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walk-through.
VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MORE Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
MATH BASS | ARTISTS | VIELMETTER LOS ANGELES Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video.Throughout the work of Math Bass, recognizable forms appear and yet turn aRAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los AngelesWANGECHI MUTU
Wangechi Mutu. Metastasis I and Metastasis II, 2016. Watercolor on paper. Diptych: 16.125 x 12.125" (40.95 x 30.79 cm) each sheet; 18.5 x 14.5 x 1.5" (46.99 x 36.83 x 3.81 cm) each framed; overall dimensions vary. Signed and dated recto. Courtesy of the artist and Vielmetter Los Angeles. Photo credit: Robert Wedemeyer.Wangechi Mutu.
LAURA AGUILAR
Exhibitions. This is not a love song. May 20 – June 17, 2006 , Vielmetter Los Angeles. Laura Aguilar: Center. December 1 – 29, 2001 , Vielmetter Los Angeles. Laura Aguilar: Stillness & Motion. March 8 – April 8, 2000 , Vielmetter Los Angeles.SADIE BENNING
Sadie Benning “Blow Up #19,” 2018 Wood, aqua resin, casein, and acrylic gouache 59 x 44.25" (149.86 x 112.4 cm) Inventory #BEN642 Courtesy of the artist and Vielmetter Los AngelesESTHER PEARL WATSON
Esther Pearl Watson “November 9, There is a vaccine,” 2020 Acrylic with pencil on panel 8" x 10" (20.32 x 25.4 cm) Inventory #EPW380 Courtesy of the artist and Vielmetter Los Angeles WANGECHI MUTU: PROBLEMATICA Press Release. Problematica: a category of classification for animals of unknown zoological affinity, even though their remains may be both well preserved and abundant. Susanne Vielmetter Los Angeles Projects is pleased to present new works by Wangechi Mutu. In her second solo exhibition at the gallery, Wangechi Mutu infuses her powerful female VIELMETTER LOS ANGELESEXHIBITIONSARTISTSFAIRSEVENTSNEWSSHOP Vielmetter Los Angeles is thrilled to announce the acquisition of Double Dominant 4 (Rodney McMillian), 2018 by the Hammer Museum in Los Angeles.This drawing was included in Haendel's 2020 exhibition Double Dominant at Vielmetter Los Angeles. The exhibition featured monumental drawings of the dominant hands, doubled, of 24 LA based artists of Haendel’s generation. ARTISTS - VIELMETTER VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MORE Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
MATH BASS | ARTISTS | VIELMETTER LOS ANGELES Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video.Throughout the work of Math Bass, recognizable forms appear and yet turn aRAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los AngelesWANGECHI MUTU
Wangechi Mutu. Metastasis I and Metastasis II, 2016. Watercolor on paper. Diptych: 16.125 x 12.125" (40.95 x 30.79 cm) each sheet; 18.5 x 14.5 x 1.5" (46.99 x 36.83 x 3.81 cm) each framed; overall dimensions vary. Signed and dated recto. Courtesy of the artist and Vielmetter Los Angeles. Photo credit: Robert Wedemeyer.Wangechi Mutu.
LAURA AGUILAR
Exhibitions. This is not a love song. May 20 – June 17, 2006 , Vielmetter Los Angeles. Laura Aguilar: Center. December 1 – 29, 2001 , Vielmetter Los Angeles. Laura Aguilar: Stillness & Motion. March 8 – April 8, 2000 , Vielmetter Los Angeles.SADIE BENNING
Sadie Benning “Blow Up #19,” 2018 Wood, aqua resin, casein, and acrylic gouache 59 x 44.25" (149.86 x 112.4 cm) Inventory #BEN642 Courtesy of the artist and Vielmetter Los AngelesESTHER PEARL WATSON
Esther Pearl Watson “November 9, There is a vaccine,” 2020 Acrylic with pencil on panel 8" x 10" (20.32 x 25.4 cm) Inventory #EPW380 Courtesy of the artist and Vielmetter Los Angeles WANGECHI MUTU: PROBLEMATICA Press Release. Problematica: a category of classification for animals of unknown zoological affinity, even though their remains may be both well preserved and abundant. Susanne Vielmetter Los Angeles Projects is pleased to present new works by Wangechi Mutu. In her second solo exhibition at the gallery, Wangechi Mutu infuses her powerful femaleEXHIBITIONS
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
MARGOT BERGMAN
Press Release. Vielmetter Los Angeles is pleased to present our first solo exhibition with Chicago-based artist Margot Bergman. Painting since the 1950s, Bergman has been working in her signature neo-expressionist manner since the 1990s. This exhibition brings together works from 2005 through the present day that exemplifyBergman’s emotive
WANGECHI MUTU
Wangechi Mutu. Metastasis I and Metastasis II, 2016. Watercolor on paper. Diptych: 16.125 x 12.125" (40.95 x 30.79 cm) each sheet; 18.5 x 14.5 x 1.5" (46.99 x 36.83 x 3.81 cm) each framed; overall dimensions vary. Signed and dated recto. Courtesy of the artist and Vielmetter Los Angeles. Photo credit: Robert Wedemeyer.Wangechi Mutu.
LAURA AGUILAR
Exhibitions. This is not a love song. May 20 – June 17, 2006 , Vielmetter Los Angeles. Laura Aguilar: Center. December 1 – 29, 2001 , Vielmetter Los Angeles. Laura Aguilar: Stillness & Motion. March 8 – April 8, 2000 , Vielmetter Los Angeles. PAUL MPAGI SEPUYA: A CONVERSATION ABOUT AROUND PICTURES Because of the current public health crisis, Vielmetter Los Angeles is currently open by appointment only. To arrange for a viewing please call or email the gallery at .. Vielmetter Los Angeles is thrilled to announce our first solo exhibition with Los Angeles-based artist Paul Mpagi Sepuya, A conversation about around pictures. These new works, made in Sepuya’s Los AngelesUNIQUE WORKS
Collection:Unique Works. Sort by. Featured Best selling Alphabetically, A-Z Alphabetically, Z-A Price, low to high Price, high to low Date, old to new Date, new to old. 26 items. Esther Pearl Watson, Special Edition Zine. Esther Pearl Watson, Special Edition Zine. Regular price. $250.00. JOHN SONSINI: COWBOY STORIES & NEW PAINTINGS Press Release. Vielmetter Los Angeles is pleased to present the gallery’s first exhibition with Los Angeles based portrait painter John Sonsini. Comprised of full-length figures, bust portraits, and still lifes, the exhibition, Cowboy Stories & New Paintings, centers on the theme of cowboys living in Mid City Los Angeles. AMY ADLER | ARTISTS | VIELMETTER LOS ANGELES "Amy Adler Photographs Leonardo Di Caprio," UCLA Hammer Museum, LosAngeles, CA
MICKALENE THOMAS: AN IMITATION OF LOVE, BRAWLIN’ SPITFIRE Mickalene Thomas Portrait of Wrestler #8 (Brawlin' Spitfire Two), 2007 Rhinestones, acrylic, enamel on wood panel 24" x 20" LACMA X SNAPCHAT: RUBEN OCHOA FUNDRAISER EDITIONS Vendedores, Presente! Ruben Ochoa. Your purchase of Ruben Ochoa's LACMA x Snapchat fundraising print directly supports the initiative of Inclusive Action's emergency Los Angeles Street Vendor Campaign.The funds from each individual print will translate directly to a $400 cash card for street vendors and their families, many of whom have not been eligible to receive direct pandemic relief VIELMETTER LOS ANGELESEXHIBITIONSARTISTSFAIRSEVENTSNEWSSHOP The augmented reality artwork, “¡Vendedores Presente!” by Ruben Ochoa, is one of five virtual monuments debuting Tuesday, geolocated to sites across the city in a project from the Los Angeles County Museum of Art and Snap Inc., the parent company of Snapchat." ByDeborah Vankin -
ARTISTS - VIELMETTER VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MORE Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
20 YEARS ANNIVERSARY EXHIBITION About. This year, Vielmetter Los Angeles celebrates its 20th anniversary. We are pleased to acknowledge this milestone with a two-part exhibition, the first iteration of which opens July 18, 2020. It is with the greatest sense of gratitude that we look at the past two decades to see how the gallery has developed and grown. MATH BASS | ARTISTS | VIELMETTER LOS ANGELES Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video.Throughout the work of Math Bass, recognizable forms appear and yet turn aRAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los AngelesMARGOT BERGMAN
Press Release. Vielmetter Los Angeles is pleased to present our first solo exhibition with Chicago-based artist Margot Bergman. Painting since the 1950s, Bergman has been working in her signature neo-expressionist manner since the 1990s. This exhibition brings together works from 2005 through the present day that exemplifyBergman’s emotive
KIM DINGLE | ARTISTS | VIELMETTER LOS ANGELES Pagel, David, "Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride," Los Angeles Times, October 28. Goldman, Edward, "Sizzling weather, cool art," KCRW Art Talk (web and radio), October 25. Short, Alice, "Inside Rand Corp.’s impressive art collection," Los Angeles Times (web), July 30. DEBORAH ROBERTS: NATIVE SONS: MANY THOUSANDS GONE Vielmetter Los Angeles is pleased to announce our first solo exhibition by Deborah Roberts in our Downtown gallery entitled Native Sons: Many thousands gone. Below is an essay commissioned on the occasion of Roberts’s exhibition by Dr. Cherise Smith of the University of Texas at Austin: "The fourteen works on display reflecta shift in
WANGECHI MUTU: PROBLEMATICA Press Release. Problematica: a category of classification for animals of unknown zoological affinity, even though their remains may be both well preserved and abundant. Susanne Vielmetter Los Angeles Projects is pleased to present new works by Wangechi Mutu. In her second solo exhibition at the gallery, Wangechi Mutu infuses her powerful female VIELMETTER LOS ANGELESEXHIBITIONSARTISTSFAIRSEVENTSNEWSSHOP The augmented reality artwork, “¡Vendedores Presente!” by Ruben Ochoa, is one of five virtual monuments debuting Tuesday, geolocated to sites across the city in a project from the Los Angeles County Museum of Art and Snap Inc., the parent company of Snapchat." ByDeborah Vankin -
ARTISTS - VIELMETTER VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MORE Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
20 YEARS ANNIVERSARY EXHIBITION About. This year, Vielmetter Los Angeles celebrates its 20th anniversary. We are pleased to acknowledge this milestone with a two-part exhibition, the first iteration of which opens July 18, 2020. It is with the greatest sense of gratitude that we look at the past two decades to see how the gallery has developed and grown. MATH BASS | ARTISTS | VIELMETTER LOS ANGELES Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video.Throughout the work of Math Bass, recognizable forms appear and yet turn aRAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los AngelesMARGOT BERGMAN
Press Release. Vielmetter Los Angeles is pleased to present our first solo exhibition with Chicago-based artist Margot Bergman. Painting since the 1950s, Bergman has been working in her signature neo-expressionist manner since the 1990s. This exhibition brings together works from 2005 through the present day that exemplifyBergman’s emotive
KIM DINGLE | ARTISTS | VIELMETTER LOS ANGELES Pagel, David, "Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride," Los Angeles Times, October 28. Goldman, Edward, "Sizzling weather, cool art," KCRW Art Talk (web and radio), October 25. Short, Alice, "Inside Rand Corp.’s impressive art collection," Los Angeles Times (web), July 30. DEBORAH ROBERTS: NATIVE SONS: MANY THOUSANDS GONE Vielmetter Los Angeles is pleased to announce our first solo exhibition by Deborah Roberts in our Downtown gallery entitled Native Sons: Many thousands gone. Below is an essay commissioned on the occasion of Roberts’s exhibition by Dr. Cherise Smith of the University of Texas at Austin: "The fourteen works on display reflecta shift in
WANGECHI MUTU: PROBLEMATICA Press Release. Problematica: a category of classification for animals of unknown zoological affinity, even though their remains may be both well preserved and abundant. Susanne Vielmetter Los Angeles Projects is pleased to present new works by Wangechi Mutu. In her second solo exhibition at the gallery, Wangechi Mutu infuses her powerful female ARTISTS - VIELMETTER VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
EXHIBITIONS
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
KENNEDY YANKO
Vielmetter Los Angeles is pleased to announce our first solo exhibition of Kennedy Yanko’s work, “Salient Queens.” Opening on October 10, 2020, the exhibition features a series of sculptures that both combine and juxtapose found metal with supple colored paintskins.
GARDEN CONVERSATIONS Garden Conversations — Susanne Vielmetter + Kevin Scholl. Saturday, May 16 on Instagram Live at 12:00 noon (PST) Please join us for a live conversation with Susanne Vielmetter and Senior Director Kevin Scholl on the occasion of his upcoming 10 year tenure with the gallery.UNIQUE WORKS
Collection:Unique Works. Sort by. Featured Best selling Alphabetically, A-Z Alphabetically, Z-A Price, low to high Price, high to low Date, old to new Date, new to old. 26 items. Esther Pearl Watson, Special Edition Zine. Esther Pearl Watson, Special Edition Zine. Regular price. $250.00. KIM DINGLE | ARTISTS | VIELMETTER LOS ANGELES Pagel, David, "Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride," Los Angeles Times, October 28. Goldman, Edward, "Sizzling weather, cool art," KCRW Art Talk (web and radio), October 25. Short, Alice, "Inside Rand Corp.’s impressive art collection," Los Angeles Times (web), July 30.DASHA SHISHKIN
Dasha Shishkin. PETE IS A PRINCE OF A MAN, 23 parts, 30" H x 42" W (76.2 cm H x 106.68 cm W) each, 252" H x 120" W (640.08 cm H x 304.8 cm W) overall. Pastel and acrylic on mylar. Installation view, "Dasha Shishkin: erry icket," Museum of Contemporary Art Santa Barbara, July 7 - September 8, 2013. Dasha Shishkin. Untitled (poop table), 2004. SAMUEL LEVI JONES: LEFT OF CENTER Exhibiting 16 carefully selected works, Left of Center offers an in-depth look at how Jones’s deconstruction of often racist and blatantly biased cultural icons (sets of encyclopedias, leather-bound law books, medical texts, and football equipment) manifests NICOLE EISENMAN: NEW PAINTINGS* Susanne Vielmetter Los Angeles Projects is pleased to present a solo exhibition of new paintings by Nicole Eisenman. In her second solo exhibition at the gallery, Eisenman presents several large portraits as well as a range of figurative paintings featuring gatherings of people engaged in different social activities. INGRID CALAME: FROM THE LA RIVER TO LACKAWANNA Ingrid Calame #346 Drawing (Tracing from the Perry Street Project Wading Pool, Buffalo, NY), 2011 Color pencil on trace Mylar 115 1/4" x3 1/4" framed size
VIELMETTER LOS ANGELESEXHIBITIONSARTISTSFAIRSEVENTSNEWSSHOP The augmented reality artwork, “¡Vendedores Presente!” by Ruben Ochoa, is one of five virtual monuments debuting Tuesday, geolocated to sites across the city in a project from the Los Angeles County Museum of Art and Snap Inc., the parent company of Snapchat." ByDeborah Vankin -
ARTISTS - VIELMETTERSUSANNE VIELMETTERSUZANNE VIELMETTER GALLERY VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
EXHIBITIONS
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
RESERVATIONS
Reservations. Dear Visitors, Your safety and the safety of our staff is of utmost importance to us. To ensure a safe visit, we are following city, state, and federal health guidelines and require appointments for all visits. Visitors who have made appointments will be admitted to the gallery at their assigned appointment time - please VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MOREVIELMETTER LOS ANGELES Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
RAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los Angeles KIM DINGLE | ARTISTS | VIELMETTER LOS ANGELES Pagel, David, "Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride," Los Angeles Times, October 28. Goldman, Edward, "Sizzling weather, cool art," KCRW Art Talk (web and radio), October 25. Short, Alice, "Inside Rand Corp.’s impressive art collection," Los Angeles Times (web), July 30. RODNEY MCMILLIAN: BODY POLITIC Rodney McMillian (b. 1969) lives and works in Los Angeles, CA. He received an MFA from the California Institute of the Arts in 2002. In 2019, his solo exhibition at the Underground Museum in Los Angeles featured several video works originally presented in his 2016 solo exhibition at the ICA Philadelphia as well as the first West coast presentation of McMillian’s Opera, Hanging with ClarenceESTHER PEARL WATSON
Esther Pearl Watson “November 9, There is a vaccine,” 2020 Acrylic with pencil on panel 8" x 10" (20.32 x 25.4 cm) Inventory #EPW380 Courtesy of the artist and Vielmetter Los Angeles GARDEN CONVERSATIONS Garden Conversations — Susanne Vielmetter + Kevin Scholl. Saturday, May 16 on Instagram Live at 12:00 noon (PST) Please join us for a live conversation with Susanne Vielmetter and Senior Director Kevin Scholl on the occasion of his upcoming 10 year tenure with the gallery. VIELMETTER LOS ANGELESEXHIBITIONSARTISTSFAIRSEVENTSNEWSSHOP The augmented reality artwork, “¡Vendedores Presente!” by Ruben Ochoa, is one of five virtual monuments debuting Tuesday, geolocated to sites across the city in a project from the Los Angeles County Museum of Art and Snap Inc., the parent company of Snapchat." ByDeborah Vankin -
ARTISTS - VIELMETTERSUSANNE VIELMETTERSUZANNE VIELMETTER GALLERY VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
EXHIBITIONS
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
RESERVATIONS
Reservations. Dear Visitors, Your safety and the safety of our staff is of utmost importance to us. To ensure a safe visit, we are following city, state, and federal health guidelines and require appointments for all visits. Visitors who have made appointments will be admitted to the gallery at their assigned appointment time - please VIELMETTER LOS ANGELES SHOP FOR BOOKS AND MOREVIELMETTER LOS ANGELES Esther Pearl Watson. Nick Aguayo — Quarantine Drawings. Matthew Lax. Gabriel Slavitt. Gregory Michael Hernandez. David Bratton. EveliaMagallon.
RAFFI KALENDERIAN
Raffi Kalenderian “Thed Jewel,” 2019 Oil on canvas 98" x 70" x 1 ⁄₂" (248.92 x 177.8 x 3.81 cm) Inventory #KAL262 Courtesy of the artist and Vielmetter Los Angeles KIM DINGLE | ARTISTS | VIELMETTER LOS ANGELES Pagel, David, "Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride," Los Angeles Times, October 28. Goldman, Edward, "Sizzling weather, cool art," KCRW Art Talk (web and radio), October 25. Short, Alice, "Inside Rand Corp.’s impressive art collection," Los Angeles Times (web), July 30. RODNEY MCMILLIAN: BODY POLITIC Rodney McMillian (b. 1969) lives and works in Los Angeles, CA. He received an MFA from the California Institute of the Arts in 2002. In 2019, his solo exhibition at the Underground Museum in Los Angeles featured several video works originally presented in his 2016 solo exhibition at the ICA Philadelphia as well as the first West coast presentation of McMillian’s Opera, Hanging with ClarenceESTHER PEARL WATSON
Esther Pearl Watson “November 9, There is a vaccine,” 2020 Acrylic with pencil on panel 8" x 10" (20.32 x 25.4 cm) Inventory #EPW380 Courtesy of the artist and Vielmetter Los Angeles GARDEN CONVERSATIONS Garden Conversations — Susanne Vielmetter + Kevin Scholl. Saturday, May 16 on Instagram Live at 12:00 noon (PST) Please join us for a live conversation with Susanne Vielmetter and Senior Director Kevin Scholl on the occasion of his upcoming 10 year tenure with the gallery.EXHIBITIONS
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
RESERVATIONS
Reservations. Dear Visitors, Your safety and the safety of our staff is of utmost importance to us. To ensure a safe visit, we are following city, state, and federal health guidelines and require appointments for all visits. Visitors who have made appointments will be admitted to the gallery at their assigned appointment time - please CONTACT - VIELMETTER 1700 S Santa Fe Ave #101. Los Angeles, CA 90021. Gallery Hours. Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibition walk-through. To book an appointment please follow this link. Phone +1 213 623 3280.FAIRS - VIELMETTER
VIELMETTER LOS ANGELES 1700 S Santa Fe Ave #101, Los Angeles, CA 90021 +1 213 623 3280 Gallery Hours Tuesday – Saturday, by appointment only. We are happy to schedule a virtual exhibitionwalk-through.
20 YEARS ANNIVERSARY EXHIBITION Edgar Arceneaux has worked in a wide range of mediums including drawing, video, sculpture, and performance over the past two decades. For this exhibition Arceneaux presents a new work from a recent series of combine paintings — In Between The Steps #1 consists of random, single shoes filled with weeds and branches, burned and mounted on white canvas, evoking the endless MATH BASS | ARTISTS | VIELMETTER LOS ANGELES Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video.Throughout the work of Math Bass, recognizable forms appear and yet turn aGENEVIEVE GAIGNARD
Genevieve Gaignard. “I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually,” 2020. 22 x 26 x 18" (55.88 x 66.04 x 45.72 cm) Inventory #GEN302. Courtesy of the artistMARGOT BERGMAN
Press Release. Vielmetter Los Angeles is pleased to present our first solo exhibition with Chicago-based artist Margot Bergman. Painting since the 1950s, Bergman has been working in her signature neo-expressionist manner since the 1990s. This exhibition brings together works from 2005 through the present day that exemplifyBergman’s emotive
DASHA SHISHKIN
Dasha Shishkin. PETE IS A PRINCE OF A MAN, 23 parts, 30" H x 42" W (76.2 cm H x 106.68 cm W) each, 252" H x 120" W (640.08 cm H x 304.8 cm W) overall. Pastel and acrylic on mylar. Installation view, "Dasha Shishkin: erry icket," Museum of Contemporary Art Santa Barbara, July 7 - September 8, 2013. Dasha Shishkin. Untitled (poop table), 2004.SAMUEL LEVI JONES
Samuel Levi Jones: No More Tokens. June 29 – August 24, 2019 , Vielmetter Los Angeles. Samuel Levi Jones: Left of Center. March 15 – September 1, 2019 , Newfields, Indianapolis Museum of Art. Samuel Levi Jones: One Blood. May 27 – July 1, 2017 , Vielmetter LosAngeles.
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STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
ESTHER PEARL WATSON
May 5 – June 11, 2021Greenhouse
ESTHER PEARL WATSON
May 5 – June 11, 2021Greenhouse
PATRICK WILSON
KEEPING TIME
March 13 – June 5, 2021Gallery I
PATRICK WILSON
KEEPING TIME
March 13 – June 5, 2021Gallery I
STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
ESTHER PEARL WATSON
May 5 – June 11, 2021Greenhouse
ESTHER PEARL WATSON
May 5 – June 11, 2021Greenhouse
PATRICK WILSON
KEEPING TIME
March 13 – June 5, 2021Gallery I
PATRICK WILSON
KEEPING TIME
March 13 – June 5, 2021Gallery I
STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
STEVE RODEN
IMPRESSIONS
May 27 – June 9, 2021Greenhouse
‹›
EVENTS
The Art of our Art Handlers — Scott EastwoodNEWS
Patrick Wilson included in Break + Bleed at San Jose Museum of Art "Drawn primarily from SJMA’s permanent collection, _Break _+_ Bleed _features both paintings and works on paper by historically significant artists who exemplify the spirit of post-painterly abstraction through an expansive range of styles including hard-edge abstraction, Color Field painting, Op art, Minimalism, and soft-edge abstraction. Artworks in this exhibition feature biomorphic and geometric shapes, angular and wavy lines, and lively planes of color. The work of Josef Albers—from his celebrated series devoted to the square, exploring the subjective experience of color—may be the most recognizable. For Karl Benjamin, interlocking and sometimes twisted shapes created energetic color associations and incongruous patterns. This exhibition also features contemporary artists like Linda Besemer, Patrick Wilson, and others who are pushing post-painterly abstraction into new territories." FRIDAY, JUNE 4, 2021–SUNDAY, APRIL 3, 2022 ORGANIZED BY RORY PADEKEN, CURATORLink
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Nicole Eisenman "Giant Without a Body" Now on View! Vielmetter Los Angeles congratulates Nicole Eisenman on the opening of _Giant without a body, _a survey of the artist's work from 2006 through the present at the Astrup Fearnley Museet in Oslo.Link
Paul Mpagi Sepuya and Genevieve Gaignard in "Photo Flux" at GettyCenter
Artists Paul Mpagi Sepuya and Genevieve Gaignard are featured in "Photo Flux: Unshuttering LA" at The Getty Center. On view May 25 -October 10, 2021.
"Photographs by 35 Los Angeles-based artists challenge ideals of beauty, representation, cultural capital, and objectivity. The artists in this exhibition, primarily people of color, have radically transformed photography to express their own aesthetics, identities, and narratives. Their work is foundational for an emerging generation of artists participating in the Getty Unshuttered program, which engages teens to seek photography as a platform to amplify social topics that resonate in their own lives." Curated by jill monizLink
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Amy Sillman and Wangechi Mutu reviewed in The New York Times “Affinities for Abstraction: Women Artists on Eastern Long Island, 1950-2020” Parrish Art Museum "Contemporary makers like Amy Sillman, who painted “C” (2007), and Jacqueline Humphries and Virginia Jaramillo are included, too, delineating the connections among generations." “Wangechi Mutu: I Am Speaking, Are You Listening?” Legion of HonorMuseum
_"_The Kenyan-American artist Wangechi Mutu, who splits time between Nairobi and New York, has made many museum appearances, including in the 2019 Whitney Biennial, but this is among her biggest soloexhibitions."
By Ted Loos - 21 May 2021__
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Ruben Ochoa Fundraising Print II Now available in our webshop: Ruben Ochoa's second limited-edition fundraising print supporting The Street Vendor Emergency Fund! Your purchase of Ruben Ochoa's LACMA x Snapchat fundraising print directly supports the initiative of Inclusive Action's emergency Los Angeles Street Vendor Campaign. The funds from each individual print will translate directly to a $400 cash card for street vendors and their families, many of whom have not been eligible to receive direct pandemic relief funding from the government. Vendedores, Presente! responds to L.A.’s shared history with street vendors. Ruben Ochoa draws attention to the region’s familiar fruit carts, paleteros, and flower stands creating a large-scale immersive environment that calls for solidarity with vendor advocacy. This project is part of LACMA × Snapchat: Monumental Perspectives.Link
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Deborah Roberts Featured in Sotheby's "In_ Deborah Roberts: I’m,_ the artist’s first solo show in Texas, the powerhouse artist continues investigating ideas of beauty, race, happiness and safety through depictions of Black children. Originally meant to open September 2020, the exhibition was postponed to January 2021 due to the pandemic. Roberts used those quiet quarantine months to edit the exhibition deeper and go bigger. The pandemic revealed the preciousness of human life, and fueled the collagist to heighten existing mixed media pieces. Black children needed to be seen and affirmed on a grander scale." By Jasmin Hernandez -19 May 2021Link
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Rodney McMillian in Our House: Selections from MoCA's collection Vielmetter Los Angeles congratulates Rodney McMillian on his inclusion in _Our House: Selections from MoCA's collection _at the Museum of Contemporary Art Los Angeles, organized by Bennett Simpson. _The White House II_, 2020, on view at MoCA, was acquired for the museum's permanent collection earlier this year. The exhibition opens to thepublic on June 3rd.
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Rodney McMillian in The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse Vielmetter Los Angeles congratulates Rodney McMillian on his inclusion in _The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, _curated by Valerie Cassel Oliver, at the Virginia Museum of Fine Arts opening May 22, 2021.Link
Esther Pearl Watson Featured in The Pool "Through dozens of small, colorful paintings, Esther Pearl Watson (Art MFA 12) depicts a rapidly changing world in which the once mundane is juxtaposed against an unprecedented crisis. As the pandemic continued, Watson’s desire to document everyday life in its midst grewstronger.
Watson spent the last year creating a visual diary. It’s a trip to the neighborhood grocery store, but there’s a line outside and the store is completely out of toilet paper. A family goes on a walk in their neighborhood, but they’re all wearing masks. As the days dragged on, Watson felt a growing desire to document this new normal." By Juliet Bennett Rylah - 14 May 2021Link
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Wangechi Mutu Reviewed in The Guardian "A new exhibition at San Francisco’s Legion of Honor, Wangechi Mutu: I Am Speaking, Are You Listening?, speaks to this moment. A concerted effort to decolonize the museum as it reopened this week after a Covid-induced hibernation, it consists of recent works by the Kenyan-American artist situated throughout the Legion’s galleries, rather than in one or two rooms. There, her works exist in dialogue with the Legion’s Eurocentric permanent collection, a reflection of the sensibilities of the industrialists who endowed it a century ago. In all, I Am Speaking is a pulse of transgression throughout this staid secular temple." By Peter-Astrid Kane - 8 May 2021Link
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Wangechi Mutu Exhibition opens at Legion of Honor Vielmetter Los Angeles congratulates Wangechi Mutu on the opening of I'm Speaking, Are You Listening, a survey of the artist's work, curated by Claudia Schmuckli, at the Legion of Honor, Fine Arts Museums of San Franciso. "Over the past two decades, Wangechi Mutu has created chimerical constellations of powerful female characters, hybrid beings, and fantastical landscapes. With a rare understanding of the power and need for new mythologies—the productive friction of opposites beyond simple binaries and stereotypes—Mutu breaches common distinctions among human, animal, plant, and machine. At once seductive and threatening, her figures and environments take the viewer on journeys of material, psychological, and sociopolitical transformation."Link
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Deborah Roberts Featured in Art in America "Born in 1962 in Austin, Texas, Roberts makes work that can be understood, from one angle, as a reimagining of the Black twentieth century through mixed-media art on paper. Her art centers the social worlds of Black children. Through the use of an ever-expanding range of materials, Roberts animates the still figures of these young people set against a sharp white background in more ways than one: they throw up peace signs, they strut and dance, stand defiantly with hands in pockets, sit on the floor with palms locked in front of their shins, defend one another by placing their arms between the body of a friend and the world of the viewer." By Joshua Bennett - 4 May 2021Link
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Dave McKenzie in Frieze "Trained in printmaking, McKenzie is undaunted by the rote repetition of ordinary tasks, or by a confrontation with _the same_. In these works – both of which are now on view as part of ‘The Story I Tell Myself ’, the artist’s solo show at the Whitney Museum of American Art in New York – recursion is a conduit through which McKenzie articulates his semi-private realism: moments that, to evoke the writer Samuel R. Delany, come ‘blaring in through the five senses’ (_Dhalgren_, 1975), and so resist easy consolidation. McKenzie’s elegiac form is a reminder of the debts of our cultural and political ancestors, which we do not inherit, but that we become. " By Shiv Kotecha - 19 April 2021Link
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Genevieve Gaignard in Girl You Want at ArtYard "ArtYard is pleased to present, Girl You Want, curated by J. Vanessa Lyon and featuring artists Genevieve Gaignard, Julia Greenburger, Jen Liu, Josh Rabineau, Wendy and Beatrice Red Star, Karinne Smith, Ivy Stewart, and María Vargas Aguilar. What’s a girl? What do you expect from a girl or want girlhood to be? How are girls un/made? Are they pieced together, imagined, constructed? This exhibition examines what girling looks and feels like through a range of representational strategies, from portraiture to speculative narrative; from dress to interiors and the prettified materials of commodification and colonization. In this show “girl” and “girly” are not offered as stable or essential but are rather understood as shifting states untethered to “sex” or even age."Link
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Dave McKenzie Featured in Artforum "This month, “Dave McKenzie: The Story I Tell Myself” opens at the Whitney. Curated by Adrienne Edwards, the exhibition pairs McKenzie’s videos with a selection of works from the museum’s collection by, among others, Bruce Nauman, Trisha Brown, and Pope.L. On Fridays and Saturdays, McKenzie plans to be on-site to “wash” the exterior of the museum’s floor-to-ceiling windows with a viscous mixture that will do more to obscure the view than clear it up, recapitulating how “squeegee men” used to soap up the windshields of cars stuck in traffic before a Giuliani-era crackdown in themid-’90s."
By Colby Chamberlain - May 2021Link
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Ruben Ochoa Event at LACMA In celebration of Ruben Ochoa’s project for LACMA × Snapchat: Monumental Perspectives, view a short documentary series that follows street vendors as they unpack the history of the vending economy in Los Angeles, their efforts to organize and build sustainable businesses, the challenges and threats they face in this work environment, and the great impact the pandemic has had on thiscommunity.
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Math Pearl Bass in Conversation April 30th Join us for a FREE virtual conversation with Suzanne Hudson, Math Bass, and Christina Quarles (via Zoom) on April 30 at 5 pm PST! In her forthcoming book "Contemporary Painting" (Thames and Hudson, April 2021), Los Angeles-based art historian and critic Suzanne Hudson considers painting as a vibrant and sometimes contentious critic of a dynamic global society. During this talk, Hudson is joined by two esteemed painters, Math Bass and Christina Quarles, featured in the book. This event is moderated by curator James Glisson from the Santa Barbara Museum of Art and Alexandra Terry from the Museum of Contemporary Art SantaBarbara.
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Ruben Ochoa Featured in the Los Angeles Times "An enormous piece of Mexican street corn, slathered in chile powder and Cotija cheese, is soaring over MacArthur Park on Tuesday morning. A runaway orange bounces in the foreground; fruit carts with rainbow-colored sunshades float in the sky. The augmented reality artwork, “¡Vendedores Presente!” by Ruben Ochoa, is one of five virtual monuments debuting Tuesday, geolocated to sites across the city in a project from the Los Angeles County Museum of Art and Snap Inc., the parent company of Snapchat." By Deborah Vankin - 13 April 2021Link
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Patrick Wilson Reviewed in Artillery "In this regard, “Keeping Time” is a stroke of mastery. Wilson’s frame within frame style always manages to keep you on your toes as the works, never culminating, constantly build and subtract within themselves. We can see this effect in a work titled _Afternoon Breeze _(2020). A patch of blue, in one place vibrant, melts into the red background with a mild transparency, and is harshly bisected by a think pink frame. Nearby, a pink and orange frame overlaps a field of subtly gradating maroon and sienna, capturing on one end a shred of the hot pink background. Finally, the offset canvases abutting at a hard right angle throw the entire work into a rectilinear staccato." By Cole Sweetwod - 31 March 2021Link
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“Sarah Cain: In Nature” Exhibition Tour with Sarah Cain and LaurenHaynes
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Hayv Kahraman Reviewed in Whitehot Magazine "Kahraman depicts a feminine self which is not one but a fragmented “subject” formed from a network of cultural discourses. “She” embodies the weight of history, injuries, invisible scars and traumas female survivors carry around until they can heal and build a bridge from the past into the future. Because Kahraman uses her personal memories of trauma to address collective trauma, her paintings have a universal relevance. Although her mnemonic paintings are disturbing, they are concerned with the art of mending physical and psychicwounds. "
By Lita Barrie - 31 March 2021Link
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Andrea Bowers: UC DAVIS Art Studio Visiting Artist Lecture Series Wednesday, April 7 — 4:30 PM PDT Through documenting contemporary activists focused on women’s rights, migrant justice, workers’ rights and climate justice, Andrea Bowers is committed to an intersectional feminism that dismantles gender privilege and builds community. Her multivalent art practice documents and honors the activists whose everyday actions forge meaningful change. Bowers is represented by Vielmetter Los Angeles, Andrew Kreps Gallery in New York, Capitain Petzel in Berlin, Kauffman Repetto in Milan, and Jessica Silverman in San Francisco. To register please follow the link below.Link
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Deborah Roberts Reviewed in Frieze "‘I’m’ demonstrates the range of ways the artist explores underrepresented narratives. Upon entering the gallery, visitors are welcomed by three of Roberts’s text-based works: _La’ Condrea is a noun_. (2020), _We ≥ They _(2020) and_ Anqwenique is mild as milk_ (2020). The titles of each work correspond to text silk-screened on sheets of paper, roughly the size of picket-signs. Both _La’ Condrea is a noun_., and _Anqwenique is mild as milk_, bear a red spell-check squiggle under the girls’ names – an indicator of how even these girls’ names are policed by computer software." By Lise Ragbir - 19 March 2021Link
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The Frances Young Tang Teaching Museum and Art Gallery Acquires Worksby Steve Roden
Congratulations to Steve Roden whose work has been acquired by The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College as part of a gift from Michael O. and Sirje HelderGold.
The gift includes works created in the 1990s and 2000s by a diverse group of leading and emerging artists, including Louise Bourgeois, Sean Duffy, Naomi Fisher, Iva Gueorguieva, Michelle Grabner, Carol Hepper, Steve Roden, Jonathan Seliger, Glen Seator, George Stoll, Beverly Semmes, and Barbara Takenaga.Read on
Solo Exhibition — Nicole Eisenman: GIANT WITHOUT A BODY at Astrup Fearnley Museet, Oslo opening soon Vielmetter Los Angeles congratulates Nicole Eisenman on the opening of _Giant without a body, _a survey of the artist's work from 2006 through the present at the Astrup Fearnley Museet in Oslo.Link
Amy Sillman Featured in Frieze Magazine "For more than four decades – across painting, drawing, animation, zines and an increasing corpus of writing – Sillman has combined a dialectics of intimacy and awkwardness, self-deprecation and prowess, figuration and abstraction. She has developed a pragmatic philosophy of painting that mobilizes doubt, treating mark-making not as a grand testament to an artist’s skill but as an invitation for us to follow and think alongside her." By Tausif Noor - 23 February 2021Link
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Nicole Eisenman Featured in The New Yorker "Eisenman, who is fifty-five, constructs figurative, narrative images filled with angst, jokes, and art-historical memory. Her work tells stories of broad political inequity—“Huddle” (2018) conjures a surreal and sinister gathering of white men in suits, high above Manhattan—and, more intimately, of solitude and of solidarity, at the beach and in the back gardens of bars. Partly because Eisenman’s creations often trouble to notice how the world looks now, and won’t look forever—a man in Adidas slides; a laptop on the train—they seem likely to survive long enough to carry into the future a clear sense of our present. " By Ian Parker - 22 February 2021Link
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Deborah Roberts Reviewed in Brooklyn Rail "_I’m_ features all new work, including figural collage with hand-painted elements and two firsts for the artist: an interactive installation and a grand-scale mural on the building’s exterior. COVID unsurprisingly postponed the show’s opening from September, a strange silver lining which meant more time in the studio. Roberts has acknowledged that the extraordinary events of 2020 began pushing their way into the work. Portraits of Black children took on new meaning after months of lockdown and nationwide Black Lives Matter protests. Half a year later, her “kids,” as she calls them, finally occupy The Contemporary’s first floor, challenging a dominant society that all too often denies their beauty and humanity." By Barbara Purcell - February 2021Link
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Math Bass Interviewed in Cultured "I visited Math Bass Echo Park studio in the last days of 2020 as they were finishing a new body of work for their solo show, “Desert Veins,”
opening a few weeks later at Vielmetter Los Angeles. Over the past six months, I had been receiving texts from Math with images of their paintings in stages, beginning with the faintest underpainting and then building up over weeks with layers of richly colored oil. These paintings becoming paintings arrived to my phone like precious gifts that I viewed over and over again. One week brought the severed head of Anubis and a white gloved hand reaching towards it (what Math calls “anthropological imaging”), the next a snake body wrapped around a pile of eggs. A few weeks of silence followed, and then, as the isolated winter set in, dozens and dozens of paintings of a field of graves began appearing, almost like prayers." By Isabelle Albuquerque - 15 February 2021Link
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Sarah Cain Featured in Vogue "From the start of her 15-plus-year career, Cain tells me on Skype, “people always give me the weird spots that they don’t know what to do with.” I’m on the East Coast, and she’s in her Los Angeles studio, surrounded by eight-by-seven-foot canvases that will come together as one painting on a very large, temporary construction wall. “I was really excited about the project. I thought, Okay, I’ll go there and make a massive work on-site.” Part of the fun would be supplanting the “old dudes,” the male 20th-century masters who have always occupied the atrium, and this thought contributed to the show’s title: “My favorite season is the fall of the patriarchy.”" By Dodie Kazanjian - March 2021Link
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Wangechi Mutu Featured in Wall Street Journal "In 2019, the Biennial at New York’s Whitney Museum of American Art included three of her sculptures, and across town the Metropolitan Museum of Art prominently inserted her caryatid sculptures into the niches on the exterior of its building. The show at the Legion of Honor, part of the Fine Arts Museums of San Francisco, will be among her most significant exhibitions to date, and Mutu and the curators have taken an unusual approach. Instead of dedicating a few spaces to the artist, they will strategically place the 18 works in the museum’s courtyard and throughout its first-floor galleries. The arrangement—meant to offer a critique of colonialism, with African culture asserting itself in multiple Eurocentric spaces—makes it as much an intervention as an exhibition." By Ted Loos - 4 February 2021Link
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Mary Kelly — Elson Lecture The Elson Lecture Series features distinguished contemporary artists who are represented in the National Gallery of Art's permanent collection. On June 15, 2020, Kelly presented an overview of her career and discussed her artistic practice with Shelley Langdale, Curator & Head of Modern Prints and Drawings at the National Gallery of Art, Washington.Link
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Deborah Roberts Featured in The Wall Street Journal "Roberts’s new show, _I’m_, which debuts at the Contemporary Austin January 23, is her first major solo museum exhibition in Texas. _I’m_ features her paintings, signature collages and an interactive sound, text and video sculpture. The museum also commissioned Roberts to create an ongoing installation, a mural on one of its buildings. Titled _Little man, little man_, a tribute to James Baldwin’s children’s book of the same name, the mural depicts a young Black boy in six different poses of dance and celebration." By Lane Florsheim - 23 January 2021Link
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Esther Pearl Watson Reviewed in ArtNow "Watson’s matter of fact, colorful and simplistic style shares affinities with folk artists like Grandma Moses. Her process is to document the everyday, that which surrounds her and is simultaneously banal and in these dire times, disconcerting and unusual. The pieces are at once familiar, stemming from observation, yet also surreal. Her _“Pandemic”_ paintings were created quickly and together create a narrative that traces the uncanny spread of the virus and how it affects the individuals, students, families and communities of LosAngeles."
By Jody Zellen - January 2021Link
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Deborah Roberts Featured in Vogue "Deborah Roberts is making some of the best work of her life—just ask the artist herself. In “I’m,” a solo exhibition opening this weekend at The Contemporary Austin (her first at a museum in Texas, her home state), Roberts’s interrogations of Black bodies—how they’re seen, and when prejudice diminishes them—have a new urgency. Her figures loom larger in the frame than they used to, claiming more space for themselves. And if Roberts can’t easily explain that shift, what she _does_ know is that it’s working. “I’ve always allowed the work to lead me,” she tells me. “It’s not always been down the right path, but it’s been an exercise, you know? And the work is getting better as it getslarger.”
By Marley Marius - 21 January 2021Link
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Sadie Benning Featured in KCRW "Most of the works were made in 2019, before any notion of the pandemic infiltrated our daily lives. Yet, looking at these large scale works that encompass one’s field of vision, the process of being deconstructed, ripped apart, and then stitched back together again feels familiar. The show, titled “This is Real” might provide a reminder that the “normal” we came from certainly won’t be the one we return to, and perhaps we will arrive on the other side of this more colorful and dimensional than we werebefore. "
By Lindsay Preston Zappas - 12 January 2021Link
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Esther Pearl Watson Reviewed in Hyperallergic "Esther Pearl Watson finds a way to channel the surrounding strangeness of this period — and our collective adapting to an unprecedented time — in _Safer at Home: Pandemic Paintings___at
Vielmetter Los Angeles. In more than 100 paintings, the artist froze mundane moments that she observed during the pandemic, which collectively catalogue larger shifts like social distancing, racial uprisings, and economic uncertainty. " By Eva Recinos - 12 January 2021Link
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Math Bass Featured in Artillery "Bass’ work is _like _a ride on the Long Island Rail Road, winding through a certain kind of world, in which crushed skulls and young love happen simultaneously and often unnoticed, where aspiration and reality meet, where the Piano Man’s jar is filled up with cock-like bread, where hearts are broken and lose their three-dimensionality, only to unflatten at the sight of beautiful arms at work on a floor. And then, eventually, you reach the lighthouse, where the water crashes up against the shore, and there you lie, naked, hoping the droning illumination will project you into yet another narrow strip of land filled with memories." By William J. Simmons - 5 January 2021Link
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Louise Fishman Reviewed in The New Yorker "Coming of age at the tail end of Abstract Expressionism, the painter went through a number of styles (some of her early works employed language) before distilling her influences, from Agnes Martin and Joan Mitchell to feminist politics, into a potent vocabulary that plays with space in a sometimes languid, sometimes jarring, but alwaysgraceful way."
By Hilton Als - December 2020Link
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Esther Pearl Watson Reviewed in LA Weekly "Watson started the body of work that became _Safer at Home: Pandemic Paintings_ in March in the early days of the shelter in place orders in Los Angeles, and the series spans the timeline of the pandemic right through to the days before the show opened at Vielmetter Los Angeles in late November. In a still ongoing series of nearly 200 paintings, each no bigger than a laptop, Watson processes the subtle and cataclysmic changes wrought by a season of public health crises, civil unrest, and political volatility. But she does this through a lens as intimate as the work’s scale, with street views of urban and suburban blocks, one frame at a time." By Shana Nys Dambrot - 10 December 2020Link
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Rodney McMillian Reviewed in ArtNow LA "McMillian’s works feel grounded––historically, physically, ideologically––in an arresting and visceral manner, beyond the white cube of Vielmetter. His small paintings are complemented by human-sized cells, constructed from cardboard, fabric and acrylic. These modular, darkened masses are suspended from the walls, implicating viewers in their murky, iconic depths. Motionless, yet organic, these forms serve as manifestations of the lost “accursed share” suggested by McMillian’s constellation of quotations. Juxtaposed with the paintings’ brutal abstraction and panoply of voices, these cardboard assemblages function as doors opening onto adistorted body."
By Josh Wagner - December 2020Link
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Genevieve Gaignard Reviewed in Musée Magazine "Walking into the exhibition’s installation room, with its dark green motif wallpaper and midcentury wooden furniture, feels like taking a step back in time. Icons of the civil rights movement such as Martin Luther King Jr. and President John F. Kennedy are prominently featured on the walls, and vintage luggage, frames, and rag dolls are strewn about the room." By Lana Nauphal - 2 December 2020Link
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Kim Dingle Reviewed in ArtForum "Channeling the formal languages of abstraction into open floor plans, seating arrangements, table settings, and serving suggestions, they describe the dimensions and pleasures of dining out (remember when we did that?) and fit the bill as templates for the good life. " By Jan Avgikos - December 2020Link
Stanya Kahn Reviewed in Frieze "Stanya Kahn’s current outing at ICA Los Angeles consists of just three filmic works produced over a ten-year span. Anyone hoping to grapple with a greater breadth of the artist’s considerable output, will have to wait. That said, the curatorial choices here are pointed and vividly bring to life the artist’s core themes. Foremost among these is an abiding concern with the problem of language – that part of communication which structures human experience and renders it meaningful, yet by the same token can serve to limit, and even undermine existence as such. All three videos would seem to take their cue from an acute premonition of communication breakdown, which is seen to rebound, with mounting force, between continually marginalizedhuman actants."
By Jan Tumlir - 17 November 2020Link
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Rodney McMillian Featured in Mousse Magazine "For _Body Politic_, his latest exhibition at Vielmetter Los Angeles, McMillian continues working in an additive manner. _The White House Painting, II_ (2018–20) is made from the physical remnants of the 2018 version, while works on paper such as _An Abbreviated History in Abstraction_ (2019–20) reflect a history of violence against Black individuals, contextualized by writings such as Harriet A. Washington’s _Medical Apartheid_ (2007)1 and Dorothy Roberts’s _Killing the Black Body_ (2000)." By Jennifer Piejko - November 2020Link
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Rodney McMillian Reviewed in The Brooklyn Rail "Rodney McMillian’s new show at Vielmetter Los Angeles, _Body Politic_, springs from such histories of the medical exploitation of Black people in the United States. His bright paintings and huge black sculptures of body parts, which together assess American Abstract Expressionism, are inspired by the groundbreaking work of scholars Dorothy Roberts and Harriet A. Washington. The former wrote about the eugenic controls of Black people and the latter authored the 2006 book _Medical Apartheid_, which sets forth the above story about Mr. Yeagin and also documents research conducted on Black prisoners." By Yxta Maya Murray - November 2020Link
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Stanya Kahn reviewed in Hyperallergic "The Institute of Contemporary Art, Los Angeles (ICA LA) presents a trio of Kahn’s films in the exhibition _Stanya Kahn: No Go Backs_, which runs through January. In addition to the world premiere of _No Go Backs_, curator Jamillah James complements the film with _Stand in the Stream_, filmed between 2011 and 2017, and _It’s Cool, I’m Good_ (2010). The films capture Los Angeles throughout the last decade, a landscape that remains consistently familiar even as civil rights, climate change, and Kahn’s personal relationships rapidlyevolve. "
By Renée Reizman - 3 November 2020Link
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Rodney McMillian Reviewed in Hyperallergic "Rodney McMillian’s _Body Politic _at Vielmetter Los Angeles builds on themes the artist has long engaged with: racial and socioeconomic injustice, and the relationship between politics andaesthetics.
The exhibition is comprised of collages with text and semi-abstract sculptures, as well as one wall-sized installation. McMillian’s strategies are not novel, but he has rigorously honed his craft. His grasp of nuance and light-handed approach coax viewers in before confronting them with the history of racism in the United States." By Natalie Haddad - 30 October 2020Link
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Stanya Kahn Featured in Bomb Magazine "Stanya Kahn has always been politically engaged. Recently, on her Twitter and Instagram accounts, she has consistently posted and reshared vital information for people protesting police murder, brutality, and structural racism. Moreover, she and her son Lenny were out in the streets of LA protesting after the murder of George Floyd; and they, like many of the other protestors, were physically and mentally vulnerable in the face of a militarized police force. " By William J. Simmons - 26 October 2020Link
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Kennedy Yanko Interviewed in Surface Magazine "A new family of salvaged metal sculptures celebrates the women who shaped her sensibilities. Here, the vanguard Brooklyn artist meditates on how her deeply personal work challenges our perceptions through sensation and contrast." By Ryan Waddoups - 20 October 2020Link
Deborah Roberts in the New York Times "“A Consequence of History,” a 2020 collage-and-text work by Deborah Roberts made exclusively for T and inspired by the art of Barbara Kruger. Both artists use found imagery in their work — though Roberts generally does not combine her images with text, as she does here in tribute to Kruger’s style. They also both attended Syracuse University, at different times. In an interview, Roberts said that in Kruger’s art, “There’s no room to not understand what she’s talking about.” By Megan O'Grady - 19 October 2020Link
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Kennedy Yanko Featured in Cultured "Who is in for a couch conversation with Kennedy Yanko and Kimberly Drew? The former’s Vielmetter exhibition in Los Angeles, “Salient Queens,” is up now providing juicy fodder for a discussion surrounding a new body of work that deals in scrap metal and the juxtaposition of competing narratives. “After I pull metal and other materials from salvage yards, I sit with them in a formal dialogue. I have to understand their physical stance before I can comprehend their presence conceptually. In time, the objects’ stories reveal themselves to me. From there, I can begin to transition the material away from its previous circumstances and reposition its atomic particles (literally, and metaphorically) such that their compositions may be perceived differently and thus newly defined,” says Yanko. To accompany the opening of the exhibition, photographer Mike Vitelli captured Yanko in avant-garde fashion pieces surrounded by the work onview."
- 16 October 2020
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Genevieve Gaignard Featured in Artsy "One can easily understand Wall’s point upon seeing a piece like _Disinfect Our Politics _(2020), which includes an image from a vintage advertisement that features a blindfolded white man, who resembles a politician, centered between mirror images of Black women sporting face masks and cleaning spray against a backdrop resembling an inverted confederate flag.Something in the milk isn’t clean and the imagery of Black women cleaning it up speaks volumes, not just in relation to politics, but to corporate America and the home." By Dominique Clayton - 13 October 2020Link
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Kim Dingle Reviewed in The New Yorker "Checkerboard tiles, circular tables, soup bowls, and other interior details are transformed into ecstatically abstract elements under Dingle’s deft brush. In several paintings (including “Full Service,” above), unaccompanied toddlers are seen sharing a meal, suggesting an antic portrait of socially distanced dining and pandemicparenting."
By Andrea K. Scott - October 2020Link
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Amy Sillman Reviewed in the New York Times "Many of the new paintings seem moderately askew, arranged around an axis maybe 10 degrees off-center. That’s a form of painterly organization she’s used in the past, though here the slant feels more like wobbling, careening. “I really believe in the politics of improvisation,” she says. “On its good side, it’s about contingency, emotions. Tightrope walking.” By Jason Farago - 8 October 2020Link
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Stanya Kahn at ICA LA "This exhibition comprises three works by Kahn produced over the past ten years, including her latest short film, _No Go Backs_ (2020), marking its Los Angeles debut. Together, these videos present an urgent reflection of our times, foregrounding global concerns such as climate change, racism, state power, and rebellion with the artist’s singular humor and embrace of experimental time and narrative." Free drive-in screening October 7th, more info here.
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Genevieve Gaignard Reviewed in Whitewall "For the site-specific project, the artist looks at ideas of representation, media aesthetics, and domesticity in collage works made of vintage wallpaper and magazine clippings—like one reading “We Are More Than a Moment” in neon, and another featuring cutouts of women, flowers, and logos from an old issue of _Life_. Within the vitrines, visitors will find elements of photography and everyday objects like sunscreen, garden hoses, and flip-flops make up 3D installations that encouraging a closer look into Gaignard’suniverse."
By Pearl Fontaine - 10 September 2020Link
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Stanya Kahn "No Go Backs" Featured in BFI London Film Festival "Two teenagers traverse a post-apocalyptic California in this tale of an inherited wasteland, unprepared resilience and compassion, which points to the beginnings of a new future."Link
Paul Mpagi Sepuya Reviewed in Artforum "The cool, analytical postmodern tradition has been shot through with the warmth of naked bodies touching. Sepuya doesn’t simply include the camera in the image but rests it tenderly in the crook of his subject’s neck. He doesn’t just show the artist’s hand but places it gingerly on his subject’s back. The images allow the viewer to take pleasure in the surface as well as to look for meaning below it. The photograph’s soft lines and the visible smudging on the mirror add an almost paint-erly texture to a photographic print." By Ashton Cooper - September 2020Link
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Nicole Eisenman Featured in The Washington Post "Eisenman has lately funneled much of their perversity into raucous sculptures that answer exactly to the tenor of our ghoulish, carnivalesque politics. But political life and social life are not exactly the same. There is a difference, for instance, between a rally, where people shout slogans, and a salon like Ariana’s, where people read, and listen, are witty and perverse, and expose their vulnerable inner lives, and where everybody is watching to see whathappens next."
By Sebastian Smee - 19 August 2020Link
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Stanya Kahn Reviewed in Another Gaze "Throughout Kahn forms contemporary layers over historic land contestations: the boys travel by bikes instead of carts, northbound rather than along the southerly inroads formed by westward expansionism during the 19th century; they carry plastic water bottles that must be constantly replenished and skate the dusty half-pipe of the Los Angeles River over which surface waters scantly flow. Albeit subtly, ‘No Go Backs’ never loses sight of the fact that scarcity has been purposefully etched into this landscape." By Gabriella Beckhurst - 20 August 2020Link
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Susanne Vielmetter Interviewed in ArtNet News "Los Angeles-based dealer Susanne Vielmetter started out with a simple idea for her business: reflect the culture that you see around you. With that in mind, she opened her gallery in 2000 with a diverse, gender-balanced stable of artists at a time when white male conceptual artists were dominating the West Coast scene. Now, as she marks her 20th anniversary in the business, the world iscatching up."
By Kate Brown - 6 August 2020Link
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Pope L. Featured in Artforum "Pope.L’s _I-Machine_ (2014–20) has a handmade, provisional appearance that conveys a sense of a thing in a state of ongoing and perhaps hopeless becoming. The artist describes the work as a 'self-blinding contraption… self-blinding because its function is to encourage unknowledge or ignorance or, at best, reflection on ignorance and doubt. by encourage, i mean, when one is in the presence of this assembly, one should feel prodded toward opacity, uselessness, dumbness and incompleteness rather than transparency, smarty-pantsnessand wholeness.'"
By Artforum - July 2020Link
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