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MEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individual NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction.DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections. PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individual NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction.DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections. PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction. THE BEAUTIFUL, UNTRUE THINGS OF THE LYRIC ESSAY Consider Wilde’s four basic doctrines: 1. Art never expresses anything but itself. 2. All bad art comes from returning to Life and Nature. 3. Life imitates Art far more than Art imitates Life. 4. Lying, the telling of beautiful untrue things, is the proper aim ofArt.
MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
I AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. DID IT REALLY HAPPEN THAT WAY? THE MEMOIRIST AS UNRELIABLE Michael Steinberg has written and/or co-authored five books and a stage play. In 2004, Still Pitching won the ForeWord Magazine /Independent Press Memoir of the Year. An anthology, The Fourth Genre: Contemporary Writers of/on Creative Nonfiction (with Bob Root) is in a sixth edition.Also the founding editor of Fourth Genre: Explorationsin Nonfiction.
AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections. CHRISTOPHER J. GREGGS Christopher J. Greggs is a Callaloo and Watering Hole fellow and was the recipient of the Goodman Poetry prize from the City College of New York. His work has been published in the Promethean Literary Journal, Great Weather for MEDIA, and TriQuarterly. He lives in D.C. with hisfiancé Nadia.
THE MAN WITH TWO ARMS BY BILLY LOMBARDO The Man with Two Arms. By Billy Lombardo. 335 pages. Overlook Press, 2010. Find on Powells.com. To say that The Man with Two Arms is just another sports book would be like saying Danny Granville is just another baseball player. As Henry tells Danny late in the novel, “You’re about something much bigger than baseball,” so isLombardo’s
FINDING A VOICE: FIRST-PERSON NARRATION IN YOUNG ADULT Despite a lack of distance from events or the benefit of extended life experience and knowledge, teen narrators can make perceptive observations and startling claims about the world around them. Regardless of whether a novel is categorized as young adult (YA) or coming-of-age adult fiction, the reader will buy the adolescent’s understanding of adult concepts and accept mature realizationsFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualISSUE ARCHIVE
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction.DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found at MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
I AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts SALON LIFE WITH ALEKSANDAR HEMON AND TERI BOYD In 2009, Granta editor John Freeman came to Chicago to explore the Chicago literary scene for an upcoming issue. To celebrate his visit, Aleksandar Hemon and Teri Boyd invited all of their colleagues, writers, artists, and friends into their home for a party that would sing in Hemon’s mind for years. Freeman wrote his article, and Hemon and Boyd discovered a new passion. HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualISSUE ARCHIVE
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction.DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found at MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
I AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts SALON LIFE WITH ALEKSANDAR HEMON AND TERI BOYD In 2009, Granta editor John Freeman came to Chicago to explore the Chicago literary scene for an upcoming issue. To celebrate his visit, Aleksandar Hemon and Teri Boyd invited all of their colleagues, writers, artists, and friends into their home for a party that would sing in Hemon’s mind for years. Freeman wrote his article, and Hemon and Boyd discovered a new passion. NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction. THE BEAUTIFUL, UNTRUE THINGS OF THE LYRIC ESSAY Consider Wilde’s four basic doctrines: 1. Art never expresses anything but itself. 2. All bad art comes from returning to Life and Nature. 3. Life imitates Art far more than Art imitates Life. 4. Lying, the telling of beautiful untrue things, is the proper aim ofArt.
FINDING A FORM BEFORE A FORM FINDS YOU My natural tendency is to write from defaults and find small variations in form driven by my sinuous writing choices. At a glance, most of my essays look like most of the essays people have been writing for four hundred years: a bunch of paragraphs, sometimes broken into sections.I AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. CHARACTER IN NONFICTION You can renounce food, shelter, sex—but you cannot renounce character because, at the very least, it is the expression of the body in time. This is why, in the most immediate sense, character is destiny (as the Greeks thought) or character is the threat of fate (asthe
ANNE-MARIE CUSAC
Anne-Marie Cusac, a George Polk Award-winning journalist, poet, and Associate Professor in the Department of Communication at Roosevelt University, is the author of two books of poetry, The Mean Days (Tia Chucha, 2001) and Silkie (Many Mountains Moving, 2007), and the nonfiction book Cruel and Unusual: The Culture of Punishment in America (Yale University Press, 2009). FINDING A VOICE: FIRST-PERSON NARRATION IN YOUNG ADULT Despite a lack of distance from events or the benefit of extended life experience and knowledge, teen narrators can make perceptive observations and startling claims about the world around them. Regardless of whether a novel is categorized as young adult (YA) or coming-of-age adult fiction, the reader will buy the adolescent’s understanding of adult concepts and accept mature realizations CHRISTOPHER J. GREGGS Christopher J. Greggs is a Callaloo and Watering Hole fellow and was the recipient of the Goodman Poetry prize from the City College of New York. His work has been published in the Promethean Literary Journal, Great Weather for MEDIA, and TriQuarterly. He lives in D.C. with hisfiancé Nadia.
DID IT REALLY HAPPEN THAT WAY? THE MEMOIRIST AS UNRELIABLE Michael Steinberg has written and/or co-authored five books and a stage play. In 2004, Still Pitching won the ForeWord Magazine /Independent Press Memoir of the Year. An anthology, The Fourth Genre: Contemporary Writers of/on Creative Nonfiction (with Bob Root) is in a sixth edition.Also the founding editor of Fourth Genre: Explorationsin Nonfiction.
PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epoch HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualISSUE ARCHIVE
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atI AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin.ANNE-MARIE CUSAC
Anne-Marie Cusac, a George Polk Award-winning journalist, poet, and Associate Professor in the Department of Communication at Roosevelt University, is the author of two books of poetry, The Mean Days (Tia Chucha, 2001) and Silkie (Many Mountains Moving, 2007), and the nonfiction book Cruel and Unusual: The Culture of Punishment in America (Yale University Press, 2009). THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts SALON LIFE WITH ALEKSANDAR HEMON AND TERI BOYD In 2009, Granta editor John Freeman came to Chicago to explore the Chicago literary scene for an upcoming issue. To celebrate his visit, Aleksandar Hemon and Teri Boyd invited all of their colleagues, writers, artists, and friends into their home for a party that would sing in Hemon’s mind for years. Freeman wrote his article, and Hemon and Boyd discovered a new passion. HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualISSUE ARCHIVE
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
DOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atI AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin.ANNE-MARIE CUSAC
Anne-Marie Cusac, a George Polk Award-winning journalist, poet, and Associate Professor in the Department of Communication at Roosevelt University, is the author of two books of poetry, The Mean Days (Tia Chucha, 2001) and Silkie (Many Mountains Moving, 2007), and the nonfiction book Cruel and Unusual: The Culture of Punishment in America (Yale University Press, 2009). THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts SALON LIFE WITH ALEKSANDAR HEMON AND TERI BOYD In 2009, Granta editor John Freeman came to Chicago to explore the Chicago literary scene for an upcoming issue. To celebrate his visit, Aleksandar Hemon and Teri Boyd invited all of their colleagues, writers, artists, and friends into their home for a party that would sing in Hemon’s mind for years. Freeman wrote his article, and Hemon and Boyd discovered a new passion. CONTACT | TRIQUARTERLY Mailing Address The TriQuarterly office is located in Wieboldt Hall on the Chicago campus of Northwestern: TriQuarterlySchool of Continuing StudiesNorthwestern University339 E. Chicago Ave.Chicago, IL 60611-3008 Book Reviews Review copies of books should be sent to the above address, c/o Books Editor. Book review inquiries should be sent to TQbooks@u.northwestern.edu. NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction. THE BEAUTIFUL, UNTRUE THINGS OF THE LYRIC ESSAY Consider Wilde’s four basic doctrines: 1. Art never expresses anything but itself. 2. All bad art comes from returning to Life and Nature. 3. Life imitates Art far more than Art imitates Life. 4. Lying, the telling of beautiful untrue things, is the proper aim ofArt.
FINDING A FORM BEFORE A FORM FINDS YOU My natural tendency is to write from defaults and find small variations in form driven by my sinuous writing choices. At a glance, most of my essays look like most of the essays people have been writing for four hundred years: a bunch of paragraphs, sometimes broken into sections. ON THE EARLY ENGLISH ESSAY: AN EXPERIMENTAL ARRAY With Google Maps, Yahoo Maps, Bing Maps, Ovi Maps, the essay’s early modern amble makes a postmodern return. An essayist can rove, once again, on a human (and post-human) scale, even as sedans whiz by in Boca. The fragment, that method of the postmodern essayist, sets you on a quest. The saint’s knuckle, the shattered glass or the self youI AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. CHARACTER IN NONFICTION You can renounce food, shelter, sex—but you cannot renounce character because, at the very least, it is the expression of the body in time. This is why, in the most immediate sense, character is destiny (as the Greeks thought) or character is the threat of fate (asthe
ANNE-MARIE CUSAC
Anne-Marie Cusac, a George Polk Award-winning journalist, poet, and Associate Professor in the Department of Communication at Roosevelt University, is the author of two books of poetry, The Mean Days (Tia Chucha, 2001) and Silkie (Many Mountains Moving, 2007), and the nonfiction book Cruel and Unusual: The Culture of Punishment in America (Yale University Press, 2009). CHRISTOPHER J. GREGGS Christopher J. Greggs is a Callaloo and Watering Hole fellow and was the recipient of the Goodman Poetry prize from the City College of New York. His work has been published in the Promethean Literary Journal, Great Weather for MEDIA, and TriQuarterly. He lives in D.C. with hisfiancé Nadia.
FINDING A VOICE: FIRST-PERSON NARRATION IN YOUNG ADULT Despite a lack of distance from events or the benefit of extended life experience and knowledge, teen narrators can make perceptive observations and startling claims about the world around them. Regardless of whether a novel is categorized as young adult (YA) or coming-of-age adult fiction, the reader will buy the adolescent’s understanding of adult concepts and accept mature realizations HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualDOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections.HEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The Cortland PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualDOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections.HEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The Cortland PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction. THE BEAUTIFUL, UNTRUE THINGS OF THE LYRIC ESSAY Consider Wilde’s four basic doctrines: 1. Art never expresses anything but itself. 2. All bad art comes from returning to Life and Nature. 3. Life imitates Art far more than Art imitates Life. 4. Lying, the telling of beautiful untrue things, is the proper aim ofArt.
MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, ArtsI AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. CHRISTOPHER J. GREGGS Christopher J. Greggs is a Callaloo and Watering Hole fellow and was the recipient of the Goodman Poetry prize from the City College of New York. His work has been published in the Promethean Literary Journal, Great Weather for MEDIA, and TriQuarterly. He lives in D.C. with hisfiancé Nadia.
FINDING A VOICE: FIRST-PERSON NARRATION IN YOUNG ADULT Despite a lack of distance from events or the benefit of extended life experience and knowledge, teen narrators can make perceptive observations and startling claims about the world around them. Regardless of whether a novel is categorized as young adult (YA) or coming-of-age adult fiction, the reader will buy the adolescent’s understanding of adult concepts and accept mature realizationsHEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The CortlandFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice GRAPHIC NOVELS, SERIOUS LITERATURE Tuesday, January 11, 2011. There’s something effortless about the enjoyment we get from graphic novels. The spare nature of still images, combined with brief text, evokes a visual poetry that only this form of art can do. These books are complex, wry, and often sad. This week’s Publisher’s Weekly interviews the librarian Kat Kan,who has
HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualDOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections.HEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The Cortland PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice HOME | TRIQUARTERLYISSUE ARCHIVECONTRIBUTORSTHE LATEST WORDTQ SOCIALMEDIAABOUTSUBMIT
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry."SUBMISSIONS
Thank you for your interest in TriQuarterly, the literary journal of Northwestern University. TriQuarterly is edited by students in the Litowitz MFA+MA Graduate Creative Writing Program and the MA in Creative Writing in the School of Professional Studies. Alumni of these programs and other readers also serve as editorial staff. We welcome submissions in poetry, fiction, creative nonfictionABOUT TRIQUARTERLY
TriQuarterly is the literary magazine of Northwestern University and of the MA/MFA in Creative Writing program. Edited by graduate students in the program, supervised by faculty, and available around the world, TriQuarterly has remained "an international journal of writing, art, and cultural inquiry." TQ is creating an online archive of its own history by publishing individualDOUG RAMSPECK
Doug Ramspeck is the author of seven poetry collections, one collection of short stories, and a novella. Recent books include Distant Fires, winner of the Grayson Books Poetry Prize, and Black Flowers (LSU Press). Individual poems have appeared in journals that include Kenyon Review, The Georgia Review, Slate, and The Southern Review. His author website can be found atRICHARD TERRILL
Richard Terrill is the author of two collections of poems, Almost Dark and Coming Late to Rachmaninoff, winner of the Minnesota Book Award; as well as two books of creative nonfiction, Fakebook: Improvisations onf a Journey Back to Jazz and Saturday Night in Baoding: A China Memoir, winner of the Associated Writing Programs Award fornonfiction.
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts AN INTERVIEW WITH COLUM MCCANN This interview excerpts a one-and-a-half-hour conversation on April 8, 2016. We met at Morini’s Restaurant in New York City, the setting of the titular short story in McCann’s latest collection, Thirteen Ways of Looking.McCann is the author of five novels, including Zoli, This Side of Brightness, and Let the Great World Spin, as well as three short story collections.HEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The Cortland PEE ON WATER BY RACHEL GLASER Pee on Water. by Rachel Glaser. Publishing Genius. These images derive from Glaser’s title story, “Pee on Water”; in fact, this is a phrase that is repeated throughout the story as a metaphor for human evolution (think the advent of toilets). The whole of evolution is what the narrative contends with; the story skips gleefully from epochFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice THE BEAUTIFUL, UNTRUE THINGS OF THE LYRIC ESSAY Consider Wilde’s four basic doctrines: 1. Art never expresses anything but itself. 2. All bad art comes from returning to Life and Nature. 3. Life imitates Art far more than Art imitates Life. 4. Lying, the telling of beautiful untrue things, is the proper aim ofArt.
NOW, WHERE WAS I? : ON MAGGIE NELSON’S BLUETS This is the second in a series of four nonfiction craft essays adapted for TriQuarterly Online from a panel Subtext, Sidetext, Sound Tracks and More: Layering in Creative Nonfiction which was originally presented at the NonfictionNow conference on November 6th, 2010.. The author Maggie Nelson, born in 1973, has authored half a dozen books, among them poetry collections, memoirs, and nonfiction.I AM A CAMERA
Wednesday, April 22, 2015. “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.”. So wrote Christopher Isherwood in his novel Goodbye to Berlin. MARBLE-HEAVY, A BAG FULL OF GOD Marble-heavy, a bag full of God, My father was like God to me. Since I had no mother or siblings, he was my everything, towering and all-encompassing in his influence. I couldn’t imagine me without him. And yet, like every child in the history of time, I had to. In order to emerge an independent woman in a world ruled by men, Ibelieve that
THE CULT OF LIKEABILITY (OR WHY YOU SHOULD KILL YOUR Jackson Bliss is the mixed-race author of The Amnesia of June Bugs (7.13 Books, 2022) and the literary hypertext, Dukkha, My Love (2017). His short stories and essays have appeared in The New York Times, Tin House, Ploughshares, Guernica, Antioch Review, Longreads, Triquarterly, Kenyon Review, Witness, Fiction, Santa Monica Review, Boston Review, Juked, Quarterly West, ZYZZYVA, Arts FINDING A VOICE: FIRST-PERSON NARRATION IN YOUNG ADULT Despite a lack of distance from events or the benefit of extended life experience and knowledge, teen narrators can make perceptive observations and startling claims about the world around them. Regardless of whether a novel is categorized as young adult (YA) or coming-of-age adult fiction, the reader will buy the adolescent’s understanding of adult concepts and accept mature realizations CHRISTOPHER J. GREGGS Christopher J. Greggs is a Callaloo and Watering Hole fellow and was the recipient of the Goodman Poetry prize from the City College of New York. His work has been published in the Promethean Literary Journal, Great Weather for MEDIA, and TriQuarterly. He lives in D.C. with hisfiancé Nadia.
HEIDY STEIDLMAYER
Heidy Steidlmayer was awarded the J. Howard and Barbara M.J. Wood Prize from Poetry and a Rona Jaffe Foundation Writers’ Award. She is the author of a book of poems, Fowling Piece (TriQuarterly Books/Northwestern 2012), which received the John C. Zacharis Award from Ploughshares and the Kate Tufts Discovery Award. Her poems have appeared in Poetry, TriQuarterly, Ploughshares, The CortlandFLEDA BROWN
Fleda Brown’s The Woods Are On Fire: New & Selected Poems, was chosen by Ted Kooser for his University of Nebraska poetry series in 2017. She has nine previous collections of poems. Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice GRAPHIC NOVELS, SERIOUS LITERATURE Tuesday, January 11, 2011. There’s something effortless about the enjoyment we get from graphic novels. The spare nature of still images, combined with brief text, evokes a visual poetry that only this form of art can do. These books are complex, wry, and often sad. This week’s Publisher’s Weekly interviews the librarian Kat Kan,who has
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LATEST ISSUE
158
ISSUE 158 SUMMER/FALL 2020 Featuring the work of: Nikki Wallschlaeger , Fajer Alexander Khansa , Caroline Kim, Marisa Crane
, Aimee NezhukumatathilTable of Contents
Image from House: A Sonnet: A Palinodeby Sophie Paquette
FEATURED CONTENT
Poetry
OUT OF THE WOODS
_Luiza Flynn-Goodlett _Poetry
LACHRYPHAGUS
_Samyak Shertok _
Nonfiction
WE WILL HAVE SOME
_Marisa Crane _
Poetry
WHENEVER YOUR WIRING IS FAULTY, HIT BY THE STITCHES_Rosebud Ben-Oni _
Interview
SMALL WONDERS: AN INTERVIEW WITH AIMEE NEZHUKUMATATHIL _Aram Mrjoian , Aimee Nezhukumatathil_
Poetry
THE ART THAT FAILS
_ Jane Zwart _
Video Essay
INTRO TO VIDEO ESSAYS_Sarah Minor _
Poetry
CALLIGRAPHY
_Shangyang Fang _
Poetry
ANTHROPOCENE ANXIETY DISORDER _torrin a. greathouse _Video Essay
HOUSE: A SONNET: A PALINODE_Sophie Paquette _
EDITOR'S PICKS
146
Featuring the Work of:* Lily King
* David Bradley
* Mira Rosenthal
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Summer/Fall 2014
144
Featuring the Work of:* Kyle McCord
* Alan Spearman
* Annick Smith
view
Summer/Fall 2013
154
Featuring the Work of:* Matthew Baker
* Kayleb Rae Candrilli* Bryan Hurt
view
Summer / Fall 2018
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RT @donnyhamms: Very happy to have a poem in this issue with so many other poets and writers I recognize! Thank you @ParenthesesArt and@Sn… - in Tweets
RT @vanjchan: Yoooooo in my morning reading I just read something beautiful in the @TriQuarterlyMag queue for the Black Voices 2021 issue -… - in Tweets RT @AMrjoian575: Very excited to be guest editing this folio on Environmental Futures over at @pankmagazine! Thank you so much to @jroycepo… - in Tweets* Load More
Department of English Northwestern University 1897 Sheridan Rd. University Hall 215, Evanston, IL 60208 Email: triquarterly@northwestern.edu | Fax: 847-467-1545 2014 Northwestern University✓
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