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CRAFT OF FILMMAKING
IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
BOB ODENKIRK DOESN’T THINK KIM DIES IN ‘BETTER CALL SAUL 2 hours ago · One of the biggest questions facing “Better Call Saul” fans as the show heads into its sixth and final season is what happens to Rhea Seehorn’s beloved character, Kim Wexler. ConsideringKim
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BOB ODENKIRK DOESN’T THINK KIM DIES IN ‘BETTER CALL SAUL 2 hours ago · One of the biggest questions facing “Better Call Saul” fans as the show heads into its sixth and final season is what happens to Rhea Seehorn’s beloved character, Kim Wexler. ConsideringKim
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‘THE WHITE LOTUS’ TRAILER: MIKE WHITE’S HBO SERIES TO “The White Lotus,” Mike White’s highly-anticipated return to television, is set to premiere on HBO on July 11. HBO has described the series as a social satire set at an exclusive tropical JAMES BOND WRITER WORRIES AMAZON WILL DESTROY FRANCHISE John Logan, a three-time Oscar-nominated screenwriter whose credits include the Daniel Craig-starring James Bond tentpoles “Skyfall” and “Spectre,” penned an essay for The New York Times ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings ‘THE OFFICE’ MOST EXPENSIVE SCENE COST $250,000 FOR 52 Jim’s proposal to Pam in the Season 5 premiere of “The Office” remains one of the NBC sitcom’s most iconic moments. It also turns out the proposal was the series’ most expensive moment CNN STREAMING SERVICE IN THE WORKS, POSSIBLY NAMED CNN+ CNN could become the next major news organization to make the pivot to streaming. The Wall Street Journal reported on Tuesday that CNN’splans for its
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INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCENEWSVIDEOGALLERIESTHOMPSON ON HOLLYWOODINFLUENCERS: THECRAFT OF FILMMAKING
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‘THE WHITE LOTUS’ TRAILER: MIKE WHITE’S HBO SERIES TO “The White Lotus,” Mike White’s highly-anticipated return to television, is set to premiere on HBO on July 11. HBO has described the series as a social satire set at an exclusive tropical JAMES BOND WRITER WORRIES AMAZON WILL DESTROY FRANCHISE John Logan, a three-time Oscar-nominated screenwriter whose credits include the Daniel Craig-starring James Bond tentpoles “Skyfall” and “Spectre,” penned an essay for The New York Times ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings ‘THE OFFICE’ MOST EXPENSIVE SCENE COST $250,000 FOR 52 Jim’s proposal to Pam in the Season 5 premiere of “The Office” remains one of the NBC sitcom’s most iconic moments. It also turns out the proposal was the series’ most expensive moment CNN STREAMING SERVICE IN THE WORKS, POSSIBLY NAMED CNN+ CNN could become the next major news organization to make the pivot to streaming. The Wall Street Journal reported on Tuesday that CNN’splans for its
ZOMBIE BABY IN ARMY OF THE DEAD, EXPLAINED BY ZACK SNYDER Zack Snyder’s “Army of the Dead” is just the beginning of a Netflix movie and television franchise that will explore the world of a zombie outbreak, and one of the most eyebrow-raising ‘DAN BROWN’S THE LOST SYMBOL’ TRAILER: ROBERT LANGDON ON Peacock is hoping to have a binge-worthy thriller on its hands with “Dan Brown’s The Lost Symbol,” based on the bestselling mystery novel, yes, “The Lost Symbol.”. The series follows the DAVE CHAPPELLE SETTLES VIACOMCBS FIGHT, CHAPPELLE SHOWAUTHOR: ZACKSHARF
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INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCE IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
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INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCENEWSVIDEOGALLERIESTHOMPSON ON HOLLYWOODINFLUENCERS: THECRAFT OF FILMMAKING
IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
‘VERTIGO’ VIDEO GAME INSPIRED BY ALFRED HITCHCOCK FILM IN 3 hours ago · The upcoming "Alfred Hitchcock – Vertigo" video game will feature an original story inspired by the classic film. ‘THE WHITE LOTUS’ TRAILER: MIKE WHITE’S HBO SERIES TO “The White Lotus,” Mike White’s highly-anticipated return to television, is set to premiere on HBO on July 11. HBO has described the series as a social satire set at an exclusive tropical JAMES BOND WRITER WORRIES AMAZON WILL DESTROY FRANCHISE John Logan, a three-time Oscar-nominated screenwriter whose credits include the Daniel Craig-starring James Bond tentpoles “Skyfall” and “Spectre,” penned an essay for The New York Times ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings CNN STREAMING SERVICE IN THE WORKS, POSSIBLY NAMED CNN+ CNN could become the next major news organization to make the pivot to streaming. The Wall Street Journal reported on Tuesday that CNN’splans for its
‘THE OFFICE’ MOST EXPENSIVE SCENE COST $250,000 FOR 52 Jim’s proposal to Pam in the Season 5 premiere of “The Office” remains one of the NBC sitcom’s most iconic moments. It also turns out the proposal was the series’ most expensive moment BEST CRUELLA MOVIE MERCH & COLLECTIBLES From fashion to books, playing cards, and a limited edition doll, we rounded up the best merchandise inspired by the live-action film. ‘DAN BROWN’S THE LOST SYMBOL’ TRAILER: ROBERT LANGDON ON NBCUniversal is betting on name recognition for three of its most high profile upcoming projects. Hoping to woo wary advertisers, the networkis capitalizing on
ZOMBIE BABY IN ARMY OF THE DEAD, EXPLAINED BY ZACK SNYDER Zack Snyder’s “Army of the Dead” is just the beginning of a Netflix movie and television franchise that will explore the world of a zombie outbreak, and one of the most eyebrow-raising INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCENEWSVIDEOGALLERIESTHOMPSON ON HOLLYWOODINFLUENCERS: THECRAFT OF FILMMAKING
IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
‘THE WHITE LOTUS’ TRAILER: MIKE WHITE’S HBO SERIES TO “The White Lotus,” Mike White’s highly-anticipated return to television, is set to premiere on HBO on July 11. HBO has described the series as a social satire set at an exclusive tropical JAMES BOND WRITER WORRIES AMAZON WILL DESTROY FRANCHISE John Logan, a three-time Oscar-nominated screenwriter whose credits include the Daniel Craig-starring James Bond tentpoles “Skyfall” and “Spectre,” penned an essay for The New York Times ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings ‘THE OFFICE’ MOST EXPENSIVE SCENE COST $250,000 FOR 52 Jim’s proposal to Pam in the Season 5 premiere of “The Office” remains one of the NBC sitcom’s most iconic moments. It also turns out the proposal was the series’ most expensive moment CNN STREAMING SERVICE IN THE WORKS, POSSIBLY NAMED CNN+ CNN could become the next major news organization to make the pivot to streaming. The Wall Street Journal reported on Tuesday that CNN’splans for its
ZOMBIE BABY IN ARMY OF THE DEAD, EXPLAINED BY ZACK SNYDER Zack Snyder’s “Army of the Dead” is just the beginning of a Netflix movie and television franchise that will explore the world of a zombie outbreak, and one of the most eyebrow-raising ‘DAN BROWN’S THE LOST SYMBOL’ TRAILER: ROBERT LANGDON ON Peacock is hoping to have a binge-worthy thriller on its hands with “Dan Brown’s The Lost Symbol,” based on the bestselling mystery novel, yes, “The Lost Symbol.”. The series follows the DAVE CHAPPELLE SETTLES VIACOMCBS FIGHT, CHAPPELLE SHOWAUTHOR: ZACKSHARF
In a 10-minute stand-up set posted to Instagram titled “Redemption Song” (watch the video in the embed below), comedian Dave Chappelle confirmed “Chappelle’s Show” is returning to stream SETH ROGEN AND JAMES FRANCO SPLIT: NO PLANS TO WORK WITH Seth Rogen confirmed in an interview with The Sunday Times that he does not plan to work with James Franco following several allegationsof sexual
INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCE IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
‘VERTIGO’ VIDEO GAME INSPIRED BY ALFRED HITCHCOCK FILM IN 3 hours ago · The upcoming "Alfred Hitchcock – Vertigo" video game will feature an original story inspired by the classic film. CANNES CRITICS’ WEEK UNVEILS 2021 LINEUP 17 hours ago · The Cannes Film Festival’s parallel Critics’ Week section is celebrating its 60th anniversary in 2021 with a lineup that is heavy on French talent and nonexistent when it comes to U.S JASON STATHAM IN WRATH OF MAN BEATS SPIRAL ON VOD 9 hours ago · In a week of mostly static VOD charts, something peculiar happened: “Spiral: From the Book of Saw,” the only major new premium VOD release, failed to dislodge “Wrath of Man” fromits top
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‘HARLEY QUINN: BIRDS OF PREY’: HERE’S WHAT WENT WRONG, AND WHATWENT RIGHT
THE ENTERTAINING E-RIDE CREATED BY MARGOT ROBBIE AND A TEAM OF WOMEN SCORED UPBEAT REVIEWS AND PREVIEWS BEFORE IT STUMBLED IN THEATERS.Anne Thompson
Feb 12, 2020 6:07 pm@akstanwyck
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“Birds of Prey”
Warner Bros.
Usually, when a studio greenlights a comic-book spin-off, it’s as close to sure-fire as you can get. Even Todd Phillips’ risky R-rated origin myth “Joker,” starring Oscar-winner Joaquin Phoenix as a mentally ill chaos agent, turned into a $1 billion global home run. And then there’s the film formerly known as “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn),” a title that distanced itself from the DC film that introduced Margot Robbie as Quinn, 2016 box-office smash “Suicide Squad” ($746 million worldwide, with its own James Gunn reboot in the works for 2021). However, “Birds of Prey,” opened last weekend to $33.3 million, well below box-office expectations of $45 million-$55 million, based on preview testing (88% in the top two boxes for women, 86% people under 30), upbeat fanboy and media reactions, and (clearly inflated) advance tracking. Now the film has been hastily renamed “Harley Quinn: Birds of Prey,” in hopes that the clearer title, and its improved SEO, will mean a healthier gross.RELATED
* David O. Russell Eyes April Start for New Film With Bale, Robbie,and Jordan
* The 20 Highest Grossing Indies of 2020 (A Running List)RELATED
* Oscars 2020: Best Costume Design Predictions * 12 of the Best Female-Directed Horror Films of the 2010s, From 'Knives and Skin' to 'The Babadook' And “Birds of Prey” got much better reviews(deservedly)
than its predecessor. David Ayer’s
PG-13 “Suicide Squad” was a series of violent, percussive action scenes of predictable and often nonsensical mayhem. That movie was critic proof, opening to $134 million, and as the pink-and-blue pigtailed roller-skating Harley Quinn, Robbie became a global moviestar.
Written, directed, and produced by women (including Robbie), “Birds of Prey” is cohesive and visually entertaining. Robbie is a gifted action comedienne with danger in her veins. Here’s how this female-empowering action comedy turned out so well, yet floundered atthe box office .
“Suicide Squad”
Warner Bros.
1. MARGOT ROBBIE WANTED “BIRDS OF PREY” TO BE R RATED. This is crucial. The actress developed the script with writer Christina Hodson (“Batgirl”) and eventually, in-house producer Sue Kroll, the former Warners marketing chief. From their first meeting, Robbie and Hodson pursued an unfettered Gotham with Quinn at its center. They raided the DC library, ingesting stacks of comics, texting each other their favorite storylines and panels. Their final take was inspired by “Trainspotting” and “True Romance,” and they pitched the studio in 2015, before “Suicide Squad” wasfinished.
“They did let us go pretty far,” said Hodson. “Having Harley Quinn as our narrator and mouthpiece, the lens for the whole story, gives you the crazy, fun, and poppy tone. We’re seeing her on her own, not in the shadow of Joker, her emancipation, finding her own voice and her own two feet to stand on. She’s unlike anyone else we’ve seen on screen.” Robbie persuaded the studio to go with an unleashed, potty-mouthed, substance-abusing, uber-violent Harley Quinn in a local Gotham story with street-level stakes. Warners resisted; conventional wisdom shows that despite R-rated Marvel hits such as “Deadpool,” most comic-book movies reach a wider audience with a PG rating. Nevertheless, the studio agreed to create its first R-rated DCEUmovie.
Opening stats show a gap between tracking and actual attendance. This suggests what marketing gurus call “lack of urgency.” Truth is, a lot of teens under 17 wanted to see the movie, and their parents wouldn’t let them. According to Cinemascore, younger people liked the movie the most. So the R rating lost the movie plenty of paying customers. Still: That doesn’t account for the entire gap. 2. THE STUDIO DIDN’T ALLOW “BIRDS OF PREY” TO RIDE ON THE BACK OF “SUICIDE SQUAD.” While “Birds of Prey” follows a key character in “Suicide Squad” and takes place after the first film, the studio marketed it not as a sequel, but a standalone spinoff not unlike “Joker.” “They are two standalone stories,” said Kroll. “Both are part of the complex and diverse DC world.” However, Warners didn’t put Harley Quinn front and center in the title. After the soft opening, the studio moved quickly to rebrand the film as “Harley Quinn: Birds of Prey.” “I don’t think the issue was people didn’t know that Harley Quinn was in ‘Birds of Prey,'” said Warners marketing chief Blair Rich. “She’s front and center, branded across all our media, from January through the opening.”“Birds of Prey”
Warner Bros. / screen cap 3. THE STUDIO LEANED INTO WOMEN BEFORE AND BEHIND THE CAMERA. Following the success of Patty Jenkins’ blockbuster “Wonder Woman” (a sequel is due June 5), Warners was open to Robbie wanting to hire a woman director. “Everybody in the company thought it was a great idea,” said Kroll, “to have a female-led girl-gang film with a female director.” Robbie and Kroll were most impressed with Chinese-American business and film school grad Cathy Yan, a journalist-turned-filmmaker who had made a splash at festivals with two shorts and at Sundance 2018 with her first feature, “Dead Pigs,” a visually sharp ensemble family drama and social satire shot in three languages about a mysterious wave of livestock deaths in China. (Variety described it as “a sprawling, bouncy, jaunty debut.”) CAA signed Yan and got her into the studio to pitch her version of Hodson’s script to producers Robbie, Kroll, and Bryan Unkeless, along with Warners’ president of DC-Based Film Production, Walter Hamada. “I was terrified,” Yan said in a phone interview. “That a weird small Chinese-language movie I made managed to have any overlap with any superhero movie ever? It was already there. were able to write a script that was different, and took risks.” Her pitch embraced “the rebellious nature of that script, the movie I would love to make, not holding back. That allowed us to be on the same page early on.”Cathy Yan
Michael Hurcomb/Deadline/REX/Shutterstock “The script worked on so many levels,” said Yan. “On the surface it’s a fun, wild, crazy romp of a ride. It’s also this character study about Harley: finding herself, who she is when she’s no longer the girlfriend . She has choices to make, she’s coming to terms with that as an antihero, saving her soul and redeeming herself in the eyes of this kid.” Kroll was sold by the ambitious “Dead Pigs,” which was a “creative undertaking, a complicated narrative, shooting in China,” she said, “and her presentation of the ‘Birds of Prey’ world, how the women would look, the tone, music, and color.” Soon Yan was the second woman and the first Asian female to direct a DC movie. She cast a remarkably diverse ensemble, from Rosie Perez (Detective Renee Montoya), who was written younger, Mary Elizabeth Winstead (Huntress), Jurnee Smollet-Bell (Black Canary) and Ella Jay Basco (Cassandra Cain) to Ewan McGregor and Chris Messina as crime lord Roman Sionis/Black Mask and his hatchet man Victor Zsasz. Yan embraced a double #MeToo narrative, both in the movie and behind the scenes, of “women as more powerful together than apart,” she said. Her references range from “A Clockwork Orange” and “Pulp Fiction” in their treatment of violence and “The Professional” in its portrayal mobster New York in the ’70s, to the anarchic glee of competitive female friendship and “weird raw female humor” in“Bridesmaids.”
“Birds of Prey”
Warner Bros.
4. THE MOVIE SHOT IN LOS ANGELES WITH A MODEST BUDGET. It’s risky to take on any movie that has to fit within the DCEU canon. Yan applied her discipline from shooting on a small-budget to pre-planning on a bigger scale, with an $82 million budget (less than half of “Suicide Squad’s $175 million). Yan had to learn how to use storyboards, which she considers a crucial “communication device,” especially in an action-packed VFX environment. One challenge was shooting Gotham in the Los Angeles Toy District. “It forced us to rethink Gotham and do it in a different way, from Harley’s perspective,” she said, “with a frenzied color palette, a not-so-dour version of the world.” By any metric, Yan did a great job directing this movie. It’s kinetic, surprising, and fun as the gang of women, individually and together, kick back their formidable foes, again and again. Robbie is hilarious, nasty and charming; you root for her to find her innerhuman.
5. RESHOOTS WERE ALWAYS PLANNED. Reshoots were built into the production schedule. “We added more action as we leaned into what was working,” said Yan. “The difference between this and ‘Dead Pigs,’ which I was editing in my living room, hoping and praying anyone would care or watch the movie at all, is that so many people are invested in the film: the studio, Margot, the producers, the creative team, also the fans. They cared, they loved Harley, it’s Huntress’ first time on the big screen. I felt the responsibilities of having to satisfy stakeholders.”“Birds of Prey”
Warner Bros. / screen cap 6. PREVIEWS INFORMED THE EDITING. Of course, the studio wants to make back their investment, so Yan felt that pressure. The director had never done research previews before, complete with report cards. “That took some getting used to,” she said. “It was good to watch it with an audience in a dark room with a real screen and sound, to feel the reaction.” 7. MARKETING INITIALLY TARGETED WOMEN. Given its female-dominant cast, the “Birds of Prey” marketing campaign was more focused on women than “Suicide Squad,” but the studio pushed the movie to men as well. In fact, they got them: The movie pulled 53% male. “Ideally, I hoped that the movie would be seen as not alienating to the other half,” said Yan. “It had to be fun for everyone, and enjoyable. I don’t think we were too vicious or antagonistic or aggressive in any way. We don’t want it to be alienating; that doesn’t serve us.” If the opening weekend was about urgency, now they must see if word of mouth pushes more people into theaters on week two. It’s hard for a movie to recover once it’s tainted with negative box-office reporting. Reports of a box-office flop may be premature. If “Birds of Prey” manages to bring in $300 million worldwide, it will be in the black. So far, it’s at $88 million. POPULAR ON INDIEWIRE IndieWire Consider This: Best of Craft (Episode 5 - Best Score & BestSong)
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Eddie February 13, 2020 8:29 am I love how the movie got great reviews, yet because you yourself didn’t like it, it’s automatically because it was a bad movie.That’s rich.
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Bozo the Clown February 13, 2020 8:23 am Still need to see it, but what turned me off in the marketing were these things: 1) No clear dramatic story visible. 2) Ewan McGregor as the bad guy ? 3) Too much talk of ’emancipation’. There is nothing wrong with telling a story of women, who crave for a better life, but it’s a huge mistake to sell a movie as a ‘message’. “Joker” was great, because it had real drama and not only one ‘message’ to sell. Leave your message at the post office.Reply
Evan Gibbs February 12, 2020 11:48 pm As an avid fan of comics (my Uncle being a writer for DC and Marvel) please let me make this clear. This movies failure had nothing to do with marketing, the title, misogyny, or any other thing that the studio has tried to blame. It lacked comic accuracy, it wasn’t visually stimulating, and in all honesty…it wasn’t a movie that any of us wanted to see. It was just a bad movie, plain and simple. The studios (Warner Bros. in particular) have no idea what the fans want. I.e. they got rid of Zack Snyder and have Margot Robbie free reign to make a film. Just genius (pure sarcasm)!Reply
Silvia 34 February 12, 2020 11:42 pm From a business point Cathy Yan was a good choice because she’s Chinese which gave the film a better shot at grabbing one of the coveted few slots of American films that allowed to play in China which would mean big money. Unfortunately she was a bad choice as director for artistic reasons because she’s got no film style or bigbudget film talent.
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