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PAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. CY TWOMBLY & THE SCHOOL OF THE FONTAINEBLEAU Pac Pobric reviews the exhibition Cy Twombly and the School of the Fontainebleau at the Hamburger Bahnhof Museum, Berlin, on view through October 7, 2012. Pobric writes: "If saying that Twombly was an artist and not a historian seems obvious, the implications of that probably aren’t. When we say that Twombly was a painter interested in art history, all that means is that his working throughABSTRACT CRITICAL
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. AMANDA FRIEDMAN: INTERVIEW Amanda Friedman, Thought-form: Trying To Remember a Dream of an Elephant in the Room, 2011, acrylic, paper mache, charcoal and oil on paper, 77 x 80 x 2 inches (courtesy of the artist) Michael Rutherford interviews painter Amanda Friedman about her work and studio practice. Friedman's work was recently on view at Eli Ping, New York. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson WAYNE THIEBAUD ON MORANDI Larry Groff posts a video of Wayne Thiebaud discussing his work and the work of Morandi. In addition to revealing the direct influence of a Morandi painting on an early painting of sandwiches, Thiebaud discusses a variety of topics including caricature: "If you take something like caricature for instance, which is very much a central aspect of all painting, then caricature represents a way inJAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. T.J. CLARK ON POUSSIN Jim Cuno inteviews art historian T.J. Clark about his experiences viewing paintings by Nicolas Poussin. Clark documented his time looking at Poussin in the 2006 book The Sight of Death: An Experiment in Art Writing. Clark remarks: "You look at a complex object like this, and you begin to ask, hm, what is actually being intended here? What’s being said about the nature of the scene and the JOHN BUNKER: INTERVIEW In a new video from Lamka Films, Ben Wiedel-Kaufmann interviews artist John Bunker about his work on the occasion of two recent London exhibitions: Six Fugues, curated by Sam Cornish at Westminster Reference Library and Ram Raiders, Snake Charmers and Rope Burns at Unit3 Projects. Bunker comments that collage "tends to be driven, historically, as a domestic thing, a personalizedPAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. CY TWOMBLY & THE SCHOOL OF THE FONTAINEBLEAU Pac Pobric reviews the exhibition Cy Twombly and the School of the Fontainebleau at the Hamburger Bahnhof Museum, Berlin, on view through October 7, 2012. Pobric writes: "If saying that Twombly was an artist and not a historian seems obvious, the implications of that probably aren’t. When we say that Twombly was a painter interested in art history, all that means is that his working throughABSTRACT CRITICAL
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. AMANDA FRIEDMAN: INTERVIEW Amanda Friedman, Thought-form: Trying To Remember a Dream of an Elephant in the Room, 2011, acrylic, paper mache, charcoal and oil on paper, 77 x 80 x 2 inches (courtesy of the artist) Michael Rutherford interviews painter Amanda Friedman about her work and studio practice. Friedman's work was recently on view at Eli Ping, New York. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson WAYNE THIEBAUD ON MORANDI Larry Groff posts a video of Wayne Thiebaud discussing his work and the work of Morandi. In addition to revealing the direct influence of a Morandi painting on an early painting of sandwiches, Thiebaud discusses a variety of topics including caricature: "If you take something like caricature for instance, which is very much a central aspect of all painting, then caricature represents a way inJAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. T.J. CLARK ON POUSSIN Jim Cuno inteviews art historian T.J. Clark about his experiences viewing paintings by Nicolas Poussin. Clark documented his time looking at Poussin in the 2006 book The Sight of Death: An Experiment in Art Writing. Clark remarks: "You look at a complex object like this, and you begin to ask, hm, what is actually being intended here? What’s being said about the nature of the scene and the JOHN BUNKER: INTERVIEW In a new video from Lamka Films, Ben Wiedel-Kaufmann interviews artist John Bunker about his work on the occasion of two recent London exhibitions: Six Fugues, curated by Sam Cornish at Westminster Reference Library and Ram Raiders, Snake Charmers and Rope Burns at Unit3 Projects. Bunker comments that collage "tends to be driven, historically, as a domestic thing, a personalized ALL POSTS | PAINTERS' TABLE About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. CONVERSATION WITH MEGAN MARLATT Margaret McCann interviews painter Megan Marlatt on the occasion of the recent exhibition Megan Marlatt: Substitutions for a Game Never Played at The Visual Arts Center of Richmond, Virginia. Megan Marlatt, Venetian Red Riding Hood, 2006, acrylic and oil on linen, 42 x 48 inches (courtesy of the artist) Margaret McCann (PT): What does the title of your recent show, “Substitutions for a Game PERLE FINE: THE COOL SERIES Perle Fine: The Cool Series (1961-63) at Spanierman Modern, November 10 – December 10, 2011 Perle Fine, Cool Series, No. 35, Shape-Up, ca. 1961-1963 Oil on canvas, 70 x 80 inches (courtesy Spanierman Modern) For an artist whose career success rivaled many well known New York School painters, Perle Fine (1905-1988) is surprisinglyunder-known.
ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
DAVID VON SCHLEGELL: PAINTINGS David von Schlegell, Grey Over Yellow, 1992, Oil, Polyur on Aluminum with Wood, 19.25 x 22 inches (courtesy China Art Objects, Los Angeles) David von Schlegell at China Art Objects, Los Angeles on view from January 7 - February 4, 2012 David von Schlegell is known primarily for his large scale, outdoor, and public sculpture projects; however, he began his career as a painter - learning to A CONVERSATION WITH PATRICK JONES If there’s one thing the 21st century is teaching us, it’s that the act of painting is far more generative than 20th century end-game modernism predicted. This is certainly the case in the paintings of Patrick Jones. Over the course of a long career, Jones has developed a rich visual language and applied his rigorous, abstract process to a wide range of interests from Dogon carvings to CUBISM, TECHNOLOGY & ABSTRACTION Cubism, Technology & Abstraction. In part two of his series of essays titled Untethered (part one is here ), Mark Stone looks back to how the cubism of Picasso and Braque paved the way for abstraction by creating an art that could bridge the history of painting and the rapid technological advancement of the early 20th century. EUGÈNE LEROY: SUBJECTS & SURROUNDINGS Eugène Leroy: Nudes is on view at Michael Werner Gallery, New York, thorugh January 5, 2013. The film (below) by French director Christophe Loizillon documents painter Eugène Leroy at his home and studio. The film, shot in the same chiaroscuro lighting characteristic of Leroy's paintings, begins with Leroy leafing through his favorite books and speaking animatedly (in French) about Cézanne. CLAUDIA CARR: INTERVIEW Susie Pentelow interviews painter Claudia Carr about her work. Carr's exhibition The butterfly counts not months but moments will be on view at Jessica Carlisle, London from September 16 - 21, 2014. Carr comments: "I find those three lumbering genre terms ‘portrait’, ‘still life’ and ‘landscape’ interesting but also enjoy watching images slip fluidly and disrespectfully betweenPAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ALL POSTS | PAINTERS' TABLEARTIST PAINTERS TABLECUSTOM PAINTED TABLEBEST PAINT FOR TABLE TOPBEST PAINT FOR KITCHEN TABLE About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. CONVERSATION WITH MEGAN MARLATT Margaret McCann interviews painter Megan Marlatt on the occasion of the recent exhibition Megan Marlatt: Substitutions for a Game Never Played at The Visual Arts Center of Richmond, Virginia. Megan Marlatt, Venetian Red Riding Hood, 2006, acrylic and oil on linen, 42 x 48 inches (courtesy of the artist) Margaret McCann (PT): What does the title of your recent show, “Substitutions for a Game ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
JAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson BRENDA GOODMAN: INTERVIEW Brenda Goodman, Guardian, 2013, oil on wood, 32 x 64 inches (courtesy of the artist and John Davis Gallery) Brenda Goodman: Paintings is on view at John Davis Gallery, Hudson, New York from July 17 until August 10, 2014. In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a INDISCIPLINE OF PAINTING: INTERVIEW WITH DANIEL STURGIS Sam Cornish interviews painter Daniel Sturgis, curator of the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives). Sturgis comments that the show is "a personal selection – one built on my concerns – but also with generosity at its core.PAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ALL POSTS | PAINTERS' TABLEARTIST PAINTERS TABLECUSTOM PAINTED TABLEBEST PAINT FOR TABLE TOPBEST PAINT FOR KITCHEN TABLE About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. CONVERSATION WITH MEGAN MARLATT Margaret McCann interviews painter Megan Marlatt on the occasion of the recent exhibition Megan Marlatt: Substitutions for a Game Never Played at The Visual Arts Center of Richmond, Virginia. Megan Marlatt, Venetian Red Riding Hood, 2006, acrylic and oil on linen, 42 x 48 inches (courtesy of the artist) Margaret McCann (PT): What does the title of your recent show, “Substitutions for a Game ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
JAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson BRENDA GOODMAN: INTERVIEW Brenda Goodman, Guardian, 2013, oil on wood, 32 x 64 inches (courtesy of the artist and John Davis Gallery) Brenda Goodman: Paintings is on view at John Davis Gallery, Hudson, New York from July 17 until August 10, 2014. In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a INDISCIPLINE OF PAINTING: INTERVIEW WITH DANIEL STURGIS Sam Cornish interviews painter Daniel Sturgis, curator of the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives). Sturgis comments that the show is "a personal selection – one built on my concerns – but also with generosity at its core. PAINTERS' TABLE BLOG Brett Baker, New Paintings @ Elizabeth Harris Gallery. I would like to invite Painters' Table readers to the opening reception for an exhibition of new paintings at Elizabeth Harris Gallery in New York on Saturday, February 17, 2018 from 3-6pm. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ART WRITER / CRITIC BLOGS Art Writer / Critic Blogs. Blogs written and maintained by art writers or critics. These blogs feature regular or semi-regular writing about painting related topics including interviews, exhibition reviews and commentary. Click on any blog to view posts featured on Painters'Table.
BLOG ROLL | PAINTERS' TABLE The Painters' Table Blogroll is a growing list of Artist Blogs, Art Writer/Critic blogs, Art Websites and News Media that publish frequent posts and articles about painting. Browsing the blogroll is a great way to find new sites and view posts featured on Painters' Table. Blogs, sites and new categories will be added frequently so check backoften!
ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
PERLE FINE: THE COOL SERIES Perle Fine: The Cool Series (1961-63) at Spanierman Modern, November 10 – December 10, 2011 Perle Fine, Cool Series, No. 35, Shape-Up, ca. 1961-1963 Oil on canvas, 70 x 80 inches (courtesy Spanierman Modern) For an artist whose career success rivaled many well known New York School painters, Perle Fine (1905-1988) is surprisinglyunder-known.
BRAQUE AT THE PHILLIPS COLLECTION Georges Braque and the Cubist Still Life, 1928–1945 at The Phillips Collection, Washington D.C., on view from June 8 - September 1, 2013. Conversations about about Cubism most often begin with Picasso, but none can exclude Georges Braque, his quiet and more hermetic co-inventor. Though overshadowed personally by Picasso, Braque played an unquestionably important role in developing PAYING ATTENTION TO SINKS AND SUCH This is an edited transcript of a talk I presented at the occasion of the Perspectives on The Lasting World Symposium on Saturday, September 23, 2017. The symposium explored the work of Simon Dinnerstein in an exhibit, titled The Lasting World: Simon Dinnerstein and The Fulbright Triptych. This exhibition at the Museum of Art and Archaeology in Columbia, Missouri, runs through December 22 WAYNE THIEBAUD ON MORANDI Larry Groff posts a video of Wayne Thiebaud discussing his work and the work of Morandi. In addition to revealing the direct influence of a Morandi painting on an early painting of sandwiches, Thiebaud discusses a variety of topics including caricature: "If you take something like caricature for instance, which is very much a central aspect of all painting, then caricature represents a way in CLEAR AS DOUBT: BERNARDO SICILIANO AT AICON GALLERY Bernardo Siciliano, Summer and Storm, 2016, oil on linen, 20 x 28 inches (courtesy of Aicon Gallery) “Summer and Storm” is a pitiless vista of New York. The vertical marks of its roughly hewn sky defy calming cloud levels. An aloof palette echoes the remote viewpoint to keep all far away. Nothing romantic to see from here.PAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ALL POSTS | PAINTERS' TABLEARTIST PAINTERS TABLECUSTOM PAINTED TABLEBEST PAINT FOR TABLE TOPBEST PAINT FOR KITCHEN TABLE About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. CONVERSATION WITH MEGAN MARLATT Margaret McCann interviews painter Megan Marlatt on the occasion of the recent exhibition Megan Marlatt: Substitutions for a Game Never Played at The Visual Arts Center of Richmond, Virginia. Megan Marlatt, Venetian Red Riding Hood, 2006, acrylic and oil on linen, 42 x 48 inches (courtesy of the artist) Margaret McCann (PT): What does the title of your recent show, “Substitutions for a Game ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
JAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson BRENDA GOODMAN: INTERVIEW Brenda Goodman, Guardian, 2013, oil on wood, 32 x 64 inches (courtesy of the artist and John Davis Gallery) Brenda Goodman: Paintings is on view at John Davis Gallery, Hudson, New York from July 17 until August 10, 2014. In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a INDISCIPLINE OF PAINTING: INTERVIEW WITH DANIEL STURGIS Sam Cornish interviews painter Daniel Sturgis, curator of the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives). Sturgis comments that the show is "a personal selection – one built on my concerns – but also with generosity at its core.PAINTERS' TABLE
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015). ALL POSTS | PAINTERS' TABLEARTIST PAINTERS TABLECUSTOM PAINTED TABLEBEST PAINT FOR TABLE TOPBEST PAINT FOR KITCHEN TABLE About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ARTS MAGAZINES & ARTS WEBSITES Arts Magazines & Arts Websites. Painters' Table features painting stories from the following arts magazines and arts websites. Click on a site for a list of featured posts. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. CONVERSATION WITH MEGAN MARLATT Margaret McCann interviews painter Megan Marlatt on the occasion of the recent exhibition Megan Marlatt: Substitutions for a Game Never Played at The Visual Arts Center of Richmond, Virginia. Megan Marlatt, Venetian Red Riding Hood, 2006, acrylic and oil on linen, 42 x 48 inches (courtesy of the artist) Margaret McCann (PT): What does the title of your recent show, “Substitutions for a Game ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
JAMES KALM REPORT
About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. BARBARA ROSE ON PAINTING AFTER POSTMODERNISM An excerpt from Barbara Rose's catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson BRENDA GOODMAN: INTERVIEW Brenda Goodman, Guardian, 2013, oil on wood, 32 x 64 inches (courtesy of the artist and John Davis Gallery) Brenda Goodman: Paintings is on view at John Davis Gallery, Hudson, New York from July 17 until August 10, 2014. In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a INDISCIPLINE OF PAINTING: INTERVIEW WITH DANIEL STURGIS Sam Cornish interviews painter Daniel Sturgis, curator of the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives). Sturgis comments that the show is "a personal selection – one built on my concerns – but also with generosity at its core. PAINTERS' TABLE BLOG Brett Baker, New Paintings @ Elizabeth Harris Gallery. I would like to invite Painters' Table readers to the opening reception for an exhibition of new paintings at Elizabeth Harris Gallery in New York on Saturday, February 17, 2018 from 3-6pm. PAINTING PERCEPTIONS About Painters' Table. Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting. ART WRITER / CRITIC BLOGS Art Writer / Critic Blogs. Blogs written and maintained by art writers or critics. These blogs feature regular or semi-regular writing about painting related topics including interviews, exhibition reviews and commentary. Click on any blog to view posts featured on Painters'Table.
BLOG ROLL | PAINTERS' TABLE The Painters' Table Blogroll is a growing list of Artist Blogs, Art Writer/Critic blogs, Art Websites and News Media that publish frequent posts and articles about painting. Browsing the blogroll is a great way to find new sites and view posts featured on Painters' Table. Blogs, sites and new categories will be added frequently so check backoften!
ON BRUEGEL'S THE HARVESTERS Pieter Bruegel the Elder, The Harvesters, 1565, oil on wood (Metropolitan Museum of Art) The Harvesters: peasants and landscape. Of all Bruegel’s seasonal paintings, this one combines these two to greatest effect. This landscape is impossible without these people, Bruegel seems to say, just as the people are impossible without thisplace.
PERLE FINE: THE COOL SERIES Perle Fine: The Cool Series (1961-63) at Spanierman Modern, November 10 – December 10, 2011 Perle Fine, Cool Series, No. 35, Shape-Up, ca. 1961-1963 Oil on canvas, 70 x 80 inches (courtesy Spanierman Modern) For an artist whose career success rivaled many well known New York School painters, Perle Fine (1905-1988) is surprisinglyunder-known.
BRAQUE AT THE PHILLIPS COLLECTION Georges Braque and the Cubist Still Life, 1928–1945 at The Phillips Collection, Washington D.C., on view from June 8 - September 1, 2013. Conversations about about Cubism most often begin with Picasso, but none can exclude Georges Braque, his quiet and more hermetic co-inventor. Though overshadowed personally by Picasso, Braque played an unquestionably important role in developing PAYING ATTENTION TO SINKS AND SUCH This is an edited transcript of a talk I presented at the occasion of the Perspectives on The Lasting World Symposium on Saturday, September 23, 2017. The symposium explored the work of Simon Dinnerstein in an exhibit, titled The Lasting World: Simon Dinnerstein and The Fulbright Triptych. This exhibition at the Museum of Art and Archaeology in Columbia, Missouri, runs through December 22 WAYNE THIEBAUD ON MORANDI Larry Groff posts a video of Wayne Thiebaud discussing his work and the work of Morandi. In addition to revealing the direct influence of a Morandi painting on an early painting of sandwiches, Thiebaud discusses a variety of topics including caricature: "If you take something like caricature for instance, which is very much a central aspect of all painting, then caricature represents a way in CLEAR AS DOUBT: BERNARDO SICILIANO AT AICON GALLERY Bernardo Siciliano, Summer and Storm, 2016, oil on linen, 20 x 28 inches (courtesy of Aicon Gallery) “Summer and Storm” is a pitiless vista of New York. The vertical marks of its roughly hewn sky defy calming cloud levels. An aloof palette echoes the remote viewpoint to keep all far away. Nothing romantic to see from here. Skip to main content*
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PT BLOG FEATURES
Clear as Doubt: Bernardo Siciliano at Aicon GalleryMargaret McCann |
November 25, 2019
Margaret McCann considers Bernardo Siciliano’s “earthy, cynicalrealism.”
Keep reading...
Zurbarán’s Veil of Veronica at the MFAH Henry McMahon | August 17, 2019 Henry McMahon considers how Zurbarán's _Veil of Veronica_ calls attention to two miracles, those of the Veronica legend and of the painter’s art of creation.Keep reading...
Treedom: Ron Milewicz at the New York Studio SchoolMargaret McCann |
April 11, 2019
Margaret McCann reviews an exhibition of drawings that “ unworldly beauty.”Keep reading...
Interview: Sedrick Huckaby at the Elaine de Kooning HouseJohn
Mitchell | March 11, 2019 John Mitchell talks to Sedrick Huckaby about paintings in progress during a recent residency at the Elaine de Kooning House in EastHampton, New York.
Keep reading...
Seen in New York, January 2019 Paul Corio | January 21, 2019 Paul Corio reviews a selection of exhibitions, including shows of work by EJ Hauser, Jennifer J. Lee, Eleanor Ray, Jim Osman, Robert Otto Epstein, Josef Albers and others.Keep reading...
Sex Object Lesson: Lisa Yuskavage at David Zwirner Margaret McCann | January 6, 2018 Margaret McCann reviews two recent concurrent exhibitions of paintingsby Lisa Yuskavage.
Keep reading...
Mimesis Unbound: Noah Buchanan at Dacia GalleryMargaret McCann |
December 9, 2018
Margaret McCann reviews an exhibition of works by Noah Buchanan atDacia Gallery.
Keep reading...
Shared Experience Sargy Mann | December 3,2018
An essay on how perception can facilitate shared experience, the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015).Keep reading...
Patrilineations: Jane Fine at Pierogi Margaret McCann | October 3,2018
Margaret McCann writes that in Jane Fine's new work, "painting’s power to beautify dark feeling is masterfully on display."Keep reading...
Interview with Janice Nowinski John Mitchell | September 14, 2018 John Mitchell visits the Brooklyn studio of painter Janice Nowinski.Keep reading...
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