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TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers theNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers theNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you CONTACT TAXI FOR MEMBER SERVICE QUESTIONS OR TO REQUEST MUSIC TAXI has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992 TAXI'S MUSIC INDUSTRY LISTINGS: MUSIC OPPORTUNITIES FROM See what Record Labels, Music Publishers, Film and TV Music Supervisors, and Music Libraries are currently looking for. Opprtunities are updated daily! TAXI MEMBER TESTIMONIALS TAXI Music Reviews From Our Members. Michael Jones reviewed TAXI - Independent A&R - 5. Five years ago, I was "producing" 2 or 3 songs a year. Despite the fact that I live close to Nashville, promoting & networking were impossible. I had a job, a family, & a home, all requiring my time & attention. TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers the TAXI FAQS: MUSIC PUBLISHING: QUESTIONS & LETTERS If an artist owns both the song and the recording (as most independent artists do), the clearance process is relatively simple. If an artist is signed to publishing deal and a record label, separate negotiations must take place with both the publisher and the label. This is obviously more complicated (and more expensive) for the supervisor.SONGWRITING
Songwriting Topics. Legacy Interviews and Articles These interviews and articles date back to the 1990s and early 2000s. While many of the people interviewed have changed positions or left the music industry and some of the information is dated, there is also quite a bit of valuable information to be found in these. MUSIC LICENSING ARTICLES, MUSIC LICENSING FAQ, MUSIC Music Licensing Articles. Legacy Interviews and Articles These interviews and articles date back to the 1990s and early 2000s. While many of the people interviewed have changed positions or left the music industry and some of the information is dated, there is alsoquite a
HOW DOES THE MUSIC INDUSTRY WORK? GIVE ME THE HIGH-LEVEL On the sound recording side, the ISRC is usually assigned by the record label. If you don’t have ISRC codes, your distributor will likely offer you some. The ISRC code has a prefix that identifies the country and company who owns the ISRC code. You can get your own ISRCprefix for
TAXI: RECORD DEALS, PUBLISHING DEAL, FILM TV PLACEMENT The term was coined to describe the function of people at record labels who are in charge of finding and developing new talent. Development typically includes finding the right material for the artist to perform if they don't write their own songs, hooking them up with the right producer, engineer, studio, etc., deciding which oftheir songs
COMPANIES LOOKING FOR NEW MUSIC Services such as Spotify and Pandora provide music for fans to stream, and pay very little money to the songwriters and artists. Here’s a great article that gives you a great overview of what you can make if your music is on streaming services. The bottom line is that you need to have MILLIONS of streams to make any significant income. TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demosNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But youTAXI FORWARDS
TAXI Forwards – 9/17/20. September 18, 2020 by. The forwards below only include tracks from TAXI Members who have marked them as “Public.”. Any forwards marked “Private” are not included but have still been forwarded on to the music industry. HOW DOES THE MUSIC INDUSTRY WORK? GIVE ME THE HIGH-LEVEL On the sound recording side, the ISRC is usually assigned by the record label. If you don’t have ISRC codes, your distributor will likely offer you some. The ISRC code has a prefix that identifies the country and company who owns the ISRC code. You can get your own ISRCprefix for
PASSENGER PROFILE ROBERT “CASS” MCENTEE Better Money, but I still did my best to play and perform. I also wrote an album with award-winning Celtic singer Maireid Sullivan, and toured with her for a year. I had a residency at The Cat Club on the Sunset Strip, playing bass for Blackbird on a Wire, which was anAmericana act.
TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demosNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But youTAXI FORWARDS
TAXI Forwards – 9/17/20. September 18, 2020 by. The forwards below only include tracks from TAXI Members who have marked them as “Public.”. Any forwards marked “Private” are not included but have still been forwarded on to the music industry. HOW DOES THE MUSIC INDUSTRY WORK? GIVE ME THE HIGH-LEVEL On the sound recording side, the ISRC is usually assigned by the record label. If you don’t have ISRC codes, your distributor will likely offer you some. The ISRC code has a prefix that identifies the country and company who owns the ISRC code. You can get your own ISRCprefix for
PASSENGER PROFILE ROBERT “CASS” MCENTEE Better Money, but I still did my best to play and perform. I also wrote an album with award-winning Celtic singer Maireid Sullivan, and toured with her for a year. I had a residency at The Cat Club on the Sunset Strip, playing bass for Blackbird on a Wire, which was anAmericana act.
TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992 TAXI IS A LEADING RESOURCE FOR RECORD LABELS, MUSIC If you’d like TAXI to run a search and find music for your project, you need to be one of the following: Major record label. Major publisher. Small to mid-size publisher or production music library with placements or cuts on indie and major label records, TV shows, LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos TAXI: OUR MONEY BACK GUARANTEE And that's not a 30-day guarantee. It's a Full, One-Year Guarantee. Yes, you read that correctly! We give you a full year to make sure you're happy with our listings, feedback and customer service. And if you're not, mail a letter telling us why you're not and we'll refund your first year's membership fee. For obvious reasons we can'tguarantee
HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). TAXI MEMBER TESTIMONIALS TAXI Music Reviews From Our Members. Michael Jones reviewed TAXI - Independent A&R - 5. Five years ago, I was "producing" 2 or 3 songs a year. Despite the fact that I live close to Nashville, promoting & networking were impossible. I had a job, a family, & a home, all requiring my time & attention.SONGWRITING
Songwriting Topics. Legacy Interviews and Articles These interviews and articles date back to the 1990s and early 2000s. While many of the people interviewed have changed positions or left the music industry and some of the information is dated, there is also quite a bit of valuable information to be found in these. MUSTANG | TAXI MEMBER Sold out 'Koko' in Camden, played to audiences up to 10,000 at festivals. Were initially spotted and promoted by Steve Lamacq, and appeared in a range of media outlets, magazines including Radio one, XFM, NME magazine, Dazed and Confused magazine etc. Worked with producers including Ken Nelson (Coldplay), Gregory Fitzgerald (Kylie),Chris
TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer getsTAXI FORWARDS
The forwards below only include tracks from TAXI Members who have marked them as "Public." Any forwards marked "Private" are not included but have still been TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers theNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers theNETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets TAXI IS A LEADING RESOURCE FOR RECORD LABELS, MUSIC If you’d like TAXI to run a search and find music for your project, you need to be one of the following: Major record label. Major publisher. Small to mid-size publisher or production music library with placements or cuts on indie and major label records, TV shows, CONTACT TAXI FOR MEMBER SERVICE QUESTIONS OR TO REQUEST MUSIC TAXI has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992 TAXI'S MUSIC INDUSTRY LISTINGS: MUSIC OPPORTUNITIES FROM See what Record Labels, Music Publishers, Film and TV Music Supervisors, and Music Libraries are currently looking for. Opprtunities are updated daily!TAXI
USER AGREEMENT. NOTE: TAXI exceeds California’s requirement for a 10-day refund period by offering a full 365-day refund period! You get a full-year from your join date to get your membership fee refunded. Parties.This Talent Services Agreement (“Agreement”) is entered into and to be performed at Los Angeles, California as June 6, 2021 by and between you ("ARTIST") and TAXI Computer WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. TAXI BLOG | WHAT RECORD COMPANIES, MUSIC SUPERVISORS TAXI has been helping songwriters, artists, and composers get record, publishing, and film and TV music licensing deals since 1992. As the company moves into its third decade in business, an ever-increasing number of opportunities for musicians to place their music directly in TV shows and Hollywood blockbusters have occurred. TAXI MEMBER TESTIMONIALS TAXI Music Reviews From Our Members. Michael Jones reviewed TAXI - Independent A&R - 5. Five years ago, I was "producing" 2 or 3 songs a year. Despite the fact that I live close to Nashville, promoting & networking were impossible. I had a job, a family, & a home, all requiring my time & attention. HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). COMPANIES LOOKING FOR NEW MUSIC Services such as Spotify and Pandora provide music for fans to stream, and pay very little money to the songwriters and artists. Here’s a great article that gives you a great overview of what you can make if your music is on streaming services. The bottom line is that you need to have MILLIONS of streams to make any significant income. TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers the HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee.NETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers the HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee.NETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. CONTACT TAXI FOR MEMBER SERVICE QUESTIONS OR TO REQUEST MUSIC TAXI has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992 TAXI'S MUSIC INDUSTRY LISTINGS: MUSIC OPPORTUNITIES FROM See what Record Labels, Music Publishers, Film and TV Music Supervisors, and Music Libraries are currently looking for. Opprtunities are updated daily!TAXI
USER AGREEMENT. NOTE: TAXI exceeds California’s requirement for a 10-day refund period by offering a full 365-day refund period! You get a full-year from your join date to get your membership fee refunded. Parties.This Talent Services Agreement (“Agreement”) is entered into and to be performed at Los Angeles, California as June 6, 2021 by and between you ("ARTIST") and TAXI Computer WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. TAXI MEMBER TESTIMONIALS TAXI Music Reviews From Our Members. Michael Jones reviewed TAXI - Independent A&R - 5. Five years ago, I was "producing" 2 or 3 songs a year. Despite the fact that I live close to Nashville, promoting & networking were impossible. I had a job, a family, & a home, all requiring my time & attention. TAXI BLOG | WHAT RECORD COMPANIES, MUSIC SUPERVISORS TAXI has been helping songwriters, artists, and composers get record, publishing, and film and TV music licensing deals since 1992. As the company moves into its third decade in business, an ever-increasing number of opportunities for musicians to place their music directly in TV shows and Hollywood blockbusters have occurred. MUSIC PUBLISHING: TAXI FAQS Publishing rights are the rights to a song. If you write a song by yourself, you own the publishing (and copyright) from the moment you finish the song. You don't have to set up shop as a music publisher to own those rights - they automatically come with authorship. There are actually two halves in every publishing dollar. TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets COMPANIES LOOKING FOR NEW MUSIC Services such as Spotify and Pandora provide music for fans to stream, and pay very little money to the songwriters and artists. Here’s a great article that gives you a great overview of what you can make if your music is on streaming services. The bottom line is that you need to have MILLIONS of streams to make any significant income. TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers the HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee.NETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. TAXI A&R MUSIC HELPS SONGWRITERS, ARTISTS, AND COMPOSERSTAXIRENEWMEMBER LOGINWHAT WE DOINDUSTRY LISTINGSFORUMS TAXI A&R Music has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992TAXI
Cookies help us deliver our services. By using our services, you agree to our use of cookies. OK LOOKING FOR A RECORD DEAL, PUBLISHING DEAL, OR FILM AND TV TAXI was founded in January of 1992 by producer/engineer, Michael Laskow. Laskow worked with artists like Crosby, Stills, Nash and Young, Eric Clapton, Neil Young, Melanie and Cheap Trick (among others) in the 1970s and 80s, but saw a common problem with the unsigned artists and songwriters he worked with between major label projects - they spent a great deal of time and money producing demos WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make TAXI FAQS: MUSIC PUBLISHING: CO-PUBLISHING AGREEMENTS The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract. For example, under the terms of an exclusive songwriter contract, the writer transfers the HOW TO SELL FILM/TV MUSIC, SONGWRITING FOR REALITY TV A network TV usage might pay in the $1000 - $2000 range for one broadcast. You make new royalties every time the show is re-run, which is particularly good news if you've got music on a show that goes into syndication and airs frequently in markets around the world. Cable broadcasts generally pay less than broadcast networks (less viewers). HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee.NETWORK TELEVISION
As to network series, many producers will ask for an "all television" synchronization license, usually for the life of copyright of the composition being used. Since this type of license is all-encompassing, fees for the use of known songs in major series usually range from $6,000 to over $10,000 for synchronization rights;fees which do not
JOHN MICHAEL KARNATZ John Michael Karnatz is a veteran musician and songwriter who has played in numerous bands in the Chicagoland area. His musical roots lie in classic rock of the 1960’s to 1980’s. If you see John cruising down Main Street with the windows down, you’ll probably hear some Eagles, Bob Seger, Beatles, Rolling Stones, Cheap Trick, Tom Petty, Bon Jovi or Eric Clapton music blaring away. But you THE TRUTH ABOUT AMERICAN IDOL: WHY GETTING SIGNED TO A The Truth About American Idol, Get your music to the right people with TAXI: The Independent A&R Vehicle that connects unsigned artists, bands and songwriters with major record labels, publishers, and film & TV music supervisors. CONTACT TAXI FOR MEMBER SERVICE QUESTIONS OR TO REQUEST MUSIC TAXI has been helping songwriters, artists, and film/TV composers get their music to record labels, music publishers, music supervisors and music libraries since 1992 TAXI'S MUSIC INDUSTRY LISTINGS: MUSIC OPPORTUNITIES FROM See what Record Labels, Music Publishers, Film and TV Music Supervisors, and Music Libraries are currently looking for. Opprtunities are updated daily!TAXI
USER AGREEMENT. NOTE: TAXI exceeds California’s requirement for a 10-day refund period by offering a full 365-day refund period! You get a full-year from your join date to get your membership fee refunded. Parties.This Talent Services Agreement (“Agreement”) is entered into and to be performed at Los Angeles, California as June 6, 2021 by and between you ("ARTIST") and TAXI Computer WELCOME TO TAXI'S COMMUNITY Welcome to TAXI's Community. Forums. Exchange songwriting ideas, trade recording tips, review other writers's music, ask questions about TAXI, and much, much more! This is the place where you can network with your peers. Give it a shot! You may just make HOW MUCH TO JOIN TAXI A&R MUSIC SERVICE A Full One-Year membership is just $299.95. Just to give you a little perspective, a top music attorney will cost you more than $300 for just one hour! A single plane flight to L.A., N.Y., or Nashville can cost you more than TAXI's entire subscription fee. TAXI MEMBER TESTIMONIALS TAXI Music Reviews From Our Members. Michael Jones reviewed TAXI - Independent A&R - 5. Five years ago, I was "producing" 2 or 3 songs a year. Despite the fact that I live close to Nashville, promoting & networking were impossible. I had a job, a family, & a home, all requiring my time & attention. TAXI BLOG | WHAT RECORD COMPANIES, MUSIC SUPERVISORS TAXI has been helping songwriters, artists, and composers get record, publishing, and film and TV music licensing deals since 1992. As the company moves into its third decade in business, an ever-increasing number of opportunities for musicians to place their music directly in TV shows and Hollywood blockbusters have occurred. MUSIC PUBLISHING: TAXI FAQS Publishing rights are the rights to a song. If you write a song by yourself, you own the publishing (and copyright) from the moment you finish the song. You don't have to set up shop as a music publisher to own those rights - they automatically come with authorship. There are actually two halves in every publishing dollar. TELEVISION COMPOSERS: TAXI FAQS FILM & TV MUSIC Typical package fees (which include recording costs) are around $5,000 to $7,500 for a half-hour television episode, $10,000 to $17,500 for a one-hour program, and $20,000 to $45,000 for a two-hour movie of the week. If the deal is done on a fee basis (meaning that the television production company pays the recording costs and the composer gets COMPANIES LOOKING FOR NEW MUSIC Services such as Spotify and Pandora provide music for fans to stream, and pay very little money to the songwriters and artists. Here’s a great article that gives you a great overview of what you can make if your music is on streaming services. The bottom line is that you need to have MILLIONS of streams to make any significant income.TAXI
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TAXI Independent A&R Gets Your Music To The People Who Need It... Major & Indie Record Labels Film & TV Music Supervisors Top Music Publishers Production Music LibrariesTV Commercials
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"If it weren’t for TAXI, I wouldn't have a six-figure music career." -TAXI Member, Stephen Baird See More Success Stories "Since joining TAXI I’ve gone from nowhere to working with top publishers and trailer editors around the world." -TAXI Member, Randon Purcell See More Success Stories "I have thousands of TV placements, a gold record, and a very substantial royalty stream thanks to TAXI." -TAXI Member, Dean Krippaehne See More Success Stories "Before TAXI, I hadn't earned a single cent in royalties. Things have changed pretty dramatically since joining!" -TAXI Member, Barry French See More Success Stories "I’ve developed relationships with high-level music professionals I otherwise would never have had access to." -TAXI Member, James Kocian See More Success Stories "I've had more than 3,000 TV placements because of relationships madethrough TAXI."
-TAXI Member, Lydia Ashton See More Success Stories "One of my TAXI relationships resulted in a placement on _Empire_." -TAXI Member, Owen Chaim See More Success Stories "My six-figure record deal resulted from a TAXI submission." -TAXI Member, Jenna Drey See More Success Stories "Hundreds of TV shows have used my music. Thanks TAXI!" -TAXI Member, Keith LuBrant See More Success Stories Scroll Down For More GET FREE DAILY MUSIC REQUESTSSUBMIT YOUR MUSIC
TAXI's Industry Listings tell you exactly what decision-makers need right now. Pitch your music to Major & Independent Record Labels, Music Publishing Companies, Film & TV Music Supervisors, Production Music Libraries, Ad Agencies, and Video Game Companies. We've been building relationships since 1992 and our database reads like a Who's Who of the music business. We bring real opportunities right to your front door- no matter where you live! TAXI's reputation and member success stories are second to none. Click to see who needs your music right now.Get FREE Updates
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TAXI members sign major and indie record deals, publishing deals, and license their music for Film and TV placements, TV commercials, movie trailers, and video games. Indie Artists, Songwriters, Bands, and Composers use TAXI's expert feedback to help get them started, get great, and get signed! Members who are already seasoned pros spend more time making music and less time on music promotion and marketing because TAXI does the legwork for them. And who really likes legwork? Click here to see how we save your legs...How TAXI Works
AVOID MUSIC INDUSTRY SCAMS THE TRUTH ABOUT TAXI TAXI has been so successful that dozens of companies have tried to copy what we do. Sadly, many seem more interested in making a quick buck than acting with integrity and delivering what they promise. Other companies split submission fees with the companies that request music from them! You might wonder if they even need the music they're asking for. If you want to know why TAXI has an A+ rating from the Better Business Bureau, click here to see unedited posts from our members in their own words.See Success Stories
Companies Looking for New Music... These Are Just a Few of the Companies That Have Used TAXI! TAXI's Featured ArtistMay 2020
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