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DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall ERIK SATIE | SAN FRANCISCO CLASSICAL VOICE Uncertain times 1871-78: Eric (later Erik) is five when the Franco-Prussian War breaks out and his family moves to Paris in its wake. A year later, his mother dies and he and his brother are sent back to Honfleur to be raised by their paternal grandparents. Erik begins music lessons with a local organist. But in 1878 his grandmother mysteriously drowns and he is sent back to Paris. THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. BREAKING IN CLARINET AND SAXOPHONE REEDS Here are some tips for breaking in a reed so it will last: On Day 1, simply test the reed by playing it for no longer than five minutes. Always moisten the entire reed in your mouth, from heel to tip, before playing. Observe its qualities, such as how easily it vibrates, its responsiveness and level of resistance to your air, and the quality of SAN FRANCISCO CLASSICAL VOICE Receive the latest news delivered straight to your inbox with a digest of all the latest events, reviews, and hot deals. First Name Last NameEmail Address
SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free Taiwan DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall THE ESSENTIAL ADOLPHUS HAILSTORK The Essential Adolphus Hailstork. Adolphus Hailstork. Adolphus Hailstork ’s birthday doesn’t appear on most classical mavens’ calendars, but it does on mine. When I interviewed Hailstork last June, I hadn’t done the math and realized that 2021 would be the composer’s big eight-oh. But it came up in the interview and itoccurred to me
THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TERESSA "TERRY" ADAMS Teressa "Terry" Adams is the cellist and leader of the Nob Hill String Ensembles -- Quartet, Trio, Duo and Solo -- which offer an wide repertoire of elegant Classical, light-Classical and popular music for weddings, receptions, corporate functions and special events throughout the Greater San Francisco Bay area. She is also an experienced studio musician and long-time music contractor. R.I.P. MICHAEL GREBANIER, SF SYMPHONY PRINCIPAL CELLIST R.I.P. Michael Grebanier, SF Symphony Principal Cellist. Michael Grebanier, the San Francisco Symphony’s principal cellist for the past 43 years, died on Dec. 19. The Brisbane resident was 82 and still on the orchestra’s active roster, although he had not played for some time, being in ill health. His widow, Sharon, has been aviolinist
MUSICIANS FOR HIRE
The San Francisco Classical Voice Musicians for Hire Directory is provided as a community service. The information in the musician profiles is provided solely by the musician listed and is not verified by SFCV.Inclusion in the directory does not imply recommendation by SFCV and no screening or background check has been done on any of thelisted musicians.
MUSIC ACADEMY OF THE WEST RESTORES MUSIC TO SANTA BARBARA Music Academy of the West returns to in-person performances this summer. In music, as in comedy, timing is critical. And for the Music Academy of the West, California’s plan to lift COVID-19 restrictions on June 15 couldn’t have been timed better.. The renowned summer school and festival, which operated as an online institute last summer, will return to in-person teaching and performances THE AMERICAN BACH SOLOISTS FESTIVAL GOES LIVE THIS SUMMER What a difference a vaccine makes. A year ago, SFCV was publishing grim cancellation and postponement notices every week. This month we’re scrambling to keep up with the new announcements about live, in-person concerts and festivals. LOVE IT OR HATE IT: MUSICIANS COME TO TERMS WITH Austin says the power for musicians to “create their own gravity” online, independent of “traditional gatekeepers,” and evidence of music’s vital roles during the pandemic — as a balm, a vehicle for underscoring injustices, a rejuvenating source of unifying energy for everyone — is an equalizing, profound force and to be cherished. JAZZ ON THE FRONT LINES “The first wave of jazz was spread after World War I when there was a fascination with Blackness and all of kinds of things associated with passion and savageness and all of that,” said Bay Area jazz vocalist Kim Nalley, who just earned a Ph.D. in history from U.C. Berkeley with her dissertation “G.I. Jazz,” about the dual role ofAfrican
PARTCH ENSEMBLE PREMIERES The Grammy Award winning PARTCH Ensemble returns to REDCAT with seven new works for Partch instruments from Los Angeles-based composers Daniel Corral, Anne LeBaron, Ulrich Krieger, Daniel Rothman, John Schneider, T.J. Troy, and Alex Wand. The second half features the premiere of Sarah Swenson's choreography of Harry Partch's Castor & Pollux "A Dance for the Twin Rhythms of JAZZ | SAN FRANCISCO CLASSICAL VOICE The Philharmonic Society of Orange County hosts violinist Philippe Quint in a tribute to the artist who transformed tango. Streamingthrough April 13.
THREE TENORS
Alex Boyer, Christopher Oglesby, and Pene Pati At the age of 20, Pene Pati said he discovered opera, and at the time, knew only of Luciano Pavarotti. Pati learned all of his musical technique in the beginning from watching YouTube videos of Pavarotti. When the Three Tenors came on the scene, Pati said he was a “huge fan since day one” and later joined his brother and cousin to form STANFORD JAZZ IS BACK! Joshua Redman and Zakir Hussain appear in Frost Amphitheater on July 1. Bay Area jazz enthusiasts have reason to rejoice with last Thursday’s announcement that the Stanford Jazz Workshop’s world-class concert series is back at Frost Amphitheater, with headliners Joshua Redman and Zakir Hussain taking the stage on Thursday, July 1. Big news for students, too, as the lauded workshopCOMPOSER GALLERY
Here are quick and easy reference guides to the all-time great composers, a roster that we're always expanding. For each composer, you'll find vital statistics (birth, death, nationality), a short biographical sketch and a few fun facts, plus a basic guide to the music and a list of weblinks and resources, plus a few of the most famous tunes and one or two videos. SAN FRANCISCO CLASSICAL VOICE LA Opera’s artist-in-residence takes the stage in Oedipus Rex on June 6. He talks with SFCV about opera’s new landscape and how he’s supporting the next generation of singers. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free Taiwan THE ESSENTIAL ADOLPHUS HAILSTORK The Essential Adolphus Hailstork. Adolphus Hailstork. Adolphus Hailstork ’s birthday doesn’t appear on most classical mavens’ calendars, but it does on mine. When I interviewed Hailstork last June, I hadn’t done the math and realized that 2021 would be the composer’s big eight-oh. But it came up in the interview and itoccurred to me
DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall ERIK SATIE | SAN FRANCISCO CLASSICAL VOICE Uncertain times 1871-78: Eric (later Erik) is five when the Franco-Prussian War breaks out and his family moves to Paris in its wake. A year later, his mother dies and he and his brother are sent back to Honfleur to be raised by their paternal grandparents. Erik begins music lessons with a local organist. But in 1878 his grandmother mysteriously drowns and he is sent back to Paris. THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. BREAKING IN CLARINET AND SAXOPHONE REEDS Here are some tips for breaking in a reed so it will last: On Day 1, simply test the reed by playing it for no longer than five minutes. Always moisten the entire reed in your mouth, from heel to tip, before playing. Observe its qualities, such as how easily it vibrates, its responsiveness and level of resistance to your air, and the quality of SAN FRANCISCO CLASSICAL VOICE LA Opera’s artist-in-residence takes the stage in Oedipus Rex on June 6. He talks with SFCV about opera’s new landscape and how he’s supporting the next generation of singers. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free Taiwan THE ESSENTIAL ADOLPHUS HAILSTORK The Essential Adolphus Hailstork. Adolphus Hailstork. Adolphus Hailstork ’s birthday doesn’t appear on most classical mavens’ calendars, but it does on mine. When I interviewed Hailstork last June, I hadn’t done the math and realized that 2021 would be the composer’s big eight-oh. But it came up in the interview and itoccurred to me
DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall ERIK SATIE | SAN FRANCISCO CLASSICAL VOICE Uncertain times 1871-78: Eric (later Erik) is five when the Franco-Prussian War breaks out and his family moves to Paris in its wake. A year later, his mother dies and he and his brother are sent back to Honfleur to be raised by their paternal grandparents. Erik begins music lessons with a local organist. But in 1878 his grandmother mysteriously drowns and he is sent back to Paris. THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. BREAKING IN CLARINET AND SAXOPHONE REEDS Here are some tips for breaking in a reed so it will last: On Day 1, simply test the reed by playing it for no longer than five minutes. Always moisten the entire reed in your mouth, from heel to tip, before playing. Observe its qualities, such as how easily it vibrates, its responsiveness and level of resistance to your air, and the quality ofMUSICIANS FOR HIRE
The San Francisco Classical Voice Musicians for Hire Directory is provided as a community service. The information in the musician profiles is provided solely by the musician listed and is not verified by SFCV.Inclusion in the directory does not imply recommendation by SFCV and no screening or background check has been done on any of thelisted musicians.
MUSIC ACADEMY OF THE WEST RESTORES MUSIC TO SANTA BARBARA Music Academy of the West returns to in-person performances this summer. In music, as in comedy, timing is critical. And for the Music Academy of the West, California’s plan to lift COVID-19 restrictions on June 15 couldn’t have been timed better.. The renowned summer school and festival, which operated as an online institute last summer, will return to in-person teaching and performances THE AMERICAN BACH SOLOISTS FESTIVAL GOES LIVE THIS SUMMER 1 day ago · What a difference a vaccine makes. A year ago, SFCV was publishing grim cancellation and postponement notices every week. This month we’re scrambling to keep up with the new announcements about live, in-person concerts and festivals. LOVE IT OR HATE IT: MUSICIANS COME TO TERMS WITH Austin says the power for musicians to “create their own gravity” online, independent of “traditional gatekeepers,” and evidence of music’s vital roles during the pandemic — as a balm, a vehicle for underscoring injustices, a rejuvenating source of unifying energy for everyone — is an equalizing, profound force and to be cherished. JAZZ ON THE FRONT LINES “The first wave of jazz was spread after World War I when there was a fascination with Blackness and all of kinds of things associated with passion and savageness and all of that,” said Bay Area jazz vocalist Kim Nalley, who just earned a Ph.D. in history from U.C. Berkeley with her dissertation “G.I. Jazz,” about the dual role ofAfrican
PARTCH ENSEMBLE PREMIERES The Grammy Award winning PARTCH Ensemble returns to REDCAT with seven new works for Partch instruments from Los Angeles-based composers Daniel Corral, Anne LeBaron, Ulrich Krieger, Daniel Rothman, John Schneider, T.J. Troy, and Alex Wand. The second half features the premiere of Sarah Swenson's choreography of Harry Partch's Castor & Pollux "A Dance for the Twin Rhythms of JAZZ | SAN FRANCISCO CLASSICAL VOICE The Philharmonic Society of Orange County hosts violinist Philippe Quint in a tribute to the artist who transformed tango. Streamingthrough April 13.
THREE TENORS
Alex Boyer, Christopher Oglesby, and Pene Pati At the age of 20, Pene Pati said he discovered opera, and at the time, knew only of Luciano Pavarotti. Pati learned all of his musical technique in the beginning from watching YouTube videos of Pavarotti. When the Three Tenors came on the scene, Pati said he was a “huge fan since day one” and later joined his brother and cousin to form STANFORD JAZZ IS BACK! 1 day ago · Joshua Redman and Zakir Hussain appear in Frost Amphitheater on July 1. Bay Area jazz enthusiasts have reason to rejoice with last Thursday’s announcement that the Stanford Jazz Workshop’s world-class concert series is back at Frost Amphitheater, with headliners Joshua Redman and Zakir Hussain taking the stage on Thursday, July 1. Big news for students, too, as the lauded workshopCOMPOSER GALLERY
Here are quick and easy reference guides to the all-time great composers, a roster that we're always expanding. For each composer, you'll find vital statistics (birth, death, nationality), a short biographical sketch and a few fun facts, plus a basic guide to the music and a list of weblinks and resources, plus a few of the most famous tunes and one or two videos. SAN FRANCISCO CLASSICAL VOICE LA Opera’s artist-in-residence takes the stage in Oedipus Rex on June 6. He talks with SFCV about opera’s new landscape and how he’s supporting the next generation of singers. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free Taiwan THE ESSENTIAL ADOLPHUS HAILSTORK The Essential Adolphus Hailstork. Adolphus Hailstork. Adolphus Hailstork ’s birthday doesn’t appear on most classical mavens’ calendars, but it does on mine. When I interviewed Hailstork last June, I hadn’t done the math and realized that 2021 would be the composer’s big eight-oh. But it came up in the interview and itoccurred to me
DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall ERIK SATIE | SAN FRANCISCO CLASSICAL VOICE Uncertain times 1871-78: Eric (later Erik) is five when the Franco-Prussian War breaks out and his family moves to Paris in its wake. A year later, his mother dies and he and his brother are sent back to Honfleur to be raised by their paternal grandparents. Erik begins music lessons with a local organist. But in 1878 his grandmother mysteriously drowns and he is sent back to Paris. THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. BREAKING IN CLARINET AND SAXOPHONE REEDS Here are some tips for breaking in a reed so it will last: On Day 1, simply test the reed by playing it for no longer than five minutes. Always moisten the entire reed in your mouth, from heel to tip, before playing. Observe its qualities, such as how easily it vibrates, its responsiveness and level of resistance to your air, and the quality of SAN FRANCISCO CLASSICAL VOICE LA Opera’s artist-in-residence takes the stage in Oedipus Rex on June 6. He talks with SFCV about opera’s new landscape and how he’s supporting the next generation of singers. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free Taiwan THE ESSENTIAL ADOLPHUS HAILSTORK The Essential Adolphus Hailstork. Adolphus Hailstork. Adolphus Hailstork ’s birthday doesn’t appear on most classical mavens’ calendars, but it does on mine. When I interviewed Hailstork last June, I hadn’t done the math and realized that 2021 would be the composer’s big eight-oh. But it came up in the interview and itoccurred to me
DANIEL HOPE AND NEW CENTURY CHAMBER ORCHESTRA GO BOLDLY NCCO rehearsal in Bing Hall. Berlin-resident, Zürich maestro, world-traveler (even in the pandemic) Daniel Hope has spent the past week in Northern California, visiting the New Century Chamber Orchestra he leads, and settling for a short while in Stanford to make music. “What an inspiring musical week this has been,” Hope writes, “filming with NCCO in the incredible Bing Concert Hall ERIK SATIE | SAN FRANCISCO CLASSICAL VOICE Uncertain times 1871-78: Eric (later Erik) is five when the Franco-Prussian War breaks out and his family moves to Paris in its wake. A year later, his mother dies and he and his brother are sent back to Honfleur to be raised by their paternal grandparents. Erik begins music lessons with a local organist. But in 1878 his grandmother mysteriously drowns and he is sent back to Paris. THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TOP 10 'ALLA ROSSINI' RECIPES Gioachino Rossini was probably the first composer to become a celebrity. His gastronomic excesses circulated, and food stories about him abounded. There are enough 'alla Rossini' recipes to fill a book: Here are 10 to whet your appetite. BREAKING IN CLARINET AND SAXOPHONE REEDS Here are some tips for breaking in a reed so it will last: On Day 1, simply test the reed by playing it for no longer than five minutes. Always moisten the entire reed in your mouth, from heel to tip, before playing. Observe its qualities, such as how easily it vibrates, its responsiveness and level of resistance to your air, and the quality ofMUSICIANS FOR HIRE
The San Francisco Classical Voice Musicians for Hire Directory is provided as a community service. The information in the musician profiles is provided solely by the musician listed and is not verified by SFCV.Inclusion in the directory does not imply recommendation by SFCV and no screening or background check has been done on any of thelisted musicians.
MUSIC ACADEMY OF THE WEST RESTORES MUSIC TO SANTA BARBARA 1 day ago · Music Academy of the West returns to in-person performances this summer. In music, as in comedy, timing is critical. And for the Music Academy of the West, California’s plan to lift COVID-19 restrictions on June 15 couldn’t have been timed better.. The renowned summer school and festival, which operated as an online institute last summer, will return to in-person teaching andperformances
THE AMERICAN BACH SOLOISTS FESTIVAL GOES LIVE THIS SUMMER 1 day ago · What a difference a vaccine makes. A year ago, SFCV was publishing grim cancellation and postponement notices every week. This month we’re scrambling to keep up with the new announcements about live, in-person concerts and festivals. LOVE IT OR HATE IT: MUSICIANS COME TO TERMS WITH Austin says the power for musicians to “create their own gravity” online, independent of “traditional gatekeepers,” and evidence of music’s vital roles during the pandemic — as a balm, a vehicle for underscoring injustices, a rejuvenating source of unifying energy for everyone — is an equalizing, profound force and to be cherished. JAZZ ON THE FRONT LINES “The first wave of jazz was spread after World War I when there was a fascination with Blackness and all of kinds of things associated with passion and savageness and all of that,” said Bay Area jazz vocalist Kim Nalley, who just earned a Ph.D. in history from U.C. Berkeley with her dissertation “G.I. Jazz,” about the dual role ofAfrican
PARTCH ENSEMBLE PREMIERES The Grammy Award winning PARTCH Ensemble returns to REDCAT with seven new works for Partch instruments from Los Angeles-based composers Daniel Corral, Anne LeBaron, Ulrich Krieger, Daniel Rothman, John Schneider, T.J. Troy, and Alex Wand. The second half features the premiere of Sarah Swenson's choreography of Harry Partch's Castor & Pollux "A Dance for the Twin Rhythms of JAZZ | SAN FRANCISCO CLASSICAL VOICE The Philharmonic Society of Orange County hosts violinist Philippe Quint in a tribute to the artist who transformed tango. Streamingthrough April 13.
THREE TENORS
Alex Boyer, Christopher Oglesby, and Pene Pati At the age of 20, Pene Pati said he discovered opera, and at the time, knew only of Luciano Pavarotti. Pati learned all of his musical technique in the beginning from watching YouTube videos of Pavarotti. When the Three Tenors came on the scene, Pati said he was a “huge fan since day one” and later joined his brother and cousin to form STANFORD JAZZ IS BACK! 1 day ago · Joshua Redman and Zakir Hussain appear in Frost Amphitheater on July 1. Bay Area jazz enthusiasts have reason to rejoice with last Thursday’s announcement that the Stanford Jazz Workshop’s world-class concert series is back at Frost Amphitheater, with headliners Joshua Redman and Zakir Hussain taking the stage on Thursday, July 1. Big news for students, too, as the lauded workshopCOMPOSER GALLERY
Here are quick and easy reference guides to the all-time great composers, a roster that we're always expanding. For each composer, you'll find vital statistics (birth, death, nationality), a short biographical sketch and a few fun facts, plus a basic guide to the music and a list of weblinks and resources, plus a few of the most famous tunes and one or two videos. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free TaiwanMUSICIANS FOR HIRE
The San Francisco Classical Voice Musicians for Hire Directory is provided as a community service. The information in the musician profiles is provided solely by the musician listed and is not verified by SFCV.Inclusion in the directory does not imply recommendation by SFCV and no screening or background check has been done on any of thelisted musicians.
THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it FONDLY REVISITING THE ZUBIN MEHTA ERA AT THE LA PHIL ON 38 The catalyst is the release last month of a giant 38-CD box of the complete Decca recordings of Zubin Mehta and the Los Angeles Philharmonic, dating from 1967 to 1978. These recordings — some of which are appearing for the first time on CD in the U.S. — illustrate why Mehta’s 16 years here was the first in a series oftransformative eras
CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TERESSA "TERRY" ADAMS Teressa "Terry" Adams is the cellist and leader of the Nob Hill String Ensembles -- Quartet, Trio, Duo and Solo -- which offer an wide repertoire of elegant Classical, light-Classical and popular music for weddings, receptions, corporate functions and special events throughout the Greater San Francisco Bay area. She is also an experienced studio musician and long-time music contractor. CELEBRATION LAUNCH EVENT FOR THE PEOPLE'S CHOIR OF OAKLAND Please join world renowned mezzo-soprano, Frederica von Stade on Friday, April 2 at 5 PM Pacific Time on the People’s Choir of Oakland Youtube Channel for a special event introducing the choir and featuring special guest Matthew Shilvock, the General Director of San Francisco Opera, and performances by Mezzo-Soprano Jamie Barton, Mezzo-Soprano Joyce DiDonato, Chanticleer, Soprano AGE BEFORE … WHAT DOES IT TAKE TO BE AN OPERA SINGER The Merola program is set up for young artists, but vocal gifts and artistry aren’t necessarily timestamped by biological age. “It depends partly on the voice type,” said Greenawald, noting men’s voices mature later than those of women. “We will go as high as 30 to 35 years old with both genders if the talent warrants. WYNTON MARSALIS DOES HIS OWN CARNIVAL OF THE ANIMALS Richard S. Ginell writes regularly about music for the Los Angeles Times, Musical America.com, Classical Voice North America, and American Record Guide. He has also contributed to Gramophone and The Strad, among many other publications. In another lifetime, he was chief music critic of the Los Angeles Daily News. SF OPERA’S LIVE BARBER OF SEVILLE CREATES DELIGHT OUT OF Alek Shrader and Daniela Mack in Rossini’s The Barber of Seville | Credit: Stefan Cohen/SF Opera. The bulk of the singing was carried by the four principals. Philip Skinner was a gruff and sputtery Don Bartolo, ready prey for Lucas Meacham’s brash Figaro. The romantic leads, Rosina and Almaviva, were sung by real-life couple Daniela Mack WAITING FOR SF OPERA’S FALL SEASON WHILE OPERA HOUSES OPEN SF Opera Music Director Eun Sun Kim was set to conduct opening night in 2020, may yet do it this fall | Credit: Marc Olivier Le Blanc June is about to bust out all over, with renewal and retreat; concert halls opening and closing; the enormous tragedy in India, with the COVID-19 variant from there spreading around the world; CDC confusion about masks in the U.S.; formerly virus-free TaiwanMUSICIANS FOR HIRE
The San Francisco Classical Voice Musicians for Hire Directory is provided as a community service. The information in the musician profiles is provided solely by the musician listed and is not verified by SFCV.Inclusion in the directory does not imply recommendation by SFCV and no screening or background check has been done on any of thelisted musicians.
THE TOP TEN UNDERRATED COMPOSERS No. 9, Isaac Albéniz: Albéniz (1860–1909) is one of the three early 20th-century Spanish greats (along with De Falla and Granados) in composition. Unfortunately for him, most music historians who are not Spanish drop his native country off the map of European classical music sometime around the death of Tomás de la Victoria (in 1611), so Albéniz was born 250 years too late to make it FONDLY REVISITING THE ZUBIN MEHTA ERA AT THE LA PHIL ON 38 The catalyst is the release last month of a giant 38-CD box of the complete Decca recordings of Zubin Mehta and the Los Angeles Philharmonic, dating from 1967 to 1978. These recordings — some of which are appearing for the first time on CD in the U.S. — illustrate why Mehta’s 16 years here was the first in a series oftransformative eras
CHRISTINE GOERKE BLOWS THE ROOF OFF THE VIRTUAL HOUSE Christine Goerke with pianist Craig Terry. As for the Italian section of the program, Goerke isn’t about to settle for caressing charms. If anything, and sometimes to a fault, her voice is a roof-rattler. But if her rendering of Ottorino Resphigi’s Nebbie (Fog) might bear down a little hard, a cart-and-horse number by Federico Ricci that TERESSA "TERRY" ADAMS Teressa "Terry" Adams is the cellist and leader of the Nob Hill String Ensembles -- Quartet, Trio, Duo and Solo -- which offer an wide repertoire of elegant Classical, light-Classical and popular music for weddings, receptions, corporate functions and special events throughout the Greater San Francisco Bay area. She is also an experienced studio musician and long-time music contractor. CELEBRATION LAUNCH EVENT FOR THE PEOPLE'S CHOIR OF OAKLAND Please join world renowned mezzo-soprano, Frederica von Stade on Friday, April 2 at 5 PM Pacific Time on the People’s Choir of Oakland Youtube Channel for a special event introducing the choir and featuring special guest Matthew Shilvock, the General Director of San Francisco Opera, and performances by Mezzo-Soprano Jamie Barton, Mezzo-Soprano Joyce DiDonato, Chanticleer, Soprano AGE BEFORE … WHAT DOES IT TAKE TO BE AN OPERA SINGER The Merola program is set up for young artists, but vocal gifts and artistry aren’t necessarily timestamped by biological age. “It depends partly on the voice type,” said Greenawald, noting men’s voices mature later than those of women. “We will go as high as 30 to 35 years old with both genders if the talent warrants. WYNTON MARSALIS DOES HIS OWN CARNIVAL OF THE ANIMALS Richard S. Ginell writes regularly about music for the Los Angeles Times, Musical America.com, Classical Voice North America, and American Record Guide. He has also contributed to Gramophone and The Strad, among many other publications. In another lifetime, he was chief music critic of the Los Angeles Daily News. SAN FRANCISCO CLASSICAL VOICE LA Opera’s artist-in-residence takes the stage in Oedipus Rex on June 6. He talks with SFCV about opera’s new landscape and how he’s supporting the next generation of singers.STREAM THIS!
7:30 p.m. PT, Bird and Beckett Books and Records, Jazz in the Bookshop, on Facebook and on YouTube 8 p.m. PT, Luther Burbank Center for the Arts, Luther Locals: Joshua Paul Spears, on Facebook 8:30 p.m. PT, REDCAT, PARTCH Ensemble: Premieres, tickets here 10 p.m. PT, Other Minds, Music From Other Minds, live on KALW and later on OtherMinds’ website
THE AMERICAN BACH SOLOISTS FESTIVAL GOES LIVE THIS SUMMER 1 day ago · What a difference a vaccine makes. A year ago, SFCV was publishing grim cancellation and postponement notices every week. This month we’re scrambling to keep up with the new announcements about live, in-person concerts and festivals. MUSIC ACADEMY OF THE WEST RESTORES MUSIC TO SANTA BARBARA 1 day ago · Music Academy of the West returns to in-person performances this summer. In music, as in comedy, timing is critical. And for the Music Academy of the West, California’s plan to lift COVID-19 restrictions on June 15 couldn’t have been timed better.. The renowned summer school and festival, which operated as an online institute last summer, will return to in-person teaching andperformances
CAL PERFORMANCES PLANS A BIG IN-PERSON 2021–2022 SEASON 1 day ago · On Dec. 2, Kronos offers a rich concert of the newest edition of its 50 for the Future project, with new works by Terry Riley and Cal Performances’ 2021–2022 artist-in-residence, Angélique Kidjo. For the second half of this concert, Kronos is joined by Mahsa Vahdat, a JAZZ ON THE FRONT LINES “The first wave of jazz was spread after World War I when there was a fascination with Blackness and all of kinds of things associated with passion and savageness and all of that,” said Bay Area jazz vocalist Kim Nalley, who just earned a Ph.D. in history from U.C. Berkeley with her dissertation “G.I. Jazz,” about the dual role ofAfrican
SINGING THE MUSICAL PRAISES OF ROBERT HURWITZ IN I STILL In March of this year the album was a topic of a Zoom discussion and performance as part of the Virtual Ojai Talks, featuring Hurwitz, Laurie Anderson, and Timo Andres, the recording’s primary pianist, one of the 11 composers, and the author of the lively and informed track notes.The genial Hurwitz praises the collected pieces as, “not just something to play, but something to learn from THE ESSENTIAL GUSTAVO DUDAMEL Gustavo Dudamel. By now, the rise of Gustavo Dudamel from the streets of Venezuela to the world’s top symphonic podiums has become common knowledge even in the mass media. It happened really fast. After he had won the Gustav Mahler Conducting Competition in Bamberg, Germany, in 2004 at 23, the world was soon beating on Dudamel’s door. STANFORD JAZZ IS BACK! 1 day ago · Joshua Redman and Zakir Hussain appear in Frost Amphitheater on July 1. Bay Area jazz enthusiasts have reason to rejoice with last Thursday’s announcement that the Stanford Jazz Workshop’s world-class concert series is back at Frost Amphitheater, with headliners Joshua Redman and Zakir Hussain taking the stage on Thursday, July 1. Big news for students, too, as the lauded workshop ROBERT BATTLE KEEPS THE DANCE MOVING FORWARD 1 day ago · Alvin Ailey, Judith Jamison, and Robert Battle | Credit: Eric N. Hong, Andrew Eccles, and Brian Guilliaux Approaching a conversation with Alvin Ailey American Dance Theater Artistic Director Robert Battle, I am suddenly struck by the enormous influence the company has had on my personal and professional life.Not only have I had deep and rewarding chats with Battle, the third person to lead the* About
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THIS WEEK'S HIGHLIGHTSFeature Article
Edward Simon Is a Jazz Explorer With a Big ItineraryFeature Article
LA Opera’s “Eurydice Found” Festival Celebrates Neglected Halfof the Greek Myth
Artist Spotlight
Chris Botti: Have Horn, Will TravelHot Deals
“Kinetic Transformations” San Francisco Contemporary Music PlayersJan. 17, 8:00 pm
Ticket fees waived with code SFCVWAIVE UPCOMING FREE EVENTS Sun January 12, 2020 4:00pm Aryeh Nussbaum Cohen, countertenor Community Concerts at Epworth Sat January 18, 2020 7:00pmKaki King
Community School of Music and Arts Sun January 19, 2020 4:00pm Sunday Concerts at Presidio Chapel 3rd Season Interfaith Center at the PresidioWHAT'S NEW?
Feature Article
January 3, 2020
Aubrey Bergauer Is Writing a New Script for Classical Music EngagementBY Mark MacNamara
The successful, young executive is ruffling some feathers with her message of change for classical-music organizations.More »
Jazz Review
January 4, 2020
Ringing in the New Year With Dumpstaphunk and Maceo ParkerBY Jeff Kaliss
Funk reigns supreme in celebrations at the Great American Music Halland SFJAZZ.
More »
Music News
December 30, 2019
R.I.P. Michael Grebanier, SF Symphony Principal CellistBY Janos Gereben
Grebanier played with the orchestra for more than 40 years.More »
Dance Review
January 2, 2020
Merce, the Movie
BY Janice Berman
_Cunningham_ is a beautiful documentary that clarifies the choreographer’s place in dance history.More »
Feature Article
December 22, 2019
Three New Noteworthy Discs From American Orchestras BY Richard S. Ginell Streaming digital music hasn’t completely killed the venerable tradition of great orchestras making interesting records.More »
Music News
December 17, 2019
Michael Tilson Thomas’s _Rilke Songs_ in SF Symphony World PremiereBY Janos Gereben
Sasha Cooke and Ryan McKinny will sing with the orchestra.More »
Artist Spotlight
December 30, 2019
Mihoko Fujimura: The Totally Dedicated Artist BY Victoria Looseleaf The mezzo-soprano, acclaimed for her Wagnerian roles, joins the LA Phil for Mahler’s Second Symphony in January.More »
More Artist SpotlightsUpcoming Concert
December 26, 2019
ALTERNATIVA
FRESH Festival Looks for a Little TendernessBY Lou Fancher
For three weeks in January, the artist-run festival presents cutting-edge dance, music, and performance art. More about ALTERNATIVA »More Previews »
Upcoming Concert
December 20, 2019
Stanford Live
Kronos Quartet Revisits the ’60s BY Jason Victor Serinus Contemporary music’s fab four bring their latest music to Stanfordon Jan. 15.
More about Stanford Live »More Previews »
Early Music/Baroque ReviewDecember 23, 2019
Christopher Lowrey Gives a Soul-Shaking Performance With Voices ofMusic
BY Steven Winn
The countertenor’s stunning technique and stirring emotional delivery meld perfectly with VOM’s impeccable Baroque chops.More »
Opera Review
December 23, 2019
Numi Opera Goes Small With a Delightful Korngold OperaBY Jim Farber
A concert staging of Erich Wolfgang Korngold’s _Der Ring des Polykrates_ is a success for the young company.More »
New Music Review
December 19, 2019
On the Cusp of Silence With the JACK QuartetBY Brin Solomon
The bold, virtuosic quartet is in a meditative mood for its “Frontiers” series in New York.More »
New Music Review
December 19, 2019
Carolyn Chen Makes Reality RemarkableBY Tamzin Elliott
Augmented with prerecorded sounds, the Koan Quartet grows a complex sonic ecosystem in Chen’s _Other Forests_.More »
Feature Article
December 17, 2019
The Friction Quartet Pins Its Hopes on the FutureBY Lou Fancher
The innovative ensemble invests in the evolution of music by commissioning new works by emerging composers.More »
Artist Spotlight
December 17, 2019
Eun Sun Kim: The Can-Do Conductor Plays No FavoritesBY Michael Zwiebach
The new music director of SF Opera is interested in just about everything to do with orchestras and music.More »
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TRENDING
R.I.P. Michael Grebanier, SF Symphony Principal Cellist Chris Botti: Have Horn, Will Travel Puccini World Premiere at Bocelli’s San Francisco Concert LA Opera’s “Eurydice Found” Festival Celebrates Neglected Half of the Greek Myth Christopher Lowrey Gives a Soul-Shaking Performance With Voices ofMusic
R.I.P. Michael Grebanier, SF Symphony Principal Cellist Chris Botti: Have Horn, Will Travel Puccini World Premiere at Bocelli’s San Francisco Concert LA Opera’s “Eurydice Found” Festival Celebrates Neglected Half of the Greek Myth Christopher Lowrey Gives a Soul-Shaking Performance With Voices ofMusic
FROM THE ARCHIVES
No Tipping Allowed: Mario Guarneri Is Betting on Jazz in theNeighborhoods
Scaling the Heights with Lawrence Brownlee Composer Jennifer Higdon: Enjoying an Explosive Year ... andCareer
Steven Schick Builds a Theater of Sound with his Fabulous_Machine_
Letter From Chicago: The City Is Second to None for New Music No Tipping Allowed: Mario Guarneri Is Betting on Jazz in theNeighborhoods
Scaling the Heights with Lawrence Brownlee Composer Jennifer Higdon: Enjoying an Explosive Year ... and Career Steven Schick Builds a Theater of Sound with his Fabulous _Machine_ Letter From Chicago: The City Is Second to None for New MusicHot Deals
“Kinetic Transformations” San Francisco Contemporary Music PlayersJan. 17, 8:00 pm
Ticket fees waived with code SFCVWAIVE UPCOMING FREE EVENTS Sun January 12, 2020 4:00pm Aryeh Nussbaum Cohen, countertenor Community Concerts at Epworth Sat January 18, 2020 7:00pmKaki King
Community School of Music and Arts Sun January 19, 2020 4:00pm Sunday Concerts at Presidio Chapel 3rd Season Interfaith Center at the PresidioWHAT'S NEW?
Feature Article
January 3, 2020
Aubrey Bergauer Is Writing a New Script for Classical Music EngagementBY Mark MacNamara
The successful, young executive is ruffling some feathers with her message of change for classical-music organizations.More »
Jazz Review
January 4, 2020
Ringing in the New Year With Dumpstaphunk and Maceo ParkerBY Jeff Kaliss
Funk reigns supreme in celebrations at the Great American Music Halland SFJAZZ.
More »
Music News
December 30, 2019
R.I.P. Michael Grebanier, SF Symphony Principal CellistBY Janos Gereben
Grebanier played with the orchestra for more than 40 years.More »
Dance Review
January 2, 2020
Merce, the Movie
BY Janice Berman
_Cunningham_ is a beautiful documentary that clarifies the choreographer’s place in dance history.More »
Feature Article
December 22, 2019
Three New Noteworthy Discs From American Orchestras BY Richard S. Ginell Streaming digital music hasn’t completely killed the venerable tradition of great orchestras making interesting records.More »
Music News
December 17, 2019
Michael Tilson Thomas’s _Rilke Songs_ in SF Symphony World PremiereBY Janos Gereben
Sasha Cooke and Ryan McKinny will sing with the orchestra.More »
Artist Spotlight
December 30, 2019
Mihoko Fujimura: The Totally Dedicated Artist BY Victoria Looseleaf The mezzo-soprano, acclaimed for her Wagnerian roles, joins the LA Phil for Mahler’s Second Symphony in January.More »
More Artist SpotlightsUpcoming Concert
December 26, 2019
ALTERNATIVA
FRESH Festival Looks for a Little TendernessBY Lou Fancher
For three weeks in January, the artist-run festival presents cutting-edge dance, music, and performance art. More about ALTERNATIVA »More Previews »
Upcoming Concert
December 20, 2019
Stanford Live
Kronos Quartet Revisits the ’60s BY Jason Victor Serinus Contemporary music’s fab four bring their latest music to Stanfordon Jan. 15.
More about Stanford Live »More Previews »
Early Music/Baroque ReviewDecember 23, 2019
Christopher Lowrey Gives a Soul-Shaking Performance With Voices ofMusic
BY Steven Winn
The countertenor’s stunning technique and stirring emotional delivery meld perfectly with VOM’s impeccable Baroque chops.More »
Opera Review
December 23, 2019
Numi Opera Goes Small With a Delightful Korngold OperaBY Jim Farber
A concert staging of Erich Wolfgang Korngold’s _Der Ring des Polykrates_ is a success for the young company.More »
New Music Review
December 19, 2019
On the Cusp of Silence With the JACK QuartetBY Brin Solomon
The bold, virtuosic quartet is in a meditative mood for its “Frontiers” series in New York.More »
New Music Review
December 19, 2019
Carolyn Chen Makes Reality RemarkableBY Tamzin Elliott
Augmented with prerecorded sounds, the Koan Quartet grows a complex sonic ecosystem in Chen’s _Other Forests_.More »
Feature Article
December 17, 2019
The Friction Quartet Pins Its Hopes on the FutureBY Lou Fancher
The innovative ensemble invests in the evolution of music by commissioning new works by emerging composers.More »
Artist Spotlight
December 17, 2019
Eun Sun Kim: The Can-Do Conductor Plays No FavoritesBY Michael Zwiebach
The new music director of SF Opera is interested in just about everything to do with orchestras and music.More »
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