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STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA EVENTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. THE CHURCHIE EMERGING ART PRIZE 2021 Thanks to generous supporters, ‘the churchie’ offers a prize pool of $25,000, with the overall winner receiving a non-acquisitive $15,000 cash prize donated by long-standing sponsor, BSPN Architecture. Entry is open to Australian visual artists working inany medium. The
ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA EVENTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. THE CHURCHIE EMERGING ART PRIZE 2021 Thanks to generous supporters, ‘the churchie’ offers a prize pool of $25,000, with the overall winner receiving a non-acquisitive $15,000 cash prize donated by long-standing sponsor, BSPN Architecture. Entry is open to Australian visual artists working inany medium. The
ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! THE CHURCHIE EMERGING ART PRIZE 2021 Thanks to generous supporters, ‘the churchie’ offers a prize pool of $25,000, with the overall winner receiving a non-acquisitive $15,000 cash prize donated by long-standing sponsor, BSPN Architecture. Entry is open to Australian visual artists working inany medium. The
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksMICHAEL CANDY
Michael Candy‘s IMA Belltower façade projection FIELDS combines drone footage of local Brisbane antennas with live radio signal recordings taken in the same area, exploring the invisible realm of radio through video.. Most radio transmissions are digital, yet they can still be heard as stereo audio when scanning the airwaves. These sounds range from beeps and boops to harsh static chunksLAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre . Abu Hamdan’s practice examines the politics of listening through installations acutely attuned to sound. Presenting an expanded library of over 90 sourced and custom-designed objectsTO THE CURVE OF YOU
Working closely with collaborators from different disciplines and with the particularities of sites, Caitlin Franzmann creates participatory works which take shape around slow practices, conversation, critical listening, and collective forms of care. Co-commissioned with Tarrawarra Biennial, to the curve of you is a series of sonic and relational artworks focused on the movement andYHONNIE SCARCE
Yhonnie Scarce is an artist known for sculptural installations which span architecturally-scaled public art projects to intimately-scaled assemblages replete with personal and cultural histories. Scarce is a master glass-blower, which she puts to the service of spectacular and spectral installations full of aesthetic, cultural, and politicalsignificance.
MADONNA STAUNTON
The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.SEBASTIAN MOODY
Sebastian Moody is a conceptual artist whose characteristic text works speak to the general public as messages in communal transitionary spaces, such as vehicular underpasses and building walls. Memorable as mantras or philosophical propositions, they offer moments of pause and contemplation within busy urban environments.BILL HENSON
10 April–26 May 200710 Apr–26 May 2007. Australian artist Bill Henson is a passionate and visionary explorer of twilight zones, of the ambiguous spaces that exist between day and night, nature and civilization, youth and adulthood, male and female. His photographs of landscapes at dusk, of the industrial ‘no-man’s land’ that lieson
MAEVE BAKER
Maeve Baker. Maeve Baker is a Brisbane based animator, illustrator and comic artist. Maeve has a penchant for subtle story telling, abstract visuals, and bright colours. You can find Maeve’s work published in Voiceworks and QPAC Storytime Magazine and in comic book shops around Meanjin (Brisbane) and Naarm (Melbourne). INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND!PETER MADDEN
11 September–05 October 201111 Sep–05 Oct 2011. Auckland collage artist Peter Madden draws much of his imagery from old issues of National Geographic. His surrealistic pictures, objects, and installations have been described as ‘microcosms’ and ‘intricate kingdoms thick with flying forms’. His metaphor-rich other-worldsmanage to be
RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND!PETER MADDEN
11 September–05 October 201111 Sep–05 Oct 2011. Auckland collage artist Peter Madden draws much of his imagery from old issues of National Geographic. His surrealistic pictures, objects, and installations have been described as ‘microcosms’ and ‘intricate kingdoms thick with flying forms’. His metaphor-rich other-worldsmanage to be
RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, IMA EVENTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
MICHAEL CANDY
Michael Candy‘s IMA Belltower façade projection FIELDS combines drone footage of local Brisbane antennas with live radio signal recordings taken in the same area, exploring the invisible realm of radio through video.. Most radio transmissions are digital, yet they can still be heard as stereo audio when scanning the airwaves. These sounds range from beeps and boops to harsh static chunks SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019)DALE HARDING
After having exhibited extensively nationally and internationally, Current Iterations is Dale Harding ’s (Bidjara, Garingbal, and Ghungalu peoples) largest exhibition to date. This show brings together new and recent works focusing on objects dislocated by museum practices, as well as living culture activated in and outside theconfines of art.
JAMES ANGUS
James Angus’s works combine conceptual twists with consumate craft. He takes iconic and everyday forms—classic modernist buildings, an old racing car, a soccer ball, a rhino—and inverts, twists, recolours, divides, realigns, down-sizes, distorts and otherwise transforms them. A spruce scale-model of the Seagram Building lies onits back
STUART RINGHOLT
The Institute of Modern Art presents Kraft, the first survey exhibition of Melbourne-based artist Stuart Ringholt.As part of his diverse practice, Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment, fear, laughter, and love.DANIEL MCKEWEN
After an open call for applications across Queensland, Daniel McKewen has been selected to exhibit as part of the IMA Belltower program. He will present a temporary public artwork, to be projected on the façade of the Judith Wright Centre of Contemporary Arts. Daniel McKewen’s practice investigates the intersections of contemporaryart
SEBASTIAN MOODY
Sebastian Moody is a conceptual artist whose characteristic text works speak to the general public as messages in communal transitionary spaces, such as vehicular underpasses and building walls. Memorable as mantras or philosophical propositions, they offer moments of pause and contemplation within busy urban environments. BRIGHT EYED LITTLE DORMITORY GIRLS vi List of images Fig. 1 Queensland Government Crest, 1945 Fig. 2 Unidentified, View of the Taroom Aboriginal Settlement, Queensland, 1914 Fig. 3 Unidentified, Beginnings of the Woorabinda Aboriginal Settlement, ca. 1927 Fig. 4 Unidentified, Ghungalu Elders: Kemp, Priestley and Brown Siblings with Uncle Tim Kemp, ca. 1990 INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksVERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
LAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre . Abu Hamdan’s practice examines the politics of listening through installations acutely attuned to sound. Presenting an expanded library of over 90 sourced and custom-designed objects SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksVERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
LAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre . Abu Hamdan’s practice examines the politics of listening through installations acutely attuned to sound. Presenting an expanded library of over 90 sourced and custom-designed objects SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, IMA EVENTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. THE CHURCHIE EMERGING ART PRIZE 2021 Thanks to generous supporters, ‘the churchie’ offers a prize pool of $25,000, with the overall winner receiving a non-acquisitive $15,000 cash prize donated by long-standing sponsor, BSPN Architecture. Entry is open to Australian visual artists working inany medium. The
PRODUCTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
MICHAEL CANDY
Michael Candy‘s IMA Belltower façade projection FIELDS combines drone footage of local Brisbane antennas with live radio signal recordings taken in the same area, exploring the invisible realm of radio through video.. Most radio transmissions are digital, yet they can still be heard as stereo audio when scanning the airwaves. These sounds range from beeps and boops to harsh static chunksLAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre . Abu Hamdan’s practice examines the politics of listening through installations acutely attuned to sound. Presenting an expanded library of over 90 sourced and custom-designed objectsTO THE CURVE OF YOU
Working closely with collaborators from different disciplines and with the particularities of sites, Caitlin Franzmann creates participatory works which take shape around slow practices, conversation, critical listening, and collective forms of care. Co-commissioned with Tarrawarra Biennial, to the curve of you is a series of sonic and relational artworks focused on the movement andJAMES ANGUS
James Angus’s works combine conceptual twists with consumate craft. He takes iconic and everyday forms—classic modernist buildings, an old racing car, a soccer ball, a rhino—and inverts, twists, recolours, divides, realigns, down-sizes, distorts and otherwise transforms them. A spruce scale-model of the Seagram Building lies onits back
MADONNA STAUNTON
The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.REUBEN PATERSON
In his show He Aha Te Mea Nui/What Is The Greatest Thing? Maori artist Reuben Peterson rewrites Maoritanga through bling. He uses shimmer disks to picture a postcard beach scene, animating it with an artificial zephyr provided by an electric fan; and creates an ‘island’ of accumulated glitter-encrusted shoes.* Visit Us
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10 Sep–12 Oct 2008 We acknowledge the Traditional Custodians of the lands where the IMA now stands. We pay our respect to Elders past, present, and emerging.Shopping Cart
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