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KEVIN GILBERT
Jason Andrew Brown is a singer-songwriter who has spent the last twenty years performing in and around the Indianapolis area in several bands. With those bands, Brown was able to develop his skills as a guitarist as well as a singer-songwriter. However, it wasn’t until the recent past that Jason Andrew Brown decided to allow his inner singer-songwriter shine a little bit more. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. FREE MP3S – THE ROCK AND ROLL REPORT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCK – THE ROCK AND ROLL REPORT Robbing Johnny is a New York-based Rock band whose music falls into the Americana category. The band mixes Rock and Roll, Folk, some Hip Hop tendencies and other elements together to create their sound; a style they have termed Bodega Folk Rock. NEW WAVE - THE ROCK AND ROLL REPORT Italian band Stolen Apple came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: Drifting in 2001 and Isn’t it? in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be Stolen CD REVIEW: VALLEY LODGE “USE YOUR WEAPONS” Dave Hill, a man who has made a name for himself as a comedian and writer, has returned to his rock and roll roots that he cultivated in Cleveland as part of several bands including Sons of Elvis and Uptown Sinclair, among others.Lately, Hill has been creating music with a New York-based rock outfit by the name of Valley Lodge.Along with Dave Hill on vocals and guitar, the rest of Valley Lodge CD REVIEW: FIRE MERCHANTS S/T The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCKANDROLLREPORT.COM rockandrollreport.com ROCK HILL STUDIOS: A MUSICAL GEM IN KEYNSHAM, UK Rock Hill Studios is a brand new venture that has only just been set up and opened in the UK by established guitar builder, Nathan Sheppard. Based in between Bath and Bristol, Keynsham to be exact, the establishment is comprised of a guitar building workshop, a reception/sales/booking area, one rehearsal room (with another soon to follow) and, once fully built, recording facilities will also CD REVIEW: JOSH FIX “THIS TOWN IS STARTING TO MAKE ME Hot off the heels of his terrific LP, “Free At Last”, which earned a rare perfect score here at my blog BMF (review here), Josh Fix is back already with a new 5-track EP.“This Town Is Starting To Make Me Angry” is an all-too-brief musical meditation on our sorry tendencies to persist in wanting trivial things while a hurricane of poverty and suffering devastates the rest of the world.KEVIN GILBERT
Jason Andrew Brown is a singer-songwriter who has spent the last twenty years performing in and around the Indianapolis area in several bands. With those bands, Brown was able to develop his skills as a guitarist as well as a singer-songwriter. However, it wasn’t until the recent past that Jason Andrew Brown decided to allow his inner singer-songwriter shine a little bit more. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: VALLEY LODGE “USE YOUR WEAPONS” Dave Hill, a man who has made a name for himself as a comedian and writer, has returned to his rock and roll roots that he cultivated in Cleveland as part of several bands including Sons of Elvis and Uptown Sinclair, among others.Lately, Hill has been creating music with a New York-based rock outfit by the name of Valley Lodge.Along with Dave Hill on vocals and guitar, the rest of Valley Lodge CD REVIEW: JOSH FIX “THIS TOWN IS STARTING TO MAKE ME Hot off the heels of his terrific LP, “Free At Last”, which earned a rare perfect score here at my blog BMF (review here), Josh Fix is back already with a new 5-track EP.“This Town Is Starting To Make Me Angry” is an all-too-brief musical meditation on our sorry tendencies to persist in wanting trivial things while a hurricane of poverty and suffering devastates the rest of the world. WHO’S SELLING OUT? The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. LIVE REVIEW: SAM ROBERTS BAND The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. TEN REASONS WHY “BRIAN WILSON: SONGWRITER, 1962-1969 1. Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. TED NUGENT – THE ROCK AND ROLL REPORT It has been a long time since we’ve heard from Bad Company’s ex-frontman, Brian Howe (who was with the band from 1986-1995). After catapulting Bad Company to multi-platinum record sales in the late ’80s and early ’90s, with smash hits like “Holy Water”, “If You Needed Somebody”, and “How ‘Bout That”, Howe released a matured and underrated solo album called “Tangled In RECORD REVIEW: ABBY TRAVIS’ GLITTER MOUTH- (AS INDIE AS IT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCKANDROLLREPORT.COM rockandrollreport.com FREE MP3S – THE ROCK AND ROLL REPORT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCK – THE ROCK AND ROLL REPORT Robbing Johnny is a New York-based Rock band whose music falls into the Americana category. The band mixes Rock and Roll, Folk, some Hip Hop tendencies and other elements together to create their sound; a style they have termed Bodega Folk Rock. NEW WAVE - THE ROCK AND ROLL REPORT Italian band Stolen Apple came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: Drifting in 2001 and Isn’t it? in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be Stolen ROCKANDROLLREPORT.COM rockandrollreport.com CD REVIEW: FIRE MERCHANTS S/T The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: JOSH FIX “THIS TOWN IS STARTING TO MAKE ME Hot off the heels of his terrific LP, “Free At Last”, which earned a rare perfect score here at my blog BMF (review here), Josh Fix is back already with a new 5-track EP.“This Town Is Starting To Make Me Angry” is an all-too-brief musical meditation on our sorry tendencies to persist in wanting trivial things while a hurricane of poverty and suffering devastates the rest of the world.KEVIN GILBERT
Jason Andrew Brown is a singer-songwriter who has spent the last twenty years performing in and around the Indianapolis area in several bands. With those bands, Brown was able to develop his skills as a guitarist as well as a singer-songwriter. However, it wasn’t until the recent past that Jason Andrew Brown decided to allow his inner singer-songwriter shine a little bit more. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. LIVE REVIEW: SAM ROBERTS BAND The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. FREE MP3S – THE ROCK AND ROLL REPORT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCK – THE ROCK AND ROLL REPORT Robbing Johnny is a New York-based Rock band whose music falls into the Americana category. The band mixes Rock and Roll, Folk, some Hip Hop tendencies and other elements together to create their sound; a style they have termed Bodega Folk Rock. NEW WAVE - THE ROCK AND ROLL REPORT Italian band Stolen Apple came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: Drifting in 2001 and Isn’t it? in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be Stolen ROCKANDROLLREPORT.COM rockandrollreport.com CD REVIEW: FIRE MERCHANTS S/T The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: JOSH FIX “THIS TOWN IS STARTING TO MAKE ME Hot off the heels of his terrific LP, “Free At Last”, which earned a rare perfect score here at my blog BMF (review here), Josh Fix is back already with a new 5-track EP.“This Town Is Starting To Make Me Angry” is an all-too-brief musical meditation on our sorry tendencies to persist in wanting trivial things while a hurricane of poverty and suffering devastates the rest of the world.KEVIN GILBERT
Jason Andrew Brown is a singer-songwriter who has spent the last twenty years performing in and around the Indianapolis area in several bands. With those bands, Brown was able to develop his skills as a guitarist as well as a singer-songwriter. However, it wasn’t until the recent past that Jason Andrew Brown decided to allow his inner singer-songwriter shine a little bit more. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. LIVE REVIEW: SAM ROBERTS BAND The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCKANDROLLREPORT.COM rockandrollreport.com ROCK – THE ROCK AND ROLL REPORT Robbing Johnny is a New York-based Rock band whose music falls into the Americana category. The band mixes Rock and Roll, Folk, some Hip Hop tendencies and other elements together to create their sound; a style they have termed Bodega Folk Rock. CD REVIEW: VALLEY LODGE “USE YOUR WEAPONS” Dave Hill, a man who has made a name for himself as a comedian and writer, has returned to his rock and roll roots that he cultivated in Cleveland as part of several bands including Sons of Elvis and Uptown Sinclair, among others.Lately, Hill has been creating music with a New York-based rock outfit by the name of Valley Lodge.Along with Dave Hill on vocals and guitar, the rest of Valley Lodge WHO’S SELLING OUT? The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCK HILL STUDIOS: A MUSICAL GEM IN KEYNSHAM, UK Rock Hill Studios is a brand new venture that has only just been set up and opened in the UK by established guitar builder, Nathan Sheppard. Based in between Bath and Bristol, Keynsham to be exact, the establishment is comprised of a guitar building workshop, a reception/sales/booking area, one rehearsal room (with another soon to follow) and, once fully built, recording facilities will also RECORD REVIEW: ABBY TRAVIS’ GLITTER MOUTH- (AS INDIE AS IT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. NEW ADDITION FROM THE CD BABY STORE: STACKMAGIC The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. TED NUGENT – THE ROCK AND ROLL REPORT It has been a long time since we’ve heard from Bad Company’s ex-frontman, Brian Howe (who was with the band from 1986-1995). After catapulting Bad Company to multi-platinum record sales in the late ’80s and early ’90s, with smash hits like “Holy Water”, “If You Needed Somebody”, and “How ‘Bout That”, Howe released a matured and underrated solo album called “Tangled In THE GREAT ROCK AND ROLL SWINDLE IS COMING TO DVD The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. NEW WAVE - THE ROCK AND ROLL REPORT Italian band Stolen Apple came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: Drifting in 2001 and Isn’t it? in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be StolenODDS & SODS
The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ECO-WARPED – THE ROCK AND ROLL REPORT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. SMALL TOWN TALK, BIG DEAL ALBUM The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCKANDROLLREPORT.COM rockandrollreport.com CD REVIEW: ANDREW PETERSEN “THE UNIVERSE, AND ITS SENSE OF Singer/songwriter Andrew Petersen (Brisbane, Australia) has released his first solo album entitled, “The Universe, And Its Sense Of Humour”.Petersen, the frontman for soul-rockers Shutterspeed, has been working on this project for 2 years, which he describes as: “It’s got definite country flavours but it’s not a country record, it’s got pop sensibilities but it’s not a pop record. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. BRUCE HORNSBY & THE RANGE The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. THE REBEL REVIEWER CHECKS OUT SIN DEALER LIVE AND TRIES TO The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. NEW WAVE - THE ROCK AND ROLL REPORT Italian band Stolen Apple came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: Drifting in 2001 and Isn’t it? in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be StolenODDS & SODS
The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ECO-WARPED – THE ROCK AND ROLL REPORT The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. SMALL TOWN TALK, BIG DEAL ALBUM The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCKANDROLLREPORT.COM rockandrollreport.com CD REVIEW: ANDREW PETERSEN “THE UNIVERSE, AND ITS SENSE OF Singer/songwriter Andrew Petersen (Brisbane, Australia) has released his first solo album entitled, “The Universe, And Its Sense Of Humour”.Petersen, the frontman for soul-rockers Shutterspeed, has been working on this project for 2 years, which he describes as: “It’s got definite country flavours but it’s not a country record, it’s got pop sensibilities but it’s not a pop record. CD REVIEW: UNRULY CHILD “WORLDS COLLIDE” The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. BRUCE HORNSBY & THE RANGE The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. THE REBEL REVIEWER CHECKS OUT SIN DEALER LIVE AND TRIES TO The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. ROCK – THE ROCK AND ROLL REPORT Robbing Johnny is a New York-based Rock band whose music falls into the Americana category. The band mixes Rock and Roll, Folk, some Hip Hop tendencies and other elements together to create their sound; a style they have termed Bodega Folk Rock. CD REVIEW: VALLEY LODGE “USE YOUR WEAPONS” Dave Hill, a man who has made a name for himself as a comedian and writer, has returned to his rock and roll roots that he cultivated in Cleveland as part of several bands including Sons of Elvis and Uptown Sinclair, among others.Lately, Hill has been creating music with a New York-based rock outfit by the name of Valley Lodge.Along with Dave Hill on vocals and guitar, the rest of Valley LodgeODDS & SODS
The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: FIRE MERCHANTS S/T The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: THE ROD STEWART SESSIONS Rod Stewart sucks.. Hey, I am just writing what everyone’s thinking right? A once-great singer and possibly an even better songwriter who, mostly under his own name but also as lead singer with The Faces (who just about epitomized rock and roll at the time, being packed to the brim with rowdy guitar ably provided by future Rolling Stone Ron Wood and featuring one of the most solid rhythm PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. THE REBEL REVIEWER CHECKS OUT SIN DEALER LIVE AND TRIES TO The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. VANS WARPED TOUR’S TWO BEST-KEPT SECRETS: AFTER MIDNIGHT The Vans Warped Tour has become known for being able to bring together some of the best acts from across the punk, rock, and metal spectra – think Andrew W.K. and The Dillinger Escape Plan (who we recently covered) – slap them all onto one bill, and create an unforgettable (and mad) full-day live music extravaganza. TEN REASONS WHY “BRIAN WILSON: SONGWRITER, 1962-1969 1. Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. THE 3 AMIGOS WILL BE LIVE TONIGHT ON CKUT 90.3 FM Don’t forget to tune in tonight to CKUT 90.3 FM for our 3 Amigos Fundraising spectacular on the Drastic Plastic Program. Have a listen to great songs you know by bands you have never heard of. Enjoy and if you can kick in a few bucks for the station all the better! TEN REASONS WHY “BRIAN WILSON: SONGWRITER, 1962-1969 1. Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. LIVE REVIEW: SAM ROBERTS BAND The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: DEAD POETS Let’s face it: since the early 1980’s rock and roll in all of its’ forms has been pretty much passe. The chords have all been struck, the modes and scales shredded and re-shredded like yesterday’s coleslaw and all the melodies sound re-hashed andunmemorable.
VANS WARPED TOUR’S TWO BEST-KEPT SECRETS: AFTER MIDNIGHT The Vans Warped Tour has become known for being able to bring together some of the best acts from across the punk, rock, and metal spectra – think Andrew W.K. and The Dillinger Escape Plan (who we recently covered) – slap them all onto one bill, and create an unforgettable (and mad) full-day live music extravaganza. TEN REASONS WHY “BRIAN WILSON: SONGWRITER, 1962-1969 1. Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. PIGSHIT BY GARY PIG GOLD If veteran rabble-rousing, uber-networking, visionary (“Blacklisted”) journalist Al Aronowitz’s lifetime of achievements should be remembered for but one solitary event, may I posit it be for what he managed to pull off in the immediate hours following The Beatles’ concert debut at Forest Hills Tennis Stadium, New York, one dreamy midsummer 1964’s night. LIVE REVIEW: SAM ROBERTS BAND The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. CD REVIEW: DEAD POETS Let’s face it: since the early 1980’s rock and roll in all of its’ forms has been pretty much passe. The chords have all been struck, the modes and scales shredded and re-shredded like yesterday’s coleslaw and all the melodies sound re-hashed andunmemorable.
VANS WARPED TOUR’S TWO BEST-KEPT SECRETS: AFTER MIDNIGHT The Vans Warped Tour has become known for being able to bring together some of the best acts from across the punk, rock, and metal spectra – think Andrew W.K. and The Dillinger Escape Plan (who we recently covered) – slap them all onto one bill, and create an unforgettable (and mad) full-day live music extravaganza. THE GREAT AMERICAN MIDRANGE The Elms, one of Indiana’s hottest melodic rock bands, are back with their fourth album, “The Great American Midrange”.I have been a big fan of The Elms since I heard their debut EP in 2000, but they worried me a bit with the uneven “Chess Hotel” (their 2006 major label debut). I am happy and relieved to inform you that “The Great American Midrange” is a brilliant return to form. NEW ADDITION FROM THE CD BABY STORE: STACKMAGIC The Rock and Roll Report is a place to go when you are tired of the same music played over and over on commercial rock radio. Playing great rock and roll from indie and unsigned bands. TED NUGENT – THE ROCK AND ROLL REPORT It has been a long time since we’ve heard from Bad Company’s ex-frontman, Brian Howe (who was with the band from 1986-1995). After catapulting Bad Company to multi-platinum record sales in the late ’80s and early ’90s, with smash hits like “Holy Water”, “If You Needed Somebody”, and “How ‘Bout That”, Howe released a matured and underrated solo album called “Tangled InSkip to the content
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Drastic Plastic
DRASTIC PLASTIC PROGRAM ON CKUT 90.3 FM PLAYLIST FOR AUGUST 10, 2020 * Post author By Mark Boudreau * Post date August 12, 2020 A new episode of the Rock and Roll Report edition of the Drastic Plastic Program on CKUT 90.3 FM aired Monday night at 10:00 PM EST on July 13, 2020. This was the third episode recorded in the brand new Crabby Road Studios as the CKUT studios are currently closed. The playlist is organized in the following manner: Band/Musician/Album/Song in order of broadcast. As always you can listen to the show live on CKUT.ca or listen to it after the affect on the Drastic Plastic archive page . And remember to support these musicians if you enjoyed what you heard by buying their music. There was a lot of new stuff on this month’s show. Click on the links to find out how. * Rooks , Single, Connection (Calgary)Bandcamp Facebook
* Jen Norman , Single, Unconditional(St Louis) Facebook
* Quicker, First One, All Through the Night (Sweden) Facebook As usual, thank you to everybody who listened either live or will be listening in the future via the podcast download. If you liked what you heard please support the musicians by buying their music! And to the musicians I played this month as with every month, you keep the flame of rock and roll burning bright. Thank you for consistently giving me goosebumps and making my ears smile!Turn it up!
Mark
* Tags Drastic Plastic Program, Rock and
Roll Report Radio
-------------------------Categories
Drastic Plastic
DRASTIC PLASTIC PROGRAM ON CKUT 90.3 FM PLAYLIST FOR JULY 13, 2020 * Post author By Mark Boudreau * Post date July 14, 2020A
new episode of the Rock and Roll Report edition of the Drastic Plastic Program on CKUT 90.3 FM aired Monday night at 10:00 PM EST on July 13, 2020. This was the third episode recorded in the brand new Crabby Road Studios as the CKUT studios are currently closed. The playlist is organized in the following manner: Band/Musician/Album/Song in order of broadcast. As always you can listen to the show live on CKUT.ca or listen to it after the affect on the Drastic Plastic archive page . And remember to support these musicians if you enjoyed what you heard by buying their music. There was a lot of new stuff on this month’s show. Click on the links to find out how. * The Sunset Drip , Bad Driver, Sexi Lexi (Montreal) Bandcamp(Montreal) FaceBook
* So Pretty, V.S. Me, Underwater Taco Party Night (Chicago) BandcampTurn it up!
Mark
* Tags Drastic Plastic Program, Rock and
Roll Report Radio
-------------------------Categories
Drastic Plastic
DRASTIC PLASTIC PROGRAM ON CKUT 90.3 FM PLAYLIST FOR JUNE 8, 2020 * Post author By Mark Boudreau * Post date June 9, 2020A
new episode of the Rock and Roll Report edition of the Drastic Plastic Program on CKUT 90.3 FM aired Monday night at 10:00 PM EST on June 8, 2020. This was the second episode recorded in the brand new Crabby Road Studios as the CKUT studios are currently closed. The playlist is organized in the following manner: Band/Musician/Album/Song in order of broadcast. As always you can listen to the show live on CKUT.ca or listen to it after the affect on the Drastic Plastic archive page . And remember to support these musicians if you enjoyed their music by buying their music. Click on the links to find out how. * The DML Conspiracy , An Act of Defiance, Perfect Storm (Houston, Texas) * Wyldlife , Year of the Snake, Kiss and Tell (New York, New York) * Dizeaze , Straight Shot, Out of Control (Nordfjordeid Norway) * Elsie Binx , single, Mean Girls(Detroit Michigan)
* Mudbelly , single, Crooked Magic (Christchurch, New Zealand) * Happy Curmudgeons , Meant 2 Be, Burn Sugar Burn (Grand Blanc, Michigan) * Elephant Stone , The Glass Box, Strangers (Montreal, Quebec) * Maddy Reign, Single, Against My Will (Nashville) * Betyljoos , Back in Time, Back in Time(Staten Island)
* Planet of Rhythm , Damaged Goods, Your Possession (Pacific Palisades, Cali) * David Earl Lewis , Stage 3, Sweet Thang (Santo, Texas) * Stonesilk , single, Hold Me Up (Stockholm,Sweden)
* Tags ckut , DrasticPlastic Program
, Rock and
Roll Report Radio
-------------------------Categories
Drastic Plastic
DRASTIC PLASTIC PROGRAM ON CKUT 90.3 FM PLAYLIST FOR MAY 11, 2020 * Post author By Mark Boudreau * Post date May 12, 2020A
new episode of the Rock and Roll Report edition of the Drastic Plastic Program on CKUT 90.3 FM aired Monday night at 10:00 PM EST on May 11, 2020. This was the second episode recorded in the brand new Crabby Road Studios as the CKUT studios are currently closed. The playlist is organized in the following manner: Band/Musician/Album/Song in order of broadcast. As always you can listen to the show live on CKUT.ca or listen to it after the affect on the Drastic Plastic archive page . * The Thigh Scrapers , Single, On The Radio * Hangtime , Invasion, See YouSoon
* The Carolyn , This Will Begin To Make Things Right, Heartsunk * Playhouse , The Rock n Roll Circus, I Don’t Need You * Beams , Single, I Wanted to Tell Her * The Real Doug Lane , Water From the Stone, A Little Farther Down the Road * Greye , Single, Lucky * The Foxfires , Reawakening, Reawakening * The Roband , Single,Bextasy
* The Incurables , I Don’t Feel So Well, Eloise * The Damn Truth , Dear in the Headlights, Montreal * Beretta76 , Blue Sky, Tire Fire * Lucid Hoops , Single, Get Me Out ofHere
* The Black Fever ,
Unarticulated Wants, Marketing If you enjoyed what you heard please do not forget to buy some music and merch from the bands that you enjoyed. It is the best way for you to encourage them to keep going.Turn it up!
Mark
* Tags ckut , DrastickPlastic Program
-------------------------Categories
Drastic Plastic
DRASTIC PLASTIC PROGRAM ON CKUT 90.3 FM PLAYLIST FOR APRIL 13, 2020 * Post author By Mark Boudreau * Post date April 14, 2020 The first episode of the Rock and Roll Report edition of the Drastic Plastic Program on CKUT 90.3 FM aired Monday night at 10:00 PM EST on April 13, 2020. This was the first episode recorded in the brand new Crabby Road Studios as the CKUT studios are currently closed. The playlist is organized in the following manner: Band/Musician/Album/Song in order of broadcast. As always you can listen to the show live on CKUT.ca or listen to it after the affect on the Drastic Plastic archive page .*
* Wild Planes , Singin ‘N’Slingin, Money
* Golden Gods, The Thorny Crown of Rock n Roll, I Feel
the Earth Move
* Paperback Freud , All in a Day’sWork, Boogie Up
* Taddy Porter , Single,Shake Me
* Vinyl Hero , Single, Vultures * Sex Slaves , Call of theWild, Cool Ride
* The Maxwells , Heart Attack, Give Your Love Away * Jonathan Bright, Radio Free Tennessee,
Shine
* The Dollyrots , S/T, FU Famous * Rosa Cory Perry & The Truth Untold, Other Side of the Story, ForWhat It’s Worth
* The Brown Hornets , S/T, RooftopSniper
* Atomic Swindlers, Coming Out Electric,
Sexx66
* Slender , Revival, ForgiveMe
* The Sun Harmonic , Sign on the Road, It’s All Ok (Thanks to You) -------------------------Categories
Reviews and Suggestions CD REVIEW: STOLEN APPLE “WAGON SONGS” * Post author By Matheson Kamin * Post date February 21, 2020 Italian band STOLEN APPLE came together back in 2008 after one band called Nest came to an end. The previous band would release two albums during its existence before calling it quits: _Drifting_ in 2001 and _Isn’t_ _it?_ in 2007. And when the band’s time was over, Riccardo Dugini (vocals, guitar) and Luca Petrarchi (guitar) would search out musicians for their next project which would be Stolen Apple. The resulting band would include Dugini and Petrarchi, as well as Massimiliano Zatini on percussion and AlessandroPagani on bass.
For nearly a dozen years, Stolen Apple has been creating their own brand of music. Together, the quartet draws inspiration from numerous forms of music: “From psychedelic rock to post punk; from folk to indie rock; from cosmic & post atomic rock to new wave; from country to italo disco.” This ever-changing blend of music can be found on Stolen Apple’s albums entitled _When We Rise _(2015) and
_Trenches_
(2016). Just recently, the band added one more album to that discography. The 2020 release from Stolen Apple is entitled _WagonSongs._
_Wagon Songs_
from Stolen Apple begins with the track “Suicide”. With this track, the Italian band seems to be influenced by the likes of Iggy Pop and the Stooges. The track contains the same kind of musical approach as the Detroit group’s proto-punk sound back around 1969. In fact, this track easily brings to mind the music of that band’s song “I Wanna Be Your Dog”. “Suicide” is a strong track that will easily appeal to those Rock and Roll fans looking for the “Real Deal,” and this is a straight-out Rock and Roll track for thoselooking for that.
Stolen Apple continues their album with one of the track “Renegade Sun (Brexit)”. The band takes their music into a much more current time. The music of this track comes with a style that blends together influences from the Queens of the Stone Age and those of The Black Keys. Those influences are used to create a track that is hard hitting and ready for today’s Modern Rock radio formats. Much like the previous song, the modern feel of the music on “Renegade Sun (Brexit)” will definitely appeal to the fans of hard hitting Rockand Roll music.
With the next track called “Masturbation,” Stolen Apple brings a little bit of the Italian side of the band into the music as they seem to flavor the song with just a little bit of the music found in a Spaghetti Western soundtrack. That Spaghetti Western flavoring added to a slightly New Wave Feel to the music ends up creating a track that is rather reminiscent of the eighties New Wave/Post-Punk band Wall of Voodoo, excepting maybe a little harder in its delivery. To go along with the slight Spaghetti Western flavoring in the music, the addition of a rather strong Italian accent in the lyrical delivery brings out more of that Italian base to the band’s music. On the next track called “Out of Fashion,” Stolen Apple creates a track taking several different approaches at once. As the track begins, the slightly off-tone vocals mixed with the strong but gentle pace to the music created by the guitar, bass and drums create an easy approach to the song. Soon enough, however, the band picks up the energy level to the music. What occurs is a track with a strong Alternative Rock feel that blends together influences from the likes of Sonic Youth and Nirvana. The resulting track of “Out of Fashion” would easily fall directly into the Alternative Rock scene from the middle of nineties. The _Wagon Songs_ release from Stolen Apple continues with the track “Kid”. With this track, the band slows things down quite a bit as they explores a more Progressive Rock sound. The track finds the band drawing inspiration from Classic Rockers Pink Floyd. In fact, the Pink Floyd influence seems to be there is several ways. Among those ways is the fact that the track itself seems to have a strong musical resemblance to Pink Floyd’s “Comfortably Numb” track. The basic slow pace to the music of the track recalls Floyd’s style on that song. And then the accompanying strings add even more of a resemblance to Floyd’s song. Not to mention the extended length of the track which adds to the Progressive feel of the track. Before Alternative Rock became a radio genre, it was simply known as College Rock, music that would never have gotten played on Commercial Radio formats in the late seventies, early eighties. It’s within this concept that the track “Up Your Mind” from Stolen Apple falls. Bringing some of the influence from the early days of The Motels, Gang of Four, Wall of Voodoo and others from that era, the style of Rock and Roll featured on “Up Your Mind” is the type of music that would have felt right at home on College Radio in the early eighties. While not really commercial for the eighties, this would have been the type of song that would have gone on to influence the artists included in the early days of Alternative Rock. The latest release from Italy’s Stolen Apple comes to a close with the track “Easier”. During the first ninety seconds or so of the track, the band creates yet another track much like with “Up Your Mind” before it inasmuch as the song “Easier” features music that feels like it would have been right at home between the end of the seventies and the beginning of the eighties. With the instrumental feel of the music, the track draws some of its influence from New Wave music and some influence from Punk Rock of that era. Adding the vocals in, the track ultimately feels like something from the Art Punkband Pere Ubu.
_Wagon Songs_
from Stolen
Apple finds the Italian band creating very strong Rock and Roll through the album’s nine tracks. And with the various influences, styles and musical elements that the band draws from and includes in their music, this album is for anyone who enjoys Rock and Roll from any era from the seventiesthrough today.
_TO HEAR JUST A LITTLE BIT FROM THE WAGON SONGSALBUM FROM
STOLEN APPLE , CHECK OUT ONE OF THE VERY FIRST TRACKS RELEASED TO PROMOTE THE RELEASE, “RENEGADE SUN (BREXIT)”._ _TO CHECK OUT THE WAGON SONGS RELEASE FROM STOLEN APPLE ON SPOTIFY, CLICK ON THE ALBUM COVER BELOW: _ * Tags alternative rock, College Rock
, Indie Rock
, modern rock
, new wave
, nirvana
, Pere Ubu
, pink floyd
, Post Punk
, Psychedelic Rock
, sonic youth
, straight-out Rock andRoll ,
The Black Keys ,
Wall of Voodoo
-------------------------Categories
Reviews and Suggestions CD REVIEW: WHITE COLLAR CRIME “30 YEARS IN THE NY RAIN” * Post author By Matheson Kamin * Post date February 13, 2020 What do you do when you spend part of your life in a court of law and other parts of your life performing music? If you’re like members of New York City- based WHITE COLLAR CRIME , you create a band with like-minded individuals and play music when you’re not in front of a bench. Since forming, White Collar Crime has performed countless amounts of concerts that feature the band’s original songs. In the time that has passed since the beginning of the band White Collar Crime some thirty years ago, many musicians have come and gone through the New York City-based group. In fact, only guitarist/vocalist Matt King and drummer Alan Sanders are original to the band. Today, King and Sanders are joined today by other musicians, the majority of which have a considerable amount of time in the band themselves. David Gelman joined on keys in 1995, bassist Kevin Mackall and vocalist Andrea Urban came aboard in 2011, and guitarist Jon Bendis joined the rest of the group in 2016. As a band, White Collar Crime has put out several albums of original material. The band’s most recent album, entitled _Floor Aisle Room_, was
released back in 2012. Time has passed since the release of that album, but White Collar Crime recently released their first album in seven years. The reason for the time between the previous album and the one currently being promoted is simple: With some of the band members of White Collar Crime being busy in and out of the courtroom, it’s difficult to find the time to create new music as a band. But the band is now currently celebrating a new album of material called _30 Years in the NY Rain_.
White Collar Crime’s _30 Years in the NY Rain_ begins with the track entitled “To Be Real”. The first few seconds of this track is based around the sound of the piano. Pianist David Gelman lays down fifteen seconds of quiet piano with a laidback feel to it. But after those fifteen seconds, the rest of the band joins in and picks up the pace and the energy level of the music. The piano which had been so prominent at the beginning of the song ends up falling into the background and blends with the rest of the instrumentation. The music of the track feels as if it came from the eighties and it brings to mind the writing style of singer-songwriter Don Henley. The lead vocals of the track are handled by Matt King with vocalist Andrea Urban adding texture to the background of the track as those lyrics find King looking for something in the relationship to reinforce his feelings towards the one he loves. The track’s lyrical content as well as the musical approach would fit well alongside Henley’s music, as well as other songs from the eighties. The band continues their latest release with the track “Reason”. Where the previous track features music that would fit well into the eighties, this track’s musical approach is a lot more timeless, basically fitting into any musical period from the last thirty years to today. The previous song of “To Be Real” featured lyrics about looking for the positive in the relationship. But with this song, the outlook looks a little bleaker as King sings of not having cause to stick around. While the lyrics may not be all that positive, this song is far from being depressing as the music is just as upbeat as thetrack before it.
Yet another track from White Collar Crime’s _30 Years in the NY Rain_ release is the song “Dream the Dream”. The guitar-driven song features a strong Rock and Roll vibe that could be described as timeless. The music of the track would fall somewhere within the late seventies and early eighties, creating what many would consider the very sound of Rock and Roll music. The track brings to mind music from the likes of Dire Straits and/or Bruce Springsteen. “Dream the Dream” features lyrics about a relationship that could be a lot more passionate in nature than it is. While containing a strong Rock and Roll vibe in the music, “Dream the Dream” is basically a duet as guitarist/vocalist Matt King and vocalist Andrea Urban take turns singing about their roles in the relationship. While the track contains a light, upbeat musical delivery, the lyrics contain some sadness as the two voices don’t quite see the relationship the sameway.
With the next track called “Letter to You,” the band changes directions slightly as the track features not only Matt King on vocals, but also features Andrea Urban as the two vocalists share the spotlight on this track. The running theme of relationships returns once again on this track as both King and Urban sing about writing down how they feel about the other person. Much like each of the songs that have come before on this release, “Letter to You” contains a strong, driving Rock and Roll feel to the music instead of a more laidback, romantic feel that one would associate with the lyrical content found within this song. That being said, this song still finds the band in fine form. The first four songs on the _30 Years in the NY Rain_ release from White Collar Crime find the band creating tracks that feature straight-out Rock and Roll approaches with fully electric sounds. But with the track “Just a Song,” the band changes things up. This sound features an acoustic guitar as the main musical focal point, creating a slightly softer feel to the band’s sound. What results is a track that contains a musical delivery that is somewhat reminiscent of The Eagles. That approach sets the track more into the seventies time frame rather than the eighties era like the earlier tracks. While many of the songs contained within the _30 Years in the NY Rain_ album from White Collar Crime contain a throwback feel to their musical deliveries, the “title track” for the release puts the band’s music squarely into a much more modern timeframe. “New York Rain” contains a Pop-Rock feel to the music. The song contains guitars and keyboards that create a style in the music that would fit right in with bands like The Goo Goo Dolls, or The Gin Blossoms. What results is a track that would be right at home on any modern-day Top 40 radio format. “New York Rain” is easily one of the most commercial tracks of the entire 12-song album. Another song on the newest release from White Collar Crime that is rather commercial in nature is the song “Just Like Me”. Where the previous song recalls bands such as The Goo Goo Dolls or The Gin Blossoms, this song finds the band drawing inspiration from the likes of Kid Rock. The reason for that comparison comes from the laidback feel of the guitars on the track and the Country-tinged Pop-Rock musicthat results.
While several the band members of this group have a very serious side that shows up in each of their court appearances, the _30 Years in theNY Rain_
album from White Collar Crime shows off the various other talents of each of the band members of the group. It also shows off the various musical elements that act as influences to the band’s music. When combined, the resulting music on this album indicates that there is always more to a person than the one side people usually see on a daily basis. _FOR A TASTE OF THE _30 YEARS IN THE NY RAIN_
ALBUM FROM WHITE COLLAR CRIME , CHECK OUT THE “TITLE TRACK” FROM THE RELEASE, “NEW YORK RAIN”._ _TO CHECK OUT THE _30 YEARS IN THE NY RAIN_ ALBUM FROM WHITE COLLAR CRIME, CLICK ON THE ALBUM COVER BELOW: _ * Tags Bruce Springsteen, Dire Straits
, Don Henley
, eighties
, Kid Rock
, modern-day Top 40
, Pop Rock
, seventies
, The Eagles
, The Gin Blossoms
, The Goo Goo
Dolls , throwback
feel
-------------------------Categories
Reviews and Suggestions CD REVIEW: ANGELA PERLEY “4:30” * Post author By Matheson Kamin * Post date February 11, 2020 Singer-songwriter ANGELA PERLEY grew up in Central Ohio near Columbus. In the city of Hilliard, Perley started playing guitar while in her teens and was in her first band while still in high school. As she moved from one level of education to the next, music was always part of Perley’s life as she joined and created bands. Perley started truly making a name for herself when she was part of the band Angela Perley and the Howlin’ Moons.
After putting out several EP’s of music, Angela Perley and the Howlin’ Moons released their first album _Hey Kid _in 2014. That band would release one more album (2016’s _Homemade Visions_) before
Perley would decide to go on her own as a solo artist. As a solo artist, Angela Perley draws upon the same type of musical blend that she had created while a part of the band Angela Perley and the Howlin’ Moons: Country, Indie, Rock, and Folk. This blend creates one form of Americana, shifting through the various musical influences from one song to the next. That shifting of genres is a large apart of the music contained within the debut solo release from Angela Perley called _4:30 _. The album called _4:30_ from Angela Perley begins with the title track of the release. “4:30” finds Perley creating a song about being home for a change and not being able to sleep. The track begins with a rather laidback Folk-inspired feel that brings to mind something from the Sixties music scene. When the track continues, that Folk feel is added to with some easy Rock and Roll influence. The track quickly morphs into an Indie Rock feel which continues until the track ends. With the track “4:30,” Angela Perley draws the listener in right from the start. Angela Perley’s new release continues with the track “Let Go”. This track leaves the easy feel of the last track far behind. Instead of an easy Folk-Rock blend, this song finds Perley unleashing her inner rock star. While the first track was largely inspired by the likes of Joan Baez or Carole King, “Let Go” draws its inspiration from the likes of Suzi Quatro or Pat Benetar, putting the track somewhere between the Hard Rock of the Eighties and the early days of Alternative Rock. Anyone looking for a good Hard Rockin’ Rock and Roll song, “Let Go” with its strong electric guitars and driving pace to the music will easily satisfy that desire. Perley continues her _4:30_ album with the track “Back in Town”. As the musician had just finished a track with a strong Rock and Roll vibe to it, she continued that direction with another such track in “Back in Town”. Where the previous track falls somewhere between Alternative Rock and Hard Rock of the Eighties, this song takes Perley’s music into a stronger Seventies/Eighties Rock and Roll direction. Falling somewhere between Joan Jett and Lita Fold, “Back in Town” easily would have been right at home on the radio in the Eighties on Power Rock radio formats. The feel of the music changes again with the next track called “He Rides High”. With this track, Angela Perley creates a more relaxed song with a style and pace of Classic Rock from the late Sixties/early Seventies. This track blends together Rock and Roll, Jazz and some Folk influence. Together, the musical influences of the track seem to recall some of the style of the band The Doors in their less psychedelic stages. On this track, Angela Perley’s voice also contains a similar vocal quality to that of Grace Slick of Jefferson Airplane or Christine McVie of Fleetwood Mac. While this is a new song, the track definitely contains a classic feel to it. Staying in a rather laidback mood, the next track of “Don’t Look Back Mary” slows the pace of the music down. While “He Rides High” already contains a relaxed feel, with “Don’t Look Back Mary,” the slow pace of the music intensifies. Folk Rock and a hint of Country influence combine to create a track that appears to have a little pain in the lyrical content as the title character of Mary seems to have a hard time letting go of the past and moving on. The slow pace to the song and that lyrical content combine to create one of the most emotional tracks on the release. After several slow-paced tracks, Angela Perley brings some of the energy back to her music on the track “Dangerous Love”. This track has a strong Pop-Rock feel to the music, creating a rather timeless feel to the music. The song brings to mind female Rock stars from the Eighties, such as Eighties-era Madonna or even The Bangles. In fact, you could imagine this track being played right after a track such as “If She Knew What She Wants” from Susanna Hoffs and the rest of the band. “Dangerous Love” is one of the most commercial tracks on the _4:30_ album from Angela Perley. “Walk With Me,” the final track of Angela Perley’s solo debut finds Perley bringing back a little of the Sixties flavor that had been found on the song “He Rides High”. Again, with this track, Perley seems to be drawing influence from Grace Slick and Jefferson Airplane. The wah-wah pedal near the end of the track adds a nice retro feel to the song. The retro feel to the Rock and Roll on this track adds a nice amount of energy to the end of the release, and brings the album called _4:30 _to a close on an energetic note. _4:30 _ from Angela Perley is an album with many different angles as the singer-songwriter and musician draws inspiration from many different artists and eras. That ever-changing direction creates a release that may very well find a rather diverse audience. _TO EXPERIENCE SOME OF THE MUSIC FROM ANGELA PERLEY, CHECK OUT THE SONG “LET GO”. _ _TO HEAR THE ENTIRE 4:30 RELEASE FROM ANGELA PERLEY , CLICK ON THE ALBUM COVER BELOW: _ * Tags alternative rock, Carole King
, classic rock
, Country
, eighties
, fleetwood mac
, folk
, hard rock
, jazz
, Jefferson Airplane, Joan Baez
, joan jett
, lita ford
, Pat Benetar
, power rock
, seventies
, sixties
, Suzi Quatro
-------------------------Categories
Reviews and Suggestions CD REVIEW: WHEN IN ROME II S/T * Post author By Matheson Kamin * Post date February 10, 2020 Back in the eighties, many British bands made their way into American households by way of the radio for a second time, with the first time having been referred to as the British Invasion. Bands that were part of that “New Wave” included A Flock of Seagulls, Depeche Mode, Duran Duran, Joy Division, and on and on. And while the aforementioned bands were some of the best known, there were plenty of others that were part of the ‘wave” that never gained the same popularity. One such band that had not reached that same popularity here in the United States was the group known as When in Rome.
The original version of When in Rome came together in the late eighties. In 1987, Michael Floreale and Andy O’Connell were recruited by Clive Farrington after Farrington had dissolved the band he had previously been a part of. Together, the trio created a synthesizer-heavy Pop sound that fell into the Synth Pop category, and When in Rome was born. That band would record one album that would produce the band’s only real hit entitled “The Promise,” a song that would reach #11 on the Charts and #1 on the Dance charts here in the U.S. Before too long, this band too would have a falling out, resulting in Michael Floreale being fired by the remaining band members O’Connell and Farrington. Floreale would move to the United States while the other two stayed in Great Britain, and two bands would now use the band name. However, Michael Floreale’s version of the band here in the United States is called WHEN IN ROME II.
Under the moniker of When in Rome II, Michael Floreale brought together a new group of musicians. The lineup for When in Rome II would include: new singer/songwriter Johnny Ceravolo as well as Chris Willet (drums) and Michael Floreale (piano and keyboards). This lineup created the band’s 2015 self-titled release. And while this new band still has a sound that revolves around the keyboard, this ensemble’s music draws from Alternative Rock as much as it draws from New Wave. Imagine the synth sound of Depeche Mode from the eighties combining with the darker feel of Depeche Mode from the nineties with some Pop-Rock influences and you get somewhat of an idea of what When in Rome II’s music sounds like. This musical blend appears on the band’s 2015 self-titled release.
The 2015 self-titled release from When in Rome II begins with the track “Last Train”. The track begins with the sound of the synthesizer from Michael Floreale creating a slightly dark atmospheric approach. Soon, that synthesizer is joined by Johnny Ceravolo on guitar helping to complete the Alternative Rock feel to the track. What results is a sound that blends together some Depeche Mode with some Nine Inch Nails. The track has a strong, driving feel to the music that places the song somewhere in the middle of the nineties, musically speaking. The song contains rather grave lyrics as the words were inspired by someone attempted to end his life in front of a train, hence the title of the track. The overall feel of the song sort of brings to mind the song “Blasphemous Rumours” from Depeche Mode as both songs come from rather grim places. When In Rome II continues their album with the song “Come On”. With this track, the music takes on a lighter feel as a lot of the dark musical undertones of the last track are replaced by more Pop-like notes, bringing the band’s sound closer to what When in Rome had been in the eighties. In fact, “Come On” feels like a combination of eighties New Wave and early U2. This musical blend creates a track with a very commercial feel to it. Lyrically, the band seems to create a track that answers the dark, grave message in “Last Train” with a lighter, more upbeat message that life actually is worth living. The feel of the music changes on the next track called “Let it Go”. Where the first two track are very synth-heavy, “Let it Go” showcases the guitar playing of Johnny Ceravolo as the acoustic guitar helps to create the musical base to the track. That acoustic guitar creates a much lighter pace to the music, creating a sound that is almost Pop-like. That Pop-Rock blends together acoustically-driven music that is flavored by the addition of the electric guitar to create a track that would easily fit onto a Top 40 radio format. And with the upbeat lyrics of the track that encourage the listener to see the bright side of things, this track would fit rather well on those Top 40 radio stations. It is with the next track called “Eventide” that When in Rome II creates one of the most listener-friendly tracks on the album. The track begins with the swirling sound of a synthesizer creating a loop that brings to mind something from the eighties. That synthesizer loop is then layered with piano, guitar, bass and drums to create sound that feels rather timeless. What results is a track that would have fit anywhere in the late eighties into the nineties. This track brings to mind a newer version of the sound found in “The Promise,” the track that once made a name for When in Rome. Like earlier tracks on the self-titled release from When in Rome II, “Eventide” is a rather commercial track that would fit well on Top 40 radio alongside U2, INXS, or even the more commercial tracks from Duran Duran. On the track “Giving Up,” When in Rome II brings back a Pop-Rock feel to the music as the track features the sound the piano as the main instrument creating a track with a soft, easy feel to the music, much like songs from the Lite Rock days of the eighties. The easy feel of the music, the sound of the piano and the light guitar in the back of the song all blend together and create a sound that is rather reminiscent of someone like Little River Band or Air Supply who were known for their overly laidback musical approach. For fans of that style of music, “Giving Up” is a nice reminder of that era. While 2015 release from When in Rome II features mainly new material, this band brings their album to a close with the very song that made a name for the band- “The Promise”. And while the Michael Floreale-led band does revisit this track, they do not recreate what had come before. After all, this is not the same band and they do not have the same feel as the original trio. The 2015 version of the song, called “The Promise 2.0” finds the band creating a rather different version of the classic track. Where the original song had the New Wave feel to the Rock and Roll, the new version finds the band slowing things down and creating a track with a slower pace to it. The track also has a more prominent piano presence than the original version. And with Johnny Ceravolo’s deeper register when compared with Clive Farrington’s vocals, the deeper voice and slower pace create a track that feels more like a ballad than the original track. After a minute or so, the band returns a bit of the energy back to song. The track lives up to the original versions and while “The Promise 2.0” is not that original track, the listener will find this new version grows on them rather quickly. The original band called When in Rome only lasted three years before it imploded. When in Rome IIhas
already bypassed that mark and is still going. In fact, Michael Floreale’s When in Rome II (with new vocalist Tony Fennell) is currently making the rounds as part of the SIRIUSXM PRESENTS TOTALLY 80’S LIVE TOUR with The Motels and Bow Wow Wow. Check out the 2015 self-titled releasefrom When in Rome
II, then check the internet to see if and when the tour is coming toyour town.
_TO CHECK OUT THE MUSIC OF WHEN IN ROME II, CHECK OUT THE TRACK “THEPROMISE 2.0”. _
_TO CHECK OUT THE SELF-TITLED ALBUM FROM WHEN IN ROME II, CLICK ON THE ALBUM COVER BELOW: _ * Tags alternative rock, duran duran
, INXS
, Michael Floreale
, new wave
, nine inch nails
, Synth Pop
, Totally 80’s
, U2 0
-------------------------Categories
Reviews and Suggestions CD REVIEW: THE AMPLIFIER HEADS “LOUDAH” * Post author By Matheson Kamin * Post date January 9, 2020 THE AMPLIFIER HEADS is a Boston-based band consisting mainly of Sal Baglio. Sal Baglio is a singer-songwriter and guitarist who has spent over thirty years in the music industry creating straight-out Rock and Roll music. Most of that time has been spent with one band- The Stompers, a band that came
together in the East Boston, Massachusetts area back in 1977. That band, strangely enough, is still out there performing the music that made them so popular all those years ago. However, as far as The Stompers are concerned, the band mainly exists today as a tribute to the very music that they created way back when. What that means is that every so often, the band will get together to perform their music live onstage in a concert setting. But as far as new material is concerned, The Stompers have not created anything new, musically speaking, since their last release, 2009’s _Stompilation_, which
combines music from every era of the band and puts it all in one place as a 21-track Best Of album. While The Stompers have not produced any new music for an extended amount of time, the same, happily, cannot be said for singer-songwriter Sal Baglio. Even though The Stompers aren’t creating anything new, Baglio has created several solo albums of his own over the years. And then, there’s the new musical venture for Baglio; a band that takes Baglio’s style of songwriting and puts it out there in the form of a new project. That new project being called The Amplifier Heads.The Amplifier Heads
is a
band consisting mainly of Sal Baglio as he provides vocals, guitar and bass to the tracks that make up the debut release called _Loudah_. Along with Baglio, producer Ducky Carlisle provides the drums for the project, and Jeff Keithline appears on bass for three of the tracks. For the rest of the instrumentation on the album, the music comes from several other musicians who add their talents to one or two tracks on the release each. Together as a whole, Sal Baglio and Company create an album under the moniker of The Amplifier Heads that makes use of different forms of Rock and Roll, staying solidly within a ClassicRock format.
The debut release of _Loudah_from The
Amplifier Heads begins with the track “The Boy with the Amplifier Head”. In a time where we are trying to steer the youth of today away from bullying, “The Boy with the Amplifier Head” tells the tale of a kid who was picked on by everyone in his age group for being different. The track features a Rock and Roll sound that blends together some seventies-era music with just a little British Invasion influence thrown in. What results is a song that would fit right alongside music from the likes of Badfinger or maybe The Raspberries. With the next track called “Beat Club,” Sal Baglio and Ducky Carlisle are joined on bass by Jeff Keithline. Together, the trio creates a Rock and Roll sound that sets the music in the middle of the seventies. The track feels like something that would have existed at the same time as Glam Rock. In fact, the main musical influence that seems to come through on the track is the influence of Marc Bolan and his band T. Rex. You could easily imagine “Beat Club” from The Amplifier Heads alongside a track like “20th Century Boy” fromthat band.
While the previous song of “Beat Club” brings to mind music from the likes of Marc Bolan and T. Rex, the next track called “Jaw Teaser” screams The Rolling Stones. One reason in particular for that is because Sal Baglio sings the words “Jaw Teaser” with the exact same delivery Mick Jagger uses when singing the words “Brown Sugar”. The track also seems to have a similar feel to the music that “Brown Sugar” has. Musically, there is some musical influence from the Stones as well, but that’s just because the track features a sound that keeps it squarely within the Rock and Roll music of the seventies. That Rolling Stones feel to the music even continues on the next track called “Starleen”. The song contains a straight-forward Rock and Roll feel to the music, with a bit of The Stones influencethrown in.
The Amplifier Heads featuring Sal Baglio is not just a band with a Classic Rock feel to the music. The band also seems to have a slight sense of humor when it comes to writing the lyrics to the songs; at least, that’s the way it seems with the track “Two-Headed Girl”. Because of the Glam Rock feel to the music once again, the track falls into the same basic musical time period as “Beat Club”. It is with the slightly humorous lyrics to the song that the listener finds Baglio describing a date with a woman with two heads (maybe a way of saying “split personality” without actually coming out and saying it?). The track once again would be perfectly fine being included within music from the seventies. And with the addition of a slight sense of humor, the track of “Two-Headed Girl” stands out from therest of the album.
_Loudah_ from The Amplifier Heads continues with the track “Big Wax Lips”. Just as “Two-Headed Girl” comes to an end, Sal Baglio and Duck Carlisle create yet another track with a sense of humor. Where the lyrics to “Two-Headed Girl” may suggest a split personality, the lyrics to “Big Wax Lips” contain many plays on words. While many may think the track is about different forms of candy, Baglio is not referring to that. Much of the _Loudah_ release from The Amplifier Heads finds the music to be rather reminiscent of styles and bands from days gone by, mostly from around the time of the seventies. This places the music in the retro category. “Big Wax Lips” is also retro in feel; but for this track, Baglio and Carlisle create music reminiscent of the Akron, Ohio band The Black Keys. Where most of the album features the playing and singing of Sal Baglio, the final track of the release called “Rock Candy” features the playing of drummer Paul Armstrong of the Syracuse band The Flashcubes, a band much like Baglio’s group The Stompers as they date back to the seventies like The Stompers do. In fact, the track “Rock Candy” is mainly Paul Armstrong hammering away rather impressively on the drumkit with musical accompaniment from Baglio. And much like the previous track, the song contains much than a slight reference to bands like The Black Keys. “Rock Candy” is very energetic as it brings the albums to a close and leaves the listener who is looking for real Rock and Roll rather satisfied. In a musical world where much of the current bands and musicians today are creating music based within the Pop-Rock style of music heavy on the “pop,” it’s always refreshing to find a musician like Sal Baglio who takes his band The Amplifier Heads and creates real, honest Rock and Roll. _Loudah_ from Boston’s The Amplifier Heads may just be the debut release for this outfit, but it’s a rather impressive debut. And with each track on the release being mainly below the three-minute mark, the album is very listener-friendly, as well as radio-friendly. For those looking for straight-out Rock and Roll with plenty of energy, look no further than _Loudah_from The
Amplifier Heads
.
_FOR A TASTE OF THE ROCK AND ROLL MUSIC FROM SAL BAGLIO AND HIS BAND CALLED THE AMPLIFIER HEADS, CHECK OUT THE FIRST TRACK FROM THE _LOUDAH _RELEASE CALLED “THE BOY WITH THE AMPLIFIER HEAD”._ https://theamplifierheads.bandcamp.com/track/the-boy-with-the-amplifier-head _TO CHECK OUT THE ENTIRE RELEASE OF _LOUDAH_ FROM THE AMPLIFIER HEADS, CLICK ON THE ALBUM COVER BELOW: _ * Tags 70s Classic Rock, Badfinger
, British Invasion
, classic rock
, Glam Rock
, marc bolan
, rock and roll
, Sal Baglio
, t rex
, The Black Keys
, the raspberries
, The Rolling
Stones , The
Stompers
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