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L.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by felipe flores. Terry James Graham left Texas for L.A. in the middle of the 70s and became a crucial participant in the cultural and musical revolution known as punk rock.L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
I have a thing about sticking up for the over/underdogs–the highly successful musicians that people just can’t wait to hate on. Whether it’s journalists in the 70s turning their noses up at the Archies while praising Toto and Chicago, or oddly spiteful faux-journalists who hate Kreayshawn to the point where they’re taking solitary, reasonable quotes out of context and then linking them L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by felipe flores. Terry James Graham left Texas for L.A. in the middle of the 70s and became a crucial participant in the cultural and musical revolution known as punk rock.L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
I have a thing about sticking up for the over/underdogs–the highly successful musicians that people just can’t wait to hate on. Whether it’s journalists in the 70s turning their noses up at the Archies while praising Toto and Chicago, or oddly spiteful faux-journalists who hate Kreayshawn to the point where they’re taking solitary, reasonable quotes out of context and then linking themL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
Various Artists Land of 1000 Dances: The Rampart Records Complete Singles Collection Minky Significant tracks and their release dates on these 79 tracks tell the tale of East L.A. soul and R&B along with Rampart’s rise and fall as well as any analysis.L.A. RECORD
L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005.L.A. RECORD
L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
Archive TASHI WADA: I LIKE THE ROAMING. Tashi Wada is the son of the renowned composer and Fluxus member Yoshi Wada and a master of minimal and microtonal music in his own right. Now father and son have joined forces with a cast of collaborators that includes Julia Holter and Simone Forti to produce a 10-track release for RVNG’s FRKWYS series. Nue pairs synthesizers with acousticL.A. RECORD
Jess Joy‘s “Finally Blooming” is a song that’s all acrobatics and loop-de-loops, or if you want to use the metaphor from the song itself, it’s one of those endlessly climbing twisting flowering vines that start from nothing and grow so wild and fast they turn whole buildings into vertical gardens.Joy wrote “Blooming” to music by drummer/composer Mike Byrne—a former SmashingL.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
illustration by felipe flores. Terry James Graham left Texas for L.A. in the middle of the 70s and became a crucial participant in the cultural and musical revolution known as punk rock.L.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by jun ohnuki. The Equals were unstoppable for the best part—truly the best part!—of two decades, breaking out in 1966 with their classic “Baby Come Back” and zig-zagging through hit after cult-y hit until the end of the 1970s. In between, they took soul, r&b, rock, glam, proto-punk, disco and funk and transformed them into their own unequalled sound, bristling with hooks L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, i L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, iL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
THE WAYBACK MACHINE: LAND OF 1000 DANCES, DAVID BALL, CINDY LEE BERRYHILL. February 11th, 2020. Various Artists Land of 1000 Dances: The Rampart Records Complete Singles Collection Minky Significant tracks and their release dates on these 79 tracks tell the tale of East L.A. soul and R&B along with Rampart’s rise and fall as well asany analysis.
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
Sleep really is the cousin of death, turns out. Jeshua is the auntie, watching them bicker and trying to reign them both in before they ruin the function for everyone. Contrary to the moribund titles of these singles, the versatile, luxuriant-haired L.A. born-and-bred vocalist and songwriter is thriving, blessed and booked during these tryingtimes.
L.A. RECORD
L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005.L.A. RECORD
Jesse Schuster is the kind of musician who moves in every direction at once—he performs, he produces, he makes sure the video is treated just as reverently as the song and when he finds both inspiration and the opportunity, he turns a genre inside out with his project Safe Jazz.. His new single “Good Vibes” is like jazz in schematic—instruments and melodies bisected and disconnected toL.A. RECORD
Archive TASHI WADA: I LIKE THE ROAMING. Tashi Wada is the son of the renowned composer and Fluxus member Yoshi Wada and a master of minimal and microtonal music in his own right. Now father and son have joined forces with a cast of collaborators that includes Julia Holter and Simone Forti to produce a 10-track release for RVNG’s FRKWYS series. Nue pairs synthesizers with acousticL.A. RECORD
Interview THE MOST FUN I’VE EVER HAD WITH MY PANTS ON: DREW DENNY. Drew Denny's new film, The Most Fun I’ve Ever Had With My Pants On, is almost tear-inducing, not solely because of the complex emotions of its semi-autobiographical characters, but also for its vivid beauty, which almost slaps you across the eyes, demanding you soak it all in.Over a hefty couple of swigs of whiskey and aL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Let’s just get this out of the way: it’s pronounced ‘krung-bin.’ And the word roughly translates to ‘airplane’ in Thai. Formed in Texas over burgers, beers, and mutual appreciation for music and cultures from around the world, Khruangbin might not have anticipated how much their band name would get butchered out loud. The trio’s second full-length, Con Todo El Mundo, was released L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, i L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, iL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
THE WAYBACK MACHINE: LAND OF 1000 DANCES, DAVID BALL, CINDY LEE BERRYHILL. February 11th, 2020. Various Artists Land of 1000 Dances: The Rampart Records Complete Singles Collection Minky Significant tracks and their release dates on these 79 tracks tell the tale of East L.A. soul and R&B along with Rampart’s rise and fall as well asany analysis.
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
Sleep really is the cousin of death, turns out. Jeshua is the auntie, watching them bicker and trying to reign them both in before they ruin the function for everyone. Contrary to the moribund titles of these singles, the versatile, luxuriant-haired L.A. born-and-bred vocalist and songwriter is thriving, blessed and booked during these tryingtimes.
L.A. RECORD
L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005.L.A. RECORD
Jesse Schuster is the kind of musician who moves in every direction at once—he performs, he produces, he makes sure the video is treated just as reverently as the song and when he finds both inspiration and the opportunity, he turns a genre inside out with his project Safe Jazz.. His new single “Good Vibes” is like jazz in schematic—instruments and melodies bisected and disconnected toL.A. RECORD
Archive TASHI WADA: I LIKE THE ROAMING. Tashi Wada is the son of the renowned composer and Fluxus member Yoshi Wada and a master of minimal and microtonal music in his own right. Now father and son have joined forces with a cast of collaborators that includes Julia Holter and Simone Forti to produce a 10-track release for RVNG’s FRKWYS series. Nue pairs synthesizers with acousticL.A. RECORD
Interview THE MOST FUN I’VE EVER HAD WITH MY PANTS ON: DREW DENNY. Drew Denny's new film, The Most Fun I’ve Ever Had With My Pants On, is almost tear-inducing, not solely because of the complex emotions of its semi-autobiographical characters, but also for its vivid beauty, which almost slaps you across the eyes, demanding you soak it all in.Over a hefty couple of swigs of whiskey and aL.A. RECORD
L.A. RECORD PHOTOG DAN MONICK EXHIBITS IN NOVEMBER. Dan Monick LA RECORD photographer and co-founder Dan Monick has a photography exhibit running November 7-20 at Grain in LA. From an interview with LittleBird Gallery on the show: LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in. Bylar_import.
L.A. RECORD
Let’s just get this out of the way: it’s pronounced ‘krung-bin.’ And the word roughly translates to ‘airplane’ in Thai. Formed in Texas over burgers, beers, and mutual appreciation for music and cultures from around the world, Khruangbin might not have anticipated how much their band name would get butchered out loud. The trio’s second full-length, Con Todo El Mundo, was released L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
Photography by Matt Cowan. Mila (9), Eloise (11), Lucia (13), and Bela (15) are the Linda Lindas.Last night the Linda Linda’s played their first show of the year to a hometown crowd at the Center for the Arts Eagle Rock as part of the NELA Music Series with opening support NaimaCorea.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
illustration by felipe flores. Terry James Graham left Texas for L.A. in the middle of the 70s and became a crucial participant in the cultural and musical revolution known as punk rock.L.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, i L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVE Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meetsL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD. POB 21729. LONG BEACH, CA 90801. INTERNSHIPS: L.A. RECORD does not currently offer internships. Instead, we invite inquiries about contributing writing, art or photos. Email us at fortherecord@larecord.com subj SUBMISSIONS.L.A. RECORD
Blending classic English sensibilities with darkly clever psychedelic pop, Robyn Hitchcock constructs a musical universe all his own. In March the singer, songwriter, painter and even sometime-Hollywood actor celebrates the release of a new solo album, Love From London (Yep Roc), and his 60th birthday. This interview by Linda A. Rapka.L.A. RECORD
Photography by Matt Cowan. Mila (9), Eloise (11), Lucia (13), and Bela (15) are the Linda Lindas.Last night the Linda Linda’s played their first show of the year to a hometown crowd at the Center for the Arts Eagle Rock as part of the NELA Music Series with opening support NaimaCorea.
L.A. RECORD
Taking cues from heroes like Bowie, Eno, and Byrne, Superet have the vision and the electrifying stage presence to inspire bleary-eyed, arms-outstretched devotion—much like the downtown church from which they lifted their cryptic name. Prophetic, dystopian, and dedicated to a razor-sharp aesthetic that’s more urgent New York than laid-back L.A., Superet have distinguished themselves withL.A. RECORD
illustration by felipe flores. Terry James Graham left Texas for L.A. in the middle of the 70s and became a crucial participant in the cultural and musical revolution known as punk rock.L.A. RECORD
A 61-year-old rocker is neither young enough nor old enough to die. And yet his legacy still walks among us. I never realized until reading his obit that the man was born in 1948. That means by the time the Cramps got anywhere close to big, Lux was older than IL.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
Hank Williams, Jr. has had a lot to long for–a dead famous father, an accident that left him scarred and forced to wear his trademark beard, hat, and sunglasses at all times, and he must be upset that all his “rowdy friends” in country music are actually liberal pinkos who love prisoners, government programs, and true American freedoms, iL.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005.L.A. RECORD
L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
Archive TASHI WADA: I LIKE THE ROAMING. Tashi Wada is the son of the renowned composer and Fluxus member Yoshi Wada and a master of minimal and microtonal music in his own right. Now father and son have joined forces with a cast of collaborators that includes Julia Holter and Simone Forti to produce a 10-track release for RVNG’s FRKWYS series. Nue pairs synthesizers with acousticL.A. RECORD
Jess Joy‘s “Finally Blooming” is a song that’s all acrobatics and loop-de-loops, or if you want to use the metaphor from the song itself, it’s one of those endlessly climbing twisting flowering vines that start from nothing and grow so wild and fast they turn whole buildings into vertical gardens.Joy wrote “Blooming” to music by drummer/composer Mike Byrne—a former SmashingL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70sL.A. RECORD
Bob Mould was the guitarist and singer of Hüsker Dü and Sugar before striking out on his own solo career and Dean Spunt and Randy Randall are the L.A. duo No Age. We asked them to interview each other after they played NoisePop together and before they both played Coachella. This is the complete version of this interview.L.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORD
illustration by jun ohnuki. The Equals were unstoppable for the best part—truly the best part!—of two decades, breaking out in 1966 with their classic “Baby Come Back” and zig-zagging through hit after cult-y hit until the end of the 1970s. In between, they took soul, r&b, rock, glam, proto-punk, disco and funk and transformed them into their own unequalled sound, bristling with hooks L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVEL A RECORD Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets L.A. RECORDLOS ANGELES PUBLIC RECORDN F L RECORDDAK PRESCOTT W L RECORDU OF L RECORDS OFFICE This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORDLOS ANGELES PUBLIC RECORDN F L RECORDDAK PRESCOTT W L RECORDU OF L RECORDS OFFICE L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005. L.A. RECORDDAK PRESCOTT W L RECORDN F L RECORDMAJOR RECORD LABELSU OF L RECORDS OFFICEWORLD RECORD L SIT L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
Photography by Matt Cowan. Mila (9), Eloise (11), Lucia (13), and Bela (15) are the Linda Lindas.Last night the Linda Linda’s played their first show of the year to a hometown crowd at the Center for the Arts Eagle Rock as part of the NELA Music Series with opening support NaimaCorea.
L.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORDMACH HOMMY ALBUMMACH HOMMY WIKIMACH HOMMY BANDCAMPMACH HOMMY DISCOGRAPHY ZIPMACH HOMMY GENIUSMACH HOMMY HBO DOWNLOAD is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70s L.A. RECORDDINOSAURS HANK WILLIAMS JRDINOSAUR SONG HANK WILLIAMS JRDINOSAUR BY HANK WILLIAMS JRHANK WILLIAMS DINOSAURDINOSAUR BY HANK JRHANK WILLIAMS JR WIKIPEDIA I have a thing about sticking up for the over/underdogs–the highly successful musicians that people just can’t wait to hate on. Whether it’s journalists in the 70s turning their noses up at the Archies while praising Toto and Chicago, or oddly spiteful faux-journalists who hate Kreayshawn to the point where they’re taking solitary, reasonable quotes out of context and then linking them L.A. RECORDINTERVIEWSRECORD REVIEWSLIVE REVIEWS & PHOTOSNEWSCALENDARARCHIVEL A RECORD Listen TRACK PREMIERE: Mohama Saz “Quemar las Naves” This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets L.A. RECORDLOS ANGELES PUBLIC RECORDN F L RECORDDAK PRESCOTT W L RECORDU OF L RECORDS OFFICE This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORDLOS ANGELES PUBLIC RECORDN F L RECORDDAK PRESCOTT W L RECORDU OF L RECORDS OFFICE L.A. RECORD ISSUE 119 RELEASES JUNE 2015 – CONTACT ADVERTISE@LARECORD.COM TO RESERVE A SPOT!. L.A. RECORD is the Los Angeles area’s definitive music publication. Called “L.A.’s most formidable music magazine” by the Los Angeles Times, L.A. RECORD has covered every genre and generation of music (as well as art and film) possible since its start in 2005. L.A. RECORDDAK PRESCOTT W L RECORDN F L RECORDMAJOR RECORD LABELSU OF L RECORDS OFFICEWORLD RECORD L SIT L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005. Interviews; Record Reviews; Live Reviews & Photos; News; MenuL.A. RECORD
As the frontman of influential English anarcho-punk band Subhumans and punk/ska groups Citizen Fish and Culture Shock, Dick Lucas expounds against war, corruption, corporate greed, and systematic cultural oppression. Subhumans plays Thurs., Oct. 29, and Fri., Oct. 30, at Los Globos with Blazing Eye, Generacion Suicida and more.Lucas spoke by phone just before performing a recent showL.A. RECORD
Photography by Matt Cowan. Mila (9), Eloise (11), Lucia (13), and Bela (15) are the Linda Lindas.Last night the Linda Linda’s played their first show of the year to a hometown crowd at the Center for the Arts Eagle Rock as part of the NELA Music Series with opening support NaimaCorea.
L.A. RECORD
L.A. RECORD is Los Angeles' definitive music publication. The Los Angeles Times calls L.A. RECORD L.A.'s most formidable music magazine.
L.A. RECORDMACH HOMMY ALBUMMACH HOMMY WIKIMACH HOMMY BANDCAMPMACH HOMMY DISCOGRAPHY ZIPMACH HOMMY GENIUSMACH HOMMY HBO DOWNLOAD is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " />L.A. RECORD
illustration by nathan morse. The history of punk gangs in L.A. is still a secret history—something that persists in the credits of obscure 7”s, in the archives of Flipside or the Whittier Daily News or in the memories of the probation officers and the punk rockers who were there. But most of the L.A. punk bibliography agrees that at some point, the art-freak-weirdo scene of the 70s L.A. RECORDDINOSAURS HANK WILLIAMS JRDINOSAUR SONG HANK WILLIAMS JRDINOSAUR BY HANK WILLIAMS JRHANK WILLIAMS DINOSAURDINOSAUR BY HANK JRHANK WILLIAMS JR WIKIPEDIA I have a thing about sticking up for the over/underdogs–the highly successful musicians that people just can’t wait to hate on. Whether it’s journalists in the 70s turning their noses up at the Archies while praising Toto and Chicago, or oddly spiteful faux-journalists who hate Kreayshawn to the point where they’re taking solitary, reasonable quotes out of context and then linking themL.A. RECORD
l.a. record 135 – summer 2019 with sadgirl – cate le bon – mark de clive lowe – devin morrison – royal trux – kevin morby – dakim – gianna gianna – uhuruverse – the damned – the undercover dream lovers – and more!. to subscribe for one year (five issues) starting next issue: paypal $29.99 and include your u.s. address to orders@larecord.com.L.A. RECORD
This smoldering new track from Spain's Mohama Saz—out Dec. 11 on L.A.'s iconoclastic Mock label—is a slow-motion spin through several waves of psychedelia and the musical heritage of at several subcontinental cultural regions. Described to us as "Mediterranean Psychedelia," "Quemar Las Naves" is swimming in the east-meets-west-meets-analog-high-tech sound familiar to fans ofSublime
L.A. RECORD
Sleep really is the cousin of death, turns out. Jeshua is the auntie, watching them bicker and trying to reign them both in before they ruin the function for everyone. Contrary to the moribund titles of these singles, the versatile, luxuriant-haired L.A. born-and-bred vocalist and songwriter is thriving, blessed and booked during these tryingtimes.
L.A. RECORD
Jesse Schuster is the kind of musician who moves in every direction at once—he performs, he produces, he makes sure the video is treated just as reverently as the song and when he finds both inspiration and the opportunity, he turns a genre inside out with his project Safe Jazz.. His new single “Good Vibes” is like jazz in schematic—instruments and melodies bisected and disconnected toL.A. RECORD
RSVP is now open for our Fri. Aug. 5 event, when we will have a crew of our DJs return to the Ace: Clifton of Funky Sole, Mukta of KXLU, Emily of FYF Fest and Origami Vinyl and Chris of L.A. RECORD.Admission is free if you are 21+, but please RSVP below for guaranteed VIP entry — you will skip the line and go rocket right up to the rooftop!L.A. RECORD
L.A.’s Harmless (Nacho Cano) has a lot of raw experience finding creativity within adversity—within agony, really, as he painstakingly put together January’s Condiciones EP in the aftermath of an especially brutal car accident. (“I started recording many of the songs while I couldn’t use my legs. I waited to record most of the vocals because I had lost my front teeth,” he toldL.A. RECORD
Archive TASHI WADA: I LIKE THE ROAMING. Tashi Wada is the son of the renowned composer and Fluxus member Yoshi Wada and a master of minimal and microtonal music in his own right. Now father and son have joined forces with a cast of collaborators that includes Julia Holter and Simone Forti to produce a 10-track release for RVNG’s FRKWYS series. Nue pairs synthesizers with acousticL.A. RECORD
Interview THE MOST FUN I’VE EVER HAD WITH MY PANTS ON: DREW DENNY. Drew Denny's new film, The Most Fun I’ve Ever Had With My Pants On, is almost tear-inducing, not solely because of the complex emotions of its semi-autobiographical characters, but also for its vivid beauty, which almost slaps you across the eyes, demanding you soak it all in.Over a hefty couple of swigs of whiskey and aL.A. RECORD
News DAN MONICK L.A. LIFE. Dan Monick gets some love overseas from Street Tease!! Complètement Californien, entre le hippisme rock’n’roll et le vipisme de seconde zone, Dan Monick est un photographe qui rentre dans mon top ten, moi adepte de photos bizarres, teintées pola et pleine de gens aux gueulesL.A. RECORD
is a renegade creating according to his own code. L.A. RECORD spoke with Mach-Hommy by phone to get a glimpse into the thought process behind his craft, his view on cultural appropriation in hip-hop and how he managed to sell 187 CDs for $300 apiece exclusively through Instagram. His The Spook EP (with KNXWLEDGE) is available now.This interview by sweeney kovar. " /> L.A.'S BIGGEST MUSIC PUBLICATION SINCE 2005* Interviews
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BETTER OBLIVION COMMUNITY CENTER @ THE OBSERVATORY Photos by Matt Cowan The dynamic duo of Phoebe Bridgers and Conor Oberst AKA Better Oblivion Community Center held one of their musical meetings at The Observatory on the eve before a big meeting at The Wiltern Theatre. Compelling songs were played from theirself-titled… ►
LIVE PHOTOS
TY SEGALL RESIDENCY @ THE TERAGRAM BALLROOM Photos by Steph Port Ty Segall and the very much alive Freedom Band played the third show of a two-month Friday night residency at Teragram Ballroom. Throughout the residency, the garage rocker and his bandmates Mikal Cronin, Emmett Kelly, Charles Moothart, Ben Boye, andShannon… ►
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TRACK PREMIERE: CAT SCAN “DIRTY MOVIE” Explosive locals Cat Scan finally have a debut album set to release, and it's not a second too soon. Live, they're like the Suburban Lawns performing with set-on-fire intensity, and the new "Dirty Movie" captures that frantic/ferocious energy perfectly. It's like Dangerhouse's Deadbeats playing at Dead Kennedys velocity, or Pylon if they'd been one of the early South Bay bands. California has a great tradition of this kind of revelatory razor-sharp art-punk, and Cat Scan fit in perfectly. After all—what's a cat scan but a machine that shows you real guts? Their _In Nature_ is out Sept. 6 on Volar , and you can get it here.
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ALBUM PREMIERE: TEEBS + CAURAL “CEIBA” EP NYC/LA label Strange Neighbor put out the very L.A. comp _Oscillations_ last summer, and
they're back now with a particularly neighborly new EP that pairs much-loved local producer Teebs with Chicago's similarly visionaryCaural. ►
LIVE PHOTOS
LOLLAPALOOZA 2019 @ GRANT PARK, CHICAGO Photos by Kate Scott Many tried to get in for free, but Lollapalooza 2019 was worth the ticket price to enjoy all these bands in one beautiful park in Downtown Chicago. ►LIVE PHOTOS
DRUGDEALER @ THE BOOTLEG THEATRE Photos by Carlos Garcia “Hello, we’re members of Lee Harvey Oswald” joked Michael Collins, ringleader of the musical troupe known as Drugdealer as he took the Bootleg stage along with his extensive and talented band for a sold out show. Collins did have alot… ►
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BLEACHED: DON’T YOU THINK YOU’VE HAD ENOUGH? PRETTIEST EYES: VOL 3 FRENCH VANILLA: HOW AM I NOT MYSELF BLU & EXILE: TRUE & LIVIN EPJ-E-T-S: ZOOSPA
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JULIA HOLTER @ THE TERAGRAM BALLROOM VIC MENSA’S 93PUNX @ SILVER LAKE RESIDENCE THE DRUMS @ THE HOLLYWOOD PALLADIUM DRAB MAJESTY @ THE FONDA THEATRE SUPERET @ THE MOROCCAN LOUNGE CUCO @ CITY NATIONAL GROVE OF ANAHEIM RINGO DEATHSTARR + TENNIS SYSTEM @ THE ECHOPLEXMore Live Reviews
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VIDEO PREMIERE: SADGIRL “MISS ME” VIDEO PREMIERE: THE SHAKING HANDS “TAKE YOU” VIDEO PREMIERE: def.sound “12TH AVE” TRACK PREMIERE: WILD WING “TRIUMPH” TRACK PREMIERE: JOEL WESLEY HARDING “I DON’T MIND YOU”More Premieres
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