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CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: SPOTLIGHT ON SCUPLTURE Robin's background is in classic figure sculpture and anatomy having studies at the School of the Art Institute. Her students raved about the positive learning environment, fresh perspective, and opportunities for self discovery that Robin presented to them. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: DECEMBER 2011 Each session, there are a lot of pieces that are bisqued or glazed that gets tossed out. A lot of people worked really hard to get clay to those states -- including you, the artists. CLAY AT LILLSTREET: EMPTY BOWLS Lillstreet Art Center is happy to be hosting Empty Bowls again this year on March 25 th, 2011.With the generous support of community members like you over $18,000 was raised to fight hunger through this event last year.. The premise for Empty Bowls is simple: Potters, educators and other craftspeople create handcrafted bowls. CLAY AT LILLSTREET: NOVEMBER 2011 A show titled "All Steamed Up" will be running in the Cinema Gallery in Urbana, IL from December 3 through January 21. A lot of the talented artists in Lillstreet will be showing their teapot in theshow.
CLAY AT LILLSTREET: MARCH 2013 The Winter session is over at the blink of an eye. The Spring session is almost upon us. Classes start the week of April 1, 2013. For those who cannot commit to a CLAY AT LILLSTREET: FEBRUARY 2010 Lillstreet is getting a new soda kiln!! On Saturday, February 6th, a dedidated crew of Lillstreeters gathered for a day of kiln destruction. After the gloves, masks, and eye protection were donned, the old soda kiln was taken apart brick by brick.CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: SPOTLIGHT ON SCUPLTURE Robin's background is in classic figure sculpture and anatomy having studies at the School of the Art Institute. Her students raved about the positive learning environment, fresh perspective, and opportunities for self discovery that Robin presented to them. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: DECEMBER 2011 Each session, there are a lot of pieces that are bisqued or glazed that gets tossed out. A lot of people worked really hard to get clay to those states -- including you, the artists. CLAY AT LILLSTREET: EMPTY BOWLS Lillstreet Art Center is happy to be hosting Empty Bowls again this year on March 25 th, 2011.With the generous support of community members like you over $18,000 was raised to fight hunger through this event last year.. The premise for Empty Bowls is simple: Potters, educators and other craftspeople create handcrafted bowls. CLAY AT LILLSTREET: NOVEMBER 2011 A show titled "All Steamed Up" will be running in the Cinema Gallery in Urbana, IL from December 3 through January 21. A lot of the talented artists in Lillstreet will be showing their teapot in theshow.
CLAY AT LILLSTREET: MARCH 2013 The Winter session is over at the blink of an eye. The Spring session is almost upon us. Classes start the week of April 1, 2013. For those who cannot commit to a CLAY AT LILLSTREET: FEBRUARY 2010 Lillstreet is getting a new soda kiln!! On Saturday, February 6th, a dedidated crew of Lillstreeters gathered for a day of kiln destruction. After the gloves, masks, and eye protection were donned, the old soda kiln was taken apart brick by brick. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: EMPTY BOWLS Lillstreet Art Center is happy to be hosting Empty Bowls again this year on March 25 th, 2011.With the generous support of community members like you over $18,000 was raised to fight hunger through this event last year.. The premise for Empty Bowls is simple: Potters, educators and other craftspeople create handcrafted bowls. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: CORINNE PETERSON Please tell us a little about yourself; your name, background, education, and a fun fact or two. I’m Corinne Peterson, handbuilding teacher of Dreams, Myths, Stories at Lillstreet. CLAY AT LILLSTREET: JUNE 2013 Effective 6/17/2013, the price of clay at Lillstreet will change. Each bag of clay will cost $3 more, with the exception of Stoneware and Terra Cotta Reclaim. CLAY AT LILLSTREET: NOVEMBER 2009 Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: AUGUST 2013 Friday, August 30, 2013. Ode to Monitors -- Amber Weatherford. 1. CLAY AT LILLSTREET: FEBRUARY 2013 Mark your calendar for March 2, 2013. It's Lillstreet's Spring Open House. This is your opportunity to t our the building to see our classrooms, galleries, shop, and studios! Get a taste for classes at Lillstreet and sign-up for a five-week intro class or commit to a full10-week experience.
CLAY AT LILLSTREET: MAY 2012 Tune in this Sunday, May 6th, to OWN's Super Soul Sunday at 10am CST. Oprah will be narrating about Lillstreet on their Breathing Spaces segment. View pictures from the shoot here. CLAY AT LILLSTREET: NOVEMBER 2012 And last but not least -- the final group of artists. Leave any comments you have about the show. Enjoy! Jolene TaschnerCLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: NEW GLAZE! AMBER CELADON A lot of time, patience, experience and in most cases fun, go into introducing a new glaze to Lillstreet’s collection. Our newest edition, amber celadon, was brought to us by David Trost and Dave Bromely. Read on to find out just how it happened. CLAY AT LILLSTREET: ODE TO MONITORS -- FRED FOLLANSBEE 2003 - 5 week "Casual Fridays" class - 1/2 at old Lillstreet, 1/2 at new place on Montrose CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: MARY DRABIK Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: SEPTEMBER 2013 Ripping up the floor (notice that the demolition crew is wearing respirator for the job? This is because the entire kiln is coated with soda carbonate from the years of firing. CLAY AT LILLSTREET: NOVEMBER 2012 And last but not least -- the final group of artists. Leave any comments you have about the show. Enjoy! Jolene Taschner CLAY AT LILLSTREET: JUNE 2013 Effective 6/17/2013, the price of clay at Lillstreet will change. Each bag of clay will cost $3 more, with the exception of Stoneware and Terra Cotta Reclaim. CLAY AT LILLSTREET: CERAMICS DEPARTMENT -- SUMMER SCHEDULE The summer schedule is online. The summer 2014 session runs from June 16 to August 24. You can check out the schedule here.Scroll to thebottom of the page.
CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: NEW GLAZE! AMBER CELADON A lot of time, patience, experience and in most cases fun, go into introducing a new glaze to Lillstreet’s collection. Our newest edition, amber celadon, was brought to us by David Trost and Dave Bromely. Read on to find out just how it happened. CLAY AT LILLSTREET: ODE TO MONITORS -- FRED FOLLANSBEE 2003 - 5 week "Casual Fridays" class - 1/2 at old Lillstreet, 1/2 at new place on Montrose CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: MARY DRABIK Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: SEPTEMBER 2013 Ripping up the floor (notice that the demolition crew is wearing respirator for the job? This is because the entire kiln is coated with soda carbonate from the years of firing. CLAY AT LILLSTREET: NOVEMBER 2012 And last but not least -- the final group of artists. Leave any comments you have about the show. Enjoy! Jolene Taschner CLAY AT LILLSTREET: JUNE 2013 Effective 6/17/2013, the price of clay at Lillstreet will change. Each bag of clay will cost $3 more, with the exception of Stoneware and Terra Cotta Reclaim. CLAY AT LILLSTREET: CERAMICS DEPARTMENT -- SUMMER SCHEDULE The summer schedule is online. The summer 2014 session runs from June 16 to August 24. You can check out the schedule here.Scroll to thebottom of the page.
CLAY AT LILLSTREET: SPOTLIGHT ON SCUPLTURE Robin's background is in classic figure sculpture and anatomy having studies at the School of the Art Institute. Her students raved about the positive learning environment, fresh perspective, and opportunities for self discovery that Robin presented to them. CLAY AT LILLSTREET: GEOF WHEELER: FLESH AND BREATH: THE Geof Wheeler: Flesh and Breath: The Anatomy of the Vessel While we talk about pots in terms of anatomical parts (feet, belly, shoulder, neck, lip) it is the "flesh" of clay, the "bones" of the structure and the "breath" of the volume that make them come alive. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: MARY DRABIK Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: CORINNE PETERSON Please tell us a little about yourself; your name, background, education, and a fun fact or two. I’m Corinne Peterson, handbuilding teacher of Dreams, Myths, Stories at Lillstreet. CLAY AT LILLSTREET: NOVEMBER 2009 Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: CERAMICS DEPARTMENT -- SUMMER SCHEDULE The summer schedule is online. The summer 2014 session runs from June 16 to August 24. You can check out the schedule here.Scroll to thebottom of the page.
CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: FEBRUARY 2011 A lot of time, patience, experience and in most cases fun, go into introducing a new glaze to Lillstreet’s collection. Our newest edition, amber celadon, was brought to us by David Trost and Dave Bromely. Read on to find out just how it happened. CLAY AT LILLSTREET: JULY 2012 I am sure you were amazed by Matt's sculptures in the Gallery, and I hope you enjoyed all the works by Lillstreet's AIR! Matt will be leaving Lillstreet at the end of August to move to the southside to work for Theaster Gates as they begin to build an arts program in thatcommunity.
CLAY AT LILLSTREET: PRICE CHANGE -- CLAY Effective 6/17/2013, the price of clay at Lillstreet will change. Each bag of clay will cost $3 more, with the exception of Stoneware and Terra Cotta Reclaim.CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: SPOTLIGHT ON SCUPLTURE Robin's background is in classic figure sculpture and anatomy having studies at the School of the Art Institute. Her students raved about the positive learning environment, fresh perspective, and opportunities for self discovery that Robin presented to them. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: GARY JACKSON Gary Jackson Bachelor of Science in Art, concentration in Visual Communications, Illinois State University I worked eighteen years in the corporate world as a Graphic Designer and Advertising Manager for a chain of nationwide retail paper & office products stores. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: CORINNE PETERSON Please tell us a little about yourself; your name, background, education, and a fun fact or two. I’m Corinne Peterson, handbuilding teacher of Dreams, Myths, Stories at Lillstreet. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: EMPTY BOWLS Lillstreet Art Center is happy to be hosting Empty Bowls again this year on March 25 th, 2011.With the generous support of community members like you over $18,000 was raised to fight hunger through this event last year.. The premise for Empty Bowls is simple: Potters, educators and other craftspeople create handcrafted bowls. CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: MARY DRABIK Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: NOVEMBER 2011 A show titled "All Steamed Up" will be running in the Cinema Gallery in Urbana, IL from December 3 through January 21. A lot of the talented artists in Lillstreet will be showing their teapot in theshow.
CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: ODE TO MONITORS -- MICHELLE I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America. CLAY AT LILLSTREET: SPOTLIGHT ON SCUPLTURE Robin's background is in classic figure sculpture and anatomy having studies at the School of the Art Institute. Her students raved about the positive learning environment, fresh perspective, and opportunities for self discovery that Robin presented to them. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: GARY JACKSON Gary Jackson Bachelor of Science in Art, concentration in Visual Communications, Illinois State University I worked eighteen years in the corporate world as a Graphic Designer and Advertising Manager for a chain of nationwide retail paper & office products stores. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: CORINNE PETERSON Please tell us a little about yourself; your name, background, education, and a fun fact or two. I’m Corinne Peterson, handbuilding teacher of Dreams, Myths, Stories at Lillstreet. CLAY AT LILLSTREET: INTRODUCING MATTHEW DERCOLE Matthew Dercole is the new Artist in Residence for the Ceramics department. Matthew is the Artist in Residence 2012 for the Ceramics Program and will be a prominent figure for the next 12 months. Give him a warm welcome if you see him in the hallway. CLAY AT LILLSTREET: EMPTY BOWLS Lillstreet Art Center is happy to be hosting Empty Bowls again this year on March 25 th, 2011.With the generous support of community members like you over $18,000 was raised to fight hunger through this event last year.. The premise for Empty Bowls is simple: Potters, educators and other craftspeople create handcrafted bowls. CLAY AT LILLSTREET: ODE TO MONITORS -- CHUCK ESCUE 3. What brought/brings you to Lillstreet? The opportunity to work in clay, which had been an unfulfilled dream of mine since I was about six. I stay because the folks are great. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: MARY DRABIK Please tell us a little about yourself; your name, background, education, and a fun fact or two. I grew up in Michigan, a little town just west of Detroit, where I completed all of my beginning education. CLAY AT LILLSTREET: NOVEMBER 2011 A show titled "All Steamed Up" will be running in the Cinema Gallery in Urbana, IL from December 3 through January 21. A lot of the talented artists in Lillstreet will be showing their teapot in theshow.
CLAY AT LILLSTREET
The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: CHRIS CHANEY Please tell us a little about yourself; your name, background, education, and a fun fact or two. Hi, my name is Chris Chaney. I spent my early college career doing all kinds of art, but ultimately received my BFA in ceramics from Northern Illinois University in 2001. CLAY AT LILLSTREET: LILLSTREET STUDENT MEMBER SHOW Chris's Teacups off the Hump Demo. Karen's Bowl Demo. Welcome to Lillstreet Art Center's Ceramic Department Clay Blog! Here you will find information about the clay program, including instructor information, student work, clay happenings, and much much more. CLAY AT LILLSTREET: INSTRUCTOR INTRODUCTION: LISA HARRIS Please tell us a little about yourself; your name, background, education, and a fun fact or two: My name is Lisa Harris. I graduated from Grinnell College in 1975 (the Pleistocene) with a BA in Fine Arts and continued at the Evanston Art Center (EAC) and the Art Institute for post–grad studies. WEDNESDAY, JUNE 25, 2014 TECHNIQUE -- COIL POT CONSTRUCTION Another one for the handbuilders out there. I don't know about you but I am quite linear in my thinking so when you say "coil", I think horizontal. Here's a video that shows you that coil does not have to be horizontal. Enjoy!Posted by Nixon K
at 9:24 AM
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WEDNESDAY, JUNE 18, 2014 TECHNIQUES -- HANDBUILT "SLAB" TUMBLERS BY CHARAN SACHAR I know I post mostly wheel throwing techniques but here's one for you handbuilders out there. My take away from this demonstration are: 1. Use templates for consistency in size and shape. 2. Use support for moving slabs -- I guess this is even more important when the slabs are softer. Use anything at your disposal that is close to the shape or the size of what you are making. 3. Pre-decorate the slabs when they are still flat as much as possible and minimize fussing once they slab is "assembled" into their final shapes. Give your work time to firm up before you have to handle itagain.
Enjoy!
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FRIDAY, JUNE 13, 2014 NEWS -- SHOW YOUR WORK Here are two opportunities to show your work. 1. Highlighted Student Shelf The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks. When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. b) Photos or the actual work that you intend to display. Photos does not have to be professionally shot but is meant to provide an idea of the work that will be displayed. So, get the process started! Once you have your artist statement and the pieces you want to display, contact Sean at seanclute@gmail.com to set up an appointment to review your artist statement and your work. 2. Annual Lillstreet Student Member Show The Student Member Show will run from September 29 through October 5 this year (2014). You will need to submit photos of three pieces of your work that is reminiscence of the work that you will display/sell during the member show. The photos does not have to be professionally taken but should be of high quality. There is a $20 processing fees and the submission deadline is June 30th. Point your browser to lillstreet.slideroom.com to begin your application process. Good luck and have fun!Posted by Nixon K
at 10:31 AM
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Lillstreet Student Member Show WEDNESDAY, JUNE 11, 2014 INSPIRATION -- NEVER GIVE UP As anyone in a First Time Potter class would attest -- there are days when you just feel like giving up. Especially when your teacher makes it looks so easy and you have trouble even just keeping the wheel going at a steady speed. This video will hopefully inspire youto keep going.
Ceramics, to me, is something that you could get technically good at if you just keep doing it and practice, practice, practice. Sometimes, you need the help of someone with more experience (teacher) to help you with certain techniques to get over a hurdle. To me, a technically good pot means that a pot is well made and is of the appropriate thickness and weight for the intended use of the pot. But, making a technically sound pot is only one aspect of the challenge that is ceramics. The other aspect is the art or creativity of it all. What makes your pot different than the thousands of potsalready out there.
Putting on your creative hat to make the pot your own. There are so many options available when it comes to alterations and decorations. How will you alter that cylinder to make it your own? How will you decorate the surface? What glaze will you choose that fits the shape of the pot? The two combined is what makes a handmade pot art. P.S. Be it right or wrong, this is just my opinion and not a reflection of anyone else's opinions. Comments welcomed.Never Give Up
wheel lesson from apparatuon Vimeo .
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THURSDAY, JUNE 5, 2014 TECHNIQUES -- PREVENTING "S" CRACK WHEN THROWING OFF THE HUMP The title is a little bit of a misnomer. This video is more about just preventing "S" crack in pots thrown off the hump. I wanted to share this because of the measurement technique shown. Many of us have trimmed through the bottom of a pot. The tapping technique works for some but it takes years of experience to know that the "thunk thunk thunk" to mean a certain thickness and it's a guess at best. This method is sort of scientific and you can just measure the depth of your foot ring to know if you've hit your mark. Enjoy the demo and leave your feedback in the comment section.Posted by Nixon K
at 8:35 AM
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WEDNESDAY, MAY 21, 2014 TECHNIQUES -- STACK AND SLAM WIRE WEDGING Last week, I posted a video of the spiral wedging method where you can wedge a large amount of clay by concentrating on a small amount at a time. Be that as it may, it still requires some sort of wrist action to accomplish the task. That is a tall task for someone with chronicwrist pain.
Today's post is another wedging method that doesn't really use the wrist. It requires cutting your piece of clay in half using a wire attached at 45 degrees to a vertical and horizontal support. After cutting the clay, you rotate the individual pieces and slam one piece of top of each other. The video is clearer than my explanation.Posted by Nixon K
at 8:05 AM
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THURSDAY, MAY 15, 2014 #TBT -- THE ART OF POTTER On social media sites like Facebook or Twitter, a word or phrase (with no space between words) preceded by a hash sign (#) is used to identify messages on a specific topic. By clicking on the hashtag, you will be able to see all messages pertaining to that particulartopic.
#TBT has been used to identify messages related to "Throw Back Thursday" or, simply, paying homage to our past. In the vein of the message, I submit for your consideration, a video on the potter's history. Specifically, the British potter. This video is part of a three part series on the history of potter in Britain. This is episode three, titled "The Art of the Potter". It's quite a lengthy video and is broken into four parts. I can't embed the video here due to certain copyright protection so I will link you to the video on YouTube.Part 1
Part 2
Part 3
Part 4
Enjoy.
Posted by Nixon K
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