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Text
'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth.BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3)BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth.BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3)BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth.BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3)BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth.BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3)BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has itsALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has itsALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
ALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has itsALTO SAXOPHONE
1) Play your alto saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) Play up to 'G' on top of the staff several time diatonically. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. YOUR GUIDE TO WOODWIND INTONATION This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its FLUTE - YOUR GUIDE TO WOODWIND INTONATION Set the lip plate strait against your lips so that there is 50% upper lip and 50% lower lip resting over the tone hole. Roll the flute down so that the embouchure hole is now facing the ceiling/sky. About 1/3 to 1/4 of the tone hole should be covered by the lower lip. Make a silent "WHEE" formation with your mouth. CLARINET - YOUR GUIDE TO WOODWIND INTONATION 1) Play your clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the barrel of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune. 3) Play up diatonically to'C' below
BARITONE SAXOPHONE
1) Play your baritone saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) OBOE - YOUR GUIDE TO WOODWIND INTONATION Imitate an English accent and say "No Oboe." This should bring the corners of the mouth forward and firm against the teeth. The jaw should be separated with your chin down and firm and your tongue down. When playing, think of the syllables "OH" and "OO." These will help create a resonant and relaxed sound. Correct Oboe Embouchure.BASS CLARINET
1) Play your bass clarinet for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to 2nd line 'G' diatonically several times. If this note is sharp, adjust the neck of the instrument by pulling out slightly and then playing the pitch again. Continue this until this note is in tune.TENOR SAXOPHONE
1) Play your tenor saxophone for a few minutes to warm up your embouchure muscles and the instrument. 2) Play up to the 2nd line 'G' diatonically several times. This note is very close to the centered pitch. Adjust the mouthpiece if this note is out of tune. 3) BASSOON - YOUR GUIDE TO WOODWIND INTONATION 1) Play your bassoon for a few minutes to warm up your embouchure muscles and the instrument. 2) Play diatonically up to 2nd line 'Bb' several times. Then play up diatonically up to 4th line 'F' several times. If these notes are out of tune, then check the bocal and reedlengths. 3)
SOURCES AND CREDITS
Sources of InformationUsed in Creating This Website. "Tuning for Wind Instrument: A Roadmap to Successful Intonation" by Shelly Jagow. Published by Meredith Music Publications 2012. "A Guide to Understanding and Correcting Intonation Problems" by Al "Corky" Fabrizio. Published by Meredith Music Publications 1994. Your Guide to Woodwind Intonation* Home
* Flute
* Oboe
* Clarinet
* Bass Clarinet
* Alto Saxophone
* Tenor Saxophone
* Baritone Saxophone* Bassoon
* Sources and Credits* more...
WELCOME!
This website is designed as a source for band students to help guide you along your journey to better woodwind intonation. Each of the common band instruments has its own page full of information abouttuning.
Before continuing on to the page for your instrument, please read the following tuning information that applies to ALL woodwind instruments. ------------------------- GENERAL TIPS FOR PLAYING IN TUNE * Practice your instrument daily. When thinking about practice time, think quality over quantity! * Listen to good artists and music daily. Find recordings of professionals on your instrument and imitate the way that theysound.
* Develop your ear. Work on identifying intonation issues and understanding how to fix them. Learn the ways you can adjust pitch on your instrument (this website will help!). * Keep your instrument in good playing condition. Get it adjusted every year by a professional. ------------------------- TUNING TRUTHS FOR ALL WOODWIND INSTRUMENTS * Lengthen the tubing of your instrument to flatten the pitch. Shorten the tubing of your instrument to sharpen the pitch. * Higher temperatures will cause your instrument pitch to go sharp. Lower temperatures will cause your instrument pitch to go flat. * Increased embouchure firmness will cause sharpness of pitch. Decreased embouchure firmness will cause flatness of pitch. -------------------------ABOUT ME
My Name is Philip Bossenberger. I am the band director for the Birch Run Area Schools in Birch Run, Michigan. I received my masters degree from The American Band College of Sam Houston State University in 2015. I received my Bachelor of Music Education degree from Eastern Michigan University in 2008.* Tenor Saxophone
* Baritone Saxophone* Bassoon
* Sources and Credits Powered by Create your own unique website with customizable templates. Get StartedDetails
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