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HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
SUBMIT – HUNGER MOUNTAINSUBSCRIBEINTERVIEWSMASTHEADSEARCHHISTORYNEWS Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been published THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON In the Moments Before Gunfire. Leslie Jill Patterson. From Hunger Mountain Issue 24: Patterns, which you can purchase here. Designed by Marielena Andre. Leslie Jill Patterson ’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others. HOWARD FRANK MOSHER SHORT FICTION PRIZE Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Howard Frank Mosher Short Fiction Prize” (scroll almost all the way to the bottom to find it; if you do not see the link it is because the link will only be open between Oct. 1 and March 1). A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals REVIEW: BANG BY DANIEL PEÑABY MARIAH Review: Bang by Daniel Peña. by Mariah Hopkins. When the reader first meets Iván the hotel owner in Daniel Peña’s debut novel, Bang, he is ruminating on all the reasons why his mother seemed to never let him outside into the Mexican city of Matamoros as he was growing up. “At first it was sun-exposure (too much of it),” Iván thinks.HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
SUBMIT – HUNGER MOUNTAINSUBSCRIBEINTERVIEWSMASTHEADSEARCHHISTORYNEWS Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been published THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON In the Moments Before Gunfire. Leslie Jill Patterson. From Hunger Mountain Issue 24: Patterns, which you can purchase here. Designed by Marielena Andre. Leslie Jill Patterson ’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others. HOWARD FRANK MOSHER SHORT FICTION PRIZE Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Howard Frank Mosher Short Fiction Prize” (scroll almost all the way to the bottom to find it; if you do not see the link it is because the link will only be open between Oct. 1 and March 1). A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals REVIEW: BANG BY DANIEL PEÑABY MARIAH Review: Bang by Daniel Peña. by Mariah Hopkins. When the reader first meets Iván the hotel owner in Daniel Peña’s debut novel, Bang, he is ruminating on all the reasons why his mother seemed to never let him outside into the Mexican city of Matamoros as he was growing up. “At first it was sun-exposure (too much of it),” Iván thinks.CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
FICTION – HUNGER MOUNTAIN https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03PRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
YOUNG ADULT & CHILDREN’S LITERATURE https://hungermtn.org/wp-content/uploads/2021/03/Gonzalez-The-Conductor-01.jpg 1294 982 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03/Writing-and DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON Leslie Jill Patterson’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others.Her recent awards include a Soros Justice Fellowship, the Prime Number Magazine Prize for Fiction (judged by David Jauss), the Richard J. Margolis Award for Social Justice Writing, & a 2018 Pushcart Prize. VISHNU FLOATING ON THE COSMIC OCEANEMMA KOMLOS-HROBSKY Emma Komlos-Hrobsky is a writer, illustrator, and editor who tells stories at the intersection of the human and the fantastic. Her writing appears in Tin House, Guernica, Conjunctions, Book Forum, and The Story Collider.With the support of a fellowship from the Elizabeth George Foundation, she is at work on a novel about quantum physics, family, and the Alps.HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been published MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been published MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
FICTION – HUNGER MOUNTAIN https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03PRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
GENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process.PREVIOUS ISSUES
https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03 MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
HOWARD FRANK MOSHER SHORT FICTION PRIZE Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Howard Frank Mosher Short Fiction Prize” (scroll almost all the way to the bottom to find it; if you do not see the link it is because the link will only be open between Oct. 1 and March 1). THE HAPPY ENDING EFFECT In Tate’s adaptation, Cordelia, Lear’s beloved favorite daughter who refuses to indulge his narcissism and conceit because of her love for him, essentially setting the wheels of the story in motion, is not only spared her life in the end, but even goes on to marry the Duke. A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals THE PRINCESS SAVES HERSELF IN THIS ONE BY AMANDA The second book in the series, the witch doesn’t burn in this one, will be published in 2018. Lovelace’s poems and their inventive forms make this collection a heartfelt exploration of love for oneself and others. Andrews McNeel Publishing, 2017. ISBN: 978-1-4494-8641-9,199 pages,
HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedGENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
THE PRINCESS SAVES HERSELF IN THIS ONE BY AMANDA The second book in the series, the witch doesn’t burn in this one, will be published in 2018. Lovelace’s poems and their inventive forms make this collection a heartfelt exploration of love for oneself and others. Andrews McNeel Publishing, 2017. ISBN: 978-1-4494-8641-9,199 pages,
HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedGENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
THE PRINCESS SAVES HERSELF IN THIS ONE BY AMANDA The second book in the series, the witch doesn’t burn in this one, will be published in 2018. Lovelace’s poems and their inventive forms make this collection a heartfelt exploration of love for oneself and others. Andrews McNeel Publishing, 2017. ISBN: 978-1-4494-8641-9,199 pages,
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
FICTION – HUNGER MOUNTAIN https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03GENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process.PRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
PREVIOUS ISSUES
https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03 MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
HOWARD FRANK MOSHER SHORT FICTION PRIZE Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Howard Frank Mosher Short Fiction Prize” (scroll almost all the way to the bottom to find it; if you do not see the link it is because the link will only be open between Oct. 1 and March 1). A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individualsHUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedGENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
THE PRINCESS SAVES HERSELF IN THIS ONE BY AMANDA The second book in the series, the witch doesn’t burn in this one, will be published in 2018. Lovelace’s poems and their inventive forms make this collection a heartfelt exploration of love for oneself and others. Andrews McNeel Publishing, 2017. ISBN: 978-1-4494-8641-9,199 pages,
HUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
SUBMIT – HUNGER MOUNTAIN Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedGENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot CORN MAZEPAM HOUSTON Pam Houston is the author of the memoir, DEEP CREEK: FINDING HOPE IN THE HIGH COUNTRY, as well as two novels, CONTENTS MAY HAVE SHIFTED and SIGHT HOUND, two collections of short stories, COWBOYS ARE MY WEAKNESS and WALTZING THE CAT, and a collection of essays, A LITTLE MORE ABOUT ME, all published by W.W. Norton.Her stories have been selected forvolumes of
BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
THE PRINCESS SAVES HERSELF IN THIS ONE BY AMANDA The second book in the series, the witch doesn’t burn in this one, will be published in 2018. Lovelace’s poems and their inventive forms make this collection a heartfelt exploration of love for oneself and others. Andrews McNeel Publishing, 2017. ISBN: 978-1-4494-8641-9,199 pages,
CURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
FICTION – HUNGER MOUNTAIN https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03GENERAL GUIDLINES
Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process.PRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
PREVIOUS ISSUES
https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03 MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the BLACKOUTDAISY HERNANDEZ It’s the end of a journalism class at New York University. The room fills with the familiar cacophony of a class ending: chairs scraping floors, students unzipping bags, murmurs about lunch and papers due. The professor, a thin, white woman, fastens her eyes on me. “An editor at the New York Times is looking for a researcher for a bookshe
A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
HOWARD FRANK MOSHER SHORT FICTION PRIZE Click the link below to access our online submission system. Once in the submission manager, you’ll need to choose “Howard Frank Mosher Short Fiction Prize” (scroll almost all the way to the bottom to find it; if you do not see the link it is because the link will only be open between Oct. 1 and March 1). A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individualsHUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
SUBMIT – HUNGER MOUNTAINSUBSCRIBEINTERVIEWSMASTHEADSEARCHHISTORYNEWS Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedPRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON In the Moments Before Gunfire. Leslie Jill Patterson. From Hunger Mountain Issue 24: Patterns, which you can purchase here. Designed by Marielena Andre. Leslie Jill Patterson ’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others. A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals REVIEW: BANG BY DANIEL PEÑABY MARIAH Review: Bang by Daniel Peña. by Mariah Hopkins. When the reader first meets Iván the hotel owner in Daniel Peña’s debut novel, Bang, he is ruminating on all the reasons why his mother seemed to never let him outside into the Mexican city of Matamoros as he was growing up. “At first it was sun-exposure (too much of it),” Iván thinks. REVIEW: VACATIONLAND BY JOHN HODGMAN BY CHRISTA GUILD John Hodgman’s Vacationland is a perfect example of the way white male voices can and should respond to modern day tumult, socially, politically, and personally. I very rarely put down a book and think, more boys should read this, but that is my hope for John HodgmanHUNGER MOUNTAIN
hungermtn@vcfa.edu | 36 College Street Montpelier, VT 05602 | (802)828-8844
SUBMIT – HUNGER MOUNTAINSUBSCRIBEINTERVIEWSMASTHEADSEARCHHISTORYNEWS Hunger Mountain accepts translations of fiction, literary nonfiction, plays, poetry, & works that fall somewhere in between. We are interested in publishing translated works that do not fit neatly into established categories. Upon publication, we will ask translators to prepare a translator’s note (of less than 1000 words) that contextualizes the work &/or discusses the translation process. THREE POEMSDOUG RAMSPECK Doug Sutton-Ramspeck (writing under the name Doug Ramspeck) is the author of six collections of poetry and one collection of short stories.His most recent book of poems, BLACK FLOWERS (2018), is published by LSU Press.Other recent books include THE OWL THAT CARRIES US AWAY (2018), winner of the 2016 G. S. Sharat Chanda Prize for Short Fiction. His poems and short stories have been publishedPRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot A LACK OF ORDER IN THE FLOATING OBJECT This story originally appeared in 1986, in Volume 24, Number 2 of The Northwest Review. If you’re a George Saunders fan, you’ll love this story. It’s beautiful, raw, funny, and heartbreaking, and it takes place in the George Saunders dreamworld of meta-reality and unconventional kindness. When we first ran this story at HungerMountain
IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON In the Moments Before Gunfire. Leslie Jill Patterson. From Hunger Mountain Issue 24: Patterns, which you can purchase here. Designed by Marielena Andre. Leslie Jill Patterson ’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others. A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals REVIEW: BANG BY DANIEL PEÑABY MARIAH Review: Bang by Daniel Peña. by Mariah Hopkins. When the reader first meets Iván the hotel owner in Daniel Peña’s debut novel, Bang, he is ruminating on all the reasons why his mother seemed to never let him outside into the Mexican city of Matamoros as he was growing up. “At first it was sun-exposure (too much of it),” Iván thinks. REVIEW: VACATIONLAND BY JOHN HODGMAN BY CHRISTA GUILD John Hodgman’s Vacationland is a perfect example of the way white male voices can and should respond to modern day tumult, socially, politically, and personally. I very rarely put down a book and think, more boys should read this, but that is my hope for John HodgmanCURRENT ISSUE
ANDREW VOGEL: dance. NYLAH LYMAN: Connected. MIA HERMAN: Barren. JUDY KABER: Fallout. OKSANA MAKSYMCHUK: Essential Parenting. NATALIE TAYLOR: A narrow path quieting & Acceptance: a new stage of grief. SNEHA SUBRAMANIAN KANTA: ghost-lineage with earthen pitcher. AMY KATZEL: Ancestral Memory & Sarah Speaks. JESSICA DIONNE: Mom’sCocktail Dress
FICTION – HUNGER MOUNTAIN https://hungermtn.org/wp-content/uploads/2021/03/HM-24-Patterns-FINAL2-page-001-scaled.jpg 2560 1991 Erin Stalcup https://hungermtn.org/wp-content/uploads/2019/03 SUBSCRIBE – HUNGER MOUNTAIN Purchase for $8. Or email us: hungermtn@vcfa.edu. Your subscription includes the next two print issues of Hunger Mountain, beginning with #24, Patterns (Spring 2020), & ending with Issue #25, slated for Spring 2020. Purchase your 2-Year Subscription for $18 here.PRIZE WINNERS
Reading in Northern Ireland Nick Miller Runner-Up, Howard Frank MosherShort Fiction Prize
MASTHEAD – HUNGER MOUNTAIN Jacob Edelstein has worked as a Spanish-English interpreter, a translator, & now teaches English at a small high school in Texas. He is an MFA candidate in Creative Writing & Literary Translation at the Vermont College of Fine Arts. His translations have appeared in publications for the City of Long Beach, California, Introduction to the Pacific Basin (Routledge 2017), & recently, the DISSOLVEAIMEE POKWATKA by Miciah Bay Gault. 1. When my lips hit the floor, I taste blood and think of kissing. The hardwood is gritty and scuffed from our shoes. I sit up and touch my mouth, find a feather from last night’s magic show. Richard keeps shouting the choreography, slapping his thigh to keep the beat. Camille pirouettes and leaps over the slick spot THE JACKETSASHA LAPOINTE Sasha LaPointe is a member of the Upper Skagit Indian Tribe. Her work focuses on trauma and resilience, sexual violence, and indigenous feminism. She’s inspired by the work her grandmother did for the Coast Salish language revitalization, loud basement punk shows, andwhat it
A REVIEW OF THE DISPLACED: REFUGEE WRITERS ON REFUGEE A collection of geographically diverse essays, The Displaced: Refugee Writers on Refugee Lives, works to illustrate how seemingly disparate refugee narratives can interlock the universality of homeland flight. With seventeen international writers reflecting on the refugee experience, the collection, edited by Viet Thang Nguyen, attempts to humanize the demonized, and give voice to individuals IN THE MOMENTS BEFORE GUNFIRE LESLIE JILL PATTERSON Leslie Jill Patterson’s prose has appeared in The Rumpus, Hotel Amerika, Gulf Coast, Baltimore Review, Colorado Review, Prime Number Magazine, & Brevity, among others.Her recent awards include a Soros Justice Fellowship, the Prime Number Magazine Prize for Fiction (judged by David Jauss), the Richard J. Margolis Award for Social Justice Writing, & a 2018 Pushcart Prize. VISHNU FLOATING ON THE COSMIC OCEANEMMA KOMLOS-HROBSKY Emma Komlos-Hrobsky is a writer, illustrator, and editor who tells stories at the intersection of the human and the fantastic. Her writing appears in Tin House, Guernica, Conjunctions, Book Forum, and The Story Collider.With the support of a fellowship from the Elizabeth George Foundation, she is at work on a novel about quantum physics, family, and the Alps. * From The Print Journal* Current
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CURRENT ISSUE
#24—Patterns
CREATIVE NONONFICTION ANTHONY HUERTA VELASQUEZ: My Primer for Learning Hanguel KRISTIANA KAHAKAUWILA: Marked GEFFREY DAVIS: On Joy NATANYA ANN PULLEY: Sound in the Blood LESLIE JILL PATTERSON: In the Moments Before Gunfire SARA MANG: A Pessoa Guide to a Birthday & SONY TON-AIME: Three WeeksFICTION
NATALIE SERBER: With a Remainder NICK ALMEIDA: Shooting Grooms KIRIE PEDERSEN: The Blue Dress JIM KOURLAS: The Book of Leaves TESSA YANG: Five Against MisfortuneLAKE FREEMAN: Hoffa
CHILDREN’S LITERATURE XELENA GONZÁLEZ: The Conductor JULIE ZIGORIS: The Cherry Tree & SHELLI CORNELISON: The Pantry SnakeARTWORK
by Marielena Andre
POETRY
tanner menard: saguaro: trans forms JENNIFER TSENG: Love, The Bridge, & The Existence of the Cycle &Time’s Role in It
torrin a. greathouse: Portland, 1999 & Lithium MICHAEL MLEKODAY: I’ve Never Been Inside a Greenhouse ELIZABETH PAULSON: Scarred MICHAEL DEMYAN: Instructions for Baking Bread ALÁN PELÁEZ LÓPEZ: Untitled NOOR IBN NAJAM: nonbinary ghazal, cityscape zoomed all the way in, & mixtape for the end of all cuntry NICHOLAS KARAVATOS: Clap Your Hands ALDO AMPARÁN: Watching a Cartel Snuff Film with my Brother ANNA LEIGH KNOWLES: Visiting the Columbine Memorial & Children AreBuried
JEREMY RADIN: Primary Group NATALIE ELEANOR PATTERSON: Tonight ISAAC ESPÓSTO: For Those No Longer Coming & Pioneer Plaque GILLIAN JEROME: Practice, Acoustic Showing, & Illuminations MARIANNA ARIEL: Gum Machine Loophole, Visitation 9.25.19, & DetentionCenter
s.g. maldonado velez: Ophelia as the One Watching You in the Bathtub, Submerged; Archaic Forms of Being; & The Word Escape Has Escaped JAKE BAILEY: Schizo Reads figure 1 C.L. WHITE: Uttanasana & Search History & MEGAN MERCHANT: A History of Wrong Turns* CURRENT ISSUE
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