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TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARS
“Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.”TOUR - MC LARS
There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address. MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARS
“Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.”TOUR - MC LARS
There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address. MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARS
“Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.”TOUR - MC LARS
There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address. MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.MC LARS
MC Lars
TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toCONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address. MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.MC LARS
MC Lars
TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toCONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.MC LARS
“Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.”TOUR - MC LARS
There are no upcoming tour dates.MC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toFAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARSCONTACTTEACHINGFAQTOUR “Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.” TOUR - MC LARSCONTACTTOURFAQ There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
MC LARS
“Hilarious.” - Rolling Stone “MC Lars is the Ad Rock of his generation, spitting rhymes and cultural observations that are both absurdly comical and strangely astute.”TOUR - MC LARS
There are no upcoming tour dates.TEACHING - MC LARS
Having taught workshops at USC, UCLA, Stanford and classrooms across the world, MC Lars is a leading expert on the field of "lit-hop", the convergence of rap and literature. Available for workshops, lectures and residencies, Lars would be delighted to come to your school and teach your students and faculty how toMC LARS
MC Lars
CONTACT - MC LARS
Contact. EMAIL LARS: horrisrecords@gmail.com. BOOKING & MANAGEMENT: evangeliaalexioureo@gmail.com. JOIN THE MC LARS EMAIL LIST. Sign up with your email address to receive news and updates. Email Address.FAQ - MCLARS.COM
The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D etc. (i.e. nerds). Appropriating the hip-hoptrope solely
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MC LARS TEDX
April 12, 2020
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NOTHING CAN STOP ME, I'M JABBA THE HUTT!April 07, 2020
\n","url":"https://www.youtube.com/watch?v=29pOT0L2p-Q","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/29pOT0L2p-Q/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1586294078090_15980"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_129">1 Likes
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NEW COMPILATION WITH SCHÄFFER THE DARKLORD!March 06, 2020
Includes remastered versions of all of our collabs plus a new song about _the Mandalorian!_ The Friendalorians by MC Lars & Schäffer the Darklord1 Likes
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"JULIUS CAESAR" VIDEO WITH DAN BULL & MEGA RANAugust 03, 2019
\n","url":"https://www.youtube.com/watch?v=bcIi0Hsk5i4","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/bcIi0Hsk5i4/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1564818562039_22247"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_169">2 Likes
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"OZYMANDIAS" MUSIC VIDEO WITH MEGA RANJune 14, 2019
\n","url":"https://www.youtube.com/watch?v=Jbt177zszy8","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/Jbt177zszy8/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1560518214511_13487"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_209">2 Likes
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"DEWEY DECIBEL" DROPS TODAY!June 07, 2019
The Dewey Decibel System by MC Lars & Mega Ran1 Likes
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"THE DEWEY DECIBEL SYSTEM" MUSIC VIDEO WITH MEGA RANJune 06, 2019
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VANS WARPED TOUR
May 30, 2019
Playing the Atlantic City date with my full band. Can’t wait!1 Likes
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"WALDEN" MUSIC VIDEO WITH MEGA RANMay 29, 2019
\n","url":"https://www.youtube.com/watch?v=tVudxYGNOzY","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/tVudxYGNOzY/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1559173530417_41311"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_289">3 Likes
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"INFINITE JEST"
May 28, 2019
I was intrigued by Chuck Klosterman’s essay about Wallace in _But What If We’re Wrong?, _so I began reading _Infinite Jest_ casually in early 2016, diving in earnestly on Dec 26th, 2018. It took a lot of discipline to finish the 1,079 page novel, but I did, and it inspired a bunch of Patreon tracks , of which I am very proud. I feel like I can read anything now. You can listen to my interview with Wallace scholar Greg Carlisle here,
where I ask him dozens of questions about Wallace’s book’s plot and Carlisle’s fantastic _Elegant Complexity_, a guide that greatly helped me understand _Jest._1 Likes
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"1984" MUSIC VIDEO WITH MEGA RAN AND B. DOLANMay 16, 2019
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"DON'T BE A CYBERBULLY" MUSIC VIDEO WITH WHEATUS & ASH WEDNESDAYJuly 27, 2017
\n","url":"https://www.youtube.com/watch?v=OM_wdgebT0c","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/OM_wdgebT0c/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1559190463241_30438"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_369">1 Likes
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"POKÉMON GO RAP" MUSIC VIDEO WITH SPOSEAugust 03, 2016
\n","url":"https://www.youtube.com/watch?v=TqYpeKkVcFQ","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/TqYpeKkVcFQ/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1559189892441_33066"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_409">1 Likes
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"NEVER AFRAID" MUSIC VIDEO WITH WATSKYOctober 27, 2015
\n","url":"https://www.youtube.com/watch?v=rK4lgbPdmdw","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/rK4lgbPdmdw/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1559189865306_12164"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_449">1 Likes
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"SUBLIME WITH ROME (IS NOT THE SAME THING AS SUBLIME)" MUSIC VIDEOSeptember 26, 2015
\n","url":"https://youtu.be/GJAhlccBdMs","width":854,"height":480,"providerName":"YouTube","thumbnailUrl":"https://i.ytimg.com/vi/GJAhlccBdMs/hqdefault.jpg","resolvedBy":"youtube"}" data-block-type="32" id="block-yui_3_17_2_1_1559190034356_67518"> " data-provider-name="YouTube" id="yui_3_17_2_1_1587401215579_489">1 Likes
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"TRIFORCE" MUSIC VIDEOSeptember 02, 2015
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"THE BALLAD OF HANS MOLEMAN" MUSIC VIDEOJuly 05, 2015
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FREQUENTLY ASKED QUESTIONSJanuary 01, 2015
Q. I WANT TO BE A FULL-TIME MUSICIAN LIKE YOU ONE DAY. ANY TIPS? A. Whenever I do school workshops, this is the main thing I am asked after my talks. I came up at a time when everything was changing dramatically in the music industry, so additional advice would be specific to someone starting when I did (i.e. 1998-ish). I started putting out music and videos in the early years of social media (pre-YouTube) with the help Nettwerk management, with whom I connected after studying at Oxford in the winter of 2003 and getting signed to Truck Records. I have since found an audience in the "nerd rap scene", a group of people who are both loyal and very generous with their support. Being asked to open for bigger artists over the years and doing things like Warped Tour has helped as well. These things have also helped me establish my brand and fanbase. My advice would be to work to find your own niche where you can similarily keep creating and connecting with loyal fans. If you can find 1,000 people who will support any project you put out, that is potentially enough to survive and have a satisfying career. Work on hitting that benchmark in increments of 100, which comes about by putting out regular, topical content on YouTube, Spotify, SoundCloud etc. Make sure that your material continues to be strong, that your live show is special and authentic, that your online videos are well-produced, and that you are always good to your fans. If you are talented, unique, consistent, kind and are willing to work as hard as you can for 10+ years, doors will most likely open for you. If you want to do it and are willing to put all of your free time intoit, you can.
Q. CAN YOU TEACH ME HOW TO RAP? A. My TEDx presentation offers some tips, as do both books in Paul Edwards's How to Rapseries.
In short, good writing takes time. Your first few songs might not be Eminem-status, but that don't be discouraged! I tell young rappers to write for at least two hours a day, be fearless in their revisions, and to listen to as much lyric-focused music as they can. Learning to produce your own beats can help create a unique sound and inform your cadence, helping you tell your own story. There are lots of great YouTube tutorials on beat production. Good luck, and most importantly, have fun! Q. WHAT IS HORRIS RECORDS? I MAKE MUSIC TOO, WOULD YOU CONSIDERSIGNING ME?
A. Horris Records started out as an imprint through Nettwerk. They had a distribution deal through Fontana, who helped me release my first EP and my first official full-length, _the Graduate_. After leaving Nettwerk in 2008, I retained rights my first few projects. I did an album with YTCracker and an EP with K.Flay as well as few other solo projects. In 2011, I signed Weerd Science (Josh Eppard from Coheed & Cambria), releasing his sophomore rap album _Sick Kids_, a dark record about addiction and recovery. These days, I'm not currently looking for new artists to sign, and anything Horris might theoretically be able to do for you or for your brand you can definitely accomplish without a small indie rap label like mine. As Jello Biafra once said, "Anyone could have made this album. Nowgo do your own."
Q. WILL THE SONGS YOU'VE BEEN RELEASING RECENTLY VIA PATREON EVER BE AVAILABLE PUBLICLY, I.E. ON SPOTIFY, ITUNES OR ANYWHERE ELSE? A. Most of the songs I'm releasing via Patreon will not be available anywhere else. Though there is still a small chance that a few of the Patreon songs may mutate and eventually be re-recorded, edited, tweaked or re-mastered for future compilations, signing up to support me through Patreon is the only way to make sure you won't ever miss any of my new jams. Thank you so much again for your support! Q. WHAT PROGRAMS DO YOU USE TO MAKE YOUR BEATS? A. Logic Pro X, GarageBand, Ableton Live 9 Intro and Reason on my MacBook Pro, and Chordbot and ReBirth on my iPad Pro. I program and play synth and bass lines with my Akai MPK25 and record my vocals with a Shure KSM32 single diaphragm microphone via a Resident Audio T2 Thunderbolt audio interface. I have an Epiphone ES-335 PRO electric guitar that I write and record the majority of my guitar riffs with. Q. CAN I USE ONE OF YOUR SONGS ON MY PODCAST / YOUTUBE CHANNEL /TWITCH STREAM ETC.?
A. Yes, yes and yes. Anyone out there has blanket permission to use any of my music for any projects, as long as it's not being monetized. If you are monetizing it, hit me up and we can work something out. Thanks! Q. WILL YOU PLEASE COME PLAY MY VENUE / WEDDING / SCHOOL /CONVENTION?
A. If you have a serious offer and a venue ready, please email my agent Eva and we'll make it happen! I also do school workshops. Q. I AM GETTING ENGAGED / IT'S MY GIRLFRIEND'S BIRTHDAY / MY SON JUST GRADUATED FROM MIDDLE SCHOOL / SOMETHING ELSE AMAZING HAPPENED TO SOMEONE IMPORTANT TO ME. WOULD YOU PLEASE RECORD HIM OR HER A CONGRATULATORY MESSAGE? A. Happy to record congratulatory videos or freestyle raps for all of your celebratory needs. All I ask is that you support my Patreon at any level you feel comfortable , and I'll send you whatever you need. Q. IS THE UPCOMING SHOW IN (INSERT ANY TOWN'S NAME HERE) ALL AGES? A. If the age restriction information listed on the venue's sites is unclear, please hit up the venues directly. I try to make every show all ages, but I do sometimes get booked to play bars and clubs that aren't, but it's best to get in touch with venues directly as asking me may result in misinformation. Thanks! Q. DO YOU EVER DO FEATURES / COLLABS? A. Of course. If you think I might be feeling your project and would like to commission a guest verse fro me, please email me an mp3 of your track with your verses and the hook already recorded, explaining a bit about what you are looking for me. I will get back to you as soon as I can and we can negotiate business stuff. Thanks! Q. CAN MY BAND OPEN FOR YOU ON YOUR NEXT TOUR? A. I'm all for giving up-and-coming artists a place to showcase their work, but I have so many friends I want to tour with these days that it's unlikely I can take everyone who asks me to bring them on tour. That being said, if you do happen to have a draw in your city and want to open for me locally, please get in contact with the venue where I'm playing (I always list this info on my tour page), and ask for the promoter's contact info. The next step would be to hit up promoter and see if they need a local opener. If they do and you can guarantee a draw, there is a chance you'll be added to the show ifthere's room. I
Once you kill it and if my fans like you, maybe we could end up doing more shows together down the road, you never know. Thank you for your professionalism, going through the promoter is your best bet. Q. I WANT TO PERFORM A COVER OF (INSERT SONG NAME HERE) FOR MY HIGH SCHOOL TALENT SHOW. CAN YOU PLEASE SEND ME AN .MP3 OF THEINSTRUMENTAL?
A. Honored that you would want to pay tribute to my music! Thanks! A few of my instrumental are on YouTube or my SoundCloud, and there are ways to rip them, but I won't be able to send specific mp3s, sorry! (However, please note that Patreon subscribers at the $5-a-song level get every instrumental, so those are available too.) Q. CAN YOU SEND ME AN .MP3 OF THE ACAPELLA FOR (INSERT SONG NAME HERE)? I HAD AN IDEA FOR THIS CRAZY REMIX. A. Awesome, thanks for asking! As I said before, if you support me on Patreon at the $5-per-song level, you will be granted access to the instrumental of every new song I ever release through that platform, as well as the acapella. Alternatively, if you search for "MC Lars acapella" on YouTube, you'll find acapellas of some of my older songs which I give you full legal approval to rip and remix. If neither of these solutions is helpful, I can't offer much more help, sorry! However, if you wanted to do a rap "cover" of the song in question by rapping it yourself and using the new vocal for such a remix, you have my blessing! Q. IF I ORDERED A CD / SHIRT / HAT / ETC. FROM YOUR WEBSTORE, WOULD YOU PERSONALLY SIGN IT FOR ME? A. Thanks for your support! Since my merchandise is warehoused and shipped from a fulfillment center in Phoenix and I currently live in California, that makes it hard to personalize items ordered. However, if you want to bring anything you've bought online to an upcoming show, I would be happy to sign it and even draw you somethingspecial.
Q. WHAT ARE YOUR REAL THOUGHTS ON NERDCORE? A. People aware of this hip-hop sub-genre often consider MC Frontalot, mc chris and me to be its three of nerdcore's original architects. I met chris in 2005 and Frontalot in 2006 and have always admired both of their music as well as their work ethic. We've all toured together a lot this past decade. Over the years, fans at shows would sometimes tell me, "I don't like rap, but I like you guys," which seemed problematic for a few reasons. The first generation of (usually white) nerdcore rappers created frequent, comedic comparisons between (a) the painful experience of people of color in late 20th / early 21st America and (b) the experience of contemporary awkward former-high schoolers once teased for their love of D&D (i.e. nerds). Appropriating the hip-hop trope solely for comedic reasons seemed inappropriate to me, but it was an easy and effective joke in the mid-00s, which was something no one in nerdcore really wanted to discuss. If young people who didn't typically create rap were now inspired to do so, I wanted their understanding of the culture to expand beyond the entry point that the first two documentaries on the subgenre explored. So, I spoke out. I wrote a blog about the sub-genre's limitations in2009
and in 2010 argued that white appropriation of black culture without acknowledging its social roots is a form of racism. This led
to an angry backlash by the nerdcore community, which I addressed at length on Jensen Karp's _Get Up on This_ podcast.
For further reading, check out Jason Tanz's _Other People's Property_, an interesting book of essays which offers a well-researched chapter on appropriation in nerdcore. It’s very complicated, but thankfully these days, nerdcore has become more diverse and inclusive.1 Likes
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"ZOMBIE DINOSAUR", FINAL TOUCHESJuly 07, 2014
A lot has happened since my last update. I’ve finished six songs that are still in the running for the album and have made significant progress on seven more. It’s been a rollercoaster of frustration and elation but as my previous projects have show me, it will all be worth it and getting stressed about the commercial viability of my rhymes and beats is the last thing I need. It takes mindfulness and a focused meditation to keep going up this arduous, but admittedly fun and glorious mountain. I’ve been jogging regularly, taking my vitamins and eating right. Both really help! I love how I’ve been able to assemble this really reliable, hardworking, passionate crew of collaborators for this project. I still do most of the work on my laptop in Logic and Ableton, but it’s always inspiring to “co-write” with different producers and engineers across the world who can translate my ideas into a reality when I am limited with my production capabilities. The magic of the Internet has brought us all together in 2014. Shout outs to: JORDAN KATZ. I met this guy through Adam WarRock a few years ago, he does live band arrangement for Brother Ali, De La Soul, Big Daddy Kane and a bunch of other hip-hop legends. He’s been amazing at arranging artists to play various instruments on the record - and he plays everything himself. I’ll call him and be like, “Okay, we need a beat like this, with this kind of vibe to this drum arrangement”, and within a few hours he’ll send me a fully arranged version of my idea. He’s one of the only producers I’ve ever met who works faster than I do!! Every beat we’ve worked on together is flawless. SAM WALDO. This kid is from Portland, I met him years ago when he drove all the way down to Bakersfield from Oregon because it was the one all ages show on my long as hell fall tour with MC Frontalot in 2008. Since then we’ve collaborated on many beats and he’s always up to suggestions, he works hard and he is a perfectionist. He’s really grown up in the years I’ve known him and the flavor he’s done on this album is impeccable. Good things to come fromthis young talent!!
WATT WHITE. Watt used to sing in a post-hardcore band called the SmashUp years ago. I’ve known him for almost ten years and he is the master of the genre parody. I’ll be like, “Watt, we need to do a Slayer parody”, or “Watt, I need a melody for a song making of fun of how Sublime with Rome is not the same thing as Sublime” and he’ll give me tons of different options and always be open to my notes. As our kids’ show Yes Yes Y’all! finds its way into the television world in the years to come, I want to keep working with him in that capacity too because he’s helped us with lots of music in that department as we’ve developed it. I love this guy and he’s always on top of his game. He’s so talented it’s scary. DAMONDRICK “DJ” JACK. I went to college with this guy and have been touring with him on and off for years. He’s the primary “overseer” of the project (he’s the Rick Rubin to my Run-DMC) and is always the first one to hear the demos as they come to fruition. He’s always honest and has been great with helping me curate the beats, finalize the concepts and track final vocals. I always have fun in the studio with this guy because I’m relaxed when we track. He handles his business and has an incredible ear!! It helps that he’s one of my best friends. No one makes me laugh likeDJ.
KEVIN BREW. Kevin is an Australian fan who raps and makes beats. He did the “Lord of the Fries” beat for me on the “Indie Rocket Science” mixtape and the “Moleman (Hans Moleman)” song on the upcoming album. He works hard and has an amazing ear for melody and arrangement. Every time he sends me ideas, it’s awesome, and he’s always quick and professional when I have arrangement ideas. NATE MONOXIDE. How I met up with this guy is amazing - he’s a British fan from the North of England and has an incredible ear for rock and rap arrangements. We’re working on a song together that’s going to be the album’s first single (a Game of Thrones song). We have a strange Vulcan mind-meld thing going… I’ll be like, “Nate, we need to change this synth line to something in a major key at bar 17, but let’s split the difference between that and the last interval.” He’ll say okay, and I’ll be listening to his changes and think, “I wonder if he’s going to resolve it to the major seventh?”, which he does before I can even write down the changes. A true talent and a prolific producer. MIKE RUSSO. I know you all know how we told him he needed to cut his hair on the last album. But little did you know that Mike is one of the best guitarists I know and a true genius when it comes to chord structures and melodies. In addition to playing various guitar lines on albums I’ve dropped over the years, Mike has also co-written stuff like “Do the Bruce Campbell” (from my album with YTCracker) and a new Ninja Turtles song on the upcoming album. He has a pop sensibility, a metal edge to his playing and a punk rock instinct when it comes to chord arrangements. He’s from an indie background but can do pretty much anything. THE KICKSTARTER FANS! For the “play on Lars’s album” donor level, I asked the fans what instruments they played and was surprised by the diversity in their talents (melodicas, violins, tenor saxes!). Our collaborative project “Crowdfund This Song” truly sounds like nothing I’ve ever worked on. I’ve been getting cool new parts every day and have been so impressed by the talent and creativity of the worldwide audience of supporters. It’s very punk rock - literally breaking down the barriers between the audience and the stage. I love it. I have two “lit-hop” tracks for the album in the works (Huckleberry Finn and Romeo and Juliet) so I’ve been forced to be selective with what I finish. I decided to keep my Kerouac song off of this project and to save it for a future record that’s completely Beat lit inspired. I’ve been reading Burroughs and Ginsberg too and plan on doing a hip-hop project about how their work really changed the literary landscape. It will be a full-length LP, not just an EP. After my last EP (the Poe project), I don’t want to inundate the audience with too many literary rap songs… this new album is more punk rock / pop culture / music genre parody inspired, like “the Graduate” was. More on that later. After the summer camp gig I was talking about in my last post, I went to hang out with my friends Jon Longley and Joey Flash in Tampa. I hadn’t gotten to chill with those guys for a long time, we’ve all toured together over the years and I love them both like brothers. Joey and I worked on some final mixes for the upcoming “Lars Attacks!” re-release for the upcoming three-year anniversary reprint. We went out to a local hip-hop show and went a little bit “too hard on that tetrameter” you could say. Jon drove me to the airport, I came back to California to check out the Mountain View Warped Tour date where I so many of my awesome friends from the tour and beyond. I ended up rapping on three different stages that, with I Fight Dragons, on the main stage with Less than Jake and finally a solo set on one of the small stages. I got to watch mc chris, Watsky and K.Flay and said my hellos. I hadn’t seen chris since I was in Brooklyn last Christmas and it’s so great to see how happy he is and well he’s doing. I really love that dude and I’m glad we got toreconnect.
I’ve been in touch with STZA Crack about our collab for the upcoming album - I saw Leftöver Crack years ago in Santa Cruz (Jello Biafra was at the show and I met him too)! I sampled one of his tracks for the new album, I sent him the beat and said I wanted to have him sing on it. He said he was down, he loved rap and emailed me a video for a song he did with Boots Riley from the Coup. He’ll be in London for some shows while I’m here so the plan is to track his parts before I head back to California. He is a genuinely nice guy and I think his political views are really brave but right on. Last weekend I rapped with Wheatus at their festival show in Hyde Park. We had a tech rehearsal on Saturday in London, I’m really getting to know the city more, I love the energy, the chaos, the architecture, the museums. One day I’d love to have a studio in London and spend a few months a year out here. When we were getting on the tube to rehearse with Wheatus, I ran into my agent Geoff completely randomly at King’s Cross! It’s almost like I’m a British citizen these days. I’ve loved the freedom of being able to travel and work on_ the Zombie Dinosaur LP_ wherever I’ve been staying in between tours and shows, but I also feel a bit scattered to be honest and longing for the day when I can have a permanent location. My storage locker in Monterey has been my “home” for awhile, but that’s the price of being an artist. When I was working on my book after Warped Tour, I drove up to Eureka and spent a few days laying out my first few chapters and exploring the beautiful NorCal coastline. I’m hoping to head back there for a few days before I fly to back Florida forOrlando Nerd Fest.
There’s a track on the new album with a rave inspired outro. I loved the last Die Antwoord album and I’ve never done anything like that, even though I started my career back in the 90s doing those kind of beats. For the _Remixes & Rarities_ compilation that the Kickstarter fans get, I’m going to include a CD with revisited tracks from that Lars era. You’ve been warned!! Also, it looks like the _Zombie Dinosaur LP _won’t be dropping until early next year. I wanted to get it out for the fall, but it’s just not ready. Sorry everyone! I promise it will be worth it, even though it’s going to be “fashionably late”.0 Likes
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THOUGHTS ON THESE "ZOMBIE DINOSAUR LP" DEMOSMay 01, 2014
Because today’s Internet culture is so obsessed with brevity and sound bytes, writing these pieces has been really fun for me. It’s nice to say as much as I want about this project to anyone who caresto read it.
I am currently sitting at LAX, waiting in a layover to London. TSA workers to my left wait for coffee in a long line next to frazzled men in suits checking their watches. There’s a guy in a denim blue shirt to the right of me talking loudly on his iPhone. “‘I guess I can’t swim’,” he says. “That would be funnier if he said that. I like a joke there, I just don’t like that joke. Any time you hear movie tropes, it’s always tricky.” I’ll be in the UK for most of the summer, playing a few club and festival shows, working on my new album, potentially shooting a part for an indie movie in Scotland. It still surprises me how many times I get to keep going back. It will be my fourth consecutive year playing Slam Dunk – the first time was with Weerd Science in 2011 and we were blown away by the response. The club audience turnouts have definitely waxed and waned over the years, but the festivals have always been amazing. I really love about traveling in the UK in May – the weather is always really beautiful. As Chaucer once put it, when spring comes to England, “longen folk to goon onpilgrimages”.
I was ready to leave LA – I’ve been doing really cool stuff with some of my producer friends down there, but I have so much of the music ready that now it’s time to write the lyrics. I find I write better when I travel. California is so dry and hot right now. Anyone who still denying climate change needs to (1) realize that their political agenda is affecting their appraisal of reality and (2) opena window.
I posted on Facebook and Twitter a few weeks ago that I’m not on Warped Tour this year, but I keep getting people hitting me up asking me if I am. Kevin likes to change it up and not put the non-headlining acts on every year. I hope to do it again soon if they ask me back (2015 maybe?), but this summer, like I said, I will be in the UK. So many artists I love will be on Warped this year though, so if you’re going please say hi t: mc chris, Watsky, K.Flay, I Fight Dragons, the Protomen for me… it’s going to be agreat one.
As I sit in LAX finishing this update, I think back to the dozens of tours I’ve done over the year. I think about how important it is to stay relevant and topical. I met up with my old friend and former manager Tom Gates at Nettwerk when I was in LA; he’s always been a big inspiration and supporter and we talked about the need to put time into your art but not disappear for too long between projects. I feel like sometimes these days, I run the risk of “running into the ground” songs that are over a decade old (“Mr. Raven”, “Hurricane Fresh”, “iGeneration” etc.) and that’s why it’s nice to have this time to work on a new batch. This tour I might bring out some really obscure older songs (“Make Way for Ducklings”, anyone?) just to keep the set interesting and fresh. I checked out the Spotify “MC Lars Artist Radio” the other day and laughed at some of the random things of mine that came up. If you’ve never heard the original “Lint Song”, check it out – the wrong mix got pressed on a kids’ comp and it surprised me how hilarious it was that that version ended up on a kids’ comp. These days, I only want to do the really good tours and shows and spend more time writing and creating, less time chilling in a van reminding people about songs I put out in 2004. I think that’s only natural for any artist who wants longevity – my Dad always reminds me about a song called “Garden Party” by Ricky Nelson about a singer who goes to a gig an industry party where Dylan, Yoko Ono and a lot of ther people are only want to hear his old songs. “If memories were all I sang,” he sings, “I rather drive a truck”, and that because “ya can't please everyone… you got toplease yourself.”
RIP to Bob Hoskins. I had some tears yesterday about that. He will live on forever in his movies, _Who Framed Roger Rabbit _will always be my favorite film and his performance in that was genius. In happier news, I’m stoked about the new shirt, stoked about the new songs, stoked about the fact that I can read the new issue of MAD magazine on my tablet as I fly over the Atlantic Ocean tonight.1 Likes
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MC LARS
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MC Lars TEDx
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