screwed up it might as well be dead. In the meantime then, what are the defining characteristics of our current interlude between Contemporary Art, and the formation of what we can call for simplicity’s sake post-Contemporary Art, which is a response to and a prolongation of Contemporary Art. RADICAL SURVIVAL: BERNADETTE CORPORATION’S MULTIPLYPLEX Bernadette Corporation: Multiplyplex Stedelijk Museum Museumplein 10, 1071 DJ Amsterdam April 30 – August 28, 2016. At the Stedelijk, a ‘90s TV set mounted to the ceiling plays Fashion Shows, 1995-1997 above a wall-size black-and-white adhesive vinyl BC Lifestyle EXT, 2012.Like the situationists, Bernadette Corporation abhors usable commodity and opts instead for mashing and re-staging the JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. SFAQ REVIEW: “HI-RED CENTER: TRACES OF DIRECT ACTION” AT The group was officially born in May 1963 at the 5 th Mixer Plan, but the three former art students had actually begun to collaborate informally a few years ago. The exhibition kicks off with the photo documentation of the infamous Yamanote Line Festival (28.10.1962) (Image 2a, Image 2b) when Takamatsu, Nakanishi and their friends, after invading some of the stations and even boarding train BUILDING A MONUMENT TO NOTHING: A FANTASTIC INTERVIEW WITH Building a Monument to Nothing: A Fantastic Interview with Makoto Aida. A while ago I came across Makoto Aida while changing trains at my station in the Yokohama suburbs. He was wearing his trademark green camouflage jacket. His gaze lingered a second longer than usual on my face, probably because I was staring at him.SFAQ
International Art and Culture. Defying the Narrative: Contemporary Art from West and Southern Africa at Ever Gold , San FranciscoJOHN HELD, JR.
John Held, Jr. has been a staff writer with SFAQ since 2011. He has contributed over fifty feature articles and reviews, interviewing such notable Bay Area artists as poet Lawrence Ferlinghetti, painter Robert Bechtle and dancer Anna Halprin. JOAN BROWN | SFAQ / NYAQ / LXAQ Joan Brown was a restless soul. She was married four times (Brown, Neri, Cook, Hebel), and in the last five years of her life (1985–1990) traveled to Belize, Burma, Egypt, Germany (West and East), Greece, Guatemala, Hong Kong, Israel, Italy, Jordon, Malaysia, Mexico, Singapore, Thailand, Turkey, and finally India, where she succumbed while constructing a commissioned sculpture. JOHN RAPKO | SFAQ / NYAQ / LXAQ John Rapko is a Bay Area-based philosopher whose work is primarily in the fields of art philosophy, art history, and ethics. He has taught and lectured in several art schools, colleges, and universities in the Bay Area, including UC Berkeley and Stanford, as well as in SouthAmerica and Europe.
IN CONVERSATION WITH CHRIS BURDEN In Conversation With Chris Burden. Chris Burden, Through the Night Softly, September 12, 1973, Main Street, Los Angeles, California. “Holding my hands behind my back, I crawled through fifty feet of broken glass. There were very few spectators, mostMICHAEL JOO
Michael Joo. SFAQ — May 25, 2012. Michael Joo is a rare artist who’s practice intersects multiple disciplines from both the core and periphery of art history’s framework. His body of work is often difficult to sum up due to its vastness. For the past two years, Michael has been a mentor to me, and has opened the door to artisticdiscourse
CONSIDERING THE ETHICS OF ABSTRACTION, PART ONE This piece is the first in an ongoing exploration. By Peter Cochrane . I recently saw the James Turrell retrospective at the Los Angeles County Museum of Art (LACMA), which opened concurrently with sweeping exhibitions at the Museum of Fine Arts, Houston, and SFAQ REVIEW: CARRIE MAE WEEMS: “SUBJECT & WITNESS” AT Carrie Mae Weems: “Subject & Witness” Gallery Paule Anglim. 14 Geary Street, San Francisco, CA 94108. Marc 19—April 19, 2014 . Carrie Mae Weems consistently challenges the narratives ofMATERIAL ART FLAIR
Material Art Fair 2016 Expo Reforma, Mexico City February 4-7, 2016. The art market in Mexico has long been a one-gun town on the art-fair front. That is, until three years ago when the Material Art Fair opened its doors and shook things up. GRACE JONES: SEXUAL MAVERICK, GENDER BENDER AND MUSICAL The Grace Jones Project Museum of the African Diaspora 685 Mission St. San Francisco, CA 94105 April 27 – September 18, 2016. Grace Jones’s “Slave to the Rhythm,” hit the charts and MTV in 1985, and during that time she also posed nude for Helmut Newton with buff action-hero star/sensation Dolph Lundgren for Playboy magazine. The public at large was presented with one of the most -------------------------* Magazines
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