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JÓZEF ROBAKOWSKI
Based in. Łódź, Poland. Collections. Arton 20, MoMA Warsaw 13, Pompidou 5, ZKM 3, Kontakt (Vienna) 3, CSW Toruń 2, Zachęta 2, MS Łódź 1, Mocak Kraków 1, MSW Szczecin 1. Web. Culture.pl, Wikipedia-PL. Józef Robakowski (1939) is a Polish artist and filmmaker associated with the avant-garde film movement of the 1960sand 1970s.
THE VISIBLE AND THE INVISIBLE Contents Editor’s Foreword / xi Editorial Note / xxxiv Translatofs Preface / xl The Visible and the Invisible: Philosophical Interrogation i Reflection and Interrogation / 3 a Interrogation and Dialectic / 50 3 Interrogation and Intuition / 105 AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
WE HAVE NEVER BEEN MODERN viii CONTENTS 3 REVOLUTION 49 3.1 The Moderns, Victims of Their Own Success 49 3.2 What Is a Quasi-Object? 51 3.3 Philosophies Stretched Over the Yawning Gap 55 3.4 The End of Ends 59 3.5 Semiotic Turns 62 3.6 Who Has Forgotten Being? 65 3.7 The Beginning of the Past 67 3.8 The Revolutionary Miracle 70 3.9 The End of the Passing Past 72 3.10 Triage and Multiple Times 74NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007). AFRICAN FRACTALS: MODERN COMPUTING AND INDIGENOUS DESIGN Contents PART I Acknowledgments ix Introduction CHAPTER J Introduction to fractal geometry 3 CHAPTER 2 Fractals in African settlement architecture 20 CHAPTER 3 Fractals in cross-cultural comparison 39 CHAPTER 4 Intention and invention in design 49 PART II African fractal 7nathematics CHAPTER 5 Geometric algorithms 61 CHAPTER 6 Scaling 71 CHAPTER 7 Numeric systems 86 POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo.MONOSKOP.ORG
monoskop.org
JÓZEF ROBAKOWSKI
Based in. Łódź, Poland. Collections. Arton 20, MoMA Warsaw 13, Pompidou 5, ZKM 3, Kontakt (Vienna) 3, CSW Toruń 2, Zachęta 2, MS Łódź 1, Mocak Kraków 1, MSW Szczecin 1. Web. Culture.pl, Wikipedia-PL. Józef Robakowski (1939) is a Polish artist and filmmaker associated with the avant-garde film movement of the 1960sand 1970s.
THE VISIBLE AND THE INVISIBLE Contents Editor’s Foreword / xi Editorial Note / xxxiv Translatofs Preface / xl The Visible and the Invisible: Philosophical Interrogation i Reflection and Interrogation / 3 a Interrogation and Dialectic / 50 3 Interrogation and Intuition / 105 AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
WE HAVE NEVER BEEN MODERN viii CONTENTS 3 REVOLUTION 49 3.1 The Moderns, Victims of Their Own Success 49 3.2 What Is a Quasi-Object? 51 3.3 Philosophies Stretched Over the Yawning Gap 55 3.4 The End of Ends 59 3.5 Semiotic Turns 62 3.6 Who Has Forgotten Being? 65 3.7 The Beginning of the Past 67 3.8 The Revolutionary Miracle 70 3.9 The End of the Passing Past 72 3.10 Triage and Multiple Times 74NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007). AFRICAN FRACTALS: MODERN COMPUTING AND INDIGENOUS DESIGN Contents PART I Acknowledgments ix Introduction CHAPTER J Introduction to fractal geometry 3 CHAPTER 2 Fractals in African settlement architecture 20 CHAPTER 3 Fractals in cross-cultural comparison 39 CHAPTER 4 Intention and invention in design 49 PART II African fractal 7nathematics CHAPTER 5 Geometric algorithms 61 CHAPTER 6 Scaling 71 CHAPTER 7 Numeric systems 86 POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo.MONOSKOP.ORG
monoskop.org
INDEX - MONOSKOP
The Monoskop Index brings together on one page selections from several sections of Monoskop Wiki and Log. It contains topics, concepts, practices, places, events and persons relevant for the studies of art, media and the humanities. Its form combines elements of the book index, library catalog and tag cloud, listing alphabetically sortedARCHITECTURE
Discussed in Parisi 2013. The Monoskop Architecture page printed as a single scroll and displayed as part of the Public Library / Javna knjižnica exhibition in May 2017 in Novi Sad, Serbia. A collection of source documents in the history, theory and criticism of 20th-centuryarchitecture.
MEDIA LIBRARY
Wiki for Collaborative Studies of Arts, Media and HumanitiesINKHUK - MONOSKOP
INKhUK. Wassily Kandinsky (third from right) and other members of the INKhUK, Moscow, c1920. Institut Khudozhestvennoy Kultury (INKhUK) (Институт Художественной Культуры; Institute of Artistic Culture, 1920–24) was an artistic organisation, a society of painters, graphic artists, sculptors,architects, and art
TECHNIQUES OF THE BODY Downloaded By: At: 18:43 22 July 2007 Techniques of the body* Marcel Mauss Chapter One: The Notion of Techniques of the Body I deliberately say techniques of the body RHYTHMANALYSIS: SPACE, TIME AND EVERYDAY LIFE one concerned with the minutiae of everyday life;a political book and a contribution to cultural studies. Lefebvre had been working on the themes explored in the book for a number of years, in THE NEW BLACK AESTHETIC BY TREY ELLIS THE NEW BLACK AESTHETIC By Trey Ellis While the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. THE SCIENCES OF THE ARTIFICIAL Page ix Preface to Third Edition As the Earth has made more than 5,000 rotations since The Sciences of the Artificial was last revised, in 1981, it is time to ask what changes in our understanding of the world call for changes in the text. POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- THE INTERPRETATION OF CULTURES Contents Preface PART I 4 Chapter 11 Thick Description: Toward an Interpretive vii Theory of Culture 3 PART II Chapter 21 The Impact of the Concept of Culture on the Concept of Man 33 Chapter 31 The Growth of Culture and the Evolution of Mind 55 PART III Chapter 41 Religion As a Cultural System 87 Chapter 51 Ethos, World View, and the Analysisof
WE HAVE NEVER BEEN MODERN viii CONTENTS 3 REVOLUTION 49 3.1 The Moderns, Victims of Their Own Success 49 3.2 What Is a Quasi-Object? 51 3.3 Philosophies Stretched Over the Yawning Gap 55 3.4 The End of Ends 59 3.5 Semiotic Turns 62 3.6 Who Has Forgotten Being? 65 3.7 The Beginning of the Past 67 3.8 The Revolutionary Miracle 70 3.9 The End of the Passing Past 72 3.10 Triage and Multiple Times 74NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007). AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
MORPHOLOGY OF THE FOLKTALE Morphology of the Folktale by V. Propp First Edition Translated by Laurence Scott with an Introduction by Svatava Pirkova-Jakobson Second Edition Revised and Edited with a Preface by Louis A.THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
MIND - MONOSKOP.ORG
GREGORY BATESON was born in 1904, the son of William Bateson, a leading British biologist and a pioneering geneticist. Resisting family pressures to fol low in his father's footsteps, he completed his degree in anthropology instead of POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo. IL FAUT DÉFENDRE LA SOCIÉTÉ Michel Foucault « Il faut défendre la société » Cours au Collège de France (1975-1976) Édition établie, dans le cadre de l’Association pour le Centre Michel Foucault, sous la WE HAVE NEVER BEEN MODERN viii CONTENTS 3 REVOLUTION 49 3.1 The Moderns, Victims of Their Own Success 49 3.2 What Is a Quasi-Object? 51 3.3 Philosophies Stretched Over the Yawning Gap 55 3.4 The End of Ends 59 3.5 Semiotic Turns 62 3.6 Who Has Forgotten Being? 65 3.7 The Beginning of the Past 67 3.8 The Revolutionary Miracle 70 3.9 The End of the Passing Past 72 3.10 Triage and Multiple Times 74NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007). AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
MORPHOLOGY OF THE FOLKTALE Morphology of the Folktale by V. Propp First Edition Translated by Laurence Scott with an Introduction by Svatava Pirkova-Jakobson Second Edition Revised and Edited with a Preface by Louis A.THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
MIND - MONOSKOP.ORG
GREGORY BATESON was born in 1904, the son of William Bateson, a leading British biologist and a pioneering geneticist. Resisting family pressures to fol low in his father's footsteps, he completed his degree in anthropology instead of POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo. IL FAUT DÉFENDRE LA SOCIÉTÉ Michel Foucault « Il faut défendre la société » Cours au Collège de France (1975-1976) Édition établie, dans le cadre de l’Association pour le Centre Michel Foucault, sous la ART AND TECHNOLOGY CENTRES Literature . Stewart Brand, The Media Lab: Inventing the Future at MIT, New York: Viking, 1987, 285 pp. Access-Space.org, Grow Your Own Media Lab, Sheffield: AccessMONOSKOP
“This artist’s book is the first comprehensive monograph on sound and media artist Paul DeMarinis. DeMarinis has avidly followed the development of communication media, interested in discoveries being made in the realm of physical phenomena and the corresponding objects and devices that have been invented as well as in their cultural andsocial aspects.
THE VISIBLE AND THE INVISIBLE Contents Editor’s Foreword / xi Editorial Note / xxxiv Translatofs Preface / xl The Visible and the Invisible: Philosophical Interrogation i Reflection and Interrogation / 3 a Interrogation and Dialectic / 50 3 Interrogation and Intuition / 105THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- THE NON - OBJECTIVE WORLD - MONOSKOP.ORG THE NON-OBJECTIVE WORLD . Kasimir Malevich . Paul Theobald and Company, Chicago . Thomas J. Bata Library . TRENT UNIVERSITY . PETERBOROUGH, ONTARt FILE:BECKETT SAMUEL EN ATTENDANT GODOT 1957.PDF File:Beckett Samuel En attendant Godot 1957.pdf. Beckett_Samuel_En_attendant_Godot_1957.pdf (file size: 9.32 MB, MIME type: application/pdf) Samuel Beckett, En attendant Godot, Paris: Les Éditions de Minuit, 1952, 1953, 1957. MEDIA LABS - MONOSKOP Wiki for Collaborative Studies of Arts, Media and Humanities FILE:SUSAN SONTAG ILLNESS AS METAPHOR 1978.PDF Click on a date/time to view the file as it appeared at that time. Date/Time Dimensions User Comment; current: 09:24, 21 December 2013 (6.27 MB) Sorindanut (talk | contribs): Susan Sontag, Illness asMetaphor, 1978
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From Monoskop
Jump to navigation Jump to search Welcome to Monoskop , a wiki for the arts, media andhumanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log , Recent , Contents and Index sections. Selected updates are posted on RSSand Instagram
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MONOSKOP LOG
ERIC KLUITENBERG (ED.): BOOK OF IMAGINARY MEDIA: EXCAVATING THE DREAM OF THE ULTIMATE COMMUNICATION MEDIUM (2006) “Where people fail our machines will succeed – it seems to be one of the most stubborn myths in Western society. We are incessantly being bombarded with films, books, street advertising and commercials about new gadgets, new media and new futures that seem suspiciously similar to all that precedes. Imagine the power … of the umpteenth gadget. Imagine … that technology can go where no human has ever gone before, that technology can succeed where no human has succeeded – not only in space or in nature, but also in the interpersonal, specifically in communication with the other. This book investigates those technological myths and the dream of the ultimate communication medium from multiple perspectives. Building on insights provided by media archeology , Siegfried Zielinski, Bruce Sterling, Erkki Huhtamo and Timothy Druckrey spin a web of connections between the wonderful fantasy machines of Athanasius Kircher, the mania of stereoscopy, ‘dead’ media and archeological media art. Edwin Carels and Zoe Beloff descend into the cinematographic caverns of spiritualism and the iconography of death, while Eric Kluitenberg and John Akomfrah lift the lid on the imaginary connection machines and the ‘mothership connection’.” Publisher NAi, Rotterdam, with De Balie, Amsterdam, 2006 ISBN 9789056625399, 905662539X296 pages
via Media Archaeology Reconfigured Reviews: Arjen Mulder (Open!, 2007), Erik van Bemmelen (Masters of Media, 2010).Event
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(archived)
WorldCat
(16 MB)
DANNY SNELSON: APOCALYPSE RELIQUARY, 1984-2000 (2018) “Inhabiting an Earth continuously subjected to catastrophic events, _Apocalypse Reliquary_ presents a survey of artifacts left behind by every recorded global cataclysm from 1984 to the present. Objects on display range from the circuit boards of Y2K to ejecta from the collision with Halley’s Comet. The exhibition includes spaceships from the Pleiades photon belt, the radioactive remains of countless nuclear armageddons, relics from the Zeta Reticuli star system, and a wide array of artifacts delivered by dozens of religious raptures. Each entry in the _Apocalypse Reliquary_ is inscribed within the ongoing disaster of the present. Organized chronologically, the catalogue begins in 1984, immediately following the collapse of the planet under the strain of the population bomb. The reliquary will continue to annotate the ruins of global annihilation until a final apocalyptic event renders all recording impossible.” The book was produced on the occasion of Exhibition Library and first presented at an exhibition at the Seoul Museum of Art. Publisher Monoskop, Amsterdam, and Mediabus, Seoul, 2018pages
(82 MB)
See also follow-up to the project: Full Bleed: A Mourning Letter forthe Printed Page
(2019).
LEUNG MAN-TAO: TOO MUCH NOISE (2009) An essay collection on art and culture from Hong Kong-based writer and cultural critic Leung Man-tao (梁文道).噪音太多
Publisher Huacheng Press (花城出版社), Guangzhou, 2009 ISBN 9787536056008, 7536056001289 pages
via wangyibing
WorldCat
(8 MB)
WILLIAM BURROUGHS: TIME (1965) “Burroughs created his own version of _Time_ magazine, including a _Time_ cover of November 30, 1962, collaged over by Burroughs with a reproduction of a drawing, four drawings by Gysin, and twenty-six pages of typescript comprised of cut up texts and various photographs serving as news items. One of the pages is from an article on Red China from Time of September 13, 1963, and is collaged with a columnal typescript and an irrelevant illustration from the ‘Modern Living’ section of the magazine. A full-page advertisement for Johns-Manville products is casually inserted amid all these text; its title: ‘Filtering’.” (from Robert A. Sobieszek, _Ports of Entry_, 1996,37)
The “Fliday Newsmagazine,” “Proclaim Present Time Over,” “File Flicker Tape” are some of the texts. The November 30, 1962 issue of _Time_ was chosen, because the magazine reviewed the Grove Press edition of _Naked Lunch_ in an article entitled “King of theYADS
”
(Young American Disaffiliates). The looming face of Mao symbolizing the threat of Red China adds an aura of nuclear disaster.” (JedBirmingham, 2006)
With drawings by Brion Gysin Publisher C Press, New York City, 1965pages
Commentary: Jed Birmingham(Reality
Studio, 2006).
)
for themselves.”
_Data Feminism_ offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But _Data Feminism_ is about much more than gender. It is about power, about who has it and who doesn’t, and about how those differentials of power can be challenged and changed.” Publisher MIT Press, 2020strong Ideas series
Creative Commons CC BY-NC-ND license ISBN 9780262044004, 0262044005xii+314 pages
Interviews with authors: Jason Forrest (Nightingale, 2019), Zoë Corbyn (The Guardian, 2020).Book website
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