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WALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. THE MNEMOSYNE ATLAS, ABY WARBURG Some days ago, Flavien Menu from N-D-L-R published a long post including many images and the introductory text of the “Mnemosyne Atlas” by art historian Aby Warburg (a work left unfinished in 1929).. The Mnemosyne Atlas is a figurative atlas consisting of a series of plates. Each plate is made up of a montage of works of art from the Renaissance, from the antiquity (artworks, playing cardsWALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. THE MNEMOSYNE ATLAS, ABY WARBURG Some days ago, Flavien Menu from N-D-L-R published a long post including many images and the introductory text of the “Mnemosyne Atlas” by art historian Aby Warburg (a work left unfinished in 1929).. The Mnemosyne Atlas is a figurative atlas consisting of a series of plates. Each plate is made up of a montage of works of art from the Renaissance, from the antiquity (artworks, playing cards SERGEI EISENSTEIN, SEQUENCES DIAGRAMS FOR Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its ‘EVERYTHING I HAVE’ AND OTHER WORKS BY SIMON EVANS March 27, 2016 by Mariabruna Fabrizi 2 Comments. The paper works of the duo of artists called ‘Simon Evans’ combine a certain passion for materiality with a conceptual attitude and a humorous touch. Most of their works are collages of different kind of found papers, scotch, and scraps which look very refined from a distance and yet reveal a I HATE MYSELF AND I WANT TO DIY* KEN ISAACS: HOW TO BUILD How To Build Your Own Living Structures is an out-of-print manual of utopian architecture from 1974 created by American architectural experimenter Ken Isaacs.. We Find Wildness features a beautifully illustrated article on Ken Isaacs, a man who turned needs into ideas while being a pennyless Chicago student aiming for a space to live and work.In the frenzy of 70’s hippy auto-constructions he THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE The Future of Architecture and other Collages by Nils-Ole Lund. Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of currentWALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. LYRICAL THEATRE IN CAGLIARI, MAURIZIO SACRIPANTI, 1965 Among Italian avantgarde architects of the 60’s and 70’s, Maurizio Sacripanti was one of those who gained a lesser fortune. Known almost uniquely for his proposal for the Italian Pavillion in Osaka Expo 70’s, he nonetheless created a lot of imaginative and powerful projects, like the Peugeot Skyscaper in Buenos Aires, the Museum of the Eremitani in Padua, the Science Museum in Rome. THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773 In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of SERGEI EISENSTEIN, SEQUENCES DIAGRAMS FOR Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and UNDERSTANDING THE GRID /1: MICHEL ECOCHARD’S PLANNING AND French architect Michel Ecochard, also trained as an archeologist, was the director of the Morocco Department of Urban Planning from 1946 to 1952 within the context of the French Protectorate of Morocco.In this role, Ecochard led huge urbanization programs, mostly in the Casablanca area. First, Ecochard and his team of architects and planners from France studied Moroccan urban structure and THE PLAN IS A SOCIETY OF ROOMS*: GOLDENBERG HOUSE BY LOUIS The Plan is a Society of Rooms*: Goldenberg House by Louis Kahn (1959) The Goldenberg House is a 1959 unbuilt project by Louis Kahn for an area in Montgomery County near Philadelphia. This work couples previous Kahn’s compositional themes with some degrees of experimentation in the spatial relationships between geometricalforms.
‘EVERYTHING I HAVE’ AND OTHER WORKS BY SIMON EVANS March 27, 2016 by Mariabruna Fabrizi 2 Comments. The paper works of the duo of artists called ‘Simon Evans’ combine a certain passion for materiality with a conceptual attitude and a humorous touch. Most of their works are collages of different kind of found papers, scotch, and scraps which look very refined from a distance and yet reveal a INHABITING A THREE-DIMENSIONAL GRID: THE “RAILWAY SLEEPER Wucius Wong’s Principles of Three-Dimensional Design (1976) In Principles of Three-Dimensional Design, 1976, (an obvious companion to Principles of Two-Dimensional Design), Wucius. A Perfect Grid: the Roman Town of Timgad, the African Pompeii. The city of Timgad, in today's Algeria, was founded as a military settlement by Emperor. IVAN LEONIDOV’S COMPETITION PROPOSAL FOR THE TOWN OF Ivan Leonidov’s Competition Proposal for the Town of Magnitogorsk (1930) In 1930, the Russian architects group OSA, with Ivan Leonidov as team leader, took part in the competition of the urban design of the chemical and metallurgical settlement of Magnitogorsk, a new city on the extreme south of the Ural mountain range.WALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. THE MNEMOSYNE ATLAS, ABY WARBURG Some days ago, Flavien Menu from N-D-L-R published a long post including many images and the introductory text of the “Mnemosyne Atlas” by art historian Aby Warburg (a work left unfinished in 1929).. The Mnemosyne Atlas is a figurative atlas consisting of a series of plates. Each plate is made up of a montage of works of art from the Renaissance, from the antiquity (artworks, playing cards SERGEI EISENSTEIN, SEQUENCES DIAGRAMS FOR Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its ‘EVERYTHING I HAVE’ AND OTHER WORKS BY SIMON EVANS March 27, 2016 by Mariabruna Fabrizi 2 Comments. The paper works of the duo of artists called ‘Simon Evans’ combine a certain passion for materiality with a conceptual attitude and a humorous touch. Most of their works are collages of different kind of found papers, scotch, and scraps which look very refined from a distance and yet reveal a I HATE MYSELF AND I WANT TO DIY* KEN ISAACS: HOW TO BUILD How To Build Your Own Living Structures is an out-of-print manual of utopian architecture from 1974 created by American architectural experimenter Ken Isaacs.. We Find Wildness features a beautifully illustrated article on Ken Isaacs, a man who turned needs into ideas while being a pennyless Chicago student aiming for a space to live and work.In the frenzy of 70’s hippy auto-constructions he THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE The Future of Architecture and other Collages by Nils-Ole Lund. Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of currentWALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. THE MNEMOSYNE ATLAS, ABY WARBURG Some days ago, Flavien Menu from N-D-L-R published a long post including many images and the introductory text of the “Mnemosyne Atlas” by art historian Aby Warburg (a work left unfinished in 1929).. The Mnemosyne Atlas is a figurative atlas consisting of a series of plates. Each plate is made up of a montage of works of art from the Renaissance, from the antiquity (artworks, playing cards SERGEI EISENSTEIN, SEQUENCES DIAGRAMS FOR Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its ‘EVERYTHING I HAVE’ AND OTHER WORKS BY SIMON EVANS March 27, 2016 by Mariabruna Fabrizi 2 Comments. The paper works of the duo of artists called ‘Simon Evans’ combine a certain passion for materiality with a conceptual attitude and a humorous touch. Most of their works are collages of different kind of found papers, scotch, and scraps which look very refined from a distance and yet reveal a I HATE MYSELF AND I WANT TO DIY* KEN ISAACS: HOW TO BUILD How To Build Your Own Living Structures is an out-of-print manual of utopian architecture from 1974 created by American architectural experimenter Ken Isaacs.. We Find Wildness features a beautifully illustrated article on Ken Isaacs, a man who turned needs into ideas while being a pennyless Chicago student aiming for a space to live and work.In the frenzy of 70’s hippy auto-constructions he THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE The Future of Architecture and other Collages by Nils-Ole Lund. Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of currentWALLS AS ROOMS
Walls as Rooms. A wall might be a structure which provides security and sometimes carries the weight of a roof to form a shelter. A wall can divide an interior and an exterior, lead the movements inside a building or may materialize a border, divide two properties or even, - physically and symbolically -, become a barrier between two differentregions.
“AGRICULTURAL CITY” BY KISHO KUROKAWA (1960) Japanese architect Kisho Kurokawa survived the Ise Bay Typhoon in 1959 and his experience inspired the design for an “Agricultural City” (1960).. This megastructure project consists in a grid-like structure of concrete slabs raised on 4 m stilts on the agricultural soil and is meant to synchronize the rural landscape with the living areas and to prevent the habitat to be flooded. LYRICAL THEATRE IN CAGLIARI, MAURIZIO SACRIPANTI, 1965 Among Italian avantgarde architects of the 60’s and 70’s, Maurizio Sacripanti was one of those who gained a lesser fortune. Known almost uniquely for his proposal for the Italian Pavillion in Osaka Expo 70’s, he nonetheless created a lot of imaginative and powerful projects, like the Peugeot Skyscaper in Buenos Aires, the Museum of the Eremitani in Padua, the Science Museum in Rome. THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773 In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of SERGEI EISENSTEIN, SEQUENCES DIAGRAMS FOR Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and UNDERSTANDING THE GRID /1: MICHEL ECOCHARD’S PLANNING AND French architect Michel Ecochard, also trained as an archeologist, was the director of the Morocco Department of Urban Planning from 1946 to 1952 within the context of the French Protectorate of Morocco.In this role, Ecochard led huge urbanization programs, mostly in the Casablanca area. First, Ecochard and his team of architects and planners from France studied Moroccan urban structure and THE PLAN IS A SOCIETY OF ROOMS*: GOLDENBERG HOUSE BY LOUIS The Plan is a Society of Rooms*: Goldenberg House by Louis Kahn (1959) The Goldenberg House is a 1959 unbuilt project by Louis Kahn for an area in Montgomery County near Philadelphia. This work couples previous Kahn’s compositional themes with some degrees of experimentation in the spatial relationships between geometricalforms.
‘EVERYTHING I HAVE’ AND OTHER WORKS BY SIMON EVANS March 27, 2016 by Mariabruna Fabrizi 2 Comments. The paper works of the duo of artists called ‘Simon Evans’ combine a certain passion for materiality with a conceptual attitude and a humorous touch. Most of their works are collages of different kind of found papers, scotch, and scraps which look very refined from a distance and yet reveal a INHABITING A THREE-DIMENSIONAL GRID: THE “RAILWAY SLEEPER Wucius Wong’s Principles of Three-Dimensional Design (1976) In Principles of Three-Dimensional Design, 1976, (an obvious companion to Principles of Two-Dimensional Design), Wucius. A Perfect Grid: the Roman Town of Timgad, the African Pompeii. The city of Timgad, in today's Algeria, was founded as a military settlement by Emperor. IVAN LEONIDOV’S COMPETITION PROPOSAL FOR THE TOWN OF Ivan Leonidov’s Competition Proposal for the Town of Magnitogorsk (1930) In 1930, the Russian architects group OSA, with Ivan Leonidov as team leader, took part in the competition of the urban design of the chemical and metallurgical settlement of Magnitogorsk, a new city on the extreme south of the Ural mountain range. SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIAMEDIAARTARCHITECTURECULTURESOUNDSTERRITORIESART SOCKS FOR MENARTSOCKS FOR WOMEN
Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
WALLS AS ROOMS / 2: FORTIFIED CHURCHES IN TRANSYLVANIA Walls as Rooms / 2: Fortified Churches in Transylvania. A while ago we wrote about British castles and how they became an inspiration for Louis Kahn’s research on “servant” and “served” spaces. A further historical example on the use of the thickness of a wall as an inhabitable volume may be found in some of the fortified churches ABSTRACT LAYERS OF TERRITORY: MAPS BY DAVID LEMM Abstract Layers of Territory: Maps by David Lemm. David Lemm is a visual artist and designer based in Edinburgh, Scotland. His production ranges widely from illustrations to collages, multi-media projects, prints, and installations, but all of his works share a consistent interest for synthesis and abstraction. A recurring themein Lemm’s
JOHN HEJDUK’S DIAMOND HOUSE A (1963-1967) John Hejduk’s Diamond House A (1963-1967) June 30, 2016 by Fosco Lucarelli 2 Comments. In 1962 architect and educator John Hejduk (1929-2000) started a six-year investigation on the architectural implications of the “diamond configuration”: a forty-five-degree rotation of bounding elements relative to an orthogonal system. PIRRO LIGORIO’S “ANTIQUAE URBIS ROMAE IMAGO” (IMAGE OF THE In 1551, Pirro Ligorio produced an engraving depicting a reconstruction of ancient Rome; this inventive map was printed by Jacopo Rossi in 1561. Pirro Ligorio was an architect, a painter, a counterfeiter and a scholar who studied and researched the ancient ruins of the city of Rome as well as classical literary sources, fragments and antique inscriptions in order to produce his detailedbird
FIREWORKS AT PARC DE LA VILLETTE, PARIS, BY BERNARD Fireworks at Parc de la Villette, Paris, by Bernard Tschumi, 1992. In 1974, Swiss architect Bernard Tschumi developed the theme of fireworks as an architectural manifesto. Fostering a fierce reaction against the (then) rising architectural historicism, he staged a fireworks event at the Architectural Association in London, claiming for the A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE The Future of Architecture and other Collages by Nils-Ole Lund. Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of current SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIAMEDIAARTARCHITECTURECULTURESOUNDSTERRITORIESART SOCKS FOR MENARTSOCKS FOR WOMEN
Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
WALLS AS ROOMS / 2: FORTIFIED CHURCHES IN TRANSYLVANIA Walls as Rooms / 2: Fortified Churches in Transylvania. A while ago we wrote about British castles and how they became an inspiration for Louis Kahn’s research on “servant” and “served” spaces. A further historical example on the use of the thickness of a wall as an inhabitable volume may be found in some of the fortified churches ABSTRACT LAYERS OF TERRITORY: MAPS BY DAVID LEMM Abstract Layers of Territory: Maps by David Lemm. David Lemm is a visual artist and designer based in Edinburgh, Scotland. His production ranges widely from illustrations to collages, multi-media projects, prints, and installations, but all of his works share a consistent interest for synthesis and abstraction. A recurring themein Lemm’s
JOHN HEJDUK’S DIAMOND HOUSE A (1963-1967) John Hejduk’s Diamond House A (1963-1967) June 30, 2016 by Fosco Lucarelli 2 Comments. In 1962 architect and educator John Hejduk (1929-2000) started a six-year investigation on the architectural implications of the “diamond configuration”: a forty-five-degree rotation of bounding elements relative to an orthogonal system. PIRRO LIGORIO’S “ANTIQUAE URBIS ROMAE IMAGO” (IMAGE OF THE In 1551, Pirro Ligorio produced an engraving depicting a reconstruction of ancient Rome; this inventive map was printed by Jacopo Rossi in 1561. Pirro Ligorio was an architect, a painter, a counterfeiter and a scholar who studied and researched the ancient ruins of the city of Rome as well as classical literary sources, fragments and antique inscriptions in order to produce his detailedbird
FIREWORKS AT PARC DE LA VILLETTE, PARIS, BY BERNARD Fireworks at Parc de la Villette, Paris, by Bernard Tschumi, 1992. In 1974, Swiss architect Bernard Tschumi developed the theme of fireworks as an architectural manifesto. Fostering a fierce reaction against the (then) rising architectural historicism, he staged a fireworks event at the Architectural Association in London, claiming for the A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE The Future of Architecture and other Collages by Nils-Ole Lund. Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of current SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIA Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and FROM VISION TO KNOWLEDGE: PATRICK GEDDES’ OUTLOOK TOWER Diagrammatic elevation of the Outlook Tower, published in 1906 in A First Visit to the Outlook Tower (Edinburgh: Patrick Geddes and Colleagues). The section of the tower reflects Geddes’ idea that to reach an understanding of the whole universe one should start from a local point of view and progressively increase the scope of the vision without forgetting the different stages previously THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773 In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of “THE ROAD”(1958): AN ANTIMONUMENT BY OSKAR HANSEN “The Road” is an unbuilt project by Polish architect Oskar Nikolai Hansen (team leader) with Zofia Hansen, Jerzy Jarnuszkiewicz, Edmund Kupiecki, Julian Pałka and Lechosław Rosiński. The project is an entry for an international competition and an exhibition at the Auschwitz-Birkenau Museum in 1958. AMANCIO WILLIAMS’S BRIDGE HOUSE (CASA DEL PUENTE), 1943-45 Amancio Williams’s Bridge House (Casa del puente), 1943-45. One of the first built works of the Argentinian architect Amancio Williams was the house for his father, the musician and composer Alberto Williams. This small concrete building spans a creek on the father’s property in Mar del Plata. “CAFÉ SAMT & SEIDE” BY LUDWIG MIES VAN DER ROHE AND LILLY In 1927 Ludwig Mies van der Rohe together with his professional and personal partner, architect and designer Lilly Reich, was commissioned by the Association of German Silk manufacturers to create a stand for the German Silk industry in the context of the exhibition “Die Mode der Dame“ (Women’s Fashion).The result is the ‘Café Samt & Seide’ (Velvet and Silk Cafe) in Berlin, an JOSEPH MÜLLER-BROCKMANN: MUSICA VIVA POSTERS FOR THE Joseph Müller-Brockmann: Musica Viva Posters for the Zurich Tonhalle. Josef Müller-Brockmann (1914-1996) was an influential graphic and exhibition designer and photographer who lived and worked in Zurich. As the leading practitioner and theorist of the Swiss Style (also known as the International Style), he fostered the use of grid-based INHABITING A THREE-DIMENSIONAL GRID: THE “RAILWAY SLEEPER Wucius Wong’s Principles of Three-Dimensional Design (1976) In Principles of Three-Dimensional Design, 1976, (an obvious companion to Principles of Two-Dimensional Design), Wucius. A Perfect Grid: the Roman Town of Timgad, the African Pompeii. The city of Timgad, in today's Algeria, was founded as a military settlement by Emperor. THE LENIN INSTITUTE FOR LIBRARIANSHIP BY IVAN LEONIDOV Ivan Illich Leonidov (1902-1957) designed the Lenin Institute for Librarianship (the collective scientific and cultural center of the USSR) in 1927 as his thesis project at the VKhUTEMAS, the art and technical School of Moscow, with Alexander Vesnin as his tutor. The Institute is made of a CHARLES MINARD’S INFOGRAPHIC OF NAPOLEON’S INVASION OF Charles Minard’s Infographic of Napoleon’s Invasion of Russia. April 6, 2014 by Fosco Lucarelli Leave a Comment. (Click the image to zoom) “Carte figurative des pertes successives en hommes de l’Armée française dans la campagne de Russie en 1812-1813”, is a graphical depiction of the losses of French Army during Napoleon’sruinous
SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIAMEDIAARTARCHITECTURECULTURESOUNDSTERRITORIESART SOCKS FOR MENARTSOCKS FOR WOMEN
Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
JOHN HEJDUK’S DIAMOND HOUSE A (1963-1967) In 1962 architect and educator John Hejduk (1929-2000) started a six-year investigation on the architectural implications of the “diamond configuration”: a forty-five-degree rotation of bounding elements relative to an orthogonal system. The exhibition of drawings and models held at The Architectural League in New York in 1967 showed the three projects (Diamond House A, Diamond SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
WALLS AS ROOMS / 2: FORTIFIED CHURCHES IN TRANSYLVANIA A while ago we wrote about British castles and how they became an inspiration for Louis Kahn's research on "servant" and "served" spaces. A further historical example on the use of the thickness of a wall as an inhabitable volume may be found in some of the fortified churches sprawled all over THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773CLAUDE NICOLAS LEDOUXCLAUDE NICOLAS LEDOUX CHAUXCLASSICAL ARCHITECTURE CLAUDE NICOLAS LEDOUXCLAUDE NICOLAS LEDOUX WORKSCITY OF CHAUXCLAUDE LEDOUX In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of FIREWORKS AT PARC DE LA VILLETTE, PARIS, BY BERNARD In 1974, Swiss architect Bernard Tschumi developed the theme of fireworks as an architectural manifesto.Fostering a fierce reaction against the (then) rising architectural historicism, he staged a fireworks event at the Architectural Association in London, claiming for the value of words and signs (as opposed to images and spaces). THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values.. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of current times: and the negative PIRRO LIGORIO’S “ANTIQUAE URBIS ROMAE IMAGO” (IMAGE OF THE In 1551, Pirro Ligorio produced an engraving depicting a reconstruction of ancient Rome; this inventive map was printed by Jacopo Rossi in 1561. Pirro Ligorio was an architect, a painter, a counterfeiter and a scholar who studied and researched the ancient ruins of the city of Rome as well as classical literary sources, fragments and antique inscriptions in order to produce his detailedbird
A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIAMEDIAARTARCHITECTURECULTURESOUNDSTERRITORIESART SOCKS FOR MENARTSOCKS FOR WOMEN
Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and REPRESENTATION: AXONOMETRIC PROJECTION Representation: Axonometric projection. The axonometric projection is a parallel projection, usually detaching the viewer from the scene and emphasizing the level of abstraction in the representation of thesubject.
JOHN HEJDUK’S DIAMOND HOUSE A (1963-1967) In 1962 architect and educator John Hejduk (1929-2000) started a six-year investigation on the architectural implications of the “diamond configuration”: a forty-five-degree rotation of bounding elements relative to an orthogonal system. The exhibition of drawings and models held at The Architectural League in New York in 1967 showed the three projects (Diamond House A, Diamond SONSBEEK PAVILION IN ARNHEM, ALDO VAN EYCK (1966) A temporary pavilion was designed by Aldo Van Eyck and built in the summer of 1966 to host sculptures by nearly thirty artists (includingBrancusi, Arp
WALLS AS ROOMS / 2: FORTIFIED CHURCHES IN TRANSYLVANIA A while ago we wrote about British castles and how they became an inspiration for Louis Kahn's research on "servant" and "served" spaces. A further historical example on the use of the thickness of a wall as an inhabitable volume may be found in some of the fortified churches sprawled all over THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773CLAUDE NICOLAS LEDOUXCLAUDE NICOLAS LEDOUX CHAUXCLASSICAL ARCHITECTURE CLAUDE NICOLAS LEDOUXCLAUDE NICOLAS LEDOUX WORKSCITY OF CHAUXCLAUDE LEDOUX In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of FIREWORKS AT PARC DE LA VILLETTE, PARIS, BY BERNARD In 1974, Swiss architect Bernard Tschumi developed the theme of fireworks as an architectural manifesto.Fostering a fierce reaction against the (then) rising architectural historicism, he staged a fireworks event at the Architectural Association in London, claiming for the value of words and signs (as opposed to images and spaces). THE FUTURE OF ARCHITECTURE AND OTHER COLLAGES BY NILS-OLE Danish architect, teacher and collage-artist, author of Collage Architecture in 1990, Nils-Ole Lund’s fosters the idea that modern architecture doesn’t hold timeless values.. Between utopia and irony, his 70’s and 80’s collages reveal a subtle political satire of current times: and the negative PIRRO LIGORIO’S “ANTIQUAE URBIS ROMAE IMAGO” (IMAGE OF THE In 1551, Pirro Ligorio produced an engraving depicting a reconstruction of ancient Rome; this inventive map was printed by Jacopo Rossi in 1561. Pirro Ligorio was an architect, a painter, a counterfeiter and a scholar who studied and researched the ancient ruins of the city of Rome as well as classical literary sources, fragments and antique inscriptions in order to produce his detailedbird
A NON-FIGURATIVE MEMORIAL: THE MONUMENT TO THE VICTIMS OF The Monument to the Victims of the Concentration Camps was designed by the Milanese architecture group BBPR in 1945 in the weeks following the Liberation day and located at the centre of the main axis in Milan’s Cimitero Monumentale (Monumental cemetery). The work embodies the new beginning of the professional activity of the group after World War II, marked by the loss of one of its SOCKS – AN ONLINE MAGAZINE OF ART, ARCHITECTURE, MEDIA Instagram; Twitter; Facebook; Tumblr; SOCKS is a project by Fosco Lucarelli and Mariabruna Fabrizi of MICROCITIES, Architecture Cityscape, Landscape. Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 license. Whenever possible we try to attribute content (images, videos, and quotes) to their creators and FROM VISION TO KNOWLEDGE: PATRICK GEDDES’ OUTLOOK TOWER Diagrammatic elevation of the Outlook Tower, published in 1906 in A First Visit to the Outlook Tower (Edinburgh: Patrick Geddes and Colleagues). The section of the tower reflects Geddes’ idea that to reach an understanding of the whole universe one should start from a local point of view and progressively increase the scope of the vision without forgetting the different stages previously THE IDEAL CITY OF CHAUX BY CLAUDE-NICOLAS LEDOUX (1773 In 1789, during the Revolution and specifically during his imprisonment, architect Claude-Nicolas Ledoux started the project for the “Ideal City of Chaux”. Twenty years before that time, in 1775-1778, the architect had designed and built the Royal Saltworks (Les Salines Royales) at Arc-et-Senans in the territory of the massive forest of Chaux, in the region of Franche-Comté, a complex of AMANCIO WILLIAMS’S BRIDGE HOUSE (CASA DEL PUENTE), 1943-45 One of the first built works of the Argentinian architect Amancio Williams was the house for his father, the musician and composer Alberto Williams. This small concrete building spans a creek on the father's property in Mar del Plata. Designed in 1942, the house is conceived as a syntesis of THE LENIN INSTITUTE FOR LIBRARIANSHIP BY IVAN LEONIDOV Ivan Illich Leonidov (1902-1957) designed the Lenin Institute for Librarianship (the collective scientific and cultural center of the USSR) in 1927 as his thesis project at the VKhUTEMAS, the art and technical School of Moscow, with Alexander Vesnin as his tutor. The Institute is made of a “CAFÉ SAMT & SEIDE” BY LUDWIG MIES VAN DER ROHE AND LILLY In 1927 Ludwig Mies van der Rohe together with his professional and personal partner, architect and designer Lilly Reich, was commissioned by the Association of German Silk manufacturers to create a stand for the German Silk industry in the context of the exhibition “Die Mode der Dame“ (Women’s Fashion).The result is the ‘Café Samt & Seide’ (Velvet and Silk Cafe) in Berlin, an INHABITING A THREE-DIMENSIONAL GRID: THE “RAILWAY SLEEPER In 1970, Japanese architect Shin Takasuga designed a house in the middle of the forest on the Pacific Ocean’s island of Miyake. Students of the New Left and members of Peace movements planned the construction of a communal residential building and retreat camp which was meant to be realised within minimum budget and with almost no skills by the same inhabitants. CHARLES MINARD’S INFOGRAPHIC OF NAPOLEON’S INVASION OF “Carte figurative des pertes successives en hommes de l’Armée française dans la campagne de Russie en 1812-1813”, is a graphical depiction of the losses of French Army during Napoleon’s ruinous invasion of Russia of 1812-13, (cf. War and Peace by L.Tolstoy) drawn in 1869 by Charles Joseph Minard, a former French civil engineer. Starting the march near Kowno with 422.000 JOSEPH MÜLLER-BROCKMANN: MUSICA VIVA POSTERS FOR THE Josef Müller-Brockmann (1914-1996) was an influential graphic and exhibition designer and photographer who lived and worked in Zurich. As the leading practitioner and theorist of the Swiss Style (also known as the International Style), he fostered the use of grid-based designs (through his book Grid Systems in Graphic Design) in order to establish a universal medium of graphic expression. “WE CANNOT NOT KNOW HISTORY” AND OTHER WORKS BY ALEX Alex Maymind (b. Riga, Latvia, 1984) currently pursues a PhD in the history and theory of architecture at UCLA, after studying architecture at Yale University (M. Arch), Columbia University, and Ohio State University (B.S. Arch). “We cannot not know history” is one of the works auctioned ad exhibited in “POP: Protocols, Obsessions, Positions” an event held in June/July 2013 at theSOCKS
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LINEAR ANALOGIES: A SELECTION OF PAUL KLEE’S BLACK AND WHITELITHOGRAPHIES
March 14, 2021 by Mariabruna FabriziLeave a Comment
In the multiple explorations of form and composition by German-Swiss artist Paul Klee, a special place is occupied by works where the lineis the main …
UNDERSTANDING REALITY THROUGH WOODEN BLOCKS: FROEBEL PLAY GIFTS March 8, 2021 by Mariabruna FabriziLeave a Comment
Friedrich Froebel (1782-1852) was a German educator, considered as the inventor of the Kindergarten in 1837, at first named “Play andActivity …
MARGARETE FRÖHLICH. AXONOMETRIC EXPLORATIONS OF ROOMS February 21, 2021 by Mariabruna FabriziLeave a Comment
Margarete Fröhlich (1901-2001) was an Austrian artist and interior designer who specialised in the modelling of housing units. Initially,she studied …
“THE PROCESS I USE HAS NOTHING AT ALL OF THAT OF AN ‘ARTIST’ NOR DOES IT HAVE ANYTHING IN COMMON WITH AN ‘ARTISTIC GESTURE’”. DOM HANS VAN DER LAAN’S PLASTIC NUMBER February 7, 2021 by Mariabruna FabriziLeave a Comment
Dutch Benedictine architect and monk Dom Hans van der Laan (1904–1991) developed his body of work on the base of a system of proportions he had … FROM VISION TO KNOWLEDGE: PATRICK GEDDES’ OUTLOOK TOWER (1892) December 27, 2020 by Mariabruna FabriziLeave a Comment
Scottish geographer, biologist, sociologist and town planner Patrick Geddes bought a tower next to the Edinburgh Castle in 1892. In over 20years, he …
ARCHITECTURE AS A MNEMONIC DEVICE: ROBERT FLUDD’S TEMPLE OF MUSIC November 1, 2020 by Mariabruna FabriziLeave a Comment
English physician and polymath Robert Fludd (1574-1637) had interests spanning from scientific knowledge to occult disciplines. His approachto …
THE SECTION AS AN INTERIOR LANDSCAPE: GLIDER, A VIDEOGAME BY JOHNCALHOUN (1988-1994)
September 6, 2020 by Mariabruna FabriziLeave a Comment
Video game developer John Calhoun published Glider in 1988. The whole Macintosh video-game is structured on the section of a house with aseries of …
“ITS UNFINISHED DECORATION IN DANGER OF SLIPPING BENEATH THE EYE TO HURTLE WILDLY ACROSS THE CRUMBLING WALLS.” THE CAGE, A VISUAL-NOVEL, BY MARTIN VAUGHN-JAMES (1975) July 12, 2020 by Fosco Lucarelli1 Comment
Wonderful online archive UbuWeb, created in 1996 by conceptual artist, poet and theorist Kenneth Goldsmith (author of many books among whichDuchamps …
PATTERNS FROM THE WORLD UNDERNEATH: THE ECOLOGICAL RELATIONS OF ROOTS BY JOHN ERNEST WEAVER (1919) June 21, 2020 by Mariabruna Fabrizi2 Comments
The ecological relations of roots (1919) is a book by John Ernest Weaver (1884 – 1966), an American biologist and prairie ecologist. During his life, … RYAN CARL, GRID FORMS STUDY 02 (2020) April 18, 2020 by Fosco Lucarelli1 Comment
After Circle Study 07, the second work by designer Ryan Carl that we feature here on Socks is a sequence of geometric operations on gridforms …
RYAN CARL, CIRCLE STUDY 07 (2020) April 15, 2020 by Fosco LucarelliLeave a Comment
The work of Ryan Carl is "rooted in radical simplicity". A designer who studied religion and philosophy before opening his practice, RyanCarl delves …
THE ARCHITECTURE OF THE WORKSPACE: AXONOMETRIC DRAWINGS BY PETERJUDSON
April 10, 2020 by Mariabruna FabriziLeave a Comment
Peter Judson is a British designer and illustrator. (Already featured, on Socks). For his project "Hyundai card", commissioned by designstudio …
AN EXERCISE IN CONSTRAINTS: DRAWINGS BY WACŁAW SZPAKOWSKI (1883-1973) March 29, 2020 by Mariabruna FabriziLeave a Comment
Wacław Szpakowski was a Polish architect, engineer and artist. Starting at seventeen years old and throughout his whole life, he developed a series of … THE THEATRE AS MACHINE: JOSEPH FURTTENBACH STAGE DESIGN March 8, 2020 by Mariabruna Fabrizi1 Comment
Joseph Furttenbach (1591 – 1667) was a German architect, engineer and architecture theorist who lived in Italy from 1610 to 1620. Duringhis stay …
AXONOMETRIC REALISM: “HORTUS CONCLUSUS” BY BEATE GÜTSCHOW (2019) February 23, 2020 by Mariabruna Fabrizi1 Comment
Beate Gütschow is a German contemporary artist who works primarily through photography. In her work, she analyses the complex andever-changing …
A VISUAL THINKING STRATEGY: OSWALD MATHIAS UNGERS, MORPHOLOGIE: CITYMETAPHORS (1982)
February 16, 2020 by Mariabruna FabriziLeave a Comment
German architect Oswald Mathias Ungers (1926–2007) accompanied his life-long architectural and theoretical production with a parallelwork on found …
SYMBOLIC TRUTH: GEOMETRIC PORTRAITS BY INDIGENOUS POPULATIONS FROMBRAZIL.
February 6, 2020 by Fosco LucarelliLeave a Comment
Founded by Lina Bo and her husband Pietro Maria Bardi in 1950, the Brazilian magazine Habitat ("The magazine of the arts in Brazil")manifested a …
MAPPING FICTIONAL REALMS: “TERRAM IN ASPECTU” BY LILIANA FARBER(2019)
January 26, 2020 by Mariabruna Fabrizi1 Comment
New Media artist Liliana Farber investigates the ways in which the virtual redefines the physical world. Using custom-made software andcollected …
COLOR SCHEMES FROM GEOLOGY. A WORK BY UIBELAKERS (1781) January 16, 2020 by Mariabruna Fabrizi1 Comment
Franz Uibelakers was a German mineralogist. In his work, “System des Karlsbader Sinters” (1781) he presented sections of stalactites andstalagmites …
MARY ELLEN SOLT, MOONSHOT SONNET (1964) December 15, 2019 by Fosco LucarelliLeave a Comment
The Moonshot Sonnet is a concrete poem composed in 1964 by poet Mary Ellen Solt (1920-2007). The work is a poem created reformattingdiagrammatic …
TWO EXHIBITIONS AT IRIS CLERT GALLERY, PARIS: YVES KLEIN’S LE VIDE (THE VOID, 1958) AND ARMAN’S LE PLEIN (THE FULL-UP, 1960) November 23, 2019 by Fosco LucarelliLeave a Comment
Recently my work with color has led me, in spite of myself, to search little by little, with some assistance (from the observer, from thetranslator), …
INNER SPACE (THE BOOK) November 10, 2019 by Mariabruna Fabrizi5 Comments
We present Inner Space, an essay we have written in connection to the curatorship of the homonymous exhibition at the 2019 Lisbon … THE UNDERLYING STRUCTURE OF LETTERS: LUCA PACIOLI’S ALPHABET FROM DE DIVINA PROPORTIONE (1509) October 27, 2019 by Mariabruna FabriziLeave a Comment
Franciscan friar and mathematician Luca Pacioli wrote several books on mathematics and geometry. Among them, in 1497, Pacioli conceived DeDivina …
GARETH DAMIAN MARTIN, POSTCARDS FROM THE CONTINUOUS CITY, 2018 October 13, 2019 by Mariabruna FabriziLeave a Comment
The Continuous City is an in-progress photographic series by Gareth Damian Martin. The British artist, game designer and writer exploresvideo game …
RABANUS MAURUS, DE LAUDIBUS SANCTAE CRUCIS, (810-814) July 21, 2019 by Fosco Lucarelli1 Comment
Rabanus Maurus was a Benedictine monk, archbishop of Mainz, writer and poet who lived between c.780 and 856. A very sophisticated intellectual, he was …* 1
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