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APPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, gender BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. ONE DIFFERENTIATION BETWEEN THE ARTIST AND THE NON-ARTIST To answer the question posed in the 2017 yearbook, my first impulse was to wander in the waters of the literary theory, pointing out that the main difference between the »artist« and »non-artist« correspond to this very features that define them, i.e., their relationship to art. The »artist« is understood here as the producer of art, and the other as the absence of this benefit, a path ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NON One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM PETROCHEMICAL This cookbook refigures materials and methods for radically remaking the historically dominant petrochemically derived plastic materials that we use in our everyday lives.BISRAT NEGASSI
Bisrat Negassi is a fashion designer, who was born in Eritrea and grew up in Germany. She studied and worked in Germany, Italy, USA, and is now living and working between Hamburg and Paris. In 2004 she started her label for transcultural fashion Negassi. She is co-founder of the non-profit organisation M.Bassy, based in Hamburg, with the goal RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Agar Agar Bioplastics Protocol. Prepare work area with hot plate, pot, beakers, scale, stirring tool, and needed ingredients (agar powder, water, glycerol), and mold off to the side SCHLOSSPOST'S COMMUNITY OF WRITERS AND ARTISTS Schlosspost people come from all art and science disciplines, and include current and former fellows, jurors, journalists, curators, and web residents. To find out more about their projects and articles, just click on their profiles. Sort by:APPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, gender BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. ONE DIFFERENTIATION BETWEEN THE ARTIST AND THE NON-ARTIST To answer the question posed in the 2017 yearbook, my first impulse was to wander in the waters of the literary theory, pointing out that the main difference between the »artist« and »non-artist« correspond to this very features that define them, i.e., their relationship to art. The »artist« is understood here as the producer of art, and the other as the absence of this benefit, a path ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NON One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM PETROCHEMICAL This cookbook refigures materials and methods for radically remaking the historically dominant petrochemically derived plastic materials that we use in our everyday lives.BISRAT NEGASSI
Bisrat Negassi is a fashion designer, who was born in Eritrea and grew up in Germany. She studied and worked in Germany, Italy, USA, and is now living and working between Hamburg and Paris. In 2004 she started her label for transcultural fashion Negassi. She is co-founder of the non-profit organisation M.Bassy, based in Hamburg, with the goal RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Agar Agar Bioplastics Protocol. Prepare work area with hot plate, pot, beakers, scale, stirring tool, and needed ingredients (agar powder, water, glycerol), and mold off to the side SCHLOSSPOST'S COMMUNITY OF WRITERS AND ARTISTS Schlosspost people come from all art and science disciplines, and include current and former fellows, jurors, journalists, curators, and web residents. To find out more about their projects and articles, just click on their profiles. Sort by:THE SONIC BODY
The intention of the movement is focused on the causality of the sound steaming from it and vice versa, altogether generating a flow, in which none of the elements is predominant. It is a process of internal listening and reproduction of something we can call – a »sonic body.«. When Antoni proposed to me the project Topology of the Sonic 'TWAS ALL IN MY HEAD Bierlein tells a tale about the meaning of myths, »on first reading, the Chinese myth sounds quite primitive. It is anthropomorphic; that is to say, the characters are natural forces personified. The two elements that form lightning are referred to as ›emperors,‹ and chaos is portrayed in human form.«. The grandfather’s story is THE IMPACT OF WESTERN CIVILIZATION Tony Feda. Roughly speaking, African literature has always been a literature supported by masters. The unmistakable Aimé Césaire was knighted by André Breton, who, on a trip to Martinique, had the surprise of his life by discovering in a wrapping paper an excerpt from Notebook of a Return Home, and, therefore, decided to edit theauthor.
ONE DIFFERENTIATION BETWEEN THE ARTIST AND THE NON-ARTIST To answer the question posed in the 2017 yearbook, my first impulse was to wander in the waters of the literary theory, pointing out that the main difference between the »artist« and »non-artist« correspond to this very features that define them, i.e., their relationship to art. The »artist« is understood here as the producer of art, and the other as the absence of this benefit, a path TECHNO-SEX BOTS: MOLECULAR SEX, SYNTHETIC LOVE AND QUANTUM How can we find performances of desire and designs of pleasures in the economics of nanotech? In the interview with Sandra Oehy, Johanna Bruckner talks about her project Molecular Sex & Synthetic Love that she developed for the web residency call »Engineering Care« by Solitude & ZKM, curated by Daphne Dragona.A project that aims at queering normative world views of intimate THE TRIUMPHANT RETURN OF THE BOHÍO The Triumphant Return of the Bohío. by Boris González Arenas — Nov 20, 2017. Ricardo Portilho Mattos. Illustration by Ricardo Portilho Mattos. The standard of housing seems to be a representative signifier not only of a country’s wealth but also of the responsibility a government takes for its citizens. Considering the Cuban government GIVE ME YOUR DIRTY LOVE Solitude fellows have left many traces in the house over the years. Everything from slogans to objects can be found on the walls, in their studios, the laundry room, or even in the director’s cabinet – obvious and hidden, playful and arty. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Agar Agar Bioplastics Protocol. Prepare work area with hot plate, pot, beakers, scale, stirring tool, and needed ingredients (agar powder, water, glycerol), and mold off to the side24H HOST
The 24H HOST performance is a small party that lasts for 24 hours, driven by software that automates the event, embodied in human HOST. Every 5 minutes, one guest departs and a new guest arrives. Over the course of 24 hours, the HOST becomes increasingly depleted, but the software system drives her to continue, as the guests endlessly cycle HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumniAPPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, gender NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. SLOWLY MAKING VISIBLE In my artistic practice I am interested in how history is written and rewritten depending on the case, ideology, or political agenda it promotes, and how marginalized groups are being represented in it. My work deals with power structures, identity, memory, the construction of history, and architecture, looking at how these interlinked phenomena are interpreted and represented culturally and ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NON One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response.OBJECTS OF SOLITUDE
Objects of Solitude. by Jean-Lorin Sterian — Jul 19, 2016. A single-serve soup packet, a little bottle with the smell of childhood, a little toy gun. – These objects related to solitude were brought by the audience to the first shows of Home Alone by researcher and artist Jean-Lorin Sterian at lorgean theatre, the only living-roomtheater
ONE DIFFERENTIATION BETWEEN THE ARTIST AND THE NON-ARTIST To answer the question posed in the 2017 yearbook, my first impulse was to wander in the waters of the literary theory, pointing out that the main difference between the »artist« and »non-artist« correspond to this very features that define them, i.e., their relationship to art. The »artist« is understood here as the producer of art, and the other as the absence of this benefit, a path GIVE ME YOUR DIRTY LOVE Solitude fellows have left many traces in the house over the years. Everything from slogans to objects can be found on the walls, in their studios, the laundry room, or even in the director’s cabinet – obvious and hidden, playful and arty. RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumniAPPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, gender NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. SLOWLY MAKING VISIBLE In my artistic practice I am interested in how history is written and rewritten depending on the case, ideology, or political agenda it promotes, and how marginalized groups are being represented in it. My work deals with power structures, identity, memory, the construction of history, and architecture, looking at how these interlinked phenomena are interpreted and represented culturally and ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NON One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response.OBJECTS OF SOLITUDE
Objects of Solitude. by Jean-Lorin Sterian — Jul 19, 2016. A single-serve soup packet, a little bottle with the smell of childhood, a little toy gun. – These objects related to solitude were brought by the audience to the first shows of Home Alone by researcher and artist Jean-Lorin Sterian at lorgean theatre, the only living-roomtheater
ONE DIFFERENTIATION BETWEEN THE ARTIST AND THE NON-ARTIST To answer the question posed in the 2017 yearbook, my first impulse was to wander in the waters of the literary theory, pointing out that the main difference between the »artist« and »non-artist« correspond to this very features that define them, i.e., their relationship to art. The »artist« is understood here as the producer of art, and the other as the absence of this benefit, a path GIVE ME YOUR DIRTY LOVE Solitude fellows have left many traces in the house over the years. Everything from slogans to objects can be found on the walls, in their studios, the laundry room, or even in the director’s cabinet – obvious and hidden, playful and arty. RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumniVOIN DE VOIN
Voin de Voin (born 1978) lives and works in Sofia . He got his Master’s degree from DasArts-Institute of advance research in the performing arts, Amsterdam, and diplome from Gerrit Rietveld Academy, Amsterdam- Audio-visual department.He studied also at Goldsmith College, London, EICAR –International School for film and cinema of Paris. Since July 2016 he is running independent art space in BLUE BOOK | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST This register of memorial was indisputably the one chosen by the French author Elise Fontenaille-N’Diaye when writing her Blue Book, the account of the Herero and Namaqua genocide in Namibia. A forgotten genocide, the logical culmination of an imperialist madness that gripped Europe in the 19 th century. THE IMPACT OF WESTERN CIVILIZATION Tony Feda. Roughly speaking, African literature has always been a literature supported by masters. The unmistakable Aimé Césaire was knighted by André Breton, who, on a trip to Martinique, had the surprise of his life by discovering in a wrapping paper an excerpt from Notebook of a Return Home, and, therefore, decided to edit theauthor.
THE TRIUMPHANT RETURN OF THE BOHÍO The Triumphant Return of the Bohío. by Boris González Arenas — Nov 20, 2017. Ricardo Portilho Mattos. Illustration by Ricardo Portilho Mattos. The standard of housing seems to be a representative signifier not only of a country’s wealth but also of the responsibility a government takes for its citizens. Considering the Cuban governmentFLORIAN MODEL
Meandering between curating and artistic practice, Florian Model is interested in the influence of everyday technology onto our daily lives and society as a whole by approximating the consequences of these complex systems. He codirects the nomadic nonprofit organization anorak, together with Johanna Markert and Lukas Ludwig. WHAT IS THE IMPACT OF DRAWING ON THE BRAIN? To me, drawing always had a positive effect on my brain. Like walking, it seemed to stimulate lateral thinking. Thus, after developing the work with Mina Pegourie, I started to study neuroscience, and discovered that indeed drawing is an activity that impacts the brain. According to neuroscience, the mind is not the sole producer ofknowledge
24H HOST
The 24H HOST performance is a small party that lasts for 24 hours, driven by software that automates the event, embodied in human HOST. Every 5 minutes, one guest departs and a new guest arrives. Over the course of 24 hours, the HOST becomes increasingly depleted, but the software system drives her to continue, as the guests endlessly cycle BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Agar Agar Bioplastics Protocol. Prepare work area with hot plate, pot, beakers, scale, stirring tool, and needed ingredients (agar powder, water, glycerol), and mold off to the side BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Starch is a biopolymer of amylose and amylopectin polymers consisting of glucose (sugar monomers). Starch granules are tough to break down and don't dissolve on their ow, but when heated for long periods, their intermolecular bonds start to break down, and vinegar as weak acid helps break down the amylopectin polymer chains. HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumniAPPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, genderVOIN DE VOIN
Voin de Voin (born 1978) lives and works in Sofia . He got his Master’s degree from DasArts-Institute of advance research in the performing arts, Amsterdam, and diplome from Gerrit Rietveld Academy, Amsterdam- Audio-visual department.He studied also at Goldsmith College, London, EICAR –International School for film and cinema of Paris. Since July 2016 he is running independent art space in THE PROPHETS’ TOWER: HAIFA. 1995-2019 Revisiting VillaRevisiting Villa Khury / the Prophets’ Tower: Haifa. 1995-2019. It is twenty-five years since I first conceived my project on erasure from public memory of the destroyed Villa Khury (1948) and its substitution by the modernist Prophets’ Tower commercial center, erected on the site of this epi-symbol of Haifa’s Arab heritage in1979.
NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NONWHAT IS NON ARTWHAT IS CONSIDERED ARTWHAT IS NOT CONSIDERED ARTWHAT IS NON REPRESENTATIONAL ARTWHAT IS NON TRADITIONAL ARTART AND ARTS One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response. GIVE ME YOUR DIRTY LOVE Solitude fellows have left many traces in the house over the years. Everything from slogans to objects can be found on the walls, in their studios, the laundry room, or even in the director’s cabinet – obvious and hidden, playful and arty. RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM PETROCHEMICAL This cookbook refigures materials and methods for radically remaking the historically dominant petrochemically derived plastic materials that we use in our everyday lives. HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumniAPPARATUS 22
Apparatus 22 is a multidisciplinary art collective initiated by current members Erika Olea, Maria Farcas, Dragos Olea and late artist Ioana Nemes (1979, Bucharest – 2011, NYC) in January 2011. Currently based between Bucharest and Brussels, Apparatus 22 is exploring the intricate relationships between fashion and economy, politics, genderVOIN DE VOIN
Voin de Voin (born 1978) lives and works in Sofia . He got his Master’s degree from DasArts-Institute of advance research in the performing arts, Amsterdam, and diplome from Gerrit Rietveld Academy, Amsterdam- Audio-visual department.He studied also at Goldsmith College, London, EICAR –International School for film and cinema of Paris. Since July 2016 he is running independent art space in THE PROPHETS’ TOWER: HAIFA. 1995-2019 Revisiting VillaRevisiting Villa Khury / the Prophets’ Tower: Haifa. 1995-2019. It is twenty-five years since I first conceived my project on erasure from public memory of the destroyed Villa Khury (1948) and its substitution by the modernist Prophets’ Tower commercial center, erected on the site of this epi-symbol of Haifa’s Arab heritage in1979.
NOTATING BEATBOXING SOUNDS Notating Beatboxing Sounds. When I started my residency here at Schloss Solitude on the topic of beatboxing, one of my aims was to develop a notation for this technique that would be suitable for experimental music. There are two main strategies for this: one based on the sound itself, and one based on the point of articulation. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Custom molds out of scrap wood and donated acrylic pieces pictured above. TO NOTE! Bioplastics will stick to paper, cardboard, wood, and even foil, I suggest using glass or recycled acrylic as a base for pouring the materials onto. ART IS ART AND NON-ART AS WELL AS NON-ART IS ART AND NONWHAT IS NON ARTWHAT IS CONSIDERED ARTWHAT IS NOT CONSIDERED ARTWHAT IS NON REPRESENTATIONAL ARTWHAT IS NON TRADITIONAL ARTART AND ARTS One can find many ways to approach the distinction between art and non-art, but will always fail to a certain extent. This distinction simply tries to provide labels for a particular project or practice that might have been intended to be artistic or non-artistic. In my view, non-artistic projects tend to produce some specific emotional and intellectual response. GIVE ME YOUR DIRTY LOVE Solitude fellows have left many traces in the house over the years. Everything from slogans to objects can be found on the walls, in their studios, the laundry room, or even in the director’s cabinet – obvious and hidden, playful and arty. RET’SEPILE MAKAMANE Ret’sepile Makamane was born and raised in Lesotho. She studied Philosophy and Theatre at the National University of Lesotho. She went to the University of Leeds in the UK on a Graça Machel Scholarship in 2008, and subsequently moved onto the MA program in Creative Writing at the University of East Anglia, where she was later awarded the Charles Pick Fellowship. BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM PETROCHEMICAL This cookbook refigures materials and methods for radically remaking the historically dominant petrochemically derived plastic materials that we use in our everyday lives. HOME | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST New Website Online. From 2015–2020 Schlosspost has become a dynamic transdisciplinary online platform for artistic research. It addressed current issues in art, culture, society, and the digital world, and provided insights into the practices of international artists and scientists. It allowed visibility to Solitude’s network of alumni ABOUT | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST Schlosspost Schlosspost is a dynamic transdisciplinary online forum for artistic research. It discusses current issues in art, culture, society and the digital world, and provides insights into the practices of international artists and scientists. It allows visibility to Solitude’s network of alumni, friends, and experts in more than 120 countries, promoting new political voices and STREAMING | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST Streaming. In this section, explore high-quality films and videos, and streams of readings, lectures and performances created in the context of a residency at Akademie Schloss Solitude Solitude, Sometimes the streams are available online for a limited period of time, but are each accompanied by a text or an interview. Video stream/Reading. SCHLOSSPOST'S COMMUNITY OF WRITERS AND ARTISTS Schlosspost people come from all art and science disciplines, and include current and former fellows, jurors, journalists, curators, and web residents. To find out more about their projects and articles, just click on their profiles. Sort by:EMPTY SHELL
Empty Shell. by Voin de Voin — Apr 24, 2020. Bulgarian artist and curator Voin Voinov shares his wandering and restless thoughts about the present state of emergency, and recalls long-lost communication skills to enter the stage of global interconnectedness, a way of caring for and feeling the world. There is a lot to say about thepresent
BLUE BOOK | AKADEMIE SCHLOSS SOLITUDE: SCHLOSSPOST This register of memorial was indisputably the one chosen by the French author Elise Fontenaille-N’Diaye when writing her Blue Book, the account of the Herero and Namaqua genocide in Namibia. A forgotten genocide, the logical culmination of an imperialist madness that gripped Europe in the 19 th century. 'TWAS ALL IN MY HEAD Bierlein tells a tale about the meaning of myths, »on first reading, the Chinese myth sounds quite primitive. It is anthropomorphic; that is to say, the characters are natural forces personified. The two elements that form lightning are referred to as ›emperors,‹ and chaos is portrayed in human form.«. The grandfather’s story is THE TRIUMPHANT RETURN OF THE BOHÍO The Triumphant Return of the Bohío. by Boris González Arenas — Nov 20, 2017. Ricardo Portilho Mattos. Illustration by Ricardo Portilho Mattos. The standard of housing seems to be a representative signifier not only of a country’s wealth but also of the responsibility a government takes for its citizens. Considering the Cuban governmentLEBENSENTWÜRFE
Lebensentwürfe. »I had only daughters for Musa and when I left Musa for Makanya I was tired of giving birth to children for men, and leaving them with men, so I only had one last child, a girl.«. The German word Lebensentwürfe can be translated as »individual life plans.«. In her new piece, the Cameroonian writer Clementine Ewokolo BIOPLASTIC COOKBOOK FOR RITUAL HEALING FROM Starch is a biopolymer of amylose and amylopectin polymers consisting of glucose (sugar monomers). Starch granules are tough to break down and don't dissolve on their ow, but when heated for long periods, their intermolecular bonds start to break down, and vinegar as weak acid helps break down the amylopectin polymer chains.Schloss Post
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First We Feast
Alice Sarmiento reports on the life, and motivations, and cultural backgrounds of German-Filipino women.READ MORE
Mind the Frills and the Ruffles. No Ding! Not my Thing! The first part of the series »Edith in den Fashion-Städten« by fashion theoretician and curator Edith LázárREAD MORE
Web Residents »Rigged Systems« Four proposals selected by curator Jonas Lund for the web residenciesby Solitude & ZKM.
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Web Residents »Rigged Systems« Four proposals selected by curator Jonas Lund for the web residenciesby Solitude & ZKM.
READ MORE
Read More
First We Feast
Alice Sarmiento reports on the life, and motivations, and cultural backgrounds of German-Filipino women.READ MORE
Mind the Frills and the Ruffles. No Ding! Not my Thing! The first part of the series »Edith in den Fashion-Städten« by fashion theoretician and curator Edith LázárREAD MORE
Web Residents »Rigged Systems« Four proposals selected by curator Jonas Lund for the web residenciesby Solitude & ZKM.
READ MORE
Schlosspost is an open platform for the Solitude network and those who would like to be partof it.
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WEB RESIDENTS »RIGGED SYSTEMS« Web Residencies by Solitude & ZKM*
FIRST WE FEAST
Reportage
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IS GERMAN CULTURE A TRAUMA CULTURE?Commentary
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THANK GOD FOR SLAVERY!Notes
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MIND THE FRILLS AND THE RUFFLES. NO DING! NOT MY THING!Travelogue
RIGGED SYSTEMS
PERMACULTURE NETWORK Gary Zhexi Zhang & Agnes Cameron / Ein Qinyya, PalestineLoading GIF
PROFILING THE PROFILERS DISNOVATION.ORG / Warsaw, Poland & Paris, FranceOTHER ORDERS
Sam Lavigne / New York, USA THE FUTURE OF MEMORY Xiaowei Wang / Oakland, CA, USA & Guangzhou Guangdong, ChinaFEATURED ARTICLES
Travelogue
MIND THE FRILLS AND THE RUFFLES. NO DING! NOT MY THING! by Edith Lázár The first part of the series »Edith in den Fashion-Städten« recounts a trip to the archive of Ulm's School of Design. The exhibition »Nicht mein Ding« serves as starting point for a discussion on how gender gets to be represented.Reportage
FIRST WE FEAST
by Alice Sarmiento In her documentary essay, Alice Sarmiento reports on the life, and motivations, and cultural backgrounds of German-Filipino women. In English with a Hiligaynon translation. Curated by Wikipedia Random Article Generator HTTPS://EN.WIKIPEDIA.ORG/WIKI/YUNZHONGZI by Mateo Calderon Curated by Wikipedia Random Article Generator by Susanna Flock and Students from École nationale supérieure d'art deBourges
Curated by Wikipedia Random Article Generator HTTPS://EN.WIKIPEDIA.ORG/WIKI/IRAQI_NATIONAL_LIST by Antoine Babinet Curated by Wikipedia Random Article Generator by Susanna Flock and Students from École nationale supérieure d'art deBourges
Drawings
VULPINE
by David Mathews Life in the woods, as lived by a fox.Notes
THANK GOD FOR SLAVERY! by Alice Sarmiento In her narrative notes and collages the Manila-born writer and independent curator Alice Sarmiento writes about her personal encounter with the labor migration flow in the Philippines, one of the largest labor exporters in the world.CONTRIBUTORS
SAM LAVIGNE
New York, USA
XIAOWEI WANG
Oakland, CA, USA & Guangzhou Guangdong, China AGNES CAMERON & GARY ZHEXI ZHANG* Share 0
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