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JAMES TYLOR.
Exhibitions. 26/11/2020 - 10/06/2021 'Cloudy - a few isolated showers, Castlemaine Art Museum, Castlemaine, Vic 30/01- 29/05/2021 'Captain Cook & the Art of Memorabilia', David Roche Foundation House Museum, Adelaide, SA 17/02 - 02/05/2021 'Never standing still: new approaches in documentary photography', Monash Gallery of Art.Monash, Vic 26/02 -01/06/ 2021
BIO - JAMES TYLOR.
bio - james tylor. James Tylor is an Australian multi-disciplinary contemporary visual artist. He was born in Mildura, Victoria. He spent his childhood in Menindee in far west New South Wales, and then moved to Kununurra and Derby in the Kimberley region of Western Australia in his adolescent years. From 2003 to 2008, James trained and worked (VANISHED SCENES) FROM AN UNTOUCHED LANDSCAPE This series highlights the contemporary absence of Aboriginal cultures within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation. The first European colonists forced First Nations peoples off their traditional lands into small christian missions and government reserves acrossAustralia.
CIPX (NEW) - JAMES TYLOR. cipx (new) - james tylor. Critical Indigenous Photographic Exchange (New) This tintype CIPX series celebrates Indigenous excellence in the Australian arts industry by photographing leading Indigenous curators, arts workers and artists who are working in national art museums in 2021. The Critical Indigenous Photographic Exchange (CIPX) is anINHABITING (NEW)
Inhabiting (New) This furniture set was created in collaboration with artist Rebecca Selleck. As a new family, we trace our way through shifting realities, seeking a sense of place within the Australian landscape as our private scenes play out against a backdrop of ecological crises and political uncertainty. KANGAROO ISLAND (NEW) Kangaroo Island is an ongoing photographic and drawing collaboration with artist Laura Wills that explores the history of Karta PintinggaKangaroo Island.
ECONOMICS OF WATER
Economics of Water highlights the environmental damage to the Murray Darling River system from poor water management by the State and Federal governments of Australia. This series of photographs of the drought effected Menindee Lakes have been overlaid with gold geometric shapes that symbolise the human infrastructure of water diversion for commercial agriculture and settlements. KARTA (THE ISLAND OF THE DEAD) Karta (The Island of the Dead) This series explores the dark human history of Karta Pintingga (Kangaroo Island) from Nunga Aboriginal and European Australian perspectives. Kaurna, Ngarrindjeri, Ramindjeri and Barngalla people were the first to settle on Karta Pintingga about 65,000 years ago when the Island was still attached to the AustralianKARRAWIRRA YARTA
Karrawirra Yarta. This series explores the political complexity of environmental management, landownership and custodianship of land in South Australia. In 2014, a large bushfire burnt and killed a large number of 500 year old Karra (River Red Gum trees) on the Angas family property (Hutton Vale Farm) outside of Angaston in South Australia. WE CALL THIS PLACE... KAURNA YARTA (NEW) We Call This PlaceKaurna Yarta acknowledges the 42,000 - 65,000+ year Kaurna cultural history of Kaurna Yarta Adelaide region in South Australia. It highlights the impact the British colonisation had on Indigenous people, culture, language and land over the past 180+ years in South Australia. This series of Daguerreotypes honours theJAMES TYLOR.
Exhibitions. 26/11/2020 - 10/06/2021 'Cloudy - a few isolated showers, Castlemaine Art Museum, Castlemaine, Vic 30/01- 29/05/2021 'Captain Cook & the Art of Memorabilia', David Roche Foundation House Museum, Adelaide, SA 17/02 - 02/05/2021 'Never standing still: new approaches in documentary photography', Monash Gallery of Art.Monash, Vic 26/02 -01/06/ 2021
BIO - JAMES TYLOR.
bio - james tylor. James Tylor is an Australian multi-disciplinary contemporary visual artist. He was born in Mildura, Victoria. He spent his childhood in Menindee in far west New South Wales, and then moved to Kununurra and Derby in the Kimberley region of Western Australia in his adolescent years. From 2003 to 2008, James trained and worked (VANISHED SCENES) FROM AN UNTOUCHED LANDSCAPE This series highlights the contemporary absence of Aboriginal cultures within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation. The first European colonists forced First Nations peoples off their traditional lands into small christian missions and government reserves acrossAustralia.
CIPX (NEW) - JAMES TYLOR. cipx (new) - james tylor. Critical Indigenous Photographic Exchange (New) This tintype CIPX series celebrates Indigenous excellence in the Australian arts industry by photographing leading Indigenous curators, arts workers and artists who are working in national art museums in 2021. The Critical Indigenous Photographic Exchange (CIPX) is anINHABITING (NEW)
Inhabiting (New) This furniture set was created in collaboration with artist Rebecca Selleck. As a new family, we trace our way through shifting realities, seeking a sense of place within the Australian landscape as our private scenes play out against a backdrop of ecological crises and political uncertainty. KANGAROO ISLAND (NEW) Kangaroo Island is an ongoing photographic and drawing collaboration with artist Laura Wills that explores the history of Karta PintinggaKangaroo Island.
ECONOMICS OF WATER
Economics of Water highlights the environmental damage to the Murray Darling River system from poor water management by the State and Federal governments of Australia. This series of photographs of the drought effected Menindee Lakes have been overlaid with gold geometric shapes that symbolise the human infrastructure of water diversion for commercial agriculture and settlements. KARTA (THE ISLAND OF THE DEAD) Karta (The Island of the Dead) This series explores the dark human history of Karta Pintingga (Kangaroo Island) from Nunga Aboriginal and European Australian perspectives. Kaurna, Ngarrindjeri, Ramindjeri and Barngalla people were the first to settle on Karta Pintingga about 65,000 years ago when the Island was still attached to the AustralianKARRAWIRRA YARTA
Karrawirra Yarta. This series explores the political complexity of environmental management, landownership and custodianship of land in South Australia. In 2014, a large bushfire burnt and killed a large number of 500 year old Karra (River Red Gum trees) on the Angas family property (Hutton Vale Farm) outside of Angaston in South Australia. WE CALL THIS PLACE... KAURNA YARTA (NEW) We Call This PlaceKaurna Yarta acknowledges the 42,000 - 65,000+ year Kaurna cultural history of Kaurna Yarta Adelaide region in South Australia. It highlights the impact the British colonisation had on Indigenous people, culture, language and land over the past 180+ years in South Australia. This series of Daguerreotypes honours theFOOD - JAMES TYLOR.
Australian Food Project is a food based art project about Australian food, history and culture. This project explores developing new Australian cuisines using indigenous and non indigenous foods to tell our rich and unique history in Australia.INHABITING (NEW)
Inhabiting (New) This furniture set was created in collaboration with artist Rebecca Selleck. As a new family, we trace our way through shifting realities, seeking a sense of place within the Australian landscape as our private scenes play out against a backdrop of ecological crises and political uncertainty.THE DWELLING (NEW)
‘The Dwelling’ is a contemporary Indigenous architectural structure designed in collaboration with Wiradju ri a rchitect Samantha Rich.The design is inspired by historical Indigenous winter buildings from South East Australia and uses traditional indigenous architectural & engineering principles.ECONOMICS OF WATER
Economics of Water highlights the environmental damage to the Murray Darling River system from poor water management by the State and Federal governments of Australia. This series of photographs of the drought effected Menindee Lakes have been overlaid with gold geometric shapes that symbolise the human infrastructure of water diversion for commercial agriculture and settlements.KARRAWIRRA YARTA
Karrawirra Yarta. This series explores the political complexity of environmental management, landownership and custodianship of land in South Australia. In 2014, a large bushfire burnt and killed a large number of 500 year old Karra (River Red Gum trees) on the Angas family property (Hutton Vale Farm) outside of Angaston in South Australia. ECONOMICS OF MINERALS (NEW) Economics of Minerals highlights the environmental impact of mining on Australia. This series of photographs depicting the barren landscapes around Broken Hill has been overlaid with silver geometric shapes that symbolise the human infrastructure of mining, such as mine shafts andslag dumps.
THE FORGOTTEN WARS II The Forgotten Wars I and II are a collaborative series of drawings on photographic prints between Non Indigenous Australian artist Laura Wills and Indigenous Australian photographer James Tylor. Their work investigates the idea of mapping, conflict and colonialism. The second series presents photographs of the rural Australian landscapes takenDECOOKOLISATION
DeCookolisation. Stills Gallery in Sydney, 2015. This series highlights places in the Moananui a Kiwa (Pacific Ocean) that have been named in honour of Captain James Cook by the British. Some of these places include a town in northern Australia, the highest mountain in Aotearoa (New Zealand) and a nation of two archipelagos.It is a common
THE FORGOTTEN WARS I The Forgotten Wars I. This series of drawings on photographic prints is a collaboration between Non Indigenous Australian artist Laura Wills and Indigenous Australian photographer James Tylor. The Forgotten Wars series alludes to the story of the Australian frontier wars by presenting a series of photographs of the Australian rurallandscape
VOYAGE OF THE WAKA
Voyage of the Waka and, the Origin of the Dreaming. As an Australian with Aboriginal, European and Māori heritage, I am continually challenged by how to represent my diverse multi-racial identity in contemporary Australian society and social history. Charles Darwin’s journal ‘Voyage of the Beagle’ is one point in history where myJAMES TYLOR.
Exhibitions. 26/11/2020 - 10/06/2021 'Cloudy - a few isolated showers, Castlemaine Art Museum, Castlemaine, Vic 30/01- 29/05/2021 'Captain Cook & the Art of Memorabilia', David Roche Foundation House Museum, Adelaide, SA 17/02 - 02/05/2021 'Never standing still: new approaches in documentary photography', Monash Gallery of Art.Monash, Vic 26/02 -01/06/ 2021
BIO - JAMES TYLOR.
bio - james tylor. James Tylor is an Australian multi-disciplinary contemporary visual artist. He was born in Mildura, Victoria. He spent his childhood in Menindee in far west New South Wales, and then moved to Kununurra and Derby in the Kimberley region of Western Australia in his adolescent years. From 2003 to 2008, James trained and worked CIPX (NEW) - JAMES TYLOR. cipx (new) - james tylor. Critical Indigenous Photographic Exchange (New) This tintype CIPX series celebrates Indigenous excellence in the Australian arts industry by photographing leading Indigenous curators, arts workers and artists who are working in national art museums in 2021. The Critical Indigenous Photographic Exchange (CIPX) is an (VANISHED SCENES) FROM AN UNTOUCHED LANDSCAPE This series highlights the contemporary absence of Aboriginal cultures within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation. The first European colonists forced First Nations peoples off their traditional lands into small christian missions and government reserves acrossAustralia.
KARTA (THE ISLAND OF THE DEAD) Karta (The Island of the Dead) This series explores the dark human history of Karta Pintingga (Kangaroo Island) from Nunga Aboriginal and European Australian perspectives. Kaurna, Ngarrindjeri, Ramindjeri and Barngalla people were the first to settle on Karta Pintingga about 65,000 years ago when the Island was still attached to the Australian ECONOMICS OF MINERALS (NEW) Economics of Minerals highlights the environmental impact of mining on Australia. This series of photographs depicting the barren landscapes around Broken Hill has been overlaid with silver geometric shapes that symbolise the human infrastructure of mining, such as mine shafts andslag dumps.
DECOOKOLISATION
DeCookolisation. Stills Gallery in Sydney, 2015. This series highlights places in the Moananui a Kiwa (Pacific Ocean) that have been named in honour of Captain James Cook by the British. Some of these places include a town in northern Australia, the highest mountain in Aotearoa (New Zealand) and a nation of two archipelagos.It is a common
NGUYA: THE AUSTRALIAN SMALLPOX PANDEMICS (NEW) Nguya is a photographic series that explores the Smallpox epidemics in Australia in the late 18th and the early 19th century. The first Small Pox outbreak began in the British colonial town of Sydney in 1789, which was called ‘Gal-gal-la’ by the Dharug people of the Eora nation, and spread westward along Indigenous trade routes across the continent of Australia. UN-RESETTLING (VIDEOS) un-resettling (videos) - james tylor. u n-resettling (dome hut with wind break) video. u n-resettling (a-frame hut) video. u n-resettling (dome hut in field) video. CIPX NUNGA - JAMES TYLOR. CIPX Nunga. The Critical Indigenous Photographic Exchange (CIPX) is an international Indigenous portraiture photographic project. The CIPX project encourages Indigenous photographers from around the world to photograph members of their local Indigenous community using the 19th century Tintype process. The CIPX project was first created byJAMES TYLOR.
Exhibitions. 26/11/2020 - 10/06/2021 'Cloudy - a few isolated showers, Castlemaine Art Museum, Castlemaine, Vic 30/01- 29/05/2021 'Captain Cook & the Art of Memorabilia', David Roche Foundation House Museum, Adelaide, SA 17/02 - 02/05/2021 'Never standing still: new approaches in documentary photography', Monash Gallery of Art.Monash, Vic 26/02 -01/06/ 2021
BIO - JAMES TYLOR.
bio - james tylor. James Tylor is an Australian multi-disciplinary contemporary visual artist. He was born in Mildura, Victoria. He spent his childhood in Menindee in far west New South Wales, and then moved to Kununurra and Derby in the Kimberley region of Western Australia in his adolescent years. From 2003 to 2008, James trained and worked CIPX (NEW) - JAMES TYLOR. cipx (new) - james tylor. Critical Indigenous Photographic Exchange (New) This tintype CIPX series celebrates Indigenous excellence in the Australian arts industry by photographing leading Indigenous curators, arts workers and artists who are working in national art museums in 2021. The Critical Indigenous Photographic Exchange (CIPX) is an (VANISHED SCENES) FROM AN UNTOUCHED LANDSCAPE This series highlights the contemporary absence of Aboriginal cultures within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation. The first European colonists forced First Nations peoples off their traditional lands into small christian missions and government reserves acrossAustralia.
KARTA (THE ISLAND OF THE DEAD) Karta (The Island of the Dead) This series explores the dark human history of Karta Pintingga (Kangaroo Island) from Nunga Aboriginal and European Australian perspectives. Kaurna, Ngarrindjeri, Ramindjeri and Barngalla people were the first to settle on Karta Pintingga about 65,000 years ago when the Island was still attached to the Australian ECONOMICS OF MINERALS (NEW) Economics of Minerals highlights the environmental impact of mining on Australia. This series of photographs depicting the barren landscapes around Broken Hill has been overlaid with silver geometric shapes that symbolise the human infrastructure of mining, such as mine shafts andslag dumps.
DECOOKOLISATION
DeCookolisation. Stills Gallery in Sydney, 2015. This series highlights places in the Moananui a Kiwa (Pacific Ocean) that have been named in honour of Captain James Cook by the British. Some of these places include a town in northern Australia, the highest mountain in Aotearoa (New Zealand) and a nation of two archipelagos.It is a common
NGUYA: THE AUSTRALIAN SMALLPOX PANDEMICS (NEW) Nguya is a photographic series that explores the Smallpox epidemics in Australia in the late 18th and the early 19th century. The first Small Pox outbreak began in the British colonial town of Sydney in 1789, which was called ‘Gal-gal-la’ by the Dharug people of the Eora nation, and spread westward along Indigenous trade routes across the continent of Australia. UN-RESETTLING (VIDEOS) un-resettling (videos) - james tylor. u n-resettling (dome hut with wind break) video. u n-resettling (a-frame hut) video. u n-resettling (dome hut in field) video. CIPX NUNGA - JAMES TYLOR. CIPX Nunga. The Critical Indigenous Photographic Exchange (CIPX) is an international Indigenous portraiture photographic project. The CIPX project encourages Indigenous photographers from around the world to photograph members of their local Indigenous community using the 19th century Tintype process. The CIPX project was first created by ONLINE - JAMES TYLOR. The South Australian Menu Has Alway Been Seasonal by James Tylor. Adelaide City Mag. On the Power of Language by James Tylor. Wrong wrong Magazine. (Cenas desaparecidas) de uma paisagem intocada by James Tylor. Landscape Stories. . Aotearoa my Hawaiki by James Tylor . Runway.FOOD - JAMES TYLOR.
Australian Food Project is a food based art project about Australian food, history and culture. This project explores developing new Australian cuisines using indigenous and non indigenous foods to tell our rich and unique history in Australia.DECOOKOLISATION
DeCookolisation. Stills Gallery in Sydney, 2015. This series highlights places in the Moananui a Kiwa (Pacific Ocean) that have been named in honour of Captain James Cook by the British. Some of these places include a town in northern Australia, the highest mountain in Aotearoa (New Zealand) and a nation of two archipelagos.It is a common
ECONOMICS OF MINERALS (NEW) Economics of Minerals highlights the environmental impact of mining on Australia. This series of photographs depicting the barren landscapes around Broken Hill has been overlaid with silver geometric shapes that symbolise the human infrastructure of mining, such as mine shafts andslag dumps.
ACT LIKE A MAN
Act Like a Man. Act Like a Man is a daguerreotype photographic series that explores notions of male masculinity and maturity in contemporary Australian society. This series questions the mainstream stereotypes of male adulthood through self-portraiture. For a young man in Australia it is confusing to define and understand the attributes ofboy
KARRAWIRRA YARTA
Karrawirra Yarta. This series explores the political complexity of environmental management, landownership and custodianship of land in South Australia. In 2014, a large bushfire burnt and killed a large number of 500 year old Karra (River Red Gum trees) on the Angas family property (Hutton Vale Farm) outside of Angaston in South Australia.VOYAGE OF THE WAKA
Voyage of the Waka and, the Origin of the Dreaming. As an Australian with Aboriginal, European and Māori heritage, I am continually challenged by how to represent my diverse multi-racial identity in contemporary Australian society and social history. Charles Darwin’s journal ‘Voyage of the Beagle’ is one point in history where my THE FORGOTTEN WARS I The Forgotten Wars I. This series of drawings on photographic prints is a collaboration between Non Indigenous Australian artist Laura Wills and Indigenous Australian photographer James Tylor. The Forgotten Wars series alludes to the story of the Australian frontier wars by presenting a series of photographs of the Australian rurallandscape
CIPX NUNGA - JAMES TYLOR. CIPX Nunga. The Critical Indigenous Photographic Exchange (CIPX) is an international Indigenous portraiture photographic project. The CIPX project encourages Indigenous photographers from around the world to photograph members of their local Indigenous community using the 19th century Tintype process. The CIPX project was first created byTURALAYINTHI YARTA
Turalayinthi Yarta. This series explores my connection with Kaurna yarta (Kaurna land) through learning, researching, documenting and traveling on country. Turalayinthi Yarta is a Kaurna phrase "to see yourself in the landscape” or “landscape photography”. In a two year period I travelled over 300 km of the southern part of the Hansjames tylor.
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Exhibitions.
06/09/2019 to 02/02/2020 _'CRAFTIVISM' _Museum of Australian Democracy, Canberra, ACT 06/12/2019 to 01/02/2020 _'VOID' _Bathurst regional Art Gallery. NSW 17/12/2019 to 16/02/2020 _'AUSTRALIA. A JOURNEY DOWN UNDER' _Contemporary Art Pavilion, Milan,Italy
01/01 to 01/07/2020
_'ASKI EARTH TERRE YARTA'_ 7 Wentworth Selbourne, Sydney NSW15/01 to 18/01/2020
_'KIPLI PAYWUTA LUMI' _MONA FOMA,, Launceston, TAS15/02 to 03/05/2020
_'VOID' _Canberra Museum and Art Gallery, Canberra, ACT06/02 to 17/04/2020
_'ECONOMICS OF WATER' _Murray Albury Museum of Art, Albury, NSW18/04 to 05/07/2020
'_NEVER STANDING STILL: NEW APPROACHES IN DOCUMENTARY PHOTOGRAPHY',_ Monash Gallery of Art. Monash, Vic23/04 to 10/05/2020
_'PHOTO 2020 INTERNATIONAL FESTIVAL OF PHOTOGRAPHY'_, Melbourne, Vic30/04 to 21/06/2020
_'CRAFTIVISM' _Bega Valley Regional Gallery, Bega, NSW16/05 to 19/07/2020
_'VOID' _Wagga Wagga Art Gallery, Wagga Wagga, NSW01/08 to 01/09/2020
_'WAYS OF LIVING: IDENTITY, STRUCTURE AND COLLAPSE'._ Canberra Museum & Gallery, Canberra, ACT03/07 to 15/08/2020
_'CRAFTIVISM'_ Warwick Art GalleryWarwick, QLD
01/08 to 18/10/2020
_'VOID' _Bendigo Art Gallery, Bendigo, Vic29/08 to 11/10/2020
_'ASKI EARTH TERRE YARTA', _Lake Macquarie Regional Gallery, Newcastle, NSW12/09 to 31/10/2020
_'CRAFTIVISM' _University of the Sunshine Coast Art Gallery, SunshineCoast, QLD
03/10 to 29/11/2020
_'OH MUSEUM' _Cement Fondu, Sydney, NSW 07/11/2020 to 17/01/2021 _'VOID' _Geraldton Art Gallery, Geraldton ,WA12/11 to 12/12/2020
_'THE ROOTS THAT CLUTCH', _Photo Access, Canberra, ACT13/02 to 25/04/2021
_'VOID' _Newcastle Art Gallery, Newcastle, NSW08/05 to 04/07/2021
_'VOID' _Tweed Regional Gallery and Margaret Olley Arts Centre,Tweed Heads, NSW
23/07 to 03/10/2021
_'VOID' _Artspace, Mackay, QLD. 30/10/2021 to 19/02/2022 _'VOID'_ Museum and Art Gallery of the Northern Territory, Darwin,NT
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