Are you over 18 and want to see adult content?
More Annotations
![A complete backup of stepfastexpress.com](https://www.archivebay.com/archive2/7a4c9fe5-2c32-4cfd-9a17-78fc58a43db1.png)
A complete backup of stepfastexpress.com
Are you over 18 and want to see adult content?
![A complete backup of infotech-paste.com](https://www.archivebay.com/archive2/d929e47d-c098-4d8f-b425-42600f1d1459.png)
A complete backup of infotech-paste.com
Are you over 18 and want to see adult content?
![A complete backup of penthousehub.com](https://www.archivebay.com/archive2/51f67179-c726-4ea3-a7a7-7f340301f846.png)
A complete backup of penthousehub.com
Are you over 18 and want to see adult content?
![A complete backup of tripswithtykes.com](https://www.archivebay.com/archive2/4ce6b55d-7209-4615-aef1-6764e7163285.png)
A complete backup of tripswithtykes.com
Are you over 18 and want to see adult content?
![A complete backup of ecomdominationcourse.com](https://www.archivebay.com/archive2/9dab377f-ab9d-4dc3-be19-04e375d1d575.png)
A complete backup of ecomdominationcourse.com
Are you over 18 and want to see adult content?
![A complete backup of birmingham-rep.co.uk](https://www.archivebay.com/archive2/29e67d5e-fe39-4f64-829a-1005b33f28eb.png)
A complete backup of birmingham-rep.co.uk
Are you over 18 and want to see adult content?
![A complete backup of elizabehtin.wordpress.com](https://www.archivebay.com/archive2/6ac37e11-3e94-4394-acd8-19f3f4e54bfa.png)
A complete backup of elizabehtin.wordpress.com
Are you over 18 and want to see adult content?
![A complete backup of sports4africa.com](https://www.archivebay.com/archive2/a80650b8-d230-4e3e-a0b9-a0eee6b88993.png)
A complete backup of sports4africa.com
Are you over 18 and want to see adult content?
Favourite Annotations
![A complete backup of www.pronto.com.ar/articulo/famosos/marley-visito-flor-pena-corta-lozano-empece-tener-autoridad-mirko/202002](https://www.archivebay.com/archive2/e4216fe0-88d0-46be-af6b-f23e504c1b20.png)
A complete backup of www.pronto.com.ar/articulo/famosos/marley-visito-flor-pena-corta-lozano-empece-tener-autoridad-mirko/202002
Are you over 18 and want to see adult content?
![A complete backup of www.record.pt/futebol/futebol-nacional/liga-nos/sporting/detalhe/paulo-bento-e-as-claques-do-sporting-das-f](https://www.archivebay.com/archive2/8f43b064-2df2-4c4d-83c9-d3203a414563.png)
A complete backup of www.record.pt/futebol/futebol-nacional/liga-nos/sporting/detalhe/paulo-bento-e-as-claques-do-sporting-das-f
Are you over 18 and want to see adult content?
![A complete backup of www.abplive.com/sports/cricket/india-vs-new-zealand-3rd-odi-watch-live-telecast-live-streaming-here-ind-vs-](https://www.archivebay.com/archive2/c9c56628-c22e-43bf-aa38-2fcea7fc9f00.png)
A complete backup of www.abplive.com/sports/cricket/india-vs-new-zealand-3rd-odi-watch-live-telecast-live-streaming-here-ind-vs-
Are you over 18 and want to see adult content?
Text
of the
PDP- CONSTELLATION
I felt constellation this year was well suited to my studio work in the long term, however the International Discourses within Art and Design module did seem a bit useless to begin with in terms of what direction I wanted to take my work in. I did end up however really enjoying most of the PDP-CONSTELLATION-LOCAL, GLOBAL SUSTAINABILITY ‘The basic missions of global management have endured from the early postwar period, among them: containing other centers of global power within the "overall framework of order" managed by the United States; maintaining control of the world's energy supplies; barring unacceptable forms of independent nationalism; and overcoming "crises of democracy" within domestic enemy territory.’ OCTOBER | 2013 | SEAN MOLONEY: FINE ART 10 posts published by seanmoloneyart during October 2013 LOOKING AT PROPAGANDA During a recent tutorial I was advised to look at propaganda I felt this was the right thing to do as propaganda posters in particular are often hiding an inner evil. This is one that I stumbled across. This is a Nazi propaganda poster which is trying to discourage people from entering into any interracial MAURICE COCKRILL- WHAT IS THE PURPOSE OF COVERING UP My next step was to visit the National Cardiff museum, looking back I don't feel I explored this enough. A piece of art that stuck out to me was the Maurice Cockrill piece, 'Well You Needn't'(2008). This painting intrigued me because the painting acts as a cover up in a sense for the true painting. LONDON TRIP- ANSLEM KIEFER EXHIBITION, ROYAL ACADEMY OF London Trip- Anslem Kiefer Exhibition, Royal Academy of Arts Posted: October 10, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment I attended this trip as much for my dissertation as my studio practice, the reason for this was that I had plans for Kiefer to be included in my research and I felt the best way to do this was to see the work in person. SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. FIELD | SEAN MOLONEY: FINE ART Posts about Field written by seanmoloneyart. Finished Main Piece Posted: April 27, 2014 | Author: seanmoloneyart | Filed under: Field | Leave a comment With this piece I had to limit with myself. Much of my earlier criticism was to do with the habit I have of overdoing a piece, hence why I was trying to break out of this mould. APPROACHING PAINTING- RICHTER, SASNAL AND DOIG After being in the studio and hitting a low point I visited the library to get some ideas. I looked at three painters, Gerhard Richter, Wilhem Sasnal and Peter Doig. These are three artists who stand out to me, in particular Sasnal. I have loved his work ever since I saw it in the Whitecapel PAINTING FOR SECOND MAIN PIECE FOR DEGREE SHOW To start this piece I had to firstly pencil sketch the figures and apply some paint to the figures and in particular the central figure. I was surprised by how quickly this process went, before I knew it I was applying heavy layers of paint to the paper in order to cover allof the
PDP- CONSTELLATION
I felt constellation this year was well suited to my studio work in the long term, however the International Discourses within Art and Design module did seem a bit useless to begin with in terms of what direction I wanted to take my work in. I did end up however really enjoying most of the PDP-CONSTELLATION-LOCAL, GLOBAL SUSTAINABILITY ‘The basic missions of global management have endured from the early postwar period, among them: containing other centers of global power within the "overall framework of order" managed by the United States; maintaining control of the world's energy supplies; barring unacceptable forms of independent nationalism; and overcoming "crises of democracy" within domestic enemy territory.’ OCTOBER | 2013 | SEAN MOLONEY: FINE ART 10 posts published by seanmoloneyart during October 2013 LOOKING AT PROPAGANDA During a recent tutorial I was advised to look at propaganda I felt this was the right thing to do as propaganda posters in particular are often hiding an inner evil. This is one that I stumbled across. This is a Nazi propaganda poster which is trying to discourage people from entering into any interracial MAURICE COCKRILL- WHAT IS THE PURPOSE OF COVERING UP My next step was to visit the National Cardiff museum, looking back I don't feel I explored this enough. A piece of art that stuck out to me was the Maurice Cockrill piece, 'Well You Needn't'(2008). This painting intrigued me because the painting acts as a cover up in a sense for the true painting. LONDON TRIP- ANSLEM KIEFER EXHIBITION, ROYAL ACADEMY OF London Trip- Anslem Kiefer Exhibition, Royal Academy of Arts Posted: October 10, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment I attended this trip as much for my dissertation as my studio practice, the reason for this was that I had plans for Kiefer to be included in my research and I felt the best way to do this was to see the work in person. FIRST STAGES OF PAINTING This is the first stage of my painting of my finished 'John Wayne' character. The main colours I am using are diluted black, diluted yellow and diluted red oil paint on canvas. I feel I have prepared this painting well. The effect you can see has been done using a tissue and lightly dabbing the FIELD | SEAN MOLONEY: FINE ART Posts about Field written by seanmoloneyart. Finished Main Piece Posted: April 27, 2014 | Author: seanmoloneyart | Filed under: Field | Leave a comment With this piece I had to limit with myself. Much of my earlier criticism was to do with the habit I have of overdoing a piece, hence why I was trying to break out of this mould. SUMMATIVE POST: CONTEXTUALISATION Summative Post: Contextualisation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment One. Luc Tuymans’ Gaskamer was the painting that influenced my project as I was fascinated at how Tuymans was able to normalise such a evil scene. This was something I wanted to achieve in my work but not in the exact way that Tuymans. DEGREE SHOW IDEA- HOW TO DISPLAY MY PIECES As I now have finished my three main pieces for the degree show it is now time to start really thinking about how I want to present these pieces. Here are three ideas below. PREPARATION WORK FOR SECOND MAIN PIECE FOR DEGREE SHOW In preparation for painting these large scale images I first had to gum tape these large pieces of paper to the wall to ensure that they would remain flat and unbuckled from the paint. On one of the large sheets of paper I laid an under layer of oil paint as I do with allSEANMOLONEYART
Mark Titchner Posted: December 14, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment Mark Titchner is an artist who creates posters and uses them as an art form. “Titchner’s work explores the relationship between language, thought and action. Using fragments of text that he finds in various sources including political manifestos, song lyrics, religious and STANFORD EXPERIMENT CHARACTER STUDIES I have started painting my 2 polystyrene mannequin heads as they started to take shape I felt them coming to life to a certain extend. They reminded of a doll to some degree.These paintings below are experimentation pieces that I am doing alongside the mannequin heads. I want to practice forming the portrait and blocking STUDIES OF KLUTSIS PIECE Here I have been exploring with a photo montage piece by Klutsis. In this piece I have been attempting to replicated the Hirschhorn parcel tape effect with paint. I have used a diluted layer of brown acrylic to indicate some kind of repression, which was very rampant at thistime. I feel I have
TRIP TO THE TATE- ‘STILL HAVE COLOUR IN ITS VEINS AS WE The gallery visit that inspired me the most was my trip to the Tate Modern in Mid September, I felt that I needed to search further afield and find something that would really challenge me. A painting that interested was ' A Mi-Voix' (1958) by Dorothea Tanning, it wasn't so LONDON TRIP- ANSLEM KIEFER EXHIBITION, ROYAL ACADEMY OF London Trip- Anslem Kiefer Exhibition, Royal Academy of Arts Posted: October 10, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment I attended this trip as much for my dissertation as my studio practice, the reason for this was that I had plans for Kiefer to be included in my research and I felt the best way to do this was to see the work in person. SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. FIRST STAGES OF PAINTING This is the first stage of my painting of my finished 'John Wayne' character. The main colours I am using are diluted black, diluted yellow and diluted red oil paint on canvas. I feel I have prepared this painting well. The effect you can see has been done using a tissue and lightly dabbing the TRIP TO THE TATE- ‘STILL HAVE COLOUR IN ITS VEINS AS WE The gallery visit that inspired me the most was my trip to the Tate Modern in Mid September, I felt that I needed to search further afield and find something that would really challenge me. A painting that interested was ' A Mi-Voix' (1958) by Dorothea Tanning, it wasn't so DEVELOPMENT OF PAINTING The next step of this painting was to start blocking out the sections of the portrait. When I normally paint a portrait I draw the features first, however this wasn't the case her. I felt the piece would seem more elusive if I just created the features with the layering ofpaint. I
FINAL STAGES OF SECOND DEGREE SHOW This is the stage I am right now with regards to finishing this piece. All three of the final main pieces have been most mostly using oil paint and a bit of acrylic. However in this piece I have used more acrylic then usual especially for the army pattern, which makes thepiece seem quite
STANFORD EXPERIMENT CHARACTER STUDIES I have started painting my 2 polystyrene mannequin heads as they started to take shape I felt them coming to life to a certain extend. They reminded of a doll to some degree.These paintings below are experimentation pieces that I am doing alongside the mannequin heads. I want to practice forming the portrait and blocking FINISHING FINAL PIECES As I approach the final phase of all three of my paintings I have hit a stumbling block. I need to make the paintings more normalised however I don't want to ruin the work as I feel that I am in danger of over painting. Following an unproductive few hours I have decided tolook
STANFORD EXPERIMENT PAINTED STUDIES During my tutorial my tutor Andre Stitt suggested that I become more looser and less thoughtful in a sense with my painting. In my previous tutorial he pointed out a mixed media piece on board that I produced in a few minutes and without any serious direction. He DEGREE SHOW IDEA- HOW TO DISPLAY MY PIECES As I now have finished my three main pieces for the degree show it is now time to start really thinking about how I want to present these pieces. Here are three ideas below. PAINTING OF STUART HORODNER VIDEO, JOE SOLA This is a painting of the Horodner still. The repainted this image in an attempt to normalise it further and to get a sense of what the most important components are. Yes the headless figures are a huge part, but the white room as well suggests an element of the scene beingnormal.
SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. FIRST STAGES OF PAINTING This is the first stage of my painting of my finished 'John Wayne' character. The main colours I am using are diluted black, diluted yellow and diluted red oil paint on canvas. I feel I have prepared this painting well. The effect you can see has been done using a tissue and lightly dabbing the TRIP TO THE TATE- ‘STILL HAVE COLOUR IN ITS VEINS AS WE The gallery visit that inspired me the most was my trip to the Tate Modern in Mid September, I felt that I needed to search further afield and find something that would really challenge me. A painting that interested was ' A Mi-Voix' (1958) by Dorothea Tanning, it wasn't so DEVELOPMENT OF PAINTING The next step of this painting was to start blocking out the sections of the portrait. When I normally paint a portrait I draw the features first, however this wasn't the case her. I felt the piece would seem more elusive if I just created the features with the layering ofpaint. I
FINAL STAGES OF SECOND DEGREE SHOW This is the stage I am right now with regards to finishing this piece. All three of the final main pieces have been most mostly using oil paint and a bit of acrylic. However in this piece I have used more acrylic then usual especially for the army pattern, which makes thepiece seem quite
STANFORD EXPERIMENT CHARACTER STUDIES I have started painting my 2 polystyrene mannequin heads as they started to take shape I felt them coming to life to a certain extend. They reminded of a doll to some degree.These paintings below are experimentation pieces that I am doing alongside the mannequin heads. I want to practice forming the portrait and blocking FINISHING FINAL PIECES As I approach the final phase of all three of my paintings I have hit a stumbling block. I need to make the paintings more normalised however I don't want to ruin the work as I feel that I am in danger of over painting. Following an unproductive few hours I have decided tolook
STANFORD EXPERIMENT PAINTED STUDIES During my tutorial my tutor Andre Stitt suggested that I become more looser and less thoughtful in a sense with my painting. In my previous tutorial he pointed out a mixed media piece on board that I produced in a few minutes and without any serious direction. He DEGREE SHOW IDEA- HOW TO DISPLAY MY PIECES As I now have finished my three main pieces for the degree show it is now time to start really thinking about how I want to present these pieces. Here are three ideas below. PAINTING OF STUART HORODNER VIDEO, JOE SOLA This is a painting of the Horodner still. The repainted this image in an attempt to normalise it further and to get a sense of what the most important components are. Yes the headless figures are a huge part, but the white room as well suggests an element of the scene beingnormal.
FINAL STAGES OF SECOND DEGREE SHOW This is the stage I am right now with regards to finishing this piece. All three of the final main pieces have been most mostly using oil paint and a bit of acrylic. However in this piece I have used more acrylic then usual especially for the army pattern, which makes thepiece seem quite
APPROACHING PAINTING- RICHTER, SASNAL AND DOIG After being in the studio and hitting a low point I visited the library to get some ideas. I looked at three painters, Gerhard Richter, Wilhem Sasnal and Peter Doig. These are three artists who stand out to me, in particular Sasnal. I have loved his work ever since I saw it in the Whitecapel DEGREE SHOW IDEA- HOW TO DISPLAY MY PIECES As I now have finished my three main pieces for the degree show it is now time to start really thinking about how I want to present these pieces. Here are three ideas below.STORY TO BE TOLD…
A summer to be remembered in terms of drawing. Never before have I focused on a piece of work in detail so much so that it verges on the lines of obsession. After all it PREPARATION WORK FOR SECOND MAIN PIECE FOR DEGREE SHOW In preparation for painting these large scale images I first had to gum tape these large pieces of paper to the wall to ensure that they would remain flat and unbuckled from the paint. On one of the large sheets of paper I laid an under layer of oil paint as I do with all ENCLOSED AND PERSERVED Although painting is my mine outlet I do want to move away from it. I came across an interesting subject matter by accident. A material called hessian, which has a rather detailed cross-hatched structure which makes it extremely sturdy and rough. A thick layer of a substance known as PVA Homopolymer which is similar to TUTORIAL WITH JAMES GREEN This was our final group tutorial with James Green before the formative assessment and the end of first term. He commented on how my work seemed to have shifted a bit and how I was painting war scenes more and more. I mentioned my interest in propaganda and he advisedthat I
DEGREE SHOW SETUP
This is the setup for my final degree show. I felt it was necessary to have the Nazi image on it own as it was done before and is the most colourful of the three. Also it is quite interesting that the Nazi Youth figures are looking over at the other paintings with a look MAY | 2015 | SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. JOE SOLA BY STUART HORODNER As part of an exercise for our tutorial we were told to look at a journal is order to get some inspiration. In a journal entitled BOMB magazine I came across this still from a short film named "Joe Sola" by Stuart Horodner. The thing that attracted me to this image was thecasual take
SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. FIELD | SEAN MOLONEY: FINE ART Posts about Field written by seanmoloneyart. Finished Main Piece Posted: April 27, 2014 | Author: seanmoloneyart | Filed under: Field | Leave a comment With this piece I had to limit with myself. Much of my earlier criticism was to do with the habit I have of overdoing a piece, hence why I was trying to break out of this mould. PAINTING FOR SECOND MAIN PIECE FOR DEGREE SHOW To start this piece I had to firstly pencil sketch the figures and apply some paint to the figures and in particular the central figure. I was surprised by how quickly this process went, before I knew it I was applying heavy layers of paint to the paper in order to cover allof the
PREPARATION WORK FOR SECOND MAIN PIECE FOR DEGREE SHOW In preparation for painting these large scale images I first had to gum tape these large pieces of paper to the wall to ensure that they would remain flat and unbuckled from the paint. On one of the large sheets of paper I laid an under layer of oil paint as I do with all SEAN MOLONEY: FINE ART Mark Titchner Posted: December 14, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment Mark Titchner is an artist who creates posters and uses them as an art form. “Titchner’s work explores the relationship between language, thought and action. Using fragments of text that he finds in various sources including political manifestos, song lyrics, religious APPROACHING PAINTING- RICHTER, SASNAL AND DOIG After being in the studio and hitting a low point I visited the library to get some ideas. I looked at three painters, Gerhard Richter, Wilhem Sasnal and Peter Doig. These are three artists who stand out to me, in particular Sasnal. I have loved his work ever since I saw it in the WhitecapelPDP- DISSERTATION
I wasn’t feeling that confident when handing in my dissertation proposal as I felt that although I had established my ideas they covered a wide spectrum and I had not yet chosen which material was the best to research. My ideas are changed somewhat since the proposal was written though. My initial idea was toPDP- CONSTELLATION
I felt constellation this year was well suited to my studio work in the long term, however the International Discourses within Art and Design module did seem a bit useless to begin with in terms of what direction I wanted to take my work in. I did end up however really enjoying most of theSOVIET PROPAGANDA
A type of propaganda that is particularly interesting is that from the Soviet Union. A few examples of this can be seen below. This is for its strong reliance on red and black as well as being heavily motivated by the military. The figures in it are somewhat similar to what I am currently painting. PDP-CONSTELLATION-LOCAL, GLOBAL SUSTAINABILITY ‘The basic missions of global management have endured from the early postwar period, among them: containing other centers of global power within the "overall framework of order" managed by the United States; maintaining control of the world's energy supplies; barring unacceptable forms of independent nationalism; and overcoming "crises of democracy" within domestic enemy territory.’ SEAN MOLONEY: FINE ART Summative Post: Documentation Posted: May 17, 2015 | Author: seanmoloneyart | Filed under: documentation | Leave a comment My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. FIELD | SEAN MOLONEY: FINE ART Posts about Field written by seanmoloneyart. Finished Main Piece Posted: April 27, 2014 | Author: seanmoloneyart | Filed under: Field | Leave a comment With this piece I had to limit with myself. Much of my earlier criticism was to do with the habit I have of overdoing a piece, hence why I was trying to break out of this mould. PAINTING FOR SECOND MAIN PIECE FOR DEGREE SHOW To start this piece I had to firstly pencil sketch the figures and apply some paint to the figures and in particular the central figure. I was surprised by how quickly this process went, before I knew it I was applying heavy layers of paint to the paper in order to cover allof the
PREPARATION WORK FOR SECOND MAIN PIECE FOR DEGREE SHOW In preparation for painting these large scale images I first had to gum tape these large pieces of paper to the wall to ensure that they would remain flat and unbuckled from the paint. On one of the large sheets of paper I laid an under layer of oil paint as I do with all SEAN MOLONEY: FINE ART Mark Titchner Posted: December 14, 2014 | Author: seanmoloneyart | Filed under: contextualisation | Leave a comment Mark Titchner is an artist who creates posters and uses them as an art form. “Titchner’s work explores the relationship between language, thought and action. Using fragments of text that he finds in various sources including political manifestos, song lyrics, religious APPROACHING PAINTING- RICHTER, SASNAL AND DOIG After being in the studio and hitting a low point I visited the library to get some ideas. I looked at three painters, Gerhard Richter, Wilhem Sasnal and Peter Doig. These are three artists who stand out to me, in particular Sasnal. I have loved his work ever since I saw it in the WhitecapelPDP- DISSERTATION
I wasn’t feeling that confident when handing in my dissertation proposal as I felt that although I had established my ideas they covered a wide spectrum and I had not yet chosen which material was the best to research. My ideas are changed somewhat since the proposal was written though. My initial idea was toPDP- CONSTELLATION
I felt constellation this year was well suited to my studio work in the long term, however the International Discourses within Art and Design module did seem a bit useless to begin with in terms of what direction I wanted to take my work in. I did end up however really enjoying most of theSOVIET PROPAGANDA
A type of propaganda that is particularly interesting is that from the Soviet Union. A few examples of this can be seen below. This is for its strong reliance on red and black as well as being heavily motivated by the military. The figures in it are somewhat similar to what I am currently painting. PDP-CONSTELLATION-LOCAL, GLOBAL SUSTAINABILITY ‘The basic missions of global management have endured from the early postwar period, among them: containing other centers of global power within the "overall framework of order" managed by the United States; maintaining control of the world's energy supplies; barring unacceptable forms of independent nationalism; and overcoming "crises of democracy" within domestic enemy territory.’ PREPARATION WORK FOR SECOND MAIN PIECE FOR DEGREE SHOW In preparation for painting these large scale images I first had to gum tape these large pieces of paper to the wall to ensure that they would remain flat and unbuckled from the paint. On one of the large sheets of paper I laid an under layer of oil paint as I do with all ART AND THE CONSCIOUS MIND- LECTURE 2 The first theory this lecture tackled was when exactly where consciousness is located. If consciousness is in the brain, then where is it? If consciousness is not in the brain then where is it? Internalism vs externalism The externalism argument interested me more. "You are not your brain. We are not locked up in a SURPRISE ME- IDEA GENERATION For this project I am collaborating with a product designer, this will naturally add another dimension to my work. We are interested in medical conditions, and in particular asthma. Definition of Asthma: Asthma is a chronic inflammatory disease of the airways. In those susceptiable to asthma, this inflammation causes the airways to spasmand swell
PAINTING ANOTHER ISIS SCENE At this point I wanted to keep exploring ISIS imagery, however I wanted to choose a more action packed image in you like. Here it is below. Like my most recent painting I started it the same by drawing out a brief outline on A1 paper and then mapping out areas of thepainting with
MANIPULATING A POPULATION- STANLEY MILGRAM INFLUENCE Another piece that inspired me at the Tate was the Soviet propaganda work. Propaganda work is interesting to me right now in relation to society. I am interested in how easy humans can be lead or in reality mislead. Ultimately I want to explore the chains that society has on TUTORIAL WITH JAMES GREEN This was our final group tutorial with James Green before the formative assessment and the end of first term. He commented on how my work seemed to have shifted a bit and how I was painting war scenes more and more. I mentioned my interest in propaganda and he advisedthat I
DECEMBER | 2013 | SEAN MOLONEY: FINE ART 10 posts published by seanmoloneyart during December 2013. I put some areas of acrylic paint after the oil pastel to allow the subject to come to the surface. HISTORY OF CAPITAL PUNSIHMENT This documentary gives a great insight into the Victorian transition of prisons becoming proportionally driven. Foucault’s emphasized the difference between the prison system of old and the current regime. It wasn’t that he was a supporter of capital punishment it was that he condemned the current prison system and suggested it’s similaritiesto modern society.
EXPLORATION WITH TWO MAIN CHARACTER IS NAZI YOUTH MAIN As I am currently in the early stages of painting my Nazi youth main piece I feel it is necessary to practice depicting these two main characters to the left of the photograph. I feel this will be very important faces to portray in order for this piece to be considered asuccess. Here I
RUSSIAN_PROPAGANDA_WORLD_WAR_TWO_PROPAGANDA_POSTERS Visit the post for more. SEAN MOLONEY: FINE ART A VISION OF SELF-AWARENESS* About
SUMMATIVE POST: DOCUMENTATION POSTED: May 17, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
My work aims to tackle the very meaning of the word evil and its place among st society. Following a heavy influence from Luc Tuymans’ Gaskamer I look to normalise evil through the practice of painting so much so that the viewer can relate to it on a human level. Throughout history, evilness has been associated with the cruelest among us and the intention of my work is to confront the audience with the idea that we are all capable of evil acts, therefore it can only be seen as a common human trait. This sense of the work antagonising the viewer is highlighted with the simplistic, banner-like display which has been deliberately set up to provoke a feeling of realisation andperhaps unease.
The pieces are produced from carefully chosen photographs of scenes that can be considered classically evil. They depict periods of time in which evilness has thrived amongst the masses. Ranging from the rise of the Nazi regime right to the current upsurge of ISIS, as well as a scene of soldiers from the Serbo-Croatian War. They are painted in such a way that the evil is absent. This is done through a playful painterly style which is supposed to make these wicked figures seemsomewhat normal.
ONE
This was the first set of paintings I done in which I tried to normalise the evil. At this point I chose to use subject matter that was obviously evil, in this case it was a gangster scene. This was an important painting in terms of depicting evilness within figurativescene.
https://seanmoloneyart.wordpress.com/2014/10/07/working-wiith-evil-scenes-influenced-by-tuymans-gaskamer/TWO
During a tutorial early in the year I was advised to look at evilness in the current time as the ISIS beheadings were constantly in the news. This lead me to do a lot of research and do a couple of painted studies of events over there, such as the hostage scene. This interest in ISIS ultimately lead to one of my degree show main pieces. https://seanmoloneyart.wordpress.com/2014/10/12/moving-on-to-another-scene-of-evil-isis-hostage-piece/THREE
This smaller study of my Nazi youth image was a big turning point as at this point I had done a lot of A1 paintings but I was not happy with them. This was the first piece that I was very happy with, which led onto my first final degree show piece and to me working on a muchlarger scale.
https://seanmoloneyart.wordpress.com/2014/10/22/new-imagery-to-paint-from/FOUR
This came at a point when I had finished my first main piece and I was stuck on what I was going to do next. I was advised to look again at current affairs which led me to the attacks in Paris. Here I was trying to make the pieces more painterly in style and I was using a more childlike approach. This is turn was something that I incorporated into my two final degree show main pieces. https://seanmoloneyart.wordpress.com/2015/03/17/paintings-of-paris-scenes/Five
This painting is of a Nazi propaganda piece. This interest in propaganda inspired where I am right now because for my degree show pieces are displayed in a banner-like fashion. I wanted them to be portrayed in a way that would resemble a propaganda poster. https://seanmoloneyart.wordpress.com/2015/03/17/looking-at-propaganda/Advertisements
Report this ad
Report this ad
------------------------- SUMMATIVE POST: CONTEXTUALISATION POSTED: May 17, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: contextualisation|
Leave a comment
ONE
Luc Tuymans’_ Gaskamer_ was the painting that influenced my project as I was fascinated at how Tuymans was able to normalise such a evil scene. This was something I wanted to achieve in my work but not in the exact way that Tuymans. I was interested in figures and scenes rather than environments. https://seanmoloneyart.wordpress.com/2014/10/02/luc-tuymans-painting-focusing-on-the-absence-of-evil/TWO
This was an article that I read for my dissertation research, it ultimately asked the question whether or not evilness is a human trait and not something that only the cruelest among has have deep within. It also gave me the subject matter for my first main piece as the front cover of the article showed a scene from a Nazi Youth Rally. https://seanmoloneyart.wordpress.com/2015/04/26/the-truth-about-evil-john-gray/THREE
This trip came just before I painted my first main piece of the Nazi youth. This was the perfect time as this Kiefer exhibition showed work that inspired me in terms of his use of muddy colours and painting very large scale. As well as this we shared similar themes as he worked with the idea of evilness as well. I feel this was the exhibition that inspired me to work on a larger scale and to keepusing paper.
https://seanmoloneyart.wordpress.com/2014/10/10/london-trip-anslem-kiefer-exhibition-royal-academy-of-arts/FOUR
This research into evilness in the art of the past was done in order to gain a greater knowledge of how this portrayal has evolved through the ages. One painting in particular inspired me and this was Goya’s _The Third of May 1808_. This was because it symbolised the classic depiction of evil and this was that one or one battle between the two forces. This influenced my work as I was always reminded not to go down this route, as I wanted the viewer to experience a sense of realisation when observing my work. https://seanmoloneyart.wordpress.com/2015/04/26/more-reseach-concerning-evilness-in-art-from-the-past/FIVE
The Marlene Dumas exhibition at the Tate was probably the best show I have been to this year. She is known for her painterly style and this was something I wanted to incorporate more into my work. She also explored evilness with her work so this was very relevant to my studiopractice.
https://seanmoloneyart.wordpress.com/2015/03/04/london-trip-marlene-dumas-exhibition/ -------------------------DEGREE SHOW SETUP
POSTED: May 15, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
This is the setup for my final degree show. I felt it was necessary to have the Nazi image on it own as it was done before and is the most colourful of the three. Also it is quite interesting that the Nazi Youth figures are looking over at the other paintings with a look of devotion. As you can see here the work is displayed in a simplistic, banner-like way which resembles a propaganda poster. This is what Iwanted to achieve.
I am also planning to get business cards for the degree show in order to advertise myself. ------------------------- CUTTING MY MAIN PIECES OFF THE WALL POSTED: May 3, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
Although I have finished all my main piece I still have a difficult task ahead to take them off the wall as they are firmly gum taped to it. For this I came equipped with a scalpel, a metre stick and a set square. I had to make sure they were straight and the same size which won’t be an easy task. ------------------------- FINISHED FINAL MAIN PIECE POSTED: May 2, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
This is the finished piece. This is probably the piece that I am most happy with in regards to the final outcome. I feel the diluted while oil paint works well to suggest the ignorance of the figures in the piece. As well as forcing the audience to focus in on the figures. -------------------------MAIN PIECES
POSTED: May 2, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
This day was the last studio day of the course we were ask to empty the studio. I am planning to take my paintings off the wall on the weekend as I will have more space to do so. Overall I am happy withthe work.
------------------------- FINISHED SECOND MAIN PIECE POSTED: May 1, 2015 | AUTHOR: seanmoloneyart| FILED
UNDER: documentation| Leave
a comment
Here is the finished piece and as you can see I have reapplied the black paint to the heads of the hooded figures. As well as this I have layers the army material with a very diluted layer of dark oil paint in order to make the colours less intense. I feel this has workedwell.
-------------------------← Older Entries
Advertisements
Report this ad
RECENT POSTS
* Summative Post: Documentation * Summative Post: Contextualisation* Degree Show Setup
* Cutting My Main Pieces Off the Wall * Finished Final Main PieceARCHIVES
* May 2015
* April 2015
* March 2015
* February 2015
* January 2015
* December 2014
* November 2014
* October 2014
* September 2014
* April 2014
* March 2014
* February 2014
* January 2014
* December 2013
* November 2013
* October 2013
CATEGORIES
* Constellation
* contextualisation
* documentation
* Field
* Subject
BLOGROLL
* Discuss
* Get Inspired
* Get Polling
* Get Support
* Learn WordPress.com* Theme Showcase
* WordPress Planet
* WordPress.com News Blog at WordPress.com. MidMo Design.
Sean Moloney: Fine Art Create a free website or blog at WordPress.com.Post to
Cancel
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: CookiePolicy
* Follow
*
* Sean Moloney: Fine Art* Customize
* Follow
* Sign up
* Log in
* Report this content * Manage subscriptions* Collapse this bar
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0