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WHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromLOUISE NEVELSON
Louise Nevelson, Dawn’s Wedding Chapel II, 1959. Narrator: In this large wood sculpture made of found objects painted white, Louise Nevelson has transformed prosaic materials into an evocative shrine. The artist filled stacked compartments with discarded items she found on the streets—scraps of wood, parts of furniture, ornatearchitectural
CATHERINE OPIE
With their dramatic staging and intimacy of tone, Catherine Opie's photographs of cross-dressers, tattooed dominatrixes, and practitioners of piercing and scarification draw upon the conventions of seventeenth-century Dutch and German portrait painting. In her portraits, Opie works simultaneously with and against art historical conventions. On the one hand, by evoking the techniques ofEDMUND ARCHER
Edmund Archer, 1904–1986. 3 works in the Whitney’s collection.QUEER HISTORY WALKS
Select Fridays, 6 pm. Floor 1. In commemoration of the fiftieth anniversary of the Stonewall riots, join us for a free walking tour that explores the rich queer history of the neighborhood surrounding the Whitney Museum. This sunset walk looks to the past to reflect on the present by bringing visitors to select sites marked by queerhistory and
ALLEN SAALBURG
Allen Saalburg, 1899–1987. 8 works in the Whitney’s collection.RICHARD ESTES
In this painting, Richard Estes scrupulously represents not only the signs, displays, and sugared goods for sale at a New York City candy shop but, in smooth glass reflections, the world beyond the store—the facades of facing buildings and a white parked van. Both the reflections on the store windows and the inside of the store are equally visible and clear. WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City. CORPORATE MEMBERSHIP Corporate Membership Levels. Whitney Museum of American Art. Photograph by Nic Lehoux. $5,000–$14,999. One privilege to host an event in Tom and Diane Tuft Trustee Room (subject to rental fees and all direct costs) One privilege to schedule an after-hours tour for 25 guests (subject to direct costs) Two Corporate Executive CourtesyCards.
WHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromLOUISE NEVELSON
Louise Nevelson, Dawn’s Wedding Chapel II, 1959. Narrator: In this large wood sculpture made of found objects painted white, Louise Nevelson has transformed prosaic materials into an evocative shrine. The artist filled stacked compartments with discarded items she found on the streets—scraps of wood, parts of furniture, ornatearchitectural
CATHERINE OPIE
With their dramatic staging and intimacy of tone, Catherine Opie's photographs of cross-dressers, tattooed dominatrixes, and practitioners of piercing and scarification draw upon the conventions of seventeenth-century Dutch and German portrait painting. In her portraits, Opie works simultaneously with and against art historical conventions. On the one hand, by evoking the techniques ofEDMUND ARCHER
Edmund Archer, 1904–1986. 3 works in the Whitney’s collection.QUEER HISTORY WALKS
Select Fridays, 6 pm. Floor 1. In commemoration of the fiftieth anniversary of the Stonewall riots, join us for a free walking tour that explores the rich queer history of the neighborhood surrounding the Whitney Museum. This sunset walk looks to the past to reflect on the present by bringing visitors to select sites marked by queerhistory and
ALLEN SAALBURG
Allen Saalburg, 1899–1987. 8 works in the Whitney’s collection.RICHARD ESTES
In this painting, Richard Estes scrupulously represents not only the signs, displays, and sugared goods for sale at a New York City candy shop but, in smooth glass reflections, the world beyond the store—the facades of facing buildings and a white parked van. Both the reflections on the store windows and the inside of the store are equally visible and clear.EXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022 INDEPENDENT STUDY PROGRAM The Independent Study Program (ISP) consists of three interrelated parts: Studio Program, Curatorial Program, and Critical Studies Program. The ISP provides a setting within which students pursuing art practice, curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artisticTHE BREUER BUILDING
The Breuer building, located at the corner of Madison Avenue and 75th Street, served as the Whitney's third home; previously, the Museum had gradually migrated northward from its original location on West Eighth Street to West 54th Street. It was designed by Hungarian-born, Bauhaus-trained architectMEMBERSHIP LEVELS
Membership Levels. Members help care for the Museum and support all the work we do at the Whitney. In appreciation, Members enjoy these benefits: Unlimited free admission (advance booking required) Preview access for select exhibitions. Special viewing opportunities. Discounts of up to 20% at the Museum Shop. 10% off at the WhitneyCafe.
QUEER HISTORY WALKS
Free with registration. Capacity is limited to 12 people per tour. Masks and social distancing required. Participants must be able to call in from a personal mobile phone during the tour, and use of headphones is preferred. The safety of our staff and our visitors are of the utmost importance ART HISTORY FROM HOME: DAWOUD BEY: AN AMERICAN PROJECT Online, via Zoom This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum's collection and current exhibitions to illuminate critical topics in American art from 1900 to the present. AGNES PELTON: DESERT TRANSCENDENTALIST News. Agnes Pelton, Untitled, 1931. Oil on canvas, 36 3/16 × 24 3/16 in. (91.9 × 61.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Modern Painting and Sculpture Committee 96.175. Agnes Pelton (1881–1961) was a visionary symbolist who depicted the spiritual reality she experienced in moments ofmeditative
CURATOR-LED TOUR OF JULIE MEHRETU Online, via Zoom Patron, Contemporaries, Contemporaries Patron, Circle, Fellow, and Sponsor members Explore the exhibition Julie Mehretu during this online event with senior curatorial assistant Melinda Lang. The artist’s expansive mid-career survey, currently on view at the Museum, features more than seventy paintings, drawings,and prints.
A CONVERSATION WITH KAYLA HAMILTON Online, via Zoom To mark the thirty-first anniversary of the passage of the Americans with Disabilities Act, Bronx-based dance artist and educator Kayla Hamilton showcases her work in conversation with peer artists as a celebration of the contributions of disabled artists ofcolor.
PRIDE CELEBRATION WITH JULIE MEHRETU At the Museum In collaboration with artist Julie Mehretu, the Whitney celebrates Pride with a free after-hours event featuring an evening of music by DJ REBORN and refreshments on the Museum’s fifth floor terrace.Mehretu’s mid-career survey will be open for viewing in the Museum’s fifth floor Neil Bluhm Family Galleries during the event. WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City.EXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022 GENERAL ADMISSION TICKETS All visitors and members must book timed tickets in advance. Please note that the Whitney is operating at a significantly reduced capacity for your safety, and same-day tickets may be extremely limited. Museum admission is Pay What You Wish on Thursdays, 1:30–6 pm. Advance tickets for these hours are required. Book tickets Member tickets.CHUCK CLOSE
Chuck Close made his inaugural series of works–eight large-scale, black and white paintings of faces—between 1968 and 1970. In this and other early “heads” (as the artist calls them), Close sets each frontally-depicted face against a neutral ground. Phil is a portrait of Close's long-time friend, composer Philip Glass. Despite his intimate relationship with the subject of the paintingJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. Lurton LIZA LOU | KITCHEN | WHITNEY MUSEUM OF AMERICAN ART A full-scale and exactingly detailed kitchen encrusted in a rainbow of glistening beads, Liza Lou’s monumental installation took five years to make. After researching kitchen design manuals as well as historical tracts about the lives of nineteenth-century women, Lou made drawings and three-dimensional models to achieve a loose outline of Kitchen’s floor plan.CATHERINE OPIE
With their dramatic staging and intimacy of tone, Catherine Opie's photographs of cross-dressers, tattooed dominatrixes, and practitioners of piercing and scarification draw upon the conventions of seventeenth-century Dutch and German portrait painting. In her portraits, Opie works simultaneously with and against art historical conventions. On the one hand, by evoking the techniques ofEDWARD KIENHOLZ
The Wait illuminates the poignancy of passing time and the sorrowful isolation of the elderly in a life-size domestic tableau. The figure of an old woman, constructed of cow bones and encased in plastic coating, clutches a taxidermied cat and sits beneath a framed portrait of a young man who was presumably her beloved. In place of her face is a glass jar with a photograph of a youngELIZABETH CATLETT
David Breslin: Elizabeth Catlett made this body of prints, I Am the Negro Woman, in 1947 at a workshop in Mexico City. Narrator: David Breslin is the DeMartini Family Curator and Director of the collection. David Breslin: This group of works are linoleum woodcuts that feature some known figures like Harriet Tubman, Sojourner Truth, and Phyllis Wheatley, and the idea that their labor—now KIKI SMITH | UNTITLED | WHITNEY MUSEUM OF AMERICAN ART Since the 1980s, much of Kiki Smith’s work has focused on the human body—probing it, distorting it, fragmenting it, and making visible what is usually imperceptible or private. “I use the body because it is our primary vehicle for experiencing our lives,” she has explained. “It’s something everyone shares.” Smith once spent three months training to be an emergency medical WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City.EXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022 GENERAL ADMISSION TICKETS All visitors and members must book timed tickets in advance. Please note that the Whitney is operating at a significantly reduced capacity for your safety, and same-day tickets may be extremely limited. Museum admission is Pay What You Wish on Thursdays, 1:30–6 pm. Advance tickets for these hours are required. Book tickets Member tickets.CHUCK CLOSE
Chuck Close made his inaugural series of works–eight large-scale, black and white paintings of faces—between 1968 and 1970. In this and other early “heads” (as the artist calls them), Close sets each frontally-depicted face against a neutral ground. Phil is a portrait of Close's long-time friend, composer Philip Glass. Despite his intimate relationship with the subject of the paintingJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. Lurton LIZA LOU | KITCHEN | WHITNEY MUSEUM OF AMERICAN ART A full-scale and exactingly detailed kitchen encrusted in a rainbow of glistening beads, Liza Lou’s monumental installation took five years to make. After researching kitchen design manuals as well as historical tracts about the lives of nineteenth-century women, Lou made drawings and three-dimensional models to achieve a loose outline of Kitchen’s floor plan.CATHERINE OPIE
With their dramatic staging and intimacy of tone, Catherine Opie's photographs of cross-dressers, tattooed dominatrixes, and practitioners of piercing and scarification draw upon the conventions of seventeenth-century Dutch and German portrait painting. In her portraits, Opie works simultaneously with and against art historical conventions. On the one hand, by evoking the techniques ofEDWARD KIENHOLZ
The Wait illuminates the poignancy of passing time and the sorrowful isolation of the elderly in a life-size domestic tableau. The figure of an old woman, constructed of cow bones and encased in plastic coating, clutches a taxidermied cat and sits beneath a framed portrait of a young man who was presumably her beloved. In place of her face is a glass jar with a photograph of a youngELIZABETH CATLETT
David Breslin: Elizabeth Catlett made this body of prints, I Am the Negro Woman, in 1947 at a workshop in Mexico City. Narrator: David Breslin is the DeMartini Family Curator and Director of the collection. David Breslin: This group of works are linoleum woodcuts that feature some known figures like Harriet Tubman, Sojourner Truth, and Phyllis Wheatley, and the idea that their labor—now KIKI SMITH | UNTITLED | WHITNEY MUSEUM OF AMERICAN ART Since the 1980s, much of Kiki Smith’s work has focused on the human body—probing it, distorting it, fragmenting it, and making visible what is usually imperceptible or private. “I use the body because it is our primary vehicle for experiencing our lives,” she has explained. “It’s something everyone shares.” Smith once spent three months training to be an emergency medical MEMBERSHIP | WHITNEY MUSEUM OF AMERICAN ART Become a Member. Members play a critical role in helping care for the Museum, especially during this unprecedented moment, and enjoy unlimited free admission, special viewing access, and other benefits. Consider becoming a member to support the Whitney. Join Now View all levels Gift Memberships.THE BREUER BUILDING
The Breuer building, located at the corner of Madison Avenue and 75th Street, served as the Whitney's third home; previously, the Museum had gradually migrated northward from its original location on West Eighth Street to West 54th Street. It was designed by Hungarian-born, Bauhaus-trained architectMEMBERSHIP LEVELS
Membership Levels. Members help care for the Museum and support all the work we do at the Whitney. In appreciation, Members enjoy these benefits: Unlimited free admission (advance booking required) Preview access for select exhibitions. Special viewing opportunities. Discounts of up to 20% at the Museum Shop. 10% off at the WhitneyCafe.
CORPORATE MEMBERSHIP Corporate Membership Levels. Whitney Museum of American Art. Photograph by Nic Lehoux. $5,000–$14,999. One privilege to host an event in Tom and Diane Tuft Trustee Room (subject to rental fees and all direct costs) One privilege to schedule an after-hours tour for 25 guests (subject to direct costs) Two Corporate Executive CourtesyCards.
BOARD OF TRUSTEES AS OF MAY 26, 2021 Honorary Trustees Joel S. Ehrenkranz James A. Gordon Emily Fisher Landau Thomas H. Lee Gilbert C. Maurer Peter Norton. In Memoriam Melva Bucksbaum B.H. FriedmanQUEER HISTORY WALKS
Free with registration. Capacity is limited to 12 people per tour. Masks and social distancing required. Participants must be able to call in from a personal mobile phone during the tour, and use of headphones is preferred. The safety of our staff and our visitors are of the utmost importance ART HISTORY FROM HOME: TECHNOLOGY AND FANTASY Online, via Zoom This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum's collection and current exhibitions to illuminate critical topics in American art from 1900 to the present. ART HISTORY FROM HOME: DAWOUD BEY: AN AMERICAN PROJECT Online, via Zoom This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum's collection and current exhibitions to illuminate critical topics in American art from 1900 to the present. WORLD PREMIERE SCREENING: JULIE MEHRETU: PALIMPSEST Julie Mehretu: Palimpsest, a new feature documentary by Checkerboard Film Foundation, follows the artist as she prepares for her mid-career survey Julie Mehretu, currently on view at the Whitney and co-organized with the Los Angeles County Museum of Contemporary Art.The film traces Mehretu’s preparations for the exhibition, leading up to the installation and realization of the survey at OPEN STUDIO FROM HOME: RUTH ASAWA Online, via Zoom You are invited to Open Studio From Home, free weekly online art classes with Whitney educators.Participants will experiment, create, and learn together with at-home art materials. In this piece, Ruth Asawa transformed a basic pantry item—a potato—into an art material. She sliced the vegetable in half and carved a drawing into it, which she then printed into a rhythmic WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City. GENERAL ADMISSION TICKETS All visitors and members must book timed tickets in advance. Please note that the Whitney is operating at a significantly reduced capacity for your safety, and same-day tickets may be extremely limited. Museum admission is Pay What You Wish on Thursdays, 1:30–6 pm. Advance tickets for these hours are required. Book tickets Member tickets.EXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022 MEMBERSHIP | WHITNEY MUSEUM OF AMERICAN ART Become a Member. Members play a critical role in helping care for the Museum, especially during this unprecedented moment, and enjoy unlimited free admission, special viewing access, and other benefits. Consider becoming a member to support the Whitney. Join Now View all levels Gift Memberships.EXHIBITIONS
David Hammons’s public sculpture entitled Day’s End (2014–21) is now on permanent view. This time-lapse footage follows the process of its installation on Gansevoort Peninsula in Hudson River Park between April 12 and May 3, 2021.WHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. LurtonQUEER HISTORY WALKS
Select Fridays, 6 pm. Floor 1. In commemoration of the fiftieth anniversary of the Stonewall riots, join us for a free walking tour that explores the rich queer history of the neighborhood surrounding the Whitney Museum. This sunset walk looks to the past to reflect on the present by bringing visitors to select sites marked by queerhistory and
ALLEN SAALBURG
Allen Saalburg, 1899–1987. 8 works in the Whitney’s collection. WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City. GENERAL ADMISSION TICKETS All visitors and members must book timed tickets in advance. Please note that the Whitney is operating at a significantly reduced capacity for your safety, and same-day tickets may be extremely limited. Museum admission is Pay What You Wish on Thursdays, 1:30–6 pm. Advance tickets for these hours are required. Book tickets Member tickets.EXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022 MEMBERSHIP | WHITNEY MUSEUM OF AMERICAN ART Become a Member. Members play a critical role in helping care for the Museum, especially during this unprecedented moment, and enjoy unlimited free admission, special viewing access, and other benefits. Consider becoming a member to support the Whitney. Join Now View all levels Gift Memberships.EXHIBITIONS
David Hammons’s public sculpture entitled Day’s End (2014–21) is now on permanent view. This time-lapse footage follows the process of its installation on Gansevoort Peninsula in Hudson River Park between April 12 and May 3, 2021.WHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. LurtonQUEER HISTORY WALKS
Select Fridays, 6 pm. Floor 1. In commemoration of the fiftieth anniversary of the Stonewall riots, join us for a free walking tour that explores the rich queer history of the neighborhood surrounding the Whitney Museum. This sunset walk looks to the past to reflect on the present by bringing visitors to select sites marked by queerhistory and
ALLEN SAALBURG
Allen Saalburg, 1899–1987. 8 works in the Whitney’s collection.ACCESS SERVICES
Learn more about Access Programs for People with Disabilities. Download a map of the area surrounding the Museum, highlighting accessible pathways from public transportation, parking facilities, and the High Line. Access-a-Ride The New York City MTA offers drop-off and pick-up service from theTHE NEIGHBORHOOD
The Neighborhood. The Whitney welcomes you to the Meatpacking District, a twenty-square-block neighborhood with a bustling community of artists, galleries, educators, entrepreneurs, and residents. Our building is steps from the High Line and a short walk from Greenwich Village, where the Museum was founded by Gertrude Vanderbilt Whitneyin 1930.
OPEN STUDIO FROM HOME: ALEXANDER CALDER Online, via Zoom Families with kids of all ages You are invited to Open Studio From Home, free weekly online art classes with Whitney educators!Participants will experiment, create, and learn together with at-home art materials.MEMBERSHIP LEVELS
Membership Levels. Members help care for the Museum and support all the work we do at the Whitney. In appreciation, Members enjoy these benefits: Unlimited free admission (advance booking required) Preview access for select exhibitions. Special viewing opportunities. Discounts of up to 20% at the Museum Shop. 10% off at the WhitneyCafe.
ART HISTORY FROM HOME: TECHNOLOGY AND FANTASY Online, via Zoom This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum's collection and current exhibitions to illuminate critical topics in American art from 1900 to the present. CORPORATE MEMBERSHIP Corporate Membership Levels. Whitney Museum of American Art. Photograph by Nic Lehoux. $5,000–$14,999. One privilege to host an event in Tom and Diane Tuft Trustee Room (subject to rental fees and all direct costs) One privilege to schedule an after-hours tour for 25 guests (subject to direct costs) Two Corporate Executive CourtesyCards.
WHITNEY MUSEUM OF AMERICAN ART The Whitney Museum of American Art was founded ninety years ago by sculptor Gertrude Vanderbilt Whitney, with the goal of preserving and showcasing modern American art. We celebrate the countless contributions of artists, designers, writers, and companies run by women every single day. OPEN STUDIO FROM HOME: JULIE MEHRETU Julie Mehretu, Mogamma (A Painting in Four Parts) Part 3, 2012.Ink and acrylic paint on canvas, 180 × 144 1/8 in. (457.2 × 366.08 cm). Tate, purchased with funds provided by Tiqui Atencio Demirdjian and Ago Demirdjian, Andreas Kurtz and the Tate Americas Foundation 2014.JULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. LurtonMEMBER TICKETS
Member Tickets. All ticket buyers must follow our new safety guidelines: Stay at home if you are feeling sick. Visitors will have body temperatures taken prior to entering the Museum via contactless thermal cameras. Please do not visit the Museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within thepast 14
WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City. GENERAL ADMISSION TICKETS Stay at home if you are feeling sick. Visitors will have body temperatures taken prior to entering the Museum via contactless thermal cameras. Please do not visit the Museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had closeEXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022EXHIBITIONS
David Hammons’s public sculpture entitled Day’s End (2014–21) is now on permanent view. This time-lapse footage follows the process of its installation on Gansevoort Peninsula in Hudson River Park between April 12 and May 3, 2021. MEMBERSHIP | WHITNEY MUSEUM OF AMERICAN ART Become a Member. Members play a critical role in helping care for the Museum, especially during this unprecedented moment, and enjoy unlimited free admission, special viewing access, and other benefits.THE NEIGHBORHOOD
The Whitney welcomes you to the Meatpacking District, a twenty-square-block neighborhood with a bustling community of artists, galleries, educators, entrepreneurs, and residents. Our building is steps from the High Line and a short walk from Greenwich Village, where the Museum was founded byWHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. LurtonQUEER HISTORY WALKS
FM assistive listening devices with headsets or neck loops are available for public and private gallery tours and public programs. You may request receivers for tours at the Mobile Guide counter at the admissions desk on Floor 1 WHITNEY MUSEUM OF AMERICAN ARTEXHIBITIONSVISITART ART & ARTISTSLEARNSHOPTICKETING The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City. GENERAL ADMISSION TICKETS Stay at home if you are feeling sick. Visitors will have body temperatures taken prior to entering the Museum via contactless thermal cameras. Please do not visit the Museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had closeEXHIBITIONS
Making Knowing: Craft in Art, 1950–2019 Nov 22, 2019–Feb 2022EXHIBITIONS
David Hammons’s public sculpture entitled Day’s End (2014–21) is now on permanent view. This time-lapse footage follows the process of its installation on Gansevoort Peninsula in Hudson River Park between April 12 and May 3, 2021. MEMBERSHIP | WHITNEY MUSEUM OF AMERICAN ART Become a Member. Members play a critical role in helping care for the Museum, especially during this unprecedented moment, and enjoy unlimited free admission, special viewing access, and other benefits.THE NEIGHBORHOOD
The Whitney welcomes you to the Meatpacking District, a twenty-square-block neighborhood with a bustling community of artists, galleries, educators, entrepreneurs, and residents. Our building is steps from the High Line and a short walk from Greenwich Village, where the Museum was founded byWHITNEY STAFF SITE
Please use your Outlook login (short username, not email address) and password to access the staff intranet. If you are having issues with your password, contact ITWILLEM DE KOONING
In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming fromJULIE MEHRETU
Julie Mehretu, Mogamma (A Painting in Four Parts) Part 2, 2012.Ink and acrylic on canvas, 180 × 144 in. (457.2 × 365.8 cm). High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable, David C. Driskell African American Art Acquisition Fund, Dr. LurtonQUEER HISTORY WALKS
FM assistive listening devices with headsets or neck loops are available for public and private gallery tours and public programs. You may request receivers for tours at the Mobile Guide counter at the admissions desk on Floor 1PLAN YOUR VISIT
Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). Robert Rauschenberg, Yoicks, 1954.Photograph by Ryan Lowry PODCAST ARTISTS AMONG US The Whitney Museum of American Art presents Artists Among Us, a podcast about American art and culture.In keeping with the Whitney’s mission, collection, and programming, Artists Among Us is our newest mode of storytelling by which we consider the complexities and contradictions that have culminated in the United States we experience today. Season: Day’s EndACCESS SERVICES
Learn more about Access Programs for People with Disabilities. Download a map of the area surrounding the Museum, highlighting accessible pathways from public transportation, parking facilities, and the High Line. Access-a-Ride The New York City MTA offers drop-off and pick-up service from the ARTPORT | WHITNEY MUSEUM OF AMERICAN ART artport is the Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, artport provides access to original art works commissioned specifically for artport by the Whitney, documentation of net art and new media art exhibitions at the Whitney, and new media art in the Museum's collection. THE WHITNEY BIENNIAL The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. Initiated by the Museum's founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years, the biennials were originally organized by medium, with painting alternating with sculpture and works on paper.MEMBERSHIP LEVELS
Members help care for the Museum and support all the work we do at the Whitney. In appreciation, Members enjoy these benefits: Unlimited free admission (advance booking required) Preview access for select exhibitions Special viewing opportunities Discounts of up to 20% at the Museum Shop 10% off atMEMBER TICKETS
Stay at home if you are feeling sick. Visitors will have body temperatures taken prior to entering the Museum via contactless thermal cameras. Please do not visit the Museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had close contact with anyone who is confirmed or is suspected of having COVID-19. WHITNEY MUSEUM OF AMERICAN ART Play Your Cards Right. Shantell Martin’s new playing cards—the first in a series of art-inspired decks produced with theory11—are immersive compositions featuring hand drawn designs and the artist’s personal story of learning to play blackjack and rummy from her grandmother at a young age. DEREK FORDJOUR: HALF MAST With Half Mast, Derek Fordjour debuts a new work that reflects on the current national reckoning with mass shootings, and the relentless threat of violence against Black and Brown bodies.A portrait of this divided moment in U.S. history, Half Mast presents law officers, students, and ordinary civilians in one compressed, shared space. Alongside teddy bears and balloons reminiscent of streetALLEN SAALBURG
Allen Saalburg, 1899–1987. 8 works in the Whitney’s collection. Skip to main content Whitney Museum of American Art Open today: 11:30 am–6 pmBook tickets online
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Open today: 11:30 am–6 pmBook tickets online
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The Whitney has reopened its doors to the public, with new guidelines in place for the safety and well-being of our visitors and staff. All visitors and members must book timed tickets in advance. Book Tickets What to Expect -------------------------EXHIBITIONS
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VIDA AMERICANA: MEXICAN MURALISTS REMAKE AMERICAN ART, 1925–1945 FEB 17, 2020–JAN 31, 2021 CAULEEN SMITH: MUTUALITIES FEB 17, 2020–JAN 31, 2021 NOTHING IS SO HUMBLE: PRINTS FROM EVERYDAY OBJECTS NOV 20, 2020–SPRING 2021 WORKING TOGETHER: THE PHOTOGRAPHERS OF THE KAMOINGE WORKSHOP NOV 21, 2020–MAR 28, 2021View all
------------------------- WE STAND WITH BLACK COMMUNITIES. A message from our director. ------------------------- DIVE INTO OUR COLLECTIONView all
JENNY HOLZER
_UNTITLED WITH SELECTION FROM "LIVING SERIES"_1980–1982
ALMA THOMAS
_MARS DUST_
1972
JEAN-MICHEL BASQUIAT _HOLLYWOOD AFRICANS_1983
BEN SHAHN
_THE PASSION OF SACCO AND VANZETTI_1931–1932
ON VIEW, FLOOR 5
ANDY WARHOL
_GREEN COCA-COLA BOTTLES_1962
JIM NUTT
_SHE'S HIT_
1967
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-------------------------WHITNEY FROM HOME
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