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1995.
< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday ELECTRONIC WRITING RESEARCH ENSEMBLE the Electronic Writing Research Ensemble is dedicated to experimental research practice that works across genres and disciplines WOMADELAIDE 1995: WELCOME Welcome to WOMADELAIDE 1995 on-line. looking for the current Womadelaide website?. The global music event of the International Year for Tolerance. Proudly supported by DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of aA WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058. THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind. VIRTUAL ARTISTS PTY LTD Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in1995.
< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday ELECTRONIC WRITING RESEARCH ENSEMBLE the Electronic Writing Research Ensemble is dedicated to experimental research practice that works across genres and disciplines WOMADELAIDE 1995: WELCOME Welcome to WOMADELAIDE 1995 on-line. looking for the current Womadelaide website?. The global music event of the International Year for Tolerance. Proudly supported by DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of aA WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058. THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind. WOMADELAIDE 1995: WELCOME Welcome to WOMADELAIDE 1995 on-line. looking for the current Womadelaide website?. The global music event of the International Year for Tolerance. Proudly supported byA WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (AndBRIEF
Home is any place of existence or refuge. It can be the heart of the matter, whatever that matter might be. You can'strike home', that is: get to the mark or point aimed at. You can have a home away from home. You can be home and hosed. You can home in on. You can be homeon the pig's back.
A WOMAN STANDS ON A QUIET STREET 1. From her position on the corner of a forked road, sounds are exaggerated by the uncertainty of her waiting. There is no uncertainty about her waiting, for we know that she is waiting. There is only uncertainty about its outcome. Focus on a single muted sound and gradually it becomes unbearable, overwhelming, deafening. Silence islost, is loss.
ENSEMBLE LOGIC + CHORAGRAPHY Between the Devil & the Deep Blue Sea - Collaborative Logic 8.7.98 linda carroli & josephine wilsonCHORAGRAPHY
Promoted from the vernacular into philosophical usage, to kenon denoted: 1)emptiness as such; when used in an extensional way, i.e. not as a mere concept, to kenon might thus refer to mere extension or space; 2)a specific empty (x); this could be: a)an empty space or THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind.LOGIC - VA
You say, "Sucked in by someone else - coursing through their flesh - we are an infection." _____ An infection. My imagination was infected that day by the realisation that 'place' is not just a tangible area, like a house, or a beach, or the inside of a car, but it can be a programmed virtual space too, where nothing is actually real, and yet the sense of 'being somewhere' is a powerfully " SLIMY METAPHORS FOR TECHNOLOGY: 'THE CLITORIS IS A p r e a m b l e. 1. "Slimy metaphors for technology: 'the clitoris is a direct line to the Matrix'". Dr. Jyanni Steffensen. In this paper I will analyse a hypertextual installation, All New Gen by Australian cyberfeminist artists, VNS Matrix (1993). This contemporary narrative can be read as a critique of the masculinist techno-cultural VA - VIRTUAL ARTISTS PTY LTDADVISORIESCLIENTS Hosting 1995 - 2016. Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in 1995.< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of a A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And A WOMAN STANDS ON A QUIET STREET 1. From her position on the corner of a forked road, sounds are exaggerated by the uncertainty of her waiting. There is no uncertainty about her waiting, for we know that she is waiting. There is only uncertainty about its outcome. Focus on a single muted sound and gradually it becomes unbearable, overwhelming, deafening. Silence islost, is loss.
A WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058.THE STORY OF YOU
There is one story I cannot exhaust. The story of You. I can never make you happy.. But what about them - can I makethem happy? USHENKO'S FIELD THEORY OF MEANING The complementarity of being with and against us, is the dual set of direction in an enactment of externality. (Ushenko, 1958, p. 21) In his book, The Field Theory of Meaning, Ushenko tries to directly map the vectors of physics onto meaning processes. This has very interesting ramifications but unfortunately he died before bringingthese
VA - VIRTUAL ARTISTS PTY LTDADVISORIESCLIENTS Hosting 1995 - 2016. Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in 1995.< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of a A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And A WOMAN STANDS ON A QUIET STREET 1. From her position on the corner of a forked road, sounds are exaggerated by the uncertainty of her waiting. There is no uncertainty about her waiting, for we know that she is waiting. There is only uncertainty about its outcome. Focus on a single muted sound and gradually it becomes unbearable, overwhelming, deafening. Silence islost, is loss.
A WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058.THE STORY OF YOU
There is one story I cannot exhaust. The story of You. I can never make you happy.. But what about them - can I makethem happy? USHENKO'S FIELD THEORY OF MEANING The complementarity of being with and against us, is the dual set of direction in an enactment of externality. (Ushenko, 1958, p. 21) In his book, The Field Theory of Meaning, Ushenko tries to directly map the vectors of physics onto meaning processes. This has very interesting ramifications but unfortunately he died before bringingthese
VA - VIRTUAL ARTISTS PTY LTD Hosting 1995 - 2016. Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in 1995. ELECTRONIC WRITING RESEARCH ENSEMBLE the Electronic Writing Research Ensemble is dedicated to experimental research practice that works across genres and disciplinesA WOMAN IS STANDING
a woman is standing An online collaboration by. Linda Carroli +Josephine Wilson.
THE STORY OF YOU
Or would this make you happy? 3. A stranger approaches, asks our Lady-in-Waiting the way to a small hidden garden that opens only one day of the year - this day, this year - a garden few know about, fewer care about, and even less visit. ENSEMBLE LOGIC + CHORAGRAPHY The Crowds Have all Gone Home Now:Chorally Yours xx 24.6.98 lindamarie walker
WAITING - VA
In the absence of the arrival of he/she, of flight 204, there arrives instead fear. Peripheral, inordinate fear. Fear that the plane might never land, that 'delayed' might meanA WOMAN IS STANDING
a woman is standing - ensemble.va.com.au THE RELUCTANT PRISONER 1 "Once upon a time in a far away land the word was thought to be akin to a spade, or a shovel - necessary, useful - as close to the Body as the arm that bound the working man to the handle of his simple honest Tool.: 2. In this fertile world of long ago, a scribe once wrote - 'A sentence should read as if its Author, had he held a plough instead of a pen, could have drawn a furrow Deep and " SLIMY METAPHORS FOR TECHNOLOGY: 'THE CLITORIS IS A p r e a m b l e. 1. "Slimy metaphors for technology: 'the clitoris is a direct line to the Matrix'". Dr. Jyanni Steffensen. In this paper I will analyse a hypertextual installation, All New Gen by Australian cyberfeminist artists, VNS Matrix (1993). This contemporary narrative can be read as a critique of the masculinist techno-cultural DESIRE - THE HOUR OF THE ANGELS The Hour of the Angels. When Orlando Jones awoke one Sunday morning the light outside was a bright golden colour - or so she thought. When she opened the window she was astonished to discover that the golden colour was somehow attached to the window glass. VA - VIRTUAL ARTISTS PTY LTDADVISORIESCLIENTS Hosting 1995 - 2016. Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in 1995.< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday ELECTRONIC WRITING RESEARCH ENSEMBLE the Electronic Writing Research Ensemble is dedicated to experimental research practice that works across genres and disciplines WOMADELAIDE 1995: WELCOME Welcome to WOMADELAIDE 1995 on-line. looking for the current Womadelaide website?. The global music event of the International Year for Tolerance. Proudly supported by DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of aA WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058. THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind. VA - VIRTUAL ARTISTS PTY LTDADVISORIESCLIENTS Hosting 1995 - 2016. Virtual Artists used to provide web, email, dns and other internet hosting services from their then state-of-the-art servers located in Adelaide, South Australia. Until 2016 VA was one of Australia's oldest hosting companies, having started hosting on their own equipment in 1995.< > COMICS
C O M I C S March 3-26 Free WORLDSEND, 208 Hindley St West Launch: By Festival Director, Robyn Archer Tuesday March 7, 1.30pm Artists Talk: Monday 13th, 11am-12 midday ELECTRONIC WRITING RESEARCH ENSEMBLE the Electronic Writing Research Ensemble is dedicated to experimental research practice that works across genres and disciplines WOMADELAIDE 1995: WELCOME Welcome to WOMADELAIDE 1995 on-line. looking for the current Womadelaide website?. The global music event of the International Year for Tolerance. Proudly supported by DELEUZE AND GUATTARI Deleuze and Guattari - The Concept of the Rhizome. The concept of the Rhizome as developed by Deleuze and Guattari in A Thousand Plateaus is highly relevant to a discussion of a shifting configuration of media-elements; a conflation of language systems. The authors relate this definition: Let us summarize the principal characteristics of aA WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
THE MAP AND THE TERRITORY It is never the less the map that proceeds the territory - pressesion of simulacra- that engenders the territory. (Baudrillard, 1994, p. 1) Yes, it is true that a map can engender a territory in terms of the creation of virtual landscapes; a Hypperreal world. Yet, this is also true of working diagrams and architectural models, that they can A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (And ROSALIND BRODSKY HOMEPAGE Rosalind Brodsky homepage. The Rosalind Brodsky Project began in 1995 and is ongoing. Brodsky is my alter ego, avatar and heteronymic identity. This work uses historical material, both real and fictional. Rosalind Brodsky, with whom I share Anglo/Eastern European/Jewish roots, was born in London in 1970 and survived until 2058. THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind.A WOMAN IS STANDING
An online collaboration by . Linda Carroli + Josephine Wilson +Josephine Wilson
A WOMAN STANDS ON A QUIET STREET A woman stands on a street corner waiting for a stranger. This is of course, from the point of view of the woman, an impossible story. Can you wait for a completely empty signifier? There is something this woman is not telling us. Or, there must be a third party who has told this woman 'Wait on that corner and you will see a stranger.' (AndBRIEF
Home is any place of existence or refuge. It can be the heart of the matter, whatever that matter might be. You can'strike home', that is: get to the mark or point aimed at. You can have a home away from home. You can be home and hosed. You can home in on. You can be homeon the pig's back.
CHORAGRAPHY
Promoted from the vernacular into philosophical usage, to kenon denoted: 1)emptiness as such; when used in an extensional way, i.e. not as a mere concept, to kenon might thus refer to mere extension or space; 2)a specific empty (x); this could be: a)an empty space or ENSEMBLE LOGIC + CHORAGRAPHY The Crowds Have all Gone Home Now:Chorally Yours xx 24.6.98 lindamarie walker
THERE FOREVER
TIME 8.02pm Sunday 22 April. Flash Port Adelaide, Australia, 22 April 2007, 8:02 pm is a new ephemeral public work by Michael Yuen. At this place and time: a large flash of light and burst of sound. For a brief moment, light and sound will saturate the surrounding region.HEXEN2039 - VA
HEXEN2039. CIA Programs 1940s - 1974: to counter perceived Soviet and Chinese and assumed previous Nazi advances in Brainwashing techniques. Behaviour control experiments included extensive use of drugs (LSD, mescaline) on military staff and on unwitting civilian participants - electronic signals to alter brain functioning - magic, graphology THE CROWDS HAVE ALL GONE HOME, NOW:CHORALLY YOURS XX The Crowds Have all Gone Home, Now: Chorally Yours xx: Prelude: “ to start a series: to make something ”()A map, a drawing, through (a drawing-through, like a thread, of writing) writing, of a place vaguely remembered, where something happened that slips my mind. USHENKO'S FIELD THEORY OF MEANING The complementarity of being with and against us, is the dual set of direction in an enactment of externality. (Ushenko, 1958, p. 21) In his book, The Field Theory of Meaning, Ushenko tries to directly map the vectors of physics onto meaning processes. This has very interesting ramifications but unfortunately he died before bringingthese
" SLIMY METAPHORS FOR TECHNOLOGY: 'THE CLITORIS IS A p r e a m b l e. 1. "Slimy metaphors for technology: 'the clitoris is a direct line to the Matrix'". Dr. Jyanni Steffensen. In this paper I will analyse a hypertextual installation, All New Gen by Australian cyberfeminist artists, VNS Matrix (1993). This contemporary narrative can be read as a critique of the masculinist techno-culturalVirtual Artists
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