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please me!
ME IMPERTURBE. ( LEAVES OF GRASS (1891–1892)) ME IMPERTURBE. M E imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational. things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less im-. portantthan I thought,
TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
ADIEU TO A SOLDIER. ( LEAVES OF GRASS (1891–1892)) A DIEU O soldier, You of the rude campaigning, (which we shared,) The rapid march, the life of the camp, The hot contention of opposing fronts, the long manoeuvre, Red battles with their slaughter, the stimulus, the strong terrific. game, Spell of all brave and manly hearts, the trains of TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, THE TORCH. ( LEAVES OF GRASS (1891–1892)) THE TORCH. O N my Northwest coast in the midst of the night a fishermen's. group stands watching, Out on the lake that expands before them, others are spearing. salmon, The canoe, a dim shadowy thing, moves across the black water, Bearing a torch ablaze at theprow.
THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, I AM HE THAT ACHES WITH LOVE. ( LEAVES OF GRASS (1891–1892 I AM HE THAT ACHES WITH LOVE. I AM he that aches with amorous love; Does the earth gravitate? does not all matter, aching, attract all. matter? So the body of me to all I meet or know. OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I DIRGE FOR TWO VETERANS. ( LEAVES OF GRASS (1891–1892 DIRGE FOR TWO VETERANS. Down a new-made double grave. Immense and silent moon. As with voices and with tears. Strikes me through and through. And the double grave awaits them.) And the strong dead-march enwraps me. In heaven brighter growing.) O strong dead-march youplease me!
ME IMPERTURBE. ( LEAVES OF GRASS (1891–1892)) ME IMPERTURBE. M E imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational. things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less im-. portantthan I thought,
TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
ADIEU TO A SOLDIER. ( LEAVES OF GRASS (1891–1892)) A DIEU O soldier, You of the rude campaigning, (which we shared,) The rapid march, the life of the camp, The hot contention of opposing fronts, the long manoeuvre, Red battles with their slaughter, the stimulus, the strong terrific. game, Spell of all brave and manly hearts, the trains of TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, THE TORCH. ( LEAVES OF GRASS (1891–1892)) THE TORCH. O N my Northwest coast in the midst of the night a fishermen's. group stands watching, Out on the lake that expands before them, others are spearing. salmon, The canoe, a dim shadowy thing, moves across the black water, Bearing a torch ablaze at theprow.
THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, I AM HE THAT ACHES WITH LOVE. ( LEAVES OF GRASS (1891–1892 I AM HE THAT ACHES WITH LOVE. I AM he that aches with amorous love; Does the earth gravitate? does not all matter, aching, attract all. matter? So the body of me to all I meet or know. OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I WHITMAN'S SHORT FICTION Whitman's Short Fiction. Whitman published many pieces of short fiction before the first publication of Leaves of Grass in 1855, and these were widely reprinted. For a complete list of reprints and citations, see the bibliography of publications and reprints of Whitman's fiction.. The following images and transcriptions are, unless otherwise noted, based on the first periodical publication. ME IMPERTURBE. ( LEAVES OF GRASS (1891–1892)) ME IMPERTURBE. M E imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational. things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less im-. portantthan I thought,
LEAVES OF GRASS (1881–1882) PAGE IMAGES Published Works Books by Whitman. Leaves of Grass (1881–1882) previous | 94 | next. previous | 94 | next AFTER THE SEA-SHIP. ( LEAVES OF GRASS (1891–1892)) A FTER the sea-ship, after the whistling winds, After the white-gray sails taut to their spars and ropes, Below, a myriad myriad waves hastening, lifting up their necks, Tending in ceaseless flow toward the track of the ship, Waves of the ocean bubbling and gurgling, blithely prying, Waves, undulating waves, liquid, uneven, emulouswaves,
TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, SONG OF THE UNIVERSAL. ( LEAVES OF GRASS (1891–1892 Sing me a song no poet yet has chanted, Sing me the universal. In this broad earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed perfection. By every life a share or more or less, None born but it THE ARTILLERYMAN'S VISION. ( LEAVES OF GRASS (1891–1892 night passes, And through the stillness, through the dark, I hear, just hear, the. breath of my infant, There in the room as I wake from sleep this vision presses upon me; The engagement opens there and then in fantasy unreal, The skirmishers begin, they crawl cautiously ahead, I hear the. irregular snap! snap! THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
YEAR OF METEORS. (1859-60.) ( LEAVES OF GRASS (1867 Then departed, dropt in the night, and was gone;) —Of such, and fitful as they, I sing—with gleams from. them would I gleam and patch these chants; Your chants, O year all mottled with evil and good! year of forebodings! year of the youth I love! Year of comets and meteors transient and strange!—lo! WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I SONG OF THE UNIVERSAL. ( LEAVES OF GRASS (1891–1892 Sing me a song no poet yet has chanted, Sing me the universal. In this broad earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed perfection. By every life a share or more or less, None born but it DIRGE FOR TWO VETERANS. ( LEAVES OF GRASS (1891–1892 DIRGE FOR TWO VETERANS. Down a new-made double grave. Immense and silent moon. As with voices and with tears. Strikes me through and through. And the double grave awaits them.) And the strong dead-march enwraps me. In heaven brighter growing.) O strong dead-march youplease me!
THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
THE TORCH. ( LEAVES OF GRASS (1891–1892)) THE TORCH. O N my Northwest coast in the midst of the night a fishermen's. group stands watching, Out on the lake that expands before them, others are spearing. salmon, The canoe, a dim shadowy thing, moves across the black water, Bearing a torch ablaze at theprow.
ADIEU TO A SOLDIER. ( LEAVES OF GRASS (1891–1892)) A DIEU O soldier, You of the rude campaigning, (which we shared,) The rapid march, the life of the camp, The hot contention of opposing fronts, the long manoeuvre, Red battles with their slaughter, the stimulus, the strong terrific. game, Spell of all brave and manly hearts, the trains of THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I SONG OF THE UNIVERSAL. ( LEAVES OF GRASS (1891–1892 Sing me a song no poet yet has chanted, Sing me the universal. In this broad earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed perfection. By every life a share or more or less, None born but it DIRGE FOR TWO VETERANS. ( LEAVES OF GRASS (1891–1892 DIRGE FOR TWO VETERANS. Down a new-made double grave. Immense and silent moon. As with voices and with tears. Strikes me through and through. And the double grave awaits them.) And the strong dead-march enwraps me. In heaven brighter growing.) O strong dead-march youplease me!
THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
THE TORCH. ( LEAVES OF GRASS (1891–1892)) THE TORCH. O N my Northwest coast in the midst of the night a fishermen's. group stands watching, Out on the lake that expands before them, others are spearing. salmon, The canoe, a dim shadowy thing, moves across the black water, Bearing a torch ablaze at theprow.
ADIEU TO A SOLDIER. ( LEAVES OF GRASS (1891–1892)) A DIEU O soldier, You of the rude campaigning, (which we shared,) The rapid march, the life of the camp, The hot contention of opposing fronts, the long manoeuvre, Red battles with their slaughter, the stimulus, the strong terrific. game, Spell of all brave and manly hearts, the trains of THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I AFTER THE SEA-SHIP. ( LEAVES OF GRASS (1891–1892)) A FTER the sea-ship, after the whistling winds, After the white-gray sails taut to their spars and ropes, Below, a myriad myriad waves hastening, lifting up their necks, Tending in ceaseless flow toward the track of the ship, Waves of the ocean bubbling and gurgling, blithely prying, Waves, undulating waves, liquid, uneven, emulouswaves,
THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I LEAVES OF GRASS (1881–1882) PAGE IMAGES Published Works Books by Whitman. Leaves of Grass (1881–1882) previous | 94 | next. previous | 94 | next "GOING SOMEWHERE." ( LEAVES OF GRASS (1891–1892)) My science-friend, my noblest woman-friend, (Now buried in an English grave—and this a memory-leaf for. her dear sake,) Ended our talk—"The sum, concluding all we know of old or. modern learning, intuitions deep, "Of all Geologies—Histories—of all Astronomy—of Evolution, Metaphysics all, ME IMPERTURBE. ( LEAVES OF GRASS (1891–1892)) ME IMPERTURBE. M E imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational. things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less im-. portantthan I thought,
THE ARTILLERYMAN'S VISION. ( LEAVES OF GRASS (1891–1892 night passes, And through the stillness, through the dark, I hear, just hear, the. breath of my infant, There in the room as I wake from sleep this vision presses upon me; The engagement opens there and then in fantasy unreal, The skirmishers begin, they crawl cautiously ahead, I hear the. irregular snap! snap! DAREST THOU NOW O SOUL. ( LEAVES OF GRASS (1891–1892 DAREST THOU NOW O SOUL. Where neither ground is for the feet nor any path to follow? Nor face with blooming flesh, nor lips, nor eyes, are in that land. All waits undream'd of in that region, that inaccessible land. Nor darkness, gravitation, sense, nor any bounds bounding us. Equal, equipt at last, (O joy! AFTER THE DAZZLE OF DAY. ( LEAVES OF GRASS (1891–1892 AFTER THE DAZZLE OF DAY. After the dazzle of day is gone, Only the dark, dark night shows to my eyes the stars; After the clangor of organ majestic, or chorus, or perfect band, Silent, athwart my soul, moves the symphony true. EACH HAS HIS GRIEF (POEMS IN PERIODICALS) Sounds out the sick-child's moan. Each has his grief—old age fears death; The young man's ills are pride, desire, And heart-sickness; and in his breast. The heat of passion's fire. And he who runs the race of fame, Oft feels within a feverish dread, Lest others snatch the laurel crown. He bears upon his head. THE WALT WHITMAN ARCHIVEPUBLISHED WORKSIN WHITMAN'S HANDLIFE & LETTERSCOMMENTARYPICTURES & SOUNDRESOURCES The Walt Whitman Archive is a comprehensive resource about Whitman's life and work, co-directed by Dr. Ed Folsom and Dr. Kenneth M. Price. Whitman has been one of the most influential writers in American history. Among his works are Leaves of Grass and Memoranda During the War, which describes the poet's experiences while nursing Civil Warsoldiers.
SONG OF THE UNIVERSAL. ( LEAVES OF GRASS (1891–1892 Sing me a song no poet yet has chanted, Sing me the universal. In this broad earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed perfection. By every life a share or more or less, None born but it OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
DIRGE FOR TWO VETERANS. ( LEAVES OF GRASS (1891–1892SONG OF MYSELF WALT WHITMANWALT WHITMAN LEAVES OF GRASSWALT WHITMAN POEMSWALT WHITMAN POEMSWALT WHITMAN WORKS DIRGE FOR TWO VETERANS. Down a new-made double grave. Immense and silent moon. As with voices and with tears. Strikes me through and through. And the double grave awaits them.) And the strong dead-march enwraps me. In heaven brighter growing.) O strong dead-march youplease me!
"GOING SOMEWHERE." ( LEAVES OF GRASS (1891–1892)) My science-friend, my noblest woman-friend, (Now buried in an English grave—and this a memory-leaf for. her dear sake,) Ended our talk—"The sum, concluding all we know of old or. modern learning, intuitions deep, "Of all Geologies—Histories—of all Astronomy—of Evolution, Metaphysics all, TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, THE WALT WHITMAN ARCHIVEPUBLISHED WORKSIN WHITMAN'S HANDLIFE & LETTERSCOMMENTARYPICTURES & SOUNDRESOURCES The Walt Whitman Archive is a comprehensive resource about Whitman's life and work, co-directed by Dr. Ed Folsom and Dr. Kenneth M. Price. Whitman has been one of the most influential writers in American history. Among his works are Leaves of Grass and Memoranda During the War, which describes the poet's experiences while nursing Civil Warsoldiers.
SONG OF THE UNIVERSAL. ( LEAVES OF GRASS (1891–1892 Sing me a song no poet yet has chanted, Sing me the universal. In this broad earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed perfection. By every life a share or more or less, None born but it OF THE TERRIBLE DOUBT OF APPEARANCES. (LEAVES OF GRASS OF THE TERRIBLE DOUBT OF APPEARANCES. O F the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be identity beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, shining andflowing
DIRGE FOR TWO VETERANS. ( LEAVES OF GRASS (1891–1892SONG OF MYSELF WALT WHITMANWALT WHITMAN LEAVES OF GRASSWALT WHITMAN POEMSWALT WHITMAN POEMSWALT WHITMAN WORKS DIRGE FOR TWO VETERANS. Down a new-made double grave. Immense and silent moon. As with voices and with tears. Strikes me through and through. And the double grave awaits them.) And the strong dead-march enwraps me. In heaven brighter growing.) O strong dead-march youplease me!
"GOING SOMEWHERE." ( LEAVES OF GRASS (1891–1892)) My science-friend, my noblest woman-friend, (Now buried in an English grave—and this a memory-leaf for. her dear sake,) Ended our talk—"The sum, concluding all we know of old or. modern learning, intuitions deep, "Of all Geologies—Histories—of all Astronomy—of Evolution, Metaphysics all, TO YOU, WHOEVER YOU ARE. ( LEAVES OF GRASS (1860–1861 They stand forth out of affairs—out of commerce, shops, law, science, work, farms, clothes, the house, medicine, print, buying,selling, eating,
TO HIM THAT WAS CRUCIFIED. ( LEAVES OF GRASS (1891–1892 Yet we walk unheld, free, the whole earth over, journeying up and down till we make our ineffaceable mark upon time and the diverse eras, THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, U. S. EDITIONS OF LEAVES OF GRASS by the bivouac's fitful flame. come up from the fields father. vigil strange i kept on the field one night. a march in the ranks hard-prest, and the road unknown. a sight in camp in the daybreak gray and dim. as toilsome i wander'd virginia's woods. not the pilot. year that trembled and reel'd beneath me. U. S. EDITIONS OF LEAVES OF GRASS U.S. Editions of Leaves of Grass. The links below are to the six American editions of Leaves of Grass published in Whitman's lifetime. (We have also included the so-called deathbed edition of 1891-92. Technically speaking, this is not a distinct edition but is areprinting of
WHO LEARNS MY LESSON COMPLETE? ( LEAVES OF GRASS (1891 Editor, author, artist, and schoolboy—draw nigh and commence; It is no lesson—it lets down the bars to a good lesson, And that to another, and every one to another still. The great laws take and effuse without argument, I am of the same style, for I am their friend, I love them quits and quits, I THE MYSTIC TRUMPETER. ( LEAVES OF GRASS (1891–1892)) THE MYSTIC TRUMPETER. 1. H ARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in thedistance lost. 2.
THE DALLIANCE OF THE EAGLES. ( LEAVES OF GRASS (1891–1892 THE DALLIANCE OF THE EAGLES. S KIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, ME IMPERTURBE. ( LEAVES OF GRASS (1891–1892)) ME IMPERTURBE. M E imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational. things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less im-. portantthan I thought,
A WOMAN WAITS FOR ME. ( LEAVES OF GRASS (1891–1892)) I cannot let you go, I would do you good, I am for you, and you are for me, not only for our own sake, but. for others' sakes, Envelop'd in you sleep greater heroes and bards, They refuse to awake at the touch of any man but me. It is I, you women, I make my way, I am stern, acrid, large, undissuadable, but I love you, ADIEU TO A SOLDIER. ( LEAVES OF GRASS (1891–1892)) A DIEU O soldier, You of the rude campaigning, (which we shared,) The rapid march, the life of the camp, The hot contention of opposing fronts, the long manoeuvre, Red battles with their slaughter, the stimulus, the strong terrific. game, Spell of all brave and manly hearts, the trains of THE TORCH. ( LEAVES OF GRASS (1891–1892)) THE TORCH. O N my Northwest coast in the midst of the night a fishermen's. group stands watching, Out on the lake that expands before them, others are spearing. salmon, The canoe, a dim shadowy thing, moves across the black water, Bearing a torch ablaze at theprow.
A HAND-MIRROR. ( LEAVES OF GRASS (1860–1861)) A drunkard's breath, unwholesome eater's face, ve-. nerealee's flesh, Lungs rotting away piecemeal, stomach sour and. cankerous, Joints rheumatic, bowels clogged with abomination, Blood circulating dark and poisonous streams, Words babble, hearing and touch callous, No brain, no heart left—no magnetism of sex; Such, from one look in thisSupport the Archive
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FEBRUARY 2020
The deadline for proposals to the Thirteenth Annual International Whitman Week Symposium at Sapienza University of Rome, Italy, has been extended to March 1, 2020. Information about the Whitman Week Seminar and Symposium, as well as the full CFP, can be found here.
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AUGUST 2019
With the generous support of the National Historical Publications and Records Commission (NHPRC), we have published 427 additional letters from Whitman's Old Ageperiod.
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APRIL 2019
We have created a new section of the _Archive_ dedicated to letters that Whitman wrote on behalf of soldiers during the Civil War, providing transcriptions and images of all such known letters.*
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Funding and support provided by the National Endowment for the Humanities, the US Department of Education, the Institute of Museum and Library Services, the National Historical Publications and Records Commission, University of Iowa, University of Nebraska–Lincoln, and the Institute for Advanced Technology in the Humanities at the University of Virginia. _The Walt Whitman Archive_, edited by Ed Folsom and Kenneth M. Price, is published by the Center for Digital Research in the Humanities at the University of Nebraska–Lincoln under a Creative Commons License.
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