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FENDER STRATOCASTER 1961 Please use the comment function at the bottom of the page to add any missing relevant info. Manufacturer: Fender Model: Stratocaster Year: 1961 Serial No.: 68354 Colour: stripped to bare wood when he got it, refinished to red in late 1978 (similar to fiesta red but more intense), finish cracked in SCHECTER DREAM MACHINE RED 1980 Thanks for that interview translation. I have a German interview (from a German version of Internation Musicia, if I remember correctly November 1979) in which he says that his girlfriend – should be Holly Vincent – has a Schecter which is better than his guitar at that time, the red Fenders), and in an interview from early 1980 of the same magazine, he says the same as in yours, that the GUITARS | MARK KNOPFLER GUITAR SITE Fender Stratocaster 1964 used e.g. for Sailing to Philadelphia, or for slide on the Tracker album MARK KNOPFLER GEAR DATABASE Pingback: Mark Knopfler Gear Database: first pages online plus possibility to upload your own pictures | Mark Knopfler Guitar / More Knowledge about the guitar. Ming says: 24. May 2012 at 18:01. In the video the sound the acoustic veosirn seemed to be pretty good. I have no doubt in my mind that a true acoustic or electric sound can be MUSIC MAN GUITAR AMPS The history of the Music Man company began about 1971 when Tom Walker, Forrest White and Leo Fender started a company called Tri-Sonic. Walker and White had worked for Fender before. Leo Fender himself had to sign a 10 years non-compete contract when he sold his company Fender Musical Instruments to the CBS Corporation in 1965, so he remained in the background until 1975. MK61 STRAT PICKUP FOR MK SOUND 95.90€*incl. 19% Vat *plus shipping. In Stock. Add to Cart. The MK61 is more than just a replica of a 1961 Strat pickup, featuring the vintage-correct wire, wire insulation, magnet material, magnet strength etc. Given the wide variation of some specs of the original pickups - e.g. dimensions of the coil or DC output - these pickups aremade
FENDER STRATOCASTER 1961 Please use the comment function at the bottom of the page to add any missing relevant info. Manufacturer: Fender Model: Stratocaster Year: 1961 Serial No.: 68354 Colour: stripped to bare wood when he got it, refinished to red in late 1978 (similar to fiesta red but more intense), finish cracked in SCHECTER DREAM MACHINE RED 1980 Thanks for that interview translation. I have a German interview (from a German version of Internation Musicia, if I remember correctly November 1979) in which he says that his girlfriend – should be Holly Vincent – has a Schecter which is better than his guitar at that time, the red Fenders), and in an interview from early 1980 of the same magazine, he says the same as in yours, that the MARK KNOPFLER GUITAR WEBSITE 13. March 2021. Here are two videos I recorded to try out another guitar I am building on: a Schecter Dream Machine-like Strat with an ash body and a birdseye-maple neck, with a brass tremolo and a ‘Making Movies’ pickguard. In other words, a Strat inspired by Mark Knopfler’s S8001 Schecter Strat. MARK KNOPFLER GEAR DATABASE Pingback: Mark Knopfler Gear Database: first pages online plus possibility to upload your own pictures | Mark Knopfler Guitar / More Knowledge about the guitar. Ming says: 24. May 2012 at 18:01. In the video the sound the acoustic veosirn seemed to be pretty good. I have no doubt in my mind that a true acoustic or electric sound can be NEWS – COVER INTRO AND SOLO News – Cover Intro and Solo. Posted 30. January 2021. 30. January 2021. This week again I recorded some guitar sounds over a backing track produced for this purpose. After Once Upon a Time in the West in my last video, this time it is the next song on the same album: News. The guitar sound on the whole Communiqué album is very special to meHIGH-G TUNING
A rather strange tuning that seems to be part of any Mark Knopfler concert these days is the high-G tuning. Mark Knopfler owns a beautiful sunburst Telecaster Custom – probably a ’67 that was originally played by his brother David with Dire Straits, more on this guitar in a future post. These days (not in the past) this guitar seems to be dedicated to the high-g tuning.GUITAR REFINISHING
Over the last days I was working on a Strat project. I had some parts from a 70ies Japanese Strat copy, which together with an American Fender neck and a loaded pickguard should make a nice part-o-caster. In the seventies many guitars were finished with polyester. This finish is like a coat of hard plastic (actually it is rather a resin). It is easy to apply because you can sand A TRIP TO MARK KNOPFLER’S SUNBURST SCHECTER STRAT So it happened that I went on a short trip to his place a few weeks ago. O. is a huge MK fan and a guitar collector. I can tell you his collection is beyond being amazing :), including lots of vintage Fenders, Gibsons, and Schecters, also many amps, and much more. Mark Knopfler’s sunburst Schecter Strat (2012, click to enlarge) THE GIBSON CHET ATKINS CEC This week I had a nice guitar here – a Gibson Chet Atkins CEC.The CE stands for classical electric, in other words a solid-body guitar with nylon strings and a piezo pickup, while the last C stands for conventional neck width (2″/5.1 cm at the nut, a CE model with a neck width of 1.825″ / HOW TO GET THAT SULTANS OF SWING SOUND It cannot be answered with 100% certainty which string gauge or brand Mark Knopfler played on e.g. the first Dire Straits album or on Communique. There were a few interviews with major guitar magazines, but unfortunately none of these asked for strings. For a long time the earliest information was from the Making Movies tour book which listed Fender Extra Lights for this tour. RESTORING A SCHECTER DREAM MACHINE ELECTRONICS Restoring a Schecter Dream Machine Electronics. Posted 4. October 2013. 4. October 2013. This week I had the pleasure to work an a Schecter Dream Machine. It is a really lovely hard-tail Strat with gold hardware. I am not sure about the wood (none of the codes that normally identify these) but the neck might be Pau Ferro (“Bolivianrosewood
TWO WAYS TO CONNECT THE STRING GROUND WIRE ON A STRAT For better hum shielding, the strings on electric guitars are normally grounded, which means they are connected internally to the ground of the guitar. For this purpose, usually a ground wire is connected somewhere to the guitar bridge, in the case of a Stratocaster with tremolo this is normally a wire from the case of the volume pot to the ‘claw’ that helds the tremolo springs.Skip to content
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CHRIS REA – HOW HE GETS HIS SIGNATURE SOUND Posted on 11. September 201911. September 2019 Chris Rea is an artist that has surely more than a few things in common with Mark Knopfler – playing a red Fender Stratocaster is one of them. Chris plays a lot of slide guitar, so his Strat is normally tuned to open E, and his sound is different for this reason but often his clean Strat sounds are still similar to some early Dire Straitsstuff.
I found this video on youtube, originally it was included on a VHS video tape with the Fender Chris Rea signature Stratocaster that was available in the late 90ies. Chris explains how he gets his signature sound on his fiesta red 1963 Strat, which he calls ‘Pinky’. He demonstrates e.g. the effect of a compressor pedal on a clean sound (at about 5:15), an effect that is helpful for Knopfler sounds as well (just listen to e.g. ‘In the Gallery’ or ‘Lady Writer’). Also notice that his tremolo is blocked with a piece of wood (at 1:55). This was not the case on Mark’s Strat I think, as he occasionally presses down his tremolo on stage (e.g. in the outro of ‘News’), but it seems that Mark also had no floating tremolo but had it decked (using five tremolo strings so that the bridge is pressed down on the body). There is another detail that I found interesting: at about 17:10 Chris demonstrates how he removes some harshness of a Strat by rolling the volume pot down to about ‘8’. I recommend to try this for the Knopfler sound, too. Rolling back the pot a bit reduces the strength of the so-called resonance peak of he pickup (more on this in thisblog post
),
resulting in a sweeter, less harsh sound. You can then turn up the treble control of your amp a bit tomake the sound brighter again, this really sounds different from fully turned up with less treble on the amp, worth trying out. The effect is a bit similar to using that old Morley volume pedal that Mark had in the 70ies as this also reduces the pickup resonance peak.Guitar in general
CITES REGULATIONS EXEMPT MUSICAL INSTRUMENTS – BAN OF ROSEWOODLIFTED
Posted on 8. September 20198. September 2019 This is what I consider good news for all of us guitar players – after severe CITES restrictions for trading guitars with parts of rosewood or bubinga that were introduced in 2017, these woods can soon be used for musical instruments again, without any horrifying paperwok that almost made many companies stop using these woods that are essential for e.g. fingerboards or bridges on acoustic guitars. An exemption for finished musical instruments, including parts and accessories, was discussed earlier this year and has been agreed to a few days ago. It should become effective in 90 days from August 28,2019.
Bubinga Stratocaster body It was agreed that on musical instruments the woods in question are used in rather small amount so that the conservation benefit for the endangered species is in no healthy relation to the huge administrative burden of certification required by manufacturers, dealers, and musicians. It was also noted that these woods are essential for high quality instruments and banning them would lead to a cultural loss. Note however that this exemption is NOT for Brazilian rosewood that was added to the list most endangered species back in 1992. More info can be found here.
Misc
NEW MARK KNOPFLER ALBUM DOWN THE ROAD WHEREVER AND TOUR COMING Posted on 26. October 201826. October 2018 I guess most fans are already aware that a new Mark Knopfler album called _Down the Road Wherever_ will be released on November 16. You will already find a track list and the lyrics to all songs here on the official Mark Knopfler website.
A new single called _Good on you son_ is already available, see the official video below: And finally, the tour dates of the coming world tour have been announced recently. Ticket sale will start soon, and a pre-sale ticket reservation is available on the Mark Knopfler website.
Guitar in general
POSSIBLE LOSS OF SOUND AND SUSTAIN ON A GUITAR BRIDGE WITH BLOCKSADDLES
Posted on 12. March 2018 With this blog post I just want to make you aware of a possible sound loss due to a wrong setup. This affects all Strat or Tele bridges with the ‘block’ saddles instead of the bent steel pieces of the vintage Fender design, like the American Standard bridge, or vintage Schecter bridges and consequently also the Dream Machine Tremolo andTele bridges.
I found that you need to make sure that both of the Allen screws used for the height adjustment have firm contact to the bridge base plate. Both screws should be at exactly the same height. Otherwise it is possible that one of them has no direct contact to the bridge plate at all; the bridge saddle will stand on one screw only then. With the vintage Fender design the saddle would simply tilt a bit to the side of the shorter screw which is probably not ideal either but will hardly affect the tone. The higher block saddles however can be jammed between their neighbour saddles and cannot tilt easily to one side forthis reason.
A block saddle might stand on only one screw which reduces soundquality
As the string runs in the middle of both screws, the string vibration will not be transmitted ideally to the guitar body when one screw is in midair. The saddle should sit firmly as only then all vibration is equally transmitted, even small movement of the block can reduce soundand tone quality.
The right screw of the b-string does not touch the bridge plate here Check not only if both screws seem to be the same heigth but also check if there is enough pressure against the bridge plate by slightly turning them with the Allen key. Do this regularly – e.g. after changing strings – as due to the vibration of the guitar the screw might have turned lose.Effects
DAN ARMSTRONG ORANGE SQUEEZER COMPRESSOR CONFIRMED BY MARK HIMSELF Posted on 30. September 2017 In addition to the rumour that Mark Knopfler used the Orange Squeezer compressor in the 70ies with Dire Straits for his unique guitar sound, here is a confirmation coming from an interview with Mark himself: In the September 1979 edition of the Portuguese magazin ‘Musica & Som’ we find an interview with Mark, most likely dating from the gig in Freiburg, Germany, June 2, 1979. Mark was asked for hig equipment and answered: MK: “Quanto a guitarras utilizo duas Fender Stratocaster, um modeleo de 1960 e o outro de 62, umo Telecaster; tres Gibson (Les Paul Modelo 1958 – L3 acustica – Blonde 335); uma Baldwin Double 6-12 cordas, tres Ovation (Adamis 12 cordas – Adamis 6 cordas – Legend 6 cordas), duas National Steel. Como amplificadores e efeitos uso dois Music Man 212-HD de 130 wats cada, em MXR Analog Delay, um Morley Pedal, um Yamaha Strobe Tuner PT4 e um Orange Squeezer.” The Orange Squeezer was mentioned in the equipment list of the late 1979 tour book of Communique tour as well but was missing in the otherwise identical list of a german book about Dire Straits from1980.
Guitars
THE SCHALLER FLOYD ROSE TREMOLO ON THE PENSA SUHR MK-1 Posted on 29. August 201717. March 2018 Recently I did a service job on a Suhr MK1. It is the same guitar in fact that I played on a youtube video and that was featured in a blogpost
six years ago. It belongs to a collector of MK-related guitars who lives near my place, and who kindly also lent me some of the more expensive guitars for my youtube videos in the past. With this blog post I want to focus on the FLOYD ROSE TREMOLO on such guitars. I must admit that I had never delved deep into Floyd Rose tremolos and their differences before, but with the arrival of this guitar I had a closer look at it. One striking feature of an original Floyd Rose are the protruding screws on the rear side of the bridge that lock the string ends. I could not remember such long screws on the MK-1 so I had a closer look at some pictures of it again. There are some nice ones on the cover of the Mark Knopfler guitar style books, and here I did not not only find that Mark has shorter screws but I also found a ‘Schaller’ logo on his tremolo where mine says ‘Floyd Rose’. Does Mark’s guitar have a copy of the original tremolo? SCHALLER TREMOLO ON THE ORIGINAL MK-1 Original Floyd Rose base plate made of steel Die-cast Schaller base plate Schaller is a German hardware manufacturer, well known for e.g. their tuning pegs. Some quick research told me that in fact Schaller was the manufacturer of the original Floyd Rose tremolos for a long time. So these were made in Germany for Floyd Rose. In addition to the original Schaller-made FR tremolos various FR-licensed tremolos were available from several companies, and Schaller was one of these. In other words, they made the original tremolos for Floyd Rose, and they made a modified version featuring some improvements. These had a label ‘Licensed under Floyd-Rose patents’ on the bridge base plate, near the fine tuners. Both are made in Germany. Note the steel knife edge on the Floyd Rose (left) and the steel insert on the Schaller (right) Besides the length of the protruding locking screws, another difference was the material of the bridge base plate: on the original FR tremolos it was steel, while on the licensed tremolo it was die-cast. By the way, the steel plate is magnetic, the die-cast version is not! Where the bridge plate was attached to the bridge posts, the original FR tremolo has a knife edge. As die-cast metal is much softer than steel, the licensed tremolo had steel inserts here. The advantage: if the knife edge becomes worn, you can exchange these inserts. Also it had steel inserts that hold the screws to fasten the bridge saddles. If a thread of these is stripped, the screw will not hold the saddle anymore and the whole tremolo bridge becomes unusable. Steel is harder so that the threads will last much longer, and if one was stripped you can simply replace the insert with the thread. Threads in inserts (top, Schaller) and in the plate itself (bottom, original Floyd rose) Later this modified design became available from the Floyd Rose company as well. It is often referred to as the ‘Floyd Rose II’ tremolo. And there were different other companies who offered it – partly built in Germany by Schaller, partly in Asia. The latter are said to be inferior in quality. SOUND DIFFERENCE BETWEEN THE FLOYD ROSE AND THE SCHALLER? There are some who say the die-cast Schaller version sounds a bit different than the original Floyd Rose tremolo with the steel bridge plate. It is said to be softer and warmer, and the steel version to sound brighter. This sound difference and the screw length were two reasons to make me me wonder if the Schaller-licensed tremolo might be the better choice for any MK-1-style guitar, be it a Suhr, a Pensa, or a Pensa Suhr. In fact some of the original Pensa Suhrs built by John Suhr at Rudy Pensa’s Music Stop in New York had the original Floyd Rose, including e.g. Mark’s black Pensa Suhr, and others like the MK-1, or the one that is displayed on the cover of the Neck & Neck album had the Schaller version. Long protruding locking screws at the rear of the original Floyd Rosetremolo…
.. and the shorter Schaller screws. Luckily I found an unused NOS Schaller bridge plate on ebay, and I found the shorter original Schaller saddle screws at Thomann (big German online music store). Both parts are interchangeable between both tremolos (you need the Schaller plate for the shorter screws!), so I exchanged both on my Suhr, and I made before/after sound samples to judge the tonal difference. Conclusion: I cannot hear any sound difference on the samples at all. I planned a youtube video to demonstrate the sound difference, but as I can’t hear a difference I did not. I will leave the Schaller parts on the Suhr to make it look as close to Mark’s as possible, and keep the original parts in the case ofthe Suhr.
Easy stuff for beginners MARK KNOPFLER’S CONTRIBUTION FOR THE SOUNDBREAKING SERIES Posted on 9. May 2017 If you have not seen this already, here is Mark’s contribution for the Soundbreaking series on Youtube. Soundbreaking is a documentary series about the creation of new sounds in the rock music history, based on more than 160 interviews with celebrated recording artists, producers, and music industry pioneers. Mark is demonstrating various guitar techniques and instruments. I guess you have seen one or the other lick in similar videos with Mark before but it is a great video for sure.Misc
GREAT ANDROID MUSIC PLAYER APP: AB REPEAT PLAYER Posted on 25. March 201610. November 2016 With this blog post I want to recommend a free Android app that I use myself not only for listening to music but also for figuring out licks, riffs, or lead stuff. It is the AB Repeat Player.
The feature I love most on it is not the one that gave it the name – the ability to define two loop points – but the three ‘Jump’ buttons. These are labelled with 7,5 / 5 / 2.5 and simply make the music jump back for 7,5 / 5 / 2.5 seconds as soon as you press one of these. You are listening to e.g. a fancy Mark Knopfler guitar lick, thinking ‘Wow, what was that?’ – press one button to hear it again. This is to me the best solution, as rewinding or moving the position slider in other apps is very inaccurate and take too much time. You can also combine the three buttons or press one of them several times, e.g. press the 7.5 seconds button twice to jump back for 15 seconds to repeat a longer part. I love the three jump buttons to hear a phrase again The rest of the app is fine, too – it simply does what you expect ofa music player app.
Here is the feature list: * AB Repeating Function (Ad hoc and saved) * AB Points post-adjustment Function with “Check Mode” * Interval (Pause) between AB Repeats * Easy traverse inside A and B points * Easy to play recorded A and B points list. * Customizable three Jump Buttons * Bookmark Function (Ad hoc and saved) * Bookmark position adjustment function with “Check Mode” * Unlimited recording of AB points and Bookmarks * Editable list of AB points and Bookmarks * AB points and Bookmark database clean up * Backup and Restore of AB points and Bookmark database * Display order in AB points and Bookmark list. Creation date, name and A point with reverse order for each.(New) * Mp3 Lyric Display.(Font size and previous position memory) * Playlist (same as Google’s standard media player) * Setting to the Ring Tone (same as Google’s standard media player) * Shuffle modes (same as Google’s standard media player) * Search (same as Google’s standard media player)(Enhancement: can be invoked from menu) * Artwork Display (same as Google’s standard media player) * Audio and Video Support * Automatic pause/resume on received calls. * Automatic pause on headset unplugging. * Controls by Bluetooth. * SD card installable for Android 2.2 or later. * Database Migration to a new device.* Sleep Timer
* Float Pad: Translucent Control Button Pad floating over any otherapps.
* Saving the sound between AB as a ringtone, alert, Ankidroid flashcard sound and othe Dire Straits/ Mark Knopfler live pictures and videos THE BLACK FENDER STRAT ON PORTOBELLO BELLE ON THE LOVE OVER GOLD TOUR Posted on 27. February 20166. June 2016 The song _Portobello Belle_ has been played as a great ‘Irish-reggae-calypso’ version on the Love over Gold tour. An edited version has been released on the _Money for nothing_ compilation sampler a long time ago. However, it was not included on the Alchemy video, and there is no youtube video at all of this songfrom that tour.
For this reason we do not know much about the guitar on this song. The only info came from myself on my old Dire Straits guitar page where I stated that it was played on a black Fender Stratocaster. The source of this info is my own memory, as I visited the concert in Cologne, May 16, 1983. But I never have seen the guitar I remember well on any picture, until recently when the following picture appeared:Note
the capo at the third fret, a clear indication for an open G tuning, shifted to Bb by the capo, the key of Portobello Belle on this tour (it is C on the Communique album and D on the Making Movies tour!). The guitar might be the Amercican vintage reissue which was released just a year before (it does not llok like 50ies vintage guitar). Mark played a lot of cool solo licks in the long outro of the songs, often in dialog with Mel Collins on the saxophone, as seen in thepicture.
Guitar in general
JAMMING WITH THE BOSS DR-80 Posted on 23. January 20166. June 2016 The BOSS DR-80 is an astonishing little device with a vey high fun-factor. In short, it is a digital 8-track multitrack recorder with a lot of effects, and at the same time a virtual band with a great number of jam grooves. And maybe the most astonishing feature is the price which is just about200 Euros.
I already had a lot of fun with this little device. Here are two spontaneous jam videos that were created with nothing but the effects and grooves from the device. Partly I even used the suggested effects and amp simulation for the backing tracks, without any furtherediting.
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