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DAILY ONLINE CROSSWORD PUZZLE The Atlantic’s crossword puzzle gets a little more challenging every day, with the biggest puzzle on Sunday. Puzzle Picker. ON OFF PÅ AV Sur De. Friday, May 14, 2021. by Caleb Madison. Thursday IF THE LAB-LEAK THEORY IS RIGHT, WHAT'S NEXT? If the Lab-Leak Theory Is Right, What’s Next? We know enough to acknowledge that the scenario is possible, and we should therefore act as though it’s true. About the author: Daniel Engber is EATING CICADAS IS GREAT UNTIL YOU TASTE THEM Eating cicadas just makes sense, even for someone like me, who’s been a stalwart vegetarian since basically the last time they appeared, in 2004. They’re a bountiful and easy-toJUNE 2021 ISSUE
Why Confederate lies live on, Black America’s origin stories, Red Cross quarantine ships, Brett Kavanaugh, and new fiction from Morgan Thomas. Plus the Appalachian Elvis, Richard Wright, post THE ROAD TO POLITICAL VIOLENCE About the author: Peter Wehner is a contributing writer at The Atlantic and a senior fellow at the Ethics and Public Policy Center. He writes widely on political, cultural, religious, and national WHY CONSERVATIVES WANT TO CANCEL THE 1619 PROJECT Nikole Hannah-Jones is an award-winning Black journalist. She is also one of the developers of the 1619 Project, a journalistic examination of slavery’s role in shaping the American present KIDS DON'T NEED MASKS OUTSIDE Although emergency-use authorization for the Pfizer vaccine was granted this week for 12-to-15-year-olds, kids in this age group and younger ones don’t need to wait for freedom through shots THE ATLANTICLATESTPOLITICSDAVID FRUMCROSSWORD PUZZLEMAGAZINEPOPULAR The Atlantic covers news, politics, culture, technology, health, and more, through its articles, podcasts, videos, and flagship magazine. MICROCHIPPED VACCINES: A 15-MINUTE INVESTIGATION I got my first COVID-19 vaccine recently. The whole experience was tremendously routine: I showed my registration, stood in a waiting area, saw a nurse, got the jab, waited 15 minutes in case of WHY YOU SHOULD WAIT OUT THE WILD HOUSING MARKET When people leave multimillion-dollar houses in, say, Los Angeles to plunk down $1 million on a house that was worth $500,000 a year ago,they turn a
DAILY ONLINE CROSSWORD PUZZLE The Atlantic’s crossword puzzle gets a little more challenging every day, with the biggest puzzle on Sunday. Puzzle Picker. ON OFF PÅ AV Sur De. Friday, May 14, 2021. by Caleb Madison. Thursday IF THE LAB-LEAK THEORY IS RIGHT, WHAT'S NEXT? If the Lab-Leak Theory Is Right, What’s Next? We know enough to acknowledge that the scenario is possible, and we should therefore act as though it’s true. About the author: Daniel Engber is EATING CICADAS IS GREAT UNTIL YOU TASTE THEM Eating cicadas just makes sense, even for someone like me, who’s been a stalwart vegetarian since basically the last time they appeared, in 2004. They’re a bountiful and easy-toJUNE 2021 ISSUE
Why Confederate lies live on, Black America’s origin stories, Red Cross quarantine ships, Brett Kavanaugh, and new fiction from Morgan Thomas. Plus the Appalachian Elvis, Richard Wright, post THE ROAD TO POLITICAL VIOLENCE About the author: Peter Wehner is a contributing writer at The Atlantic and a senior fellow at the Ethics and Public Policy Center. He writes widely on political, cultural, religious, and national WHY CONSERVATIVES WANT TO CANCEL THE 1619 PROJECT Nikole Hannah-Jones is an award-winning Black journalist. She is also one of the developers of the 1619 Project, a journalistic examination of slavery’s role in shaping the American present KIDS DON'T NEED MASKS OUTSIDE Although emergency-use authorization for the Pfizer vaccine was granted this week for 12-to-15-year-olds, kids in this age group and younger ones don’t need to wait for freedom through shotsTHE ATLANTIC
The Atlantic covers news, politics, culture, technology, health, and more, through its articles, podcasts, videos, and flagship magazine. POPULAR - THE ATLANTIC The Atlantic covers news, politics, culture, technology, health, and more, through its articles, podcasts, videos, and flagship magazine. THE REAL TWIST OF 'MARE OF EASTTOWN' The Real Twist of Mare of Easttown. In the HBO show’s finale, the impulses to care and to crime-solve collide. But the miniseries has thoughtfully explored how the two aren’t always mutually REPUBLICANS AGREE ABOUT VOTER FRAUD Conservatives have long complained about election shenanigans, especially in urban areas. Historically, there is evidence that major fraud once occurred, but changes toJUNE 2021 ISSUE
Why Confederate lies live on, Black America’s origin stories, Red Cross quarantine ships, Brett Kavanaugh, and new fiction from Morgan Thomas. Plus the Appalachian Elvis, Richard Wright, post THE COUNTRY IS ON THE CUSP OF A NEW ERA According to The New York Times, James will be sending two of her office’s prosecutors to join the team of Cyrus Vance Jr., the Manhattan DA. With this news, Donald Trump, those around him, and PODCAST: DEALING WITH POST-PANDEMIC TRAUMA Podcast: Dealing With Post-pandemic Trauma. The Atlantic staff writer Ed Yong talks with James Hamblin and Maeve Higgins about the ways,large and
THE ROAD TO POLITICAL VIOLENCE About the author: Peter Wehner is a contributing writer at The Atlantic and a senior fellow at the Ethics and Public Policy Center. He writes widely on political, cultural, religious, and national PHOTOS: CICADA SUMMER IS HERE Cicada Summer Is Here. Alan Taylor. 2:30 PM ET. 17 Photos. In Focus. In parts of the eastern, central, and southern United States, trillions of Brood X HOW PARKING DRIVES UP HOUSING PRICES At other times, it makes projects more expensive: In downtown L.A., parking usually costs developers more than $50,000 per space to build. Walt Disney Concert Hall, a cultural landmark that isSkip to content
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HOW JOAQUIN PHOENIX DISRUPTED AWARDS SEASON The recalcitrant star—who won his first Oscar last night for _Joker_—turned industry recognition into an opportunity.Sophie Gilbert
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Joaquin Phoenix has never been a fan of awards season. The things that lesser humans crave—praise, ritualized recognition by a roomful of your peers, the opportunity to wear an outfit for one night that costs more than a car—seem to leave the actor cold. “I’m just saying that I think it’s bullshit,” Phoenix told _Interview_’s ElvisMitchell in 2012
, as
critical appreciation and Oscars speculation for his role as the wretched Freddie Quell in Paul Thomas Anderson’s _The Master _were peaking. “I think it’s total, utter bullshit and I don’t want to be a part of it. I don’t believe in it. It’s a carrot, but it’s the worst-tasting carrot I’ve ever tasted in my whole life. I don’t want this carrot.” (Voters listened: Phoenix was nominated for an Oscar and a Golden Globe for _The Master_ but took homeneither.)
Put politics in perspective. Subscribe to Politics & Policy Daily for the biggest stories and most intriguing ideas across the political landscape. Email Address (required) Sign Up Thanks for signing up! Cut to 2020, though, and Phoenix—who claimed his first Oscar last night for his caustic performance as the damaged clown Arthur Fleck in _Joker_—seems to have made some peace with the repetitious hoopla of awards ceremonies by turning them into an opportunity, not an obligation. Since early January, when the actor took his first major award for _Joker _at the Golden Globes, Phoenix has been rehearsing variations of what he unleashed onstage at the Oscars: a passionate, shaky, emotional plea for justice and change.MORE STORIES
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_PARASITE _WON SO MUCH MORE THAN THE BEST PICTURE OSCARHannah Giorgis
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WHEN HOLLYWOOD’S POWER PLAYERS WERE WOMEN Naomi McDougall Jones*
NO ONE KNEW WHY EMINEM WAS AT THE OSCARSSpencer Kornhaber
Read: ‘Parasite’ won so much more than a Best Picture Oscar While political speeches are nothing new, the spectacle of such a hotly tipped favorite getting platform after platform to speak his mind so publicly has been notable. At the Globes, Phoenix added to thechaotic energy
of the evening with a rambling, profane, but heartfelt speech in which he thanked the Hollywood Foreign Press Association for introducing a plant-based menu in a nod to the realities of climate change, and spoke about the wildfires in Australia as an associated calamity. (“We don’t have to take private jets to Palm Springs,” he said, before being played off by the orchestra.) At the SAG Awards later that month, Phoenix acknowledged the absurdity of acting awards by using his whole speech to praise his fellow nominees and the lateHeath Ledger.
By the BAFTAs in February, the actor had refined his platform even more, delivering a potent analysis of what “systemic racism” in the entertainment industry costs, at an awards show widely critiqued for the whiteness of its nominees that year. He also acknowledged that he himself had been part of the problem by not insisting that the projects he worked on be inclusive. “I think,” Phoenix said, “that it is the obligation of the people that have created and perpetuate and benefit from a system of oppression to be the ones thatdismantle it.”
Phoenix’s first Oscars speech on Sunday contained all of these elements and more. The actor seemed uncomfortable at the applause he received. (“Hi. Stop. Hi,” he said, as the room cheered his win.) He briefly reiterated his ongoing objection to the idea that any one performance can be better than another. He expressed his gratitude and love for film, which, he said, “has given me the most extraordinary life.” But what acting had also given him, he added, was an obligation to give voice to the voiceless, and to speak to “some of the distressing issues that we are facing collectively.” Rather than speaking singly about racism or sexism or his long-standing activism on behalf of animals, Phoenix tied them all together. “I think at times we feel or are made to feel that we champion different causes,” he said, when, “whether we’re talking about gender inequality or racism or queer rights or indigenous rights or animal rights, we’re talking about the fight against injustice.” It was hard not to read the speech as the moment all his other podium petitions had been building toward—an opportunity for an actor who’s deeply uncomfortable with the manufactured rigmarole of awards season to turn it into something he could stand, all without seeming too ungracious for the honors beingfestooned upon him.
On an evening when not a single female director was nominated for an Oscar, and when Bong Joon Ho’s _Parasite_ made history as the first non-English-language film to win Best Picture, Phoenix’s speech seemed to articulate some of the complexities of progress. But he ended on a hopeful note about the possibility of change, with the most personal anecdote he’s offered this year. The actor briefly lost composure as he mentioned his brother, the actor River Phoenix, who died of an overdose in 1993. “When he was 17, my brother wrote this lyric,” Phoenix said in conclusion. “He said, ‘Run to the rescue with love and peace will follow.’ Thank you.” We want to hear what you think about this article. Submit a letter to the editor or write to letters@theatlantic.com.Sophie Gilbert
is a staff writer at _The Atlantic, _where she covers culture.Connect Twitter
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