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IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. THE SAFEGUARDING OF THE AUDIOVISUAL HERITAGE: ETHICS 6 The Safeguarding of the Audiovisual Heritage Although collection building and collection management per se are beyond the scope of this document, there are ethical and strategic aspects to the relationship between an archive and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. THE SAFEGUARDING OF THE AUDIOVISUAL HERITAGE: ETHICS 6 The Safeguarding of the Audiovisual Heritage Although collection building and collection management per se are beyond the scope of this document, there are ethical and strategic aspects to the relationship between an archive and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND About IASA. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA has members from 70 countries representing a broad palette of audiovisual archives and GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL printed edition | web edition. This is the English language web edition of IASA-TC 04 (Second Edition, 2009), an accepted authority on digital audio preservation in the sound archiving field. It is available in Paper and PDF copies and also available online in other languages.. Recommended citation style: IASA Technical Committee, Guidelines on the Production and Preservation of Digital Audio IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats NEW ICDH VIDEO: AUDIOVISUAL RECORDS The International Centre for Documentary Heritage (ICDH), under the auspices of UNESCO, supports and promotes preservation and conservation of documentary heritage around the world. ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller IASA PRESERVATION TRAINING PROGRAMME: ARCHIVISTS WORKSHOP The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone LINKS | INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL This IASA database is a comprehensive listing of organizations worldwide involved in sound and audiovisual archiving. Click on the country heading to sort by country, use the Category to filter by organisation type, or the search box to find a particular entry.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of 2.2.1.1.1 COMPONENTS OF MAGNETIC TAPES AND THEIR STABILITY Magnetic tape is composed of two main layers: the base film and the magnetic layer. Additionally, many tapes are back matted for improved winding properties, and to reduce electrostatic charges. INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of theIASA JOURNAL
2021 Online IASA Conference “Closing the gap for a new generation of sound and audiovisual archives” CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct.. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there.. To contact individual members of IASA's Board, Sections and Committees, or GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats THE CATALOGUING PROCESS Here also there is a relationship between the duration of the recording and the total duration of the process. The variable is in the summary stage which varies according to the duration of the recording because a longer recording will usually be more time consuming than a shorter one. DEFINITION OF POPULAR MUSIC The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his ownpleasure.
CALL FOR PRESENTATIONS Closing the gap for a new generation of sound and audiovisual archives Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
THE SAFEGUARDING OF THE AUDIOVISUAL HERITAGE: ETHICS 6 The Safeguarding of the Audiovisual Heritage Although collection building and collection management per se are beyond the scope of this document, there are ethical and strategic aspects to the relationship between an archive and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of theIASA JOURNAL
2021 Online IASA Conference “Closing the gap for a new generation of sound and audiovisual archives” CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct.. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there.. To contact individual members of IASA's Board, Sections and Committees, or GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats THE CATALOGUING PROCESS Here also there is a relationship between the duration of the recording and the total duration of the process. The variable is in the summary stage which varies according to the duration of the recording because a longer recording will usually be more time consuming than a shorter one. DEFINITION OF POPULAR MUSIC The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his ownpleasure.
CALL FOR PRESENTATIONS Closing the gap for a new generation of sound and audiovisual archives Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
THE SAFEGUARDING OF THE AUDIOVISUAL HERITAGE: ETHICS 6 The Safeguarding of the Audiovisual Heritage Although collection building and collection management per se are beyond the scope of this document, there are ethical and strategic aspects to the relationship between an archive and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVES The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND Français Deutsch Español. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA PRESERVATION TRAINING PROGRAMME: TECHNICIANS WORKSHOP The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone CALL FOR PRESENTATIONS: IASA CONFERENCE 2021 IASA Conference 2021 27-30 September 2021. Closing the gap for a new generation of sound and audiovisual archives. Call for Presentations. Deadline: 3 May 2021. LINKS | INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL This IASA database is a comprehensive listing of organizations worldwide involved in sound and audiovisual archiving. Click on the country heading to sort by country, use the Category to filter by organisation type, or the search box to find a particular entry. IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target FormatsSUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of PRESERVATION TRAINING PROGRAMME 2021 IN BARCELONA The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller 2.2.1.1.1 COMPONENTS OF MAGNETIC TAPES AND THEIR STABILITY Magnetic tape is composed of two main layers: the base film and the magnetic layer. Additionally, many tapes are back matted for improved winding properties, and to reduce electrostatic charges. INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. IASA 2019 - 50TH ANNUAL CONFERENCE IASA 2019 - 50th Annual Conference. The 50th Annual Conference of the International Association of Sound and Audiovisual Archives (IASA) was held from Monday 30th September - Thursday 3rd October 2019 at the Netherlands Institute for Sound and Vision, in Hilversum, Netherlands. It was timed to precede the Joint Technical Symposium (JTS), being INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. IASA 2019 - 50TH ANNUAL CONFERENCE IASA 2019 - 50th Annual Conference. The 50th Annual Conference of the International Association of Sound and Audiovisual Archives (IASA) was held from Monday 30th September - Thursday 3rd October 2019 at the Netherlands Institute for Sound and Vision, in Hilversum, Netherlands. It was timed to precede the Joint Technical Symposium (JTS), being ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND About IASA. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA has members from 70 countries representing a broad palette of audiovisual archives and IASA SPECIAL AND TECHNICAL PUBLICATIONS (b) Other special publications - each is available free online on this website.Some are also available for purchase as PDFs (free to IASA members): An Archive Approach to Oral History (1978); Ethical Principles for Sound and Audiovisual Archives (2010); IASA Cataloguing Rules (1999) / Reglas de Catalogación de IASA (2005); Task Force on Selection for Digital Transfer (2003) IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other IASA PRESERVATION TRAINING PROGRAMME: TECHNICIANS WORKSHOP The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of LINKS | INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL This IASA database is a comprehensive listing of organizations worldwide involved in sound and audiovisual archiving. Click on the country heading to sort by country, use the Category to filter by organisation type, or the search box to find a particular entry. NATIONAL MUSEUM WALES SOUND ARCHIVE 2021 Online IASA Conference “Closing the gap for a new generation of sound and audiovisual archives” INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. CALL FOR PRESENTATIONS: IASA CONFERENCE 2021 IASA Conference 2021 27-30 September 2021. Closing the gap for a new generation of sound and audiovisual archives. Call for Presentations. Deadline: 3 May 2021. GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and APPROPRIATE CATALOGUING TREATMENT OF SOUND RECORDINGS AND An archive or cataloguing agency may sometimes need to determine the most appropriate cataloguing treatment of audiovisual material, both within the context of the original work, and its performance, realisation or expression, and/or within the role and function of thearchive itself.
INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records. CALL FOR PRESENTATIONS: IASA CONFERENCE 2021 IASA Conference 2021 27-30 September 2021. Closing the gap for a new generation of sound and audiovisual archives. Call for Presentations. Deadline: 3 May 2021. GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and APPROPRIATE CATALOGUING TREATMENT OF SOUND RECORDINGS AND An archive or cataloguing agency may sometimes need to determine the most appropriate cataloguing treatment of audiovisual material, both within the context of the original work, and its performance, realisation or expression, and/or within the role and function of thearchive itself.
ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND About IASA. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA has members from 70 countries representing a broad palette of audiovisual archives and CALL FOR PRESENTATIONS: IASA CONFERENCE 2021 IASA Conference 2021 27-30 September 2021. Closing the gap for a new generation of sound and audiovisual archives. Call for Presentations. Deadline: 3 May 2021. NEW, FREE ONLINE RESOURCES AND TRAINING ON CARING FOR New, free online resources and training on caring for audio materials, aimed at non-specialist collection holders. Sound recording technology has been with us for well over a century, and it’s extremely common to find small quantities of tapes, discs and other formats in gallery, library, archive and museum collections around the UK and beyond, often held as part of larger, more traditional IASA-TC 06 GUIDELINES FOR THE PRESERVATION OF VIDEO Part Download; A. Front Matter, Introduction - Front matter A.1 Introduction: IASA-TC_06-A_v2019.pdf: B. Video Signal, Preservation Concepts, and Target Formats AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
ARCHIVAL SAMPLING
Finally another technique and selection tool, which could be utilized more often, is that of archival sampling. This is a valid technique in archival appraisal, which is often easy to apply to voluminous groups or collections of permanently valuable sound recordings. NATIONAL MUSEUM WALES SOUND ARCHIVE 2021 Online IASA Conference “Closing the gap for a new generation of sound and audiovisual archives” LINKS | INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL This IASA database is a comprehensive listing of organizations worldwide involved in sound and audiovisual archiving. Click on the country heading to sort by country, use the Category to filter by organisation type, or the search box to find a particular entry. ORAL HISTORY AND THE MEDIA Oral History and the Media. Oral History Society (UK) Annual Conference 2021. Friday 9th and Saturday 10th July 2021. Oral history and the media have an important but complex relationship. PRESERVATION TRAINING PROGRAMME 2021 IN BARCELONA The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND About IASA. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA has members from 70 countries representing a broad palette of audiovisual archives and AWARDS | INTERNATIONAL ASSOCIATION OF SOUND AND Selection in Sound Archives. Sound Archives - Establishment & Development. TC 03 Safeguarding the Audio Heritage. TC 04 Production and Preservation of Digital Audio Objects. TC 05 Handling & Storage of AV Carriers. TC 06: Guidelines for the Preservation of Video Recordings. IASA Journal Advertising. Guidelines for IASA PublicationsTranslation.
NEW, FREE ONLINE RESOURCES AND TRAINING ON CARING FOR New, free online resources and training on caring for audio materials, aimed at non-specialist collection holders. Sound recording technology has been with us for well over a century, and it’s extremely common to find small quantities of tapes, discs and other formats in gallery, library, archive and museum collections around the UK and beyond, often held as part of larger, more traditional DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other PRESERVATION TRAINING PROGRAMME 2021 IN BARCELONA The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
ORAL HISTORY AND THE MEDIA Oral History and the Media. Oral History Society (UK) Annual Conference 2021. Friday 9th and Saturday 10th July 2021. Oral history and the media have an important but complex relationship. ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1.IASA JOURNAL
The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published online in issues bi-annually and available globally to the audiovisual archives community as the first and only open GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence. 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND About IASA. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. IASA has members from 70 countries representing a broad palette of audiovisual archives and AWARDS | INTERNATIONAL ASSOCIATION OF SOUND AND Selection in Sound Archives. Sound Archives - Establishment & Development. TC 03 Safeguarding the Audio Heritage. TC 04 Production and Preservation of Digital Audio Objects. TC 05 Handling & Storage of AV Carriers. TC 06: Guidelines for the Preservation of Video Recordings. IASA Journal Advertising. Guidelines for IASA PublicationsTranslation.
NEW, FREE ONLINE RESOURCES AND TRAINING ON CARING FOR New, free online resources and training on caring for audio materials, aimed at non-specialist collection holders. Sound recording technology has been with us for well over a century, and it’s extremely common to find small quantities of tapes, discs and other formats in gallery, library, archive and museum collections around the UK and beyond, often held as part of larger, more traditional DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other PRESERVATION TRAINING PROGRAMME 2021 IN BARCELONA The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
ORAL HISTORY AND THE MEDIA Oral History and the Media. Oral History Society (UK) Annual Conference 2021. Friday 9th and Saturday 10th July 2021. Oral history and the media have an important but complex relationship. ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct.. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there.. To contact individual members of IASA's Board, Sections and Committees, or GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Here also there is a relationship between the duration of the recording and the total duration of the process. The variable is in the summary stage which varies according to the duration of the recording because a longer recording will usually be more time consuming than a shorter one.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of DEFINITION OF POPULAR MUSIC The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his ownpleasure.
7. METADATA
Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to informationobjects.
CALL FOR PRESENTATIONS Closing the gap for a new generation of sound and audiovisual archives Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. INTERNATIONAL ASSOCIATION OF SOUND AND AUDIOVISUAL ARCHIVESABOUTMEMBERSHIPCONFERENCESAWARDSPUBLICATIONSPOLICIES The Authority in Sound and Audiovisual Archives. The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and CONTACT | INTERNATIONAL ASSOCIATION OF SOUND AND Contact. Use the form below for enquiries about IASA and this website. You may also use it to submit a complaint to IASA's Secretary-General under IASA's Code of Conduct. For advice on any topics connected with sound and audiovisual archiving, please sign in to the IASA mailing list and post your questions and comments there. 1. GUIDELINES ON THE PRODUCTION AND PRESERVATION OF DIGITAL Printed in Australia, 2009, 150 pp ISBN 978-91-976192-3-3 (not 978-91-976192-2-6 as on first imprint) Already an accepted authority in the sound archiving field, the second edition is a thoroughly revised and updated publication with substantial new information andchapters.
THE CATALOGUING PROCESS Total time taken. 220 h. Table 4: duration of the selection and cataloguing processes for 100 recordings of thirty minutes average duration (in hours). One person, working effectively seven hours per day, would thus spend more than six days on selection and more than twenty-five days on cataloguing those hundred records.SUBJECT PRIORITIES
The implications of the negative factors which prevent the adoption of a universal selection policy means that the department should examine how to construct a list of subject priorities and then apply them to the construction of such a list, based on the current state of DEFINITION OF POPULAR MUSIC Definition of Popular Music. The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his own pleasure. The difficulty is to draw a distinction between serious or, less accurately, classical music and the other CALL FOR PRESENTATIONS Call for Presentations. Deadline extended to 28th May 2021. Given the ongoing uncertainties for international travel, IASA’s conference will again be held online, from 27th to 30th September 2021. And this year we introduce a new innovation: a series of daily sessions corresponding to different time zones that match our global presence.7. METADATA
7. Metadata. Metadata literally means "data about data." Any catalogue, card or online, contains metadata. But, today, the term is applied to the value-added information that information- specialists create to arrange, describe, track and otherwise enhance access to information objects. Metadata is used to describe, in a standardizedway, the
6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 3.8 STRUCTURAL METADATA 3.8 Structural Metadata – METS. 3.8.1 Time-based media are very often multimedia and complex. A field recording may consist of a sequence of events (songs, dances, rituals) accompanied by images and field notes. A lengthy oral history interview occupying more than one .wav file may also be accompanied by photographs of the speakers and ABOUT IASA | INTERNATIONAL ASSOCIATION OF SOUND AND Français Deutsch Español. The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. AWARDS | INTERNATIONAL ASSOCIATION OF SOUND AND 2021 Online IASA Conference “Closing the gap for a new generation of sound and audiovisual archives” NEW, FREE ONLINE RESOURCES AND TRAINING ON CARING FOR New, free online resources and training on caring for audio materials, aimed at non-specialist collection holders. Sound recording technology has been with us for well over a century, and it’s extremely common to find small quantities of tapes, discs and other formats in gallery, library, archive and museum collections around the UK and beyond, often held as part of larger, more traditional DEFINITION OF POPULAR MUSIC The term popular music is extremely vague, covers a wide field of musical endeavour and ranges over a long period of time; there has been “popular music” ever since man made music for his ownpleasure.
PRESERVATION TRAINING PROGRAMME 2021 IN BARCELONA The first edition of the Preservation Training Programme of the Training and Education Committee (T&E) of IASA has been awarded to the Biblioteca de Catalunya in Barcelona, Spain. Jointly developed between the library and T&E, the programme of workshops for June-July 2021 can be found here.The training is aimed at persons involved in the preservation of AV documents, and is open to anyone AV LEGAL DEPOSIT QUESTIONNAIRE This simple questionnaire has been created by IFLA and IASA to create a new global register of Legal Deposit for audiovisual materials,country by country.
ORAL HISTORY AND THE MEDIA Oral History and the Media. Oral History Society (UK) Annual Conference 2021. Friday 9th and Saturday 10th July 2021. Oral history and the media have an important but complex relationship. ETHICAL PRINCIPLES FOR SOUND AND AUDIOVISUAL ARCHIVES Ethical Principles for Sound and Audiovisual Archives. IASA Special Publication No. 6. Compiled and reviewed by Ilse Assmann, Kevin Bradley, Shubha Chaudhuri, Matthew Davies, Kurt Deggeller, Christiane Fennesz-Juhasz, Gila Flam, Adam Flynn, Claus Peter Gallenmiller, Lars Gaustad, Isabelle Giannattasio, Judith Gray, Detlef Humbert, Rainer Hubert, Gunnel Jönsson, Grace Koch, Dietrich Schüller 6.1.9 TRUSTED DIGITAL REPOSITORIES (TDR) AND INSTITUTIONAL 6.1.9.1 The technical specification of the digital storage environment is an important part of ensuring that the digital content that is managed is still accessible to researchers in the future. 6.3.1 ARCHIVAL INFORMATION PACKAGE (AIP) 6.3.1.1 The definition of the term Archival Storage in OAIS includes the services and functions necessary for the storage of theArchival Information Package (AIP).Jump to Navigation
IASA – THE AUTHORITY IN SOUND AND AUDIOVISUAL COLLECTIONS The International Association of Sound and Audiovisual Archives (IASA) is a professional association concerned with the care, access and long-term preservation of the world’s sound and moving image heritage. Through its active worldwide membership and training initiatives, IASA supports and advocates the development of best professional standards and practice amongst organisations and individuals which share these purposes. More... Français Deutsch EspañolBLOG
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